Showing posts with label Monica Mody. Show all posts
Showing posts with label Monica Mody. Show all posts

Thursday, November 18, 2021

Zoe Tuck reviews Monica Mody's Ordinary Annals (2021)

Zoe Tuck was good enough to review Monica Mody's Ordinary Annals (2021) over at their blog. Thanks so much! This follows the lovely paragraph Lantern Review offered, as well, earlier this year. See Tuck's original post here. As they write:
It has become a commonplace to say that we are living in extraordinary times, although as Monica Mody writes in her new chapbook Ordinary Annals, “Everything was being shredded long before we noticed.” And yet, Mody’s title is unassuming. Ordinary: run-of-the-mill, quotidian—right? Still, the ordinary world, and her revolutions, are a marvel: “Every season that turns brings us back / to pitted dark, moon folding into sun.” Poets have a responsibility to record the revolutions of the world, hence annals.

The extra/ordinariness of our times—that is to say, the admixture of the unprecedented and the cyclical—gives a spiral shape to Ordinary Annals. Mody reaches for the extraordinary but is still “entangled with the world, that place / I become / me, ordinary / shattering into we.” Grief and weariness lead her to lay her body down (I think here of the Nap Ministry), enabling her to “connect with tendril, still—,” drawing energy from the hurt and beautiful earth to be reborn.

Mody lovingly but firmly critiques the desire to erase the specificity of our griefs:

Now don’t say,

We’re all the same
& love is the answer.

What does it take to attend—
not flinch—at different

trajectories of suffering?
Can we honor healing

histories,
their immense particularity

and is that love
rehearsing?


and elsewhere:

If through our gestures
we take away

another’s power
—enable colonization—

we fail
Earth & Waters.


She also critiques the impulse (imperative?) to ‘return to normal’ and repress our grief (since we can’t simply erase it) at the interlocking crises of our time.

Mody begins Ordinary Annals knocking into the glass walls of language: “I want to rise above my limitations.” What limitations? “I want to let bird shapes of words flock together into language that will / change skies.” Can language change skies? Mody writes elsewhere, “I’m just so sick & tired of being Poet” and in that moment it is because “losses stitch [her] tongue into clawed mouth” and another of the responsibilities of the poet is to sing the losses. I read into this not just despair for the losses themselves, but despair at not having been able to forestall them with the poet’s tool, language.

This desire to solve or resolve or memorialize in tension with another mode, that of, “rocking in this moment of undecidability, not becoming anything at all,” a formlessness that presents itself as a space of repose in between breaths or throbs.

Ordinary Annals is the work of a poet attuned to the entanglement of word and world, memory and moment, love and suffering. With her willingness to share her progress in language through “this time of grave despair,” Mody joins her elders in:

tell[ing] us of the many gates around the world that are opening
Gates opened by great white wings of love—of sorrow

Each gate points straight to our hearts
That place where broken

            realities are woven

She models her movement toward these gates for all of us ordinary would-be weavers “shattering into a we” and I’m grateful for it.


Sunday, September 19, 2021

Lantern Review includes Monica Mody's Ordinary Annals (2021) in An Asian American Poetry Companion: Fresh Books for Fall 2021

Lantern Review was good enough to include Monica Mody's above/ground press chapbook debut, Ordinary Annals (August, 2021), in their list of "An Asian American Poetry Companion: Fresh Books for Fall 2021." Thanks so much! As they write to introduce the post: "Even we find ourselves at the close of another challenging summer, Asian American voices continue to shine in print. Earlier this year, we celebrated the proliferation of spring Asian American poetry releases. Today, we’re excited to highlight just a small portion of the new and forthcoming works coming out of the AsAm poetry community this fall." Be sure to check out their full list! As they wrote of Mody's chapbook:
Monica Mody, Ordinary Annals (above/ground, August 2021)

Contributor (and past staff writer) Monica Mody’s newest chapbook, written over the course of the last year, reflects on the tumultuous events of 2020 and 2021 as the poet herself contended with the US’s notoriously thorny visa system. In her signature resonant and deeply grounded poetic style, Mody examines the limits of the body in all its many senses—as creative work, as organism, as site of protest, as political subject, as resident (of community, of nation, of habitat, of ecosystem, of Earth)—resulting in a prescient work that, in the poet’s own words, “falter(s) towards a ripple, a ground of healing.” A beautiful artifact of these difficult times, this lovely little handmade chap is not one to miss.

Wednesday, July 28, 2021

new from above/ground press: Ordinary Annals, by Monica Mody

Ordinary Annals
Monica Mody
$5


Trees still burn

at edge of consciousness,

gray. Ash

crinkles in gust.

Ash-sky marked us.

We are tangled with living

Earth. I keep trying

to find the rhythm of this poem.

Asphyxiated, in anguish,

it urgently wants to come out.

I need to breathe

but paper-thin parchment

somewhere within my lungs—

sky laid waste.

Mind wants to find ways

to make it better

but I am tired. I rest

into air.

Spirit of air,

ever-changing,

turning nothing into something

through simple action.

Brush us with your feathers

that we may yet return to forests

friends of fire.
                (“Ordinary Annals”)

published in Ottawa by above/ground press
July 2021
a/g subscribers receive a complimentary copy


cover image: “Heera,” Oil and powdered stone on Canvas, 2020
by Palija Shrestha https://palijashrestha.com

Monica Mody's poetry collection Bright Parallel is forthcoming from Copper Coin Press. She is the author of Kala Pani (1913 Press). Her poems have appeared or are forthcoming in anthologies including Extinction Violin: The Penguin Book of Modern Indian Poets, What is Time: An Anthology of New Indian Writing, Hibiscus: Poems that Heal and Empower, and &Now Awards 2: The Best Innovative Writing. Her poetry also appears in Poetry International, Indian Quarterly, Almost Island, Boston Review, and other lit magazines. She has been a recipient of the Sparks Prize (University of Notre Dame), the Zora Neale Hurston Award (Naropa), and the Toto Funds the Arts Award for Creative Writing.

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com