The Cat Hair Returns

Do you remember the first quilt show you ever attended? Or, the first show you ever entered?

My very first quilt was a blue sampler that I made for my mother. It was a large one, full sized and hand quilted. I entered it in the state historical society show, and won an honorable mention in 1979.  It was really exciting to get a ribbon on my first quilt.

Ann's very first quilt completed in 1978

At the time, I knew nothing about quilt shows, I'd never even been to one!  But the judge made a comment on the back of the ribbon that said, "Pet hair is distracting."

After that comment I thought to myself, "I guess I'll have to watch that when I enter another quilt in the show!" That was something I never even considered doing.

Eventually, when I had more of a studio to work in, there is a procedure that I follow. I always clean off my cutting table first, lay out the quilt, and go over it with a lint roller front and back.  This has always seemed to work.  I always mention that first judge's comments in all my lectures with good humor; in the hopes that it might convince others to check over a quilt carefully before going to a show, or be given as a gift.

Every time a quilt comes home after a show, I open up the box and admire it, and hang it up in my living room. Nine out of ten times my quilt will come back with little threads on it, that were probably from someone else's quilt!  How do I know that?  It's because the threads are always the wrong colors for the fabrics I used. Many times I wonder what famous persons' quilt they came from.  Had they touched?  Did they get to be friends?  Where do all these threads come from?  Do other people find them on their returned quilts too? This is truly one of life's mysteries.

Garden of the Sun God, (c) 2012 Ann Fahl

Late November, my beautiful Garden of the Sun God quilt came back from the IQA show in Houston. It looked beautiful when I opened it up. After finding the judges comment sheets, I sat down to look them over carefully.  (This can be either a very trying experience or a pleasant one.) Their comments were OK this time, but one of the judges took the time to write at the bottom, that I should use a lint brush to remove the pet hairs from the dark areas of my quilt!!! I had to laugh. Like other pet owners, I make an attempt to limit the cat hair in the house, but there is only so much I can do. I looked over the quilt, and I didn't see any Oreo hairs, but perhaps I have selective vision.

Here is Oreo helping to fold up a quilt.  Could this be the problem?

So I have come full circle in my quilting life.  The first quilt I ever entered in a show had cat hair on it; and the best one I've made to date--also had cat hair on it. And, probably the hundreds of quilts I have made in between also had cat hair on them. What can I say?  I do my best.

I hope this brought a smile to your day.
Ann Fahl

Where is the Art? My Opinion...............

White Coneflowers, by Ann Fahl, my first "big" prize winner!

So I've been home from the big show in Paducah for awhile, and have been re-evaluating what I've seen and where my quilts should be displayed in the future.  As I walked through the show this time, instead of being overwhelmed by all the amazing work; I realized that my work no longer belonged there. Why? This is my same old song.  I am troubled by the lack of good design in so many quilts at so many shows. Oh yes, there were some wonderful pieces in the AQS show, but there were some that were not. AQS has been very supportive of me and my work, so I'd like to make it clear that this is about my opinion on what I see in all competitions, not just in Paducah.

What direction is the quilting world headed? I've been asking myself this for some time now, and my answer is: I don't understand where it's going and I don't want to follow along; I need to take my own path. It is  important that my quilts are uncluttered in design with strong visual impact.

A Brighter Day, by Ann Fahl, the most prize winning quilt I have ever made

I love thread work, of all kinds, but quilter's have gotten all tied up with doing too much thread work and heavy heavy machine quilting--to the extreme!  We have forgotten that the original design of the quilt is the most important element, the thread work in whatever form, just adds texture and surface interest.  As we have gone overboard on the heavy quilting, so have the quilt judges.  They are impressed by the quantity and quality of the thread work and they seem to have forgotten to consider the overall impact of the color and design of the quilt FIRST.

In my opinion, the overall design should be the first consideration when judging, then the workmanship should be considered next. In other words, only those quilts with good design should be selected from the category, then the workmanship should be evaluated to determine which ones are winners.  It appears to me that the quilting/thread work is evaluated first and wins the judges consideration so the design qualities are overlooked. This would account for so many quilts with poor design winning at shows. Yes the quilting is totally amazing on so many of the quilts today, but it isn't the only part of the art form. Great quilting cannot make a poorly designed and conceived quilt-- a good one!

George's Garden, by Ann Fahl

Whether one makes traditional quilts or original designs, quilting is a visual art form. We must step back from our work, and examine its visual impact.  Does it have a focal point? Does something draw the viewer in? Is there balance in the composition? Is there contrast between the colors and elements of the design?  Is there something that unifies the design (ties the quilt together,) such as repetition of shape or color?

Orange Coneflowers By Ann Fahl

What can you do to improve the visual impact of your work?  Take photos of your work in progress or look at the quilt with binoculars backwards. Always use a design wall to design and view the progress of your composition.  Read books on design or take a class. Look through books, magazines and websites and see what you like best, and what is most appealing to your eye. We need to take a step or two back from heavy quilting and spend more time on the initial design, this is what should "sell" your quilt to your viewer or a judge.

A prize winning or a successful quilt should have both a well designed top and great quilting!

Amen.

Ann Fahl

Purple and Lime Green Discovery

One of the great things about the quilting community is that when we get together, we learn about new ideas and products.  Several weeks ago, I judged and taught at the NC Quilt Symposium in Raleigh. Karen Kay Buckley's room was right across the hall from mine, and we spent lots of time talking about the quilt world. She showed me her new signature scissors.

The first thing that appealed to me was the color of the handles!  Then I realized that they were large soft plastic that was comfortable in your hand. I had heard of special scissors that "grip" the fabric, rather than push it away from the blades. They have micro serrated blades that grab the fabric and make it easier to cut and trim.  The price is modest. $19.95 for the small 4 inch pair and 25.95 for the 7 1/2 inch pair. What a great gift for the quilter on your list or just for yourself. Here is a link.

I also mentioned that I was a judge for their quilt exhibit. Probably, I have just as many opinions about judging as most other people. That's why I wanted to become a judge. After years, I realized that there is no understanding why some quilts receive prizes at one show and nothing at the next!~ It will always be an enigma because it is such an subjective process.

At lunch, we did have fun together. There was a surprise hanging in the ladies room!

The esteemed judges in NC.  Karen Kay Buckley, Ann Fahl, Kathy Sullivan

Judges can have fun too!

Have a great Fourth of July.

Ann