A New Pair of Quilting Gloves

It has been a long time since posting a blog, and even a longer time since I've done any quilting. I have quilted since 1978 when I took that first quilting class from Nancy Simonsen. At the end of 2012, I retired from the travel part of quilting. It was killing me and I wanted to do other things!

But I haven't quilted for more than 2 years.  My husband got sick, and took my attention away from everything, except making sure he got good care.

I finished a huge family history project 2 weeks ago; a birthday present for my aunt. The last several months, it took every second I had. I started early each day, and worked into the evening, it
was hard to prepare for Christmas. While I was writing I kept thinking, it was time for me to work on a quilt, and decided that was going to be my reward, when the family history was shipped off to the "birthday girl."

Ann with the family history project, completed for her aunt.

After dropping off the book at the post office, I took the weekend off, then found a wall hanging that needed to be quilted.  I played for a day, on a sample to brush up my very rusty skills, chose the threads I'd like to use, put in a new needle, and found a new pair of quilting gloves.  The old ones were very heavily used! It was like getting on a bicycle that you hadn't ridden for years.  I just began.  Oh, it is so much fun.

My shiny new quilting gloves.

It feels good to be back.
Ann

The Order of Stitching

After all the pieces are fused into position, I work on the embroidery and applique next.  First I begin the with layer that appears to be on the bottom.  So I'll begin with the edges of the blue ginkgo leaf first.  Why?  Because I'm lazy, and don't like to spend lots of time back tacking and pulling threads to the back and tying them! If I do the bottom layer first, then another layer of stitching will eventually cross the ends, and hold them in place.  When I get to the top layer, then I'll have to do a minimum of stitching in place or pulling threads to the back.

Choose your thread carefully. I always use shiny polyester embroidery threads usually variegated ones. Remember that my name is Ann Variegated Fahl.  I love color change.  Unreel an arm's length of thread and let it puddle on the fabric.  Do you like it? If you aren't sure, do a little test stitching first on a scrap to avoid having to tear out lots of embroidery.

Note*  The photos below were taken after the quilt was finished.  However the the embroidery and applique were actually stitched only on the quilt top.

Closeup of Ginkgo Leaf, Florentine Edge Applique

The Florentine Edge Applique is a technique I have created using a free-motion zigzag stitch and a hoop. It gives a versatile wide edge treatment that I just love.  I have written a booklet on the subject of Applique, which gives complete instructions on this technique.  Or you may also refer to a 2013 article that I wrote in the American Quilter magazine fall issue.

Also in a hoop I stitch the veins in the lily pads. I've used a blue variegated thread for this.

Next, while I still had my embroidery hoop close by, I covered the cattails, ducks heads and bills with straight free motion embroidery. Then I basted the layers together, and will finish the rest of the details in the quilting phase of the quilt. Before I do more decorative quilting, I outline every shape in the center of the quilt with mono filament thread.

Here is Ethel. I've quilted her with a brown variegated thread. She has so many different fabrics, one thread choice acts as a unifying device. I've tried to quilt near the edge of almost every feather.

I had to use two different threads to quilt Norman.

I used a shiny white thread on the wings and slender white detail on his neck. Then I used the same variegated brown that I used on Ethel's wings.

Quilting in the pond.

I chose a light blue variegated thread to quilt the pond.  It is the same thread used for the Florentine edge applique. I love adding a little spiral here and there.  Once the middle is completely quilted then I stitch around the inner edge of the border and then quilt the edge.

Detail of the top edge of quilt

I used lots of curls and coils in the green background, using a blue variegated thread.  Then on the edge I stitched using a dark variegated combination thread on the border. 

I blocked the quilt, trimmed the edges and bound the edges.  You can see the finished quilt on my website.  On Ginkgo Pond.

Next time I'll talk about another ginkgo quilt.

Ann Fahl

A Change of Pace.... a new project

For awhile now I've felt like I needed to return to my quilting roots, to work on a hand project.  This sounds a little strange for a 'dyed in the wool' machine person like myself. But I'm tired of the rush and the push to finish projects fast. I want to be a slow quilter; savoring each stitch and enjoying the feel of the soft cotton fabric in my hands.

Before I ever took a quilting class, there was a beautiful red and green tulip quilt that used to be on the brass bed in the master bedroom at the cottage.  By the time I took that all-important first quilting class, I pulled it out of the closet and admired it, for the color choices and the good quilting stitches.

Sadly I realized that time had taken a toll on that quilt.  The green fabric was falling apart, and the red wasn't too far behind.  Someone folded up the quilt and stored it in the old trunk upstairs so it hasn't been seen or slept under for a long time.

Last time I was at the cottage, I dug it out of the trunk and asked if I could have it.  In its current condition nobody would ever want to use it!  So I brought it home.  I've purchased 5 yards of fabric to re-applique the blocks, by hand.

Red and green tulip quilt block to be restored by Ann Fahl

So I have begun what may be a lifetime project. Will it take a year or ten?  Who knows.  I've spent a little time each evening adding a new piece or two. This feels right. Why has it taken me so long to work with my hands again?  Next time I'll show you the quilt and tell you its story.

Ann Fahl

How Do You Quilt a Hockey Bag? part 6

The time has come to begin all the detailed quilting of my hockey quilt.  I've spent two days outlining all the shapes with monofilament thread. I outline everything using monofilament on top and in the bobbin, with a size 10 titanium topstitch needle. This stabilizes the entire quilt, and reduces the amount of shifting of the fabrics on the wool batting.

Now that the outlining is done,  I can play with the beautiful threads and doodle in the areas between the garden elements. But back to the question; how do you quilt a hockey bag?  This question has never come up before, so I went to my notebook full of quilting ideas and found one idea that would work.

This is the sketch in my quilting design notebook that I chose for the hockey bag.

I keep a notebook (3 ring binder) full of quilting ideas.  So when I need an idea I go to this resource.  This is the sketch of an idea that appealed to me. I used a rich variegated blue thread and it looks great.

I chose a rich blue variegated thread for the quilting on the bag.

Now, how do I quilt a hockey skate?  There is very little space to fill, so I chose a shiny gray thread and began a spiral where the ankle bone pushes out the side of the skate.  I just detailed the rest.

The hockey skate has been embroidered and quilted.

It's time for the sky. So I'm just going to play a little keeping the scale of the curls, coils and loops small.  There is very little space between the hockey sticks and other items to do much quilting.  I chose 2 variegated blue threads to use. The darker for the center and the lighter one for the 2 sides.

Thread choices for quilting the sky.

Here is a closeup of how the coneflowers are detailed and stitched.

Now all that's left is the  grass on the lower edge and the border.  Hmmmm what will I use for the binding? The binding is almost sewn on, here's a peek at how it will look.

Here's a look at the binding and the midnight variegated thread used for quilting the border.

 So it's almost done.  I already have an idea for my next quilt.

Ann Fahl

Needle UP? Needle DOWN?

That is the question.  Having a needle up/down option on your sewing machine makes the job of sewing so much easier.   Once you have the needle up/down option, you can never have a machine without it!

This is the needle up/down on my machine.

When I'm quilting on a piece, if I stop the machine to rest for a moment, the fabric or project can't shift on me if it is set for needle down. Then when I start sewing again, I carefully begin stitching slowly, working up gradually to my regular speed.  If well done, the starts and stops shouldn't show!

When quilting, I like to set the machine for needle down.

When doing free-motion embroidery, I guess it really doesn't matter whether the needle stops in the up or the down position. The starts and stops aren't as visible.

Piecing, is nice when the needle stays up. After each seam is finished, the needle is up and the pieces may be easily removed from the needle area and threads clipped. When I attach bias binding, I like the needle down.

If the project is applique I usually choose to have needle down. If I have to pivot at corners, or have smooth curves, it's nice to have it set down.

Especially when pivoting is necessary at corners, I like the needle to stop down

If you are sewing on a new machine, take the time to notice which way your prefer to set your machine for different tasks.  Then when you begin sewing for the day, set your needle position accordingly.

Caution:  I'd like to leave you with one caution on this subject. Never leave the needle in the fabric or project for long periods of time.  If you are finished sewing for the day, make sure the needle is up.  Should the fabric get pulled away from the machine it won't tear or rip your project.

Hockey project update:  I'm spending time each day doing the embroidery and applique on my Hockey Garden quilt. I still need a good suggestion for a title!  Any ideas?

Ann Fahl  

Hockey Garden part 4

To border or not to border that is the question............ I've been trying to answer this for the last week or so.  I've added a vine or two to the subject, just to add a little something more for the viewer to find.

Look closely under the helmet and purple coneflowers to see the beginning of a little vine growing out of the bag.

When I get stuck like this, and an answer doesn't come my way, then I feel it's time to take action.  A border will add focus to my crazy arrangement, so I know there will have to be one, even though it wasn't in my original plan. So rather than just sit and wait for inspiration to hit, I will play with the idea a bit first with fabric, then with photoshop.

I pulled out heaps of fabric to test for a possible border, I held up the black (a little too harsh)  and the blue (not strong enough..) Rather than cut strips of actual fabrics, I folded the large hunks of fabric into long narrow strips and pinned them on the design wall around the hockey piece.

Here is the piece with a black Photoshopped border.

I like the way the black pulls everything together, and makes the garden more of a focal point, not just a mass of stuff.  However I feel the solid black is a little too overpowering as a border.

Here is the piece with a blue Photoshopped border.

I like the blue better, but will it go in my son's apartment or office?  He has brown leather stuff. It still creates a strong focal point, without the harshness of the black.  So what to do?  I will have a diet Coke and slice of fresh lime and think about it.

Here is the actual border.

I found a wonderful denim-like cotton decorator fabric for the top portions, and used a mottled black fabric for the lower border.  It has an ever so slight masculine feel to it.  Voila!!!!  I've added a few more leaves, and pressed the hockey bag over the border and the leaves from the dandelions too.  I love it.  I can almost smell the scent of the gritty hockey equipment, but you will be spared that bit of realism.

Next week, I will begin the embroidery and applique.

Ann Fahl

TheQuiltShow.com Special Event

Ann, Alex Andersen, Ricky Tims on the day of the filming of Ann's episode.

International Quilt Day is just around the corner, and as a featured artist on a past episode of The Quilt Show, I wanted to let you know about a gift that Alex and Ricky have put together for quilters around the world.  

Beginning on Friday, March 15 through Sunday, March 17, everyone who signs on to The Quilt Show will have free access to over 140 of their internet shows, including my episode #111.  You can watch the shows, check out the tutorials, browse the gallery of over 19,900 member quilts, visit the forum for answers to the most burning quilt questions and lots, lots more. And if you missed my show, you can see it now. Filming this show before an audience was a very exciting experience!

There are prizes and all kinds of things happening that weekend for no charge.

So check in at www.thequiltshow.com on Friday, March 15, and enjoy the shows and exploring The Quilt Show website and all it has to offer!  And I’d love to have you view my show, episode #111.  All of my Oreo quilts will be there!

Ann Fahl

The Cat Hair Returns

Do you remember the first quilt show you ever attended? Or, the first show you ever entered?

My very first quilt was a blue sampler that I made for my mother. It was a large one, full sized and hand quilted. I entered it in the state historical society show, and won an honorable mention in 1979.  It was really exciting to get a ribbon on my first quilt.

Ann's very first quilt completed in 1978

At the time, I knew nothing about quilt shows, I'd never even been to one!  But the judge made a comment on the back of the ribbon that said, "Pet hair is distracting."

After that comment I thought to myself, "I guess I'll have to watch that when I enter another quilt in the show!" That was something I never even considered doing.

Eventually, when I had more of a studio to work in, there is a procedure that I follow. I always clean off my cutting table first, lay out the quilt, and go over it with a lint roller front and back.  This has always seemed to work.  I always mention that first judge's comments in all my lectures with good humor; in the hopes that it might convince others to check over a quilt carefully before going to a show, or be given as a gift.

Every time a quilt comes home after a show, I open up the box and admire it, and hang it up in my living room. Nine out of ten times my quilt will come back with little threads on it, that were probably from someone else's quilt!  How do I know that?  It's because the threads are always the wrong colors for the fabrics I used. Many times I wonder what famous persons' quilt they came from.  Had they touched?  Did they get to be friends?  Where do all these threads come from?  Do other people find them on their returned quilts too? This is truly one of life's mysteries.

Garden of the Sun God, (c) 2012 Ann Fahl

Late November, my beautiful Garden of the Sun God quilt came back from the IQA show in Houston. It looked beautiful when I opened it up. After finding the judges comment sheets, I sat down to look them over carefully.  (This can be either a very trying experience or a pleasant one.) Their comments were OK this time, but one of the judges took the time to write at the bottom, that I should use a lint brush to remove the pet hairs from the dark areas of my quilt!!! I had to laugh. Like other pet owners, I make an attempt to limit the cat hair in the house, but there is only so much I can do. I looked over the quilt, and I didn't see any Oreo hairs, but perhaps I have selective vision.

Here is Oreo helping to fold up a quilt.  Could this be the problem?

So I have come full circle in my quilting life.  The first quilt I ever entered in a show had cat hair on it; and the best one I've made to date--also had cat hair on it. And, probably the hundreds of quilts I have made in between also had cat hair on them. What can I say?  I do my best.

I hope this brought a smile to your day.
Ann Fahl

Fresh Salsa's Finale with Summary

The Border

We're at the end of the project. It's time to quilt the border. Again I have returned to that plan I drew up before all the quilting began. 

Ann's quilting plan for Fresh Salsa

 I doodled lots of things on the page but here's what I did for the border it is done in two parts.

Part one of the border.

I marked a curvy line in the border, dividing it roughly in half; with a silver pencil.  I danced (quilted) this area with leaves, spirals hearts and spirals. Then I went around the outside with some curvy lines that intersect the outside edge. This will make a nice flat edge when I block the piece and trim the edges.

Finished border.

The Binding

I found 4 different fabrics that might work for the binding.  It's always exciting to get to this point, because I know the quilt is almost done.  Put some careful thought into your fabric choice, because this is like a frame on a painting. Think of it as the sparkle on the edge. When you look at your top, do you want a contrasting edge or a subtle edge?  For me, it depends on the quilt and my mood at the time.  For more info on bias binding, may I recommend my booklet on binding.  You may think differently about it after reading the 28 pages that I've written. 

Here are the fabrics I though might work for the binding.

So which fabric won?  I thought it would be the green check on the left! The red/pink/yellow multi was too busy.The green/blue/red stripe was a decorator chintz looked great. I went out and purchased the small stripe on the right.  It had a sense of humor and pulled out all the colors in the top, but when placed on the quilt itself it was more pastel than I wanted.  So the winner is........the green decorator chintz.

Fresh Salsa, ©2012, finished and bound, 50 x 50 inches

Review:  hints for successfully quilting a pieced quilt top

• Always make a sample of machine stitching every time you have re-threaded the machine or changed something.
• Use the correct needle.  I prefer a topstitch needle.
• Find the darning foot that works best for you. You need good visibility and it must ride high enough to clear the thick areas where the seams meet.
• Reduce pressure adjustment on the pressure foot, check owner's manual for it's location.  I reduce the pressure to 0 on my machine.
• Darning feet do wear out.  If it squeaks you might lubricate the foot with a dot of sewers aid. With a small brush, remove excess lint which may be clogging the spring. If you've used the foot for a long time, it may be time to get a new one.
• Adjust the darning foot so it rides higher by using the wheel on the attachment, by bending the thin bar on top, or using Diane's method of adding an "0" ring to raise it up.
• Wear quilter's gloves to give good control of the quilt under the darning foot. 
• A SewSlip creates a smooth slippery surface for easy movement of the quilt on the bed of the machine. If you haven't tried one, they are worth the price.

Happy piecing and quilting

 Ann Fahl 

Quilting Fresh Salsa! part 1

Let the quilting begin.....................................................

Here is my sample flaming spiral.  I don't make pretty samples this is really how I work. Did you want glamour?

Let me tell you this quilt has been a challenge from beginning to end. Beginning in the center, I have planned on quilting a flaming spiral with red thread in the center.  Just to make sure, I practice on a sample first.

The actual flaming spiral in the center of the quilt. I like how the thread subtly blends with all the fabrics

The plan is to work from the center out.  I have taped my paper plan to my sewing table so I can refer to it as I move out to the next row.  This feels very much like following a cross stitch diagram or knitting pattern. So I continue to make small samples, change thread color where needed and keep moving outward.

Here is one of the first yellow arrow segments just outside of red center.

Quilting the yellow arrow segments began with a challenge. I wanted to try quilting it with the red thread, and after sewing one leaf, I realized the error of my plan.  The yellow variegated thread really worked the best.  Notice how it subtly emphasizes the leaves in the quilting pattern. I did the same thing in all four arrow segments.

Detail of dark variegated thread on the green triangles.

I worked around the next ring around the quilt, using yellow and red threads.  Then I got a chance to use the dark variegated thread on the green segment. I was very pleased with how it looked. It took quite some time to quilt my way out to the outer edges of the quilt.  I took my time, stopping for the day when I got tired.

I have found that when I quilt for extended periods of time I start to make mistakes and bad choices.  Since there is no deadline on this quilt, I can just take my time. This is a very relaxing way to quilt.

Along the way, I found that the darning foot was catching on the spots were all the seams come together. Since I have reached my limit of blog space, please see part 2.  Continue to scroll down.
Ann Fahl

Quilting Fresh Salsa part 2

Darning feet for Janome, the center metal foot is adjustable.

One of the monumental challenges I faced is what happens when the machine gets to an area where many seams cross. The foot would get caught on the "lump" and not move.  Then when I tried to force it I'd get a few huge stitches, which didn't look very good.

My goal is to create as even a stitch as possible. It stumped me for a little bit, and I realized why many quilters send their tops out to be quilted! Then I remembered that I could adjust my darning foot. (See image above, the center metal foot.)  All I had to do was spin the little wheel above the needle bar until the foot was high enough to just skim over the lumps.  It took awhile, but I found the correct level. For a complete blog on darning feet check out my earlier blog. For Bernina owners, Diane Gaudynski has a method to alter their darning feet check out her blog to read about this.

Altering the darning foot. If you have the above, clear style darning foot, many people find that it drags above the throat plate, even if the pressure on the foot has been reduced to zero.  This isn't a manufactured recommended procedure but it works:

• Remove the foot from the machine and slightly bend the little bar down (area shown below the arrow).
• To do this, turn the foot upside down, and firmly press the bar onto the edge of a table or something substantial to do the bending. Bend it just a little.  You will feel it "give."
• Do be careful, as you can damage the surface of the table when doing this. Your are responsible, not me.
• Re-attach the foot on the machine, if it is still dragging, remove and bend it a little bit more.

So much for darning feet, let's get back to the quilting.  I completed the center quilting by continually consulting my plan as shown in blog "Machine Quilting Fresh Salsa." This wasn't the fastest quilting job I've ever done, but I followed the map and finally reached  my destination.

Now it's time to quilt the border. How in the world am I going to quilt it?

Ann Fahl