Ustad Bade Ghulam Ali Khan - (From Radio Pakistan)

Bade Ghulam Ali Khan - (From the Archives of Radio Pakistan)

EMI - His Masters Voice - LKDR-1 - (No date)

Side A

A1 Raag Bhopali - Khyal in adachautala & Tarana in teen taal

Side B

B1 Raag Kamod - teen taal

B2 Pahadi - popular folk composition in Kaherva taal

"These three items were obtained from the original recordings made by Radio Pakistan and were edited under the supervision of Munnawar Ali Khan, able son of late Bade Ghulam Ali Khan"

This is what we can read on the record sleeve. However it is also true that this is a Pakistan pressing, and the time this record was made, it usually meant that the quality of the pressing was inferior to that of the indian pressings. The record is in mint condition only played a couple of times and it is still rather full of hiss and clicks because of the bad pressing. I usually don't filter much but I did a bit more for this one as I absolutely love Bade Ghulamn Ali Khan since the first time I heard him in back the sicxties when beginning to try to understand the rich traditions of classical singing. I find the Bhopali khyal to be most enjoyable even though there are some passages that strain the ear some. Fortunately the Kamod has fared a bit better and the pressing is not so bad for that piece. I hope you will enjoy it nevertheless for the good music it brings. I will post some more Bade Ghulam Ali Khan in the coming period so you will get to hear many delightful pieces by this great master!

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Bismillah Khan - The Soul of Shahnai

Bismillah Khan - The Soul of Shahnai

EMI India - ECSD-2833 - P.1979

Tracks

Side A

A1 Vignettes of Poorab Tradition - Kajri

A2 Vignettes of Poorab Tradition - Poorbi

A3 Vignettes of Poorab Tradition - Chaiti

Side B

B2 Melodies of Love - Raga Tilak Kamod - Jhaptaal

B1 Melodies of Love - Raga Jogiya - Tritaal

I promised before to post more Bismillah Khan! He is one of the musicians who more than many, over the years, since I first heard his mellifluous but never frivolous shenai in the sixties, that constantly have helped me in my life! The compassion and warmth that I feel emanating from his person and his breath through the reeds, have helped to clean both my ears and mind from the travails of this dusty world. To many listeners to the musics of this blog he needs no description, and the long artistic career beginning all the way back in the third decade of last century and spanning into the first of this one. Fortunately his recordings proliferated during the late sixties and early seventies as those recordings, to my ears are his prime ones. There certainly were many good recordings over the years to follow, although I think many of those had the Ustads shenai drowning by the sound of the "Party" and by poor mixing, where percussion was given too much prominence.

I will continue to post some more LP's of mostly indian pressings, and although almost all of them are still in mint condition, there is the occasional surface noise, some pops and other artifacts due to pressing technology of the times. I am not trying to filter or edit anything except pops and clicks between tracks. I may update some of the more valuable posts later if I get enough time to do any filtering and editing, but as it stands all my rips will be left as intact as possible! On occasion there is slightly more noise in the beginning of an LP-side but that often just goes away after a few seconds into the record.

The music is anyhow magnificent regardless and I hope you will enjoy this as much as I and his Excellency with whom I share my great admiration both for the person and the musician Ustad Bismillah Khan! And some more good news is that his Excellency has already committed some other items from his collection for me to share with you later on.

Ustad Bismillah Khan Sahib (Urdu: استاد بسم اللہ خان صاحب; March 21, 1916 ? August 21, 2006) was an Indian shehnai maestro. He was the third classical musician to be awarded the Bharat Ratna (in 2001), the highest civilian honour in India and gained worldwide acclaim for playing the shehnai for more than eight decades.

Bismillah Khan was perhaps single handedly responsible for making the shehnai a famous classical instrument. He brought the shehnai to the center stage of Indian music with his concert in the Calcutta All India Music Conference in 1937. He was credited with having almost monopoly over the instrument as he and the shehnai are almost synonyms.

Khan is one of the finest musicians in post-independent Indian Classical music and one of the best examples of Hindu-Muslim unity in India and had played shenai to audience across the world.He was known to be devoted to his art form that he referred to shehnai as his begum, wife in Urdu, after his wife died. On his death, as an honour, his shehnai was also buried along with him.He was known for his vision of spreading peace and love through music.

Khan had the rare honor of performing at Delhi's Red Fort on the eve of India's Independence in 1947. He also performed Raga Kafi from the Red Fort on the eve of India?s first Republic Day ceremony, on January 26, 1950. His recital had become a cultural part of India's Independence Day Celebrations, telecast on Doordarshan every year on August 15. After the Prime Minister's speech from Lal Qila (the Red Fort,) in Old Delhi, Doordarshan would broadcast a live performance by the shehnai maestro. This tradition dated from the days of Pandit Nehru.

[edited from the Wikipedia]

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