Supergirl #18 came out this week, the first issue post-
H'El on Earth and the penultimate issue before new writer Michael Alan Nelson comes on board. I was, of course, eager to read this issue to see just what the post-
H'El landscape for Kara would look like. Would she be vilified for her early alliance with H'El? Would she finally realize that Krypton isn't coming back? Would she be sad? Or angry?
Like
Superboy #18, some of the bigger plot points from H'El, some fallout from the arc, are ignored in this issue, hopefully just being put on the back burner. The biggest plot point, the K-poisoning that Kara is suffering, takes center stage. That plot point does seem to plug Supergirl more firmly into the Superman mythos and I applaud that move.
This issue isn't without its quirks. And that starts with the original solicits and the expected creative team.
You might remember that the first cover solicit was Supergirl crushing the world, the thematic opposite of the nurturing cover of
All-Star Superman #10. I talked about the original cover
here. That sentiment, an angry Kara squashing Earth, is nowhere to be seen in the issue so I am glad it got scuttled. Frankly, I don't want that image to be how Supergirl is written, drawn, or marketed.
And, despite being on the cover, Mike Johnson did not write this issue and Mahmud Asrar did not draw it. The writer is Frank Hannah. Apparently this is his first comic ever, at least according to comicbookdb.com. There are some highs and some lows here but overall a strong first issue.
The artist is Robson Rocha whose work I know best from his work on
Demon Knights. His work is fine-lined and very different from Asrar's. It works fine here.
As I said above, one thing that I like about this issue is that it starts to establish Supergirl as a part of the Superman Family. Before I get killed, I don't want Supergirl to be under Superman's control, subservient to Superman, or have her act as 'Superman in a skirt'. But there is no denying she is his cousin and she should run in the same circles that he does.
That immersion into Superman's world starts with her catching the attention of Lex Luthor. Inside this tesseract device, embedded in his eyelid, the imprisoned Luthor keeps tabs on the world with his underlings. It is a nifty idea, explaining how Luthor seems to know everything that is going on outside his four walls.
His 'generals' are an odd mix. 'Alphine' is this Ursula-like octopus robot-woman. Appex is the blue energy construct; he might be the Blue-K member of Vyndktyvx's Anti-Superman Squad. And the last looks like the General Eiling/Shaggy Man amalgam.
As for Supergirl, Luthor is intrigued by her Kryptonite-devastated condition and so he wants to keep a close eye on her, follow her treatment, etc. It seems just a bit off. Luthor pocketed Kryptonite "5 years ago" in
Action, created different colored Kryptonite waves, and created the Kryptonite Man. So he should know about how it works ... unless this is the 'worst case' of K-Poisoning he has seen.
Kara, in the meantime, is trying to burn the Kryptonite poisoning away. Standing on a satellite designed to focus yellow sun energy, she is bathed in energy.
And clearly she feels physically fine.
The captions here are a bit heavy but get the point across that she isn't only suffering physical from K-poisoning. She has been suffering mentally from all the loss in her life.
This treatment has been arranged by Dr. Veritas who I guess has taken the role of Emil Hamilton or Jenette Klyburn in the New 52. Despite Kara feeling wonderful, Veritas knows that this isn't a complete cure. Kara needs more testing. Kara objects and actually storms off, taking out a few robot drones in the process.
What I love about this scene is Kara's words in that first panel. She almost says she wants to go home before catching herself and saying she wants to head to Earth. It is the first time that we have almost heard her call Earth her new home. Sure, she hung out with Siobhan. But this means that reality is really starting to set in ... even if she backtracked. Nice.
What I didn't love about this scene? The complete absence of Superman, even by name. Couldn't there have been a line from Veritas saying 'Your cousin has been asking for you?' Or couldn't Supergirl have said 'Tell my cousin I will be in touch.' Or couldn't Superman have been there? The last image of the two in H'El was him cradling her in his arms. I just think this was a missed opportunity to again show their relationship was improving.
If that 'almost home' moment was my favorite moment of the book, this was my least favorite.
Karen Starr is watching news footage of Supergirl fighting H'El (of course which labels Supergirl as brash and unstable). And she wonders why she feels a connection with Supergirl.
She wonders why she feels a connection with Supergirl??
She WAS Supergirl on Earth-2. Of course she should be familiar with herself. This read really off.
But this also makes it sound like this is the first time that she has even seen Supergirl. We know this isn't true.
We know she has a grasp of this Kara. She doesn't want to meet her (as seen in
Worlds' Finest #6). And that small caption box implies it is something that she has thought about and has avoided.
So that curiosity about Supergirl by Power Girl just read wrong for me.
Kara ends up heading back to Earth and realizes that the K-poisoning hasn't been burned away from her body by the concentrated sun rays. While she feels incredibly powerful, she also has a bout of dizziness and lightheadedness as well as weakness.
In another classic comic book coincidence (like Plasmus robbing the same bank that Superboy is in), Supergirl decides to fly through magma flows underground. And, in her weakened state, she is surprised by the lava woman from
Superboy #3. Why she chose to fly through lava and just happened upon this woman is a question for the comic book gods.
In Superboy, this unnamed woman cursed all Kryptonians and so it is no surprise she attacks Supergirl.
And, weakened by the Kryptonite poisoning, Supergirl is defeated by this lava woman. But when troops show up to retrieve Kara, the Magmaid decides that escape is the better part of valor. Remember, she was a prisoner in a N.O.W.H.E.R.E. facility. She knows what might be in store for Kara and she wants no part of it.
This skirmish has been being watched by Luthor as well. Could Alphine be the 21st century Nasty Luthor?
And Karen Starr seems to be connected to Kara's condition. Once before, and now here at the end, when a surge of K-poisoning symptoms weakens Kara, Karen is effected as well. Hopefully we will have more of an explanation on this. I don't want them linked like the Corsican Brothers. I don't want them to 'short circuit' in each others' presence like they did early in the last series. So hopefully we hear just why this is happening here and why it hasn't been happening over the last months that both have been active on the planet.
So, overall, I think this was a decent issue. Yes, Supergirl stormed out of Veritas' care. But she also almost called Earth home. The fight scene is standard fare although it was nice to see Supergirl continue to fight despite being nearly incapacitated by the Kryptonite poisoning. The inclusion of Luthor and his generals into the story is a welcome addition.
The only moderate complaint was Karen's comments. Maybe I am reading it wrong?
Since we know that Michael Alan Nelson's first issue features Power Girl in her Supergirl outfit and Kara 'dying', it looks like this story will simply meld into Nelson's run. In some ways it keeps the title feeling seamless as we move forward. On the other hand, I would have loved a sort of epilogue issue by Mike Johnson, wrapping up his thoughts on the character.
Overall grade:
B
