Next stops around the Globe

Want to catch up with us outside of Brazil? Want to know what we're currently working on and need to ask us in person? Maybe you have some books to sign, or just want to share a little love for comics?

These are the following international trips we have ahead.

- May 9-10th - Stockholm international comics festival - SWEDEN

-May 23rd-25th- Denver Comic Con - USA

- May 28th-31st- Phoenix Comic Con - USA

Back to work, and see you around the world.

Helping you find us

In an attempt to help you find us, I have created a page inside our tumblr called "FIND US -APPEARANCES". I'll do my best to keep it updated, and I'm sure I'll end up missing something somewhere along the way, but it's a start.

Right now, there are only three events in there: The Salon du Livre in Paris, in March, San Diego Comic Con in July, and Comic Con Experience here in São Paulo, in December.

We'll have more french dates in March soon, as soon as we lock our little book tour for the french release of our new book, Deux Frères. I'll even put the dates for the brazilian release of the book here in São Paulo pretty soon.

We're in final talks about some other US conventions, so stay tuned.

If we bump into your hometown, come say hi.

The art hunts

Inspired by friends who did the same thing, and wishing I could do something fun to interact in some real way with many of the fans and readers that I have only reached virtually via twitter, instagram or facebook, I started an "art hunt" game during the last two big festivals I went. The first one, FIQ, happened in Brazil, in downtown Belo Horizonte, and I tested the waters for this game first there because I was more confident my brazilian audience would responde to it. Brazilians spend a lot of time on the internet (maybe too much time, in my opinion), so I decided a brazilian festival was a good place to start.



I did one drawing each day at FIQ, which is a five days long festival, so I had to find many different places for the drawings, and also I tried to make drawings that would always be worth looking for.
The one that took the longest to find was Jon Snow, hidden inside the beer fridge of the bar of the festival.

  


It worked out so nice that I did it again at Thought Bubble, the festival that happens in Leeds in the UK. I also did it daily, for three straight days, but this time, since it was my first time in that place, it was harder to choose where to hide the drawings. Two of the art hunts happened at night, since it gets dark at 4 PM around this time of year.
All the same, I think the english crowd also had fun, and all the drawings were found.


These two conventions happened in two consecutive weekends, so after that I was beat and had no energy left to continue my art hunt game during the four days I spent in London.

I had a great time doing this game, and I hope to do it again.

Don't open it yet

Not yet, anyway.
We're preparing some nice stuff for our next conventions and appearances. We have a great brazilian festival next week (FIQ), and "Thought Bubble" right after it. And, since "Thought Bubble is in Leeds (in the UK),  before we go back to Brazil we couldn't help but do a little something in London as well.
We'll post all the info soon. Keep your eyes open and let's rock the comics world.

2012 Around the world - part 2

We make comics, and we like to tell stories, because we love the medium and we really believe comics are a wonderful and unique special way to tell all sorts of stories. In recent years, more diverse comics have been made, seen, read and celebrated, and one of the greatest ways to discover what comics have to offer is by getting out of your hole and being open to the different.
The different is awesome, and it's all around.
That's certainly one of the best advantages, for us, to travel to conventions and comics festivals. Around Brazil, in the US, all over the world, nowadays you'll certainly discover one aspect of the comics world you just didn't know before every time you go to a comics festival. There's always that book, that artist, that panel, that event or simply that vibe that will inspire you and make you want to create that same awesome feeling in your work.
That's how we felt after going to TCAF, the Toronto Comic Arts Festival.

Very different from the Napoli Comicon, which in its own way were more similar to bigger more diverse shows like SDCC in San Diego, TCAF was a festival to celebrate creators and their comics. "Do your own stuff, make your own comics, have an individual voice", these seem like the mantra not only of the festival, but of all the exhibitors who travel from all over to show their new books in Toronto. And what wonderful work is being produced these days.
We were talking to Jeff Smith during the festival (he was another guest of honor, and we shared the opening event on Friday night, as you can see on video on a previous post) and it was just amazing the amount of new cartoonists, some much younger, and the raw energy they paraded around, as if screaming "my work is awesome and I just won't be ignored". If someday we hoped people believed comics were cool, and were the most wonderful job in the world, those cartoonist at TCAF believe it with all their hearts, and they'll fight for their comics, even if it's a Scott Pilgrim's kind of fight. Last year, at San Diego, I had the same great impression and vibe with Tr!ckster and both the creators and the audience who circulated on that wine bar for those days and nights: They were there brought together by their love for good comics, creating a serious place to discuss how to make the work better. But, if Tr!ckster were a store/bar/party place, TCAF was an entire festival with more than 350 exhibitors, half of them women cartoonists, and they were all loving to be there selling their comics. You felt the love, all around, and you were intoxicated with that urge to create something new, something fresh, something your own, and to share it with everybody around you.

And then there were the night parties.

(me, Cecil Castellucci, Jeff Smith, Bá and Kazu Kibuishi at the TCAFÊTE at Pauper's Pub)


Another important part of the whole festival experience, parties, dinners and night time activities are great so you can talk a little more with you friends from distant places, or you can make new friends and get to know new people who, in their own way, love the same things you love. Toronto didn't disappoint in this category, and the festival organizers threw very nice parties all three nights. Popping in and out of various places portrayed in Scott Pilgrim (both in the comic and in the movie) only made it feel like the never ending night life of Toronto (maybe I'm stretching it a bit) was tailored maybe for cartoonists and comics fans.
Just like in Italy, we left filled with joy, eager to tell new stories and completely inspired by the places we visited and the people we talked to, and I'm sure someday people will recognize a little bit of our canadian experiences in one of our stories. And, just like in Italy, we put together a small video to try to explain, or at least show, how TCAF is a festival every independent creator should go. It's that awesome (don't mind the subtitles, they're for our brazilian fans).

Thanks to Peter and Chris, for inviting us, and for Krystle and Miles and the entire Beguiling staff, for being really nice and helpful and awesome, and thanks for all the cartoonists we hung around during TCAF (Becky, Andy, Jeff, Kazu, José, Jason, Mark, Cameron, Bryan, Vera, Matt, Dustin, Emily, Nathalie, Clark and I'm sure many more I'm forgetting right now): if we keep doing the comics we love the best way we can, nobody can stop us.

2012 Around the world - part 1

The convention season has started for us, and it keeps reminding us how many people love to read and to do comics in all its forms and shapes. And the more different these conventions are, they show us how much the comics world can grow in all these different directions.

One page short of finishing the artwork on Casanova: Avaritia #4, our first convention was Quantacon, a small convention here in São Paulo which, in its fist installment, burst out with creative energy and all around happiness. Fun and interesting panels, great range of authors and their individual little booths, and a great amount of fresh new material. It's a great time to be a comic book author in São Paulo and the convention did show how much the city needs an event to put everybody together more often.

After that, Bá finished the last page of Casanova and we left for two international conventions.

First stop was Toronto, only for two VERY cold days. We were guests of honor for TCAF, so it was great to come to the city one week before the festival to get an idea of the city and where everything would take place. Since we were there, we went to visit the CN tower and we made a video calling people for the festival, which you can check out clicking here.

Then we left for Italy.

We went to Naples for Napoli ComiCon and had an incredible time. Everybody we met there were awesome people, from the cute frenetic loud-talker-guest-relations-organizer Viola, to mexican Artist Tony Sandoval, Swiss artist Frederik Peeters, canadian artist David Finch, almost all our italian editors, german artist Line Hoven and so many more. Claudio Curcio created a great festival that puts together everybody who loves comics, games, cosplay and pop culture and, on top of that, made it in Naples, which is an incredibly beautiful city in a very chaotic way. For me, big cities are fascinating, I love when a city has this kind of energy that oozes from the people, the rhythm and the chaos of any place where you can find any type of person, and you look around and you see history in every wall, every building, every hill with a dormant volcano. And all those scooters! The stuff we saw during our short stay in Naples will surely influence future stories, future characters and future situations.
Thanks to all the girls responsible for the the guests who took care of us and make sure we survived the incredible experience: Viola, Chiara, Alexandra e Giovanna.
Thank to our french editor, François Hercouet, who travelled to Naples just for one day to meet us and gives us copies of the just released beatiful french edition of Daytripper. Merci, François.
Thanks to Claudio for inviting us.
And thanks to Italy, for preserving its history in ways many (if not all) cities in Brazil don't even bother to try. We had an incredible time in Naples, and then visitng Pompei, and finally visiting Caserta and the royal Palace, the old medieval town and the incredible Caserta comicbook store, Comix Factory. Thanks to Steffano Perullo for the Caserta portion of the trip.
You can see some pictures of our trip clicking here.
Bá put together a video with images we made during our incredible italian trip. That's just the first offspring of our short italian love affair.



After Italy, we left back to Toronto and for TCAF, thinking there wasn't much Toronto could do to impress us more than Naples.

We should have known better.
(to be continued...)

Monday challengers

Way to start a monday, right? Comics to read, comics to write, comics to draw. And, all around the world, the notion that something you did is being read.

Hubert Pacheco (or Hub, as he signed his email) is a photographer from Manila, and gets his comics at the same Planet X comics store that Danry, our first Challenges, goes to. Because he already had all the individual issues of the mini series, he decided to improvise on the challenge picture. Nice work. The comic he's reading in the picture is a printed version of the webcomic he's doing with his friend Teddy, called Work in Progress, so I'm including the link for those curious to check it out.

Alan Hess got his copy of Daytripper, and mostly all of our previous work. He's a fan from Boston, so he might be glad to know we'll attend the Wizard World New England Comic Con in September 17-18th.

Ryan Claytor got his copy at 21st Century Comics in East Lansing, Michigan, right on the first day it hit the stands. For someone so fast on the draw that day (look at his flash-like pictures), he sure took his time to send us a picture, but I'm glad he did.

Finally, Taylor Pithers sent this from London via twitter. A pure act of unthinkable impulse, typical of twitter.

We're three weeks away from out first big trip, our convention trip to the Lima Comics festival, in Peru, so we'll need to focus more on the working and less on the blogging to get all this stuff that needs doing done in time for the trip. February is over, and it's time to switch gears in our production speed.

Thanks for all of you who sent pictures, or who reads the books or who love comics. All of the above, separately or together, are enough reasons for us to keep doing what we do. We like to tell stories and we're happy to have people to tell them to.

Back to work.

Crack Bang Boom around the corner

Here we go.

NYCC here we come

Here we go. Our new monster arrived and we're almost ready to go. Not yet packed, not yet finished with half the Casanova pages Bá is doing, but we'll get there. We always do.



On the above image, I think I remembered all the information about our NYCC trip. Inside the Javits center, at least. I'm not going to list all the pages and covers we'll bring, stop at the booth and check them out (they look nice).
We'll be at the CBLDF welcoming party on Thursday night, and on a Dark Horse party at St. Mark's Comics on Saturday night.

Below, the basic info about our new comic:


ATELIER
by Fábio Moon and Gabriel Bá
40 pages
US$ 3

I'll leave you with some preview images from the book, and I'll see you soon.

ATELIER and the time machines

It's hard to keep secrets. What's the fun of knowing something only you know? You gotta tell someone, let somebody knows how special you are for having a secret, and how special the other person is if you decided to share that secret with him/her.

At the same time, we do comic books and, as such distinguish creators, we practically live in a cave when we're working, so while we're actually working, it's very easy to work and keep it secret. Comic book artists are crazy scientists creating time machines or interdimentional portals inside their studios, and at some point in the story, we reach the moment for that surprise turnaround scene where we see the scientists actually built two machines instead of one.

We've reached that moment.

We started doing this two months ago, when we were thinking about our convention trips to NYCC in New York, CRACK BANG BOOM in Rosario, Argentina, and Rio Comicon in Rio de Janeiro. We realized we didn't want to go to three conventions in three different countries where three different languages were spoken and have nothing that could be presented, read and understood at all three. We travel to talk about comics and to meet the readers, sure, but the primary point of interest in the comic's world is the work, and we wanted to have work to show (we always want to have work to show and stories to tell). In the spur of the moment, we decided that, in one month, we could crank out a new comic that by the power of comics could work in three different languages, and if we could finish it in a month, we could send it to the printer and have in ready in time for our first stop: New York.

One month later, we were calling the printer to check out if they got the files.

What else can I say?



It's at the printer, and should be ready any moment now. And then it will be real, in my hands, and soon enough. in yours. That's how's supposed to work, and it's the beauty of it. We've just built another time machine and it's time to put it to work. Can you feel the turning point coming?

Now, it's great to have friends, specially if they're in the crazy scientist profession like ourselves, because it's always better, when you're alone at night drawing endlessly and with little to no hope, to know that, if you look through the window at the tower of your friend's castle, lightening bolts and explosions can be seen, heard and felt, and you know that, by the time you finish your monster, there will be a monster friend to keep it company.



As we pack and get ready to travel with our new comic, we know that we'll be in great company as we saw our friend Gustavo Duarte produce his second comic, also in the dead of night, also in secret (not really, but let's keep playing our roles), and also in time for NYCC, where he'll share a table with us to present the world TAXI, his brand new thing. Let me tell you, it's beautiful, but don't believe me and go see for yourself.

We'll be at table F4-F9 on a giant booth at artist's alley, along with Ivan Brandon, Rafael Albuquerque, Ariel Olivetti, Andy MacDonald, Leandro Fernández and the incredible Becky Cloonan. we'll have copies of ATELIER, CASANOVA, and stuff. Fun stuff. Check it out.

See you in a week, or in another convention, or soon.