Showing posts with label art equipment. Show all posts
Showing posts with label art equipment. Show all posts

Monday 24 September 2012

The Best Sketching Chair - An Update

This is an UPDATE about the availability of the Phillips Folding Chair which I use for plein air work.  I've written previously about it
I cannot recommend this chair highly enough for people who want a very good quality chair which will be robust, reliable and longlasting.
My Phillips Folding Chair on a trip to sketch Walden Pond in Massachusetts in 2006
A Reader's Query

This morning I got an email from a reader of Making A Mark which asked as follows
I've followed and loved your blog for quite a while. Now I have the opportunity to do a 10-day workshop pastel near Avignon in Oct. 2013 and am looking for a portable, comfy travel chair with back support. On your "what I pack when I travel" post you mentioned such a chair. Please can you share the brand? I'm in the U.S. but perhaps could find it over here.

I took a look at the two links I'd previously provided to supplier in the references above and found that neither now led to a live website - partly because both suppliers have updated their websites!

Here then is an update which goes along the lines of first the bad news and then the good news.

I'm setting out the situation as per the different suppliers I know have had it in stock in the past

Green & Stone

This is how Green & Stone list the chair on their Portable chairs and stools page

Phillips Folding Chair
This product is currently unavailable
Lightweight metal frame with strong canvas seat and back. Two heights
 
Lo Luxe Chair | Weight 1.48kgSeat height : 40cm62.30
De Luxe chair | Weight 1.6kgSeat height : 45cm63.25

That means they do NOT have a folding chair with back support in stock.  They do however have three stools by Phillips available.  I'd certainly recommend Phillips as a good quality brand if you can get on with only having a stool.

Heaton Cooper

Since I last wrote about this chair Heaton Cooper have introduced a super duper new website for art materials and supplies.  This has a Seat Easels, Chairs and Stools page.  This does not have my Phillips Folding Chair - in its original incarnation - either.

Phillips Bag Chair - available at Heaton Cooper
However what it does have is the Phillips Bag Chair - listed as costing £54.50. The product description indicates the following:
  • Tubular aluminium frame, compact and easily portable with a shoulder strap.
  • Spacious integral bag with zipped side pocket.
  • Seat height 18 inch (46 cms), In green Cordura fabric
Which means it keeps the tubular aluminium frame and the green cordura fabric (which is very strong).  The seat height is slightly higher (presumably to accommodate the bag).

I can't find any other supplier online for this product - so if you're after a very reliable sketching chair with a back, then I suggest you give this product a review. The Heaton Cooper Website also allows you to Send To A Friend | Add to Wish List if you want to bookmark this for future reference.

If you balk at the price, I'd just comment I have taken mine on several long haul international trips involving all sorts of carriers and apart from arriving a day late (to my door) on both American trips, it has had absolutely no mishaps.

and finally......

You too can ask me a question and I'll answer it to the best of my ability - or refer you to a person who can!

Thursday 14 June 2012

Studio Product: IKEA ALEX Drawer unit with 9 drawers

This is what the IKEA ALEX Drawer unit with 9 drawers looks like for those reading the comments on my Review: IKEA Alex Drawer Unit for paper storage.  This item has already found a useful place in artists' studios.

ALEX Drawer unit with 9 drawers, white 
UK - Article Number 501.928.22 £81.99
USA - Article Number 501.928.22 $119.00
Specification

It's made in the same way as the Alex Drawer Unit on castors (which I've reviewed) - except it's not mobile.  The dimensions when assembled are
  • Width: 36 cm (14.1 inches)
  • Depth: 48 cm (18.9 inches)
  • Height: 115 cm (45.2 inches)
Looking at it online, here are the pros and cons from my perspective

Pros

  • a very useful item for any studio given the size of the drawers.  
  • looks ideal for storing pencils, pastels, paints, other media and smaller sizes of paper
  • Also has space for all those odds and sods of equipment we have to keep on hand for matting, framing etc.
  • small footprint - ideal for studio areas where there are space constraints
  • scope to match the Alex Drawer Unit - same depth and same design.
Cons
  • deep - deeper than most bookcases (35-40cm) but not as deep as many standard kitchen items (60cm)
  • very vertical - which means it will need fixing to the wall to be safe, especially if young children are around 
  • no castors and not mobile - which means you need to find a spot and keep it there.
We recommend you secure this furniture to the wall with the enclosed safety strap to prevent it from tipping over. Different wall materials require different types of fasteners. Use fasteners suitable for the walls in your home (not included).IKEA

Sunday 10 June 2012

Review: IKEA Alex Drawer Unit for paper storage

IKEA - Alex Drawer Unit on castors (white) 
Article Number : 401.962.41
This is a review of the IKEA Alex Drawer Unit on Castors - which is my second IKEA purchase as part of the "let's try and store everything better than hitherto" campaign.

I've been storing paper for artwork and works on paper in portfolios for ages and frankly, the number of portfolios was getting very difficult to manage both comfortably and aesthetically!

I have long wanted a plan chest in theory however:
  • they mostly tend to be size A0 or A1 and that's much bigger than I want to house and much bigger than I actually need
  • if big they become incredibly heavy to move when full - plus you need to start thinking about floor strength!
  • they're not that easy to find
  • most would look good in an office but less good in a home
  • if you do find them, they're very often fairly expensive
Which is why, when I spotted the IKEA Alex Drawer Unit on castors in IKEA, I was so very pleased that at long last it looked like I might have solved the problem of what to do with all that paper.

The bottom line - I was right.  With one caveat - I actually need two!  Here's the review.
  • If you want to check paper sizes - take a look at the chart at the end
  • If you've created paper storage or reviewed another purchased product providing storage for art paper please leave a comment and a link to your review

Product: IKEA: Alex Drawer Unit on castors (white)

SUMMARY REVIEW:
  • Ease of Assembly: Not overly complicated however you do need 2-3 hours and to be very focused on what you’re doing while assembling it. 
  • Quality / Robustness: It’s particle board not wood. That said it’s good quality and the unit feels robust when finished
  • Functionality: The drawers take large quantities of paper and all move really easily even when full. The castors work well on carpet and the whole unit can be moved easily. This enables the unit to be placed it in front of items you use only occasionally 
  • Value for Money: Very reasonable compared to alternatives - UK Cost £85 plus delivery charge. (USA $119) 

Technical Details:
  • size: 
    • Width: 67 cm / 26 3/8 " 
    • Depth: 48 cm/ 18 7/8 " 
    • Height: 66 cm / 26 " 
    • drawers are designed to take paper up to size A2 with space to spare 
  • material
    • Basematerial / Drawer front: Particleboard, Acrylic paint, Melamine foil, ABS plastic 
    • Bottom panel: Particleboard, Melamine foil, ABS plastic 
    • Back panel: Particleboard, Melamine foil, Melamine foil 
    • Drawer back / Drawer side: Particleboard, Foil 
    • Drawer bottom: Fibreboard, Acrylic paint
  • colours: available in white and blackweight: 32.4 kg
  • weight: 32.4kg

Who should buy this?
  • artists who work on paper 
  • artists wanting to increase their flat storage capacity for paper, mountboard and completed artwork 
  • pencil artists needing a neat storage solution for the home
Who should not buy this?
  • people wanting flat storage for whole sheets of watercolour paper and mountboard
Highlights:
  • large capacity 
  • draw width enables storage of smaller paper/works in two stacks side by side 
  • drawer mechanism makes drawers run very smoothy 
  • castors make it easy to move around 
  • visual instructions are very helpful - and you can download the Alex Unit instructions before you buy 
  • easy to make up - one person can do it - but you do need to concentrate during assembly. It took me about 3 hours working slowly and carefully (I only made one mistake and that was easy to undo!)
Think Again?
  • if you want to store full size sheets of watercolour paper or mountboard you’ll need something bigger 
  • if you’re not good at using a screwdriver or DIY find a relative or friend who is - and be nice to them! 
  • The USA version indicates the drawers are designed for letter size papers. They are in fact much bigger than this - see paper sizes chart at end
Manufacturer / Distributor:
  • IKEA - their website http://www.ikea.com/ helps you find a store near you. 
  • Plus you can order online (but will need to pay a delivery charge)
Suppliers:
  • only available new from IKEA
A series paper sizes compared to Letter and Legal Sizes

Wednesday 7 March 2012

Derwent Carry-All (product review)

This is a preliminary review of the NEW Derwent Carry-All which I have yet to take out with me.  This review relates to what it comprises, how it's made and what I can and cannot get it in it.

Derwent Carry-All
(left) front view with shoulder strap attached
(right) opened up showing web pocket for accessories and pencils in a "leaf"; 
space for sketchbook is underneath the pencil leaves
(note: it doesn't come with any art materials - it's just a very big empty pencil case on a strap)

I think the Carry-All has distinct potential but for me it's a "near miss".  I'm awarding it a B+ for a good effort but could do better. 

The reason why?  Two reasons
  • I'm confused as to who it is for
  • My personal preferences for what I need - I think I would have been tempted to use it an awful lot more - and hence liked it a lot more - if it had just been 25mm taller.  I'll explain why.
I think the dimensions for this carry-all probably started with 'the pencil'. In that context it’s size makes complete sense as it’s well set-up for carrying pencils and I can imagine it will be a very useful bit of kit for those attending classes and workshops.

However if you started from the perspective of who else might want to use it then I think Derwent might well have given some more thought to the size.  It’s not big enough to take an A4 sketchbook or most panoramic sketchbooks so one’s limited to carrying an A5 size sketchbook or a smaller Moleskine sketchbook.

The size aspect is what’s going to limit my use of this holdall.  I was ever so disappointed as I tried every which way to get my A4 sketchbook into it.  That's because if I'm using a smaller sketchbook I then also downsize how many pencils I carry around with me.  I can get a small sketchbook and mini pencil wrap in my handbag.  (see Making a Mark Reviews: Product Review: Derwent Pocket Pencil Wrap 24 May 2010)

Here's the breakdown of what I found.  I'll also report back once I've used it 'in the field'.  I'll also be asking Derwent about the size issue as the Carrry-All I have is nothing like the dimensions on their website.

Product: Derwent Carry-All
Summary Review: It's a well-made rather large pencil holdall on a strap.  I find this product promising but confusing. I’m not clear who the target consumer of the carry-all.
  • Storage emphasis: It’s great for people who want a good way of keeping their pencils and other bits of kit neat and tidy and all in one place at home.
  • Mobile with pencils: It’s great for those who just want to carry a lot of pencils and a bit of extra kit around from A to B without lugging a great big pencil box or tin around. However if that’s all they want to do then I’m puzzled as to why the Derwent pencil wraps - which take 30 pencils each - would not work better?
  • Sketching: HOWEVER It’s undersized for the serious sketcher and oversized for a small sketchbook or anybody with a more minimalist approach.  If this bit were fixed it would still serve the other two pencil uses equally well.
Technical Details: The Derwent Carry-All is described as “a pencil storage solution” with the scope to store “up to 132 pencils and more”.
  • size: the product details tell me it should measure 8" square and 6.5" deep (220mm x 220m x 170mm) which would make it an ‘almost’ cube. HOWEVER the one I’ve got is 220mm wide, 275mm high and 130mm deep - so I’m now wondering if there are different sizes. (Mine is 25mm short of an A4 sketchbook - very frustrating!)
  • material: made of a sturdy grade of fawn canvas (same as that used for the pencil wraps); the trim is dark brown. Feels robust.
  • strap: optional shoulder strap in fawn/dark brown canvas. The strap clips are diagonally opposed and not fixed to the centre of each side as that’s where the zip goes. I’d have liked a more padded shoulder grip
  • hand grip: comfy padded carrying handle/grip with velcro fasteners (if not using strap)
  • pencil storage: product details say it comes with 3 pencil “leaves”; each one is supposed to be capable of holding 44 pencils. Mine came with just 2 leaves and I think I can get 24 pencils in each side (2 per elasticated slot) making 48 pencils per leaf and 96 pencils in total. I guess the scope to hold “up to 132 pencils” is related to the three leaves it’s supposed to come with
  • exterior pocket with velcro tab
  • Interior web pocket - big enough for incidentals (erasers, sharpeners, viewfinder etc)
  • Interior elastic band - looks as if was designed for a very fat sketchbook. Too big to hold my Moleskine secure.
Who should buy this?
  • people who sketch (but work out when you’d use it first)
  • pencil artists needing a neat storage solution for the home
  • pencil artists attending workshops
  • suitable for all makes of coloured pencils - I tried them all!
Who should not buy this?
  • people who like big sketchbooks
Highlights:
  • appears to be robust materials and well made
Think Again?
  • decide first what method of transporting pencils works best for you and your own personal needs
Manufacturer / Distributor: Derwent / Cumberland Pencil Company
Suppliers:

Interestingly it's also big enough to take an iPad - but then if I was sketching with my iPad I wouldn’t need the pencils! :)

Saturday 28 May 2011

Places to buy Pochade Boxes in the UK

In my new guise of "about to start learning to paint in oils" (see Learning how to paint with oils in Provence),  this is a quick reminder for me of the places in the UK which sell Pochade Boxes online. 

Julian Large Paint Box
There's nowhere near as many places as there are in the USA. However these ones looked like they'd be worth investigating.
These all vary in size and design but all work principally to the same principal of providing a compact way of providing a way to paint plein air at the time as transporting paints, brushes and other relevant material.
    You can see a video of the very small Julian Pochade Box below


    Note also that Julian also sell in Julian - Accessories
    • a carrying case with adjustable dividers
    • the hard to find painting umbrella

    Wednesday 25 May 2011

    Prismacolor announces new Scholar colored pencils

    Prismacolor have just sent me an email announcing they have introduced a new line of art media for aspiring artists with the brand name Scholar(TM)

    Three points which any aspiring artist needs to bear in mind

    1. It's good to have more economical supplies available for children and those who aspire to be artists.  That's the way a lot of artists start - with lots of drawing in colour when they are younger.
    2. Serious artists will appreciate that serious art requires professional quality supplies and they need to move beyond a student range.
    3. Student ranges and professional ranges also don't work in quite the same way as their composition differs (ie there's a reason for the price difference!).  This often means needing to relearn how you use your pencil as you graduate from student level to professional level pencils.  Many people are amazed at the difference
    new Scholar(TM) products

      The new Scholar(TM) range by Prismacolor comprises
      • Scholar Colored Pencils: The Scholar Colored Pencils contain harder cores designed for the developing art student and crafters, but they are still soft enough to learn blending.  The range also includes new erasable coloured pencils
      • Scholar Art Markers: Scholar Art Markers are easy to use, water-based ink markers ideal for idea development, rendering and mixed media. Available in both a brush and bullet tip.
      • Scholar Graphite Pencils: The Scholar Graphite Pencils feature a specified range of hardness for shading and detail line drawing for the aspiring artist.
      New Scholar accessories include
      Now - obviously - I haven't seen of these products.  Comments are based on known issues with existing pencils.

      My final point - I'm left wondering how much this new range might cannibalise existing use of Prismacolor pencils which has been declining of late as more people become aware of other quality options.

      Sunday 15 May 2011

      Product Review: Daylight Professional Artists Lamp

      Daylight Company: Professional Artist Lamp
      Jana Bouc (Jana's Journal) has done an independent product review on her blog of the new Daylight Professional Artists Lamp made by The Daylight Company in the UK.

      I've used The Daylight Company's daylight bulbs for years (even to the point of favouring art stores which stock them!).  This particular lamp is one I had already highlighted on my Art Equipment - Resources for Artists website - purely on the basis of my experience of their product quality over the years.

      I was really interested to see what an American artist made of the lamp.  The important point is that Jana is a person who is most concerned about having good light
      I’d bought and returned many other “full spectrum” or “daylight bulb” lamps in the past that were total failures because the light was too weak, too blue, or both.
      It's very evident that Jana is very impressed!

      Hence I've created a summary review below based on:
      • the technical product specification and 
      • the review done by Jana Bouc
      • this is being updated as additional comments are received
      Do check out:

      Summary:  "The difference is amazing" - recommended by Jana Bouc
      Technical Details (as per website's technical specifications)
      • 360° head joint to direct the light exactly where you need it
      • Bright 18w Daylight™ tube (100w equiv.) reduces eye strain and glare 
      • Flexible arm and multi-position joint allow easy positioning
      • Supplied with two clamps
        • Easel clamp: Attaches to all floorstanding metal & wooden easels up to 5cm/2" thick
        • Table clamp: Attaches to all tables and work benches up to 5.5cm/2.25" thick
      • Height: 50cm (19½ inches)
      • Weight: 2.4kg (5½ lbs)
      • Arm length: 70cm (27½ inches)
      Who should buy this? 
      • artists producing studio paintings/drawings
      • artists working at a studio easel
      • artists working with a table easel
      Who should not buy this?  
      • plein air artists who do not work in the studio
      Highlights:
      • light quality is amazing according to Jana and helped her create better colours in her paintings
      • fully adjustable - works well
      • can be used for painting and for photographing paintings
      Think Again?
      • availability of replacement light bulbs via some suppliers (see comment received)
      Manufacturer / Distributor:  The Daylight Company Ltd, 89-91 Scrubs Lane, London, NW10 6QU.
      Phone:  020 8964 1200  |  Fax  020 8964 1300  | email  info.uk@daylightcompany.com
      The Daylight Company was created in the early 90s and is now the market-leading brand of speciality lighting technology for the hobby industry across Europe.  It aims to become the No.1 brand for Craft Lighting.
      Suppliers:  Full price it retails at £109.99 / $159.99 (May 2011 prices) however it's possible to buy it for less.


      For those who love the technical aspects you can also refer to their FAQS section (click the links to go to the FAQ):

      All you always wanted to know about lux, lumens, spectrum, CRI, SAD...

      Saturday 30 October 2010

      How to create a Lazy Susan Coloured Pencil Holder

      Lesley Crawford's Lazy Susan Coloured Pencil Holder
      courtesy of David Crawford, Janie Gildown and Barbara Newton
      all photos copyright Lesley Crawford
      This post describes yet another way coloured pencil artist Lesley Crawford has found to store her art materials.  Earlier this month this blog has a post about Storage for Unison pastels.  This post is about how to create a "Lazy Susan" pencil holder for coloured pencils.

      How many times do we see great ideas for helping us sort out our studio in books?  But do we all put them into practice?

      Like many coloured pencil artists, Lesley likes to have all her art materials and storage sorted while working in her studio.  She used to have problems with tins and boxes of coloured pencils all over her desk.  They took up too much space.  Plus she also didn't like the way she had to shuffle through pencils bunched together in jars, especially when the shorties fell to the bottom!

      Then she saw the Lazy Susan Pencil Holder - as pictured in the Colored Pencil Solution Book by Janie Gildow and Barbara Benedetti Newton.  She asked her husband David if he could work out how to make the pencil holder from the picture!

      This is her explanation of how it came about once David had studied the picture and worked out how to make it.  Thanks to Lesley and David for both the story and the pictures - and thanks to both Janie and Barbara for the inspiration!

      Instructions for Making a Lazy Susan Pencil Holder
      Here's the instructions for making a pencil holder.  It's very simple to make.

      The starting Point - a wooden Lazy Susan

      Materials:
      • Lazy Susan (a circle of wood on a small circle of wood joined by ballbearings so that it spins round - available from kitchen shops).  The one we bought is 14 inches in diameter - see right.
      • Timber 35mm x 14mm - from DIY stores, very cheap.  Usually comes in lengths of around 2 metres.
      • Small hinges and screws
      Tools:
      • Saw
      • Drill and bit
      • Screwdriver
      Instructions for how to make a Lazy Susan Pencil Holder
      1. Cut the timber into 165mm lengths.  (Please note that this is what fitted my lazy susan.  If yours is a different size you need to adjust this measurement)
      2. Choose a drill bit that is slightly larger than the diameter of your pencils.  Put a piece of tape around the bit 30mm from the tip - this will prevent you drilling through the bottom of the wood, and will make all the holes consistently deep.  Drill one hole and check that a pencil will fit, if it is tight then use a slightly larger bit.  Drill a line of holes along the narrow side of the wood, with a slight  space beween each one - I got 14 holes per strip.
      3. Join two pieces together with a hinge as shown
      4. Make as many units of two pieces of wood as you need.   
      5. Sort your pencils out as you want them to be arranged, and write the names  on the wood with indelible ink - ballpoint pen fades over time.
      Paired strip joined by hinge - open to show the names of the pencils
      Paired strip folded and sitting on top of the Lazy Susan
      - and the  Pencil Holder has started (repeat as required)
      This then held all my original set of Derwent pencils.  However as my collection increased, it got a bit crowded, so I cut a piece of plywood into a circle of 18 inches in diameter, and screwed four small blocks on it so that it would sit tightly on top of the original lazy susan.

      I now have 11 units of paired strips, holding a total of 308 pencils - all in a footprint of 18 square inches.  I have my complete sets of Derwent Artists, Faber Castell Polychromos and Prismacolor Verithins, plus a few odds and ends from other sets.

      In the centre is a tub which holds tools, erasers, blenders etc. 

      You can keep the whole thing on the desk, or lift off as a unit off to use separately.  The pencils are always in the same order so you soon get to know where they are, and it is easy to put your hand on exactly the one you need.

      If you've got a good solution for storage 
      or anything which is a cost-effective solution for anything to do with art 
      DO let me know by leaving a comment and a link or contacting me (see right hand column). 

      Sunday 13 June 2010

      Patchings Art Festival

      I visited Patchings Art Festival for the first time yesterday.  It's based in the fields behind the Patchings Art Centre just outside Nottingham and hence is much better located than London for amateur artists wanting to buy art materials and see demonstrations.

      Photograph of the entrance to Patchings Arts Festival
      taken as we were leaving at 5pm - there had been lots of visitors earlier in the day

      The Patchings Festival is celebrating its 17th year this year and has so far survived the recession.  It's also survived whatever caused the demise of a very similar festival which I used to go to a lot which the Artists and Illustrators Magazine ran for many years at the Business Design Centre in Islington.  Patchings is not as big as that event used to be - but that said it still provides for a jolly good day out for members of an art society.

      I went with Vivien Blackburn (Paintings, Prints and Stuff) and we didn't get anywhere near getting round the whole show.  (I should mention this was partly because Vivien kept meeting ex-students and fellow art teachers who she knew!).  However over a cup of tea sat outside in the sun we cogitated over what we thought of the festival.

      [UPDATE:  Here's what Vivien thought in her review of the festival - Art Events weekend - Patchings Art Festival and here's what Gayle's review of her experience - Patchings Art Festival 2010]  Gayle notes the change in type of visitor at the weekend which brought more individual 'art shoppers' compared to the coaches which brought art societies on Thursdays and Fridays]

      Observations, Pros and Cons for artists / visitors

      map of Patching Art Festival - from guide

      Other than the big marquees for materials and demonstrations associated with major exhibitors / sponsoring organisations (eg The Artist/Leisure Painter, Derwent, Winsor & Newton and St Cuthberts) nt-size: and featured artists there are three main marquees for:
      Click the links to see who was exhibiting in which tent.

      Pros
      • The Festival gets a lot of visitors and consequently attracts some very good quality exhibitors
      • a number of demonstrations by different artists on different days
      • Good selection of art materials - somewhat unexciting but some bargains to be had.  Materials very much oriented towards painting and works on paper.  It seemed to me that the watercolour, acrylic and pastel artist was well catered for.
      • Parking is included in the price of ticket and there's lots of space for cars to park - which means you can fill your boot if you want to!
      • a good venue for a visit by the sort of amateur art society with artists who like demonstrations and buying art materials
      • The Festival is relatively easy to find and is not on a busy road so doesn't produce some of the snarl ups which can be experienced at other places when everybody tries to exit at the end of the day!
      • Refreshments tent on site - OK (unexciting) but not as expensive as some exhibition centres.  Plenty of seats for people to sit down.  We also saw people picnicking in the nearby car park.
      Cons
      • which artists are on which day may change at fairly short notice
      • the quality of the artists demonstrating on the stands in the arts and craft materials and paintings tent varied hugely.  Some easily matched the calibre of some of the 'featured' guest artists in the demonstration tents while others were very much still at the hobby artist stage themselves
      • 'named' guest artists featured by the Festival and the major manufacturers were typically well known
      Observations, Pros and Cons for Exhibitors

      The stands are all in marquees set out in fields behind the Centre buildings.  Great if it's summer and all is dry but I'd guess it might be less nice if the weather wasn't very good.  The temperature inside the marquees was rather high and whereas we could take a break outside, there was little respite for exhibitors.  I suspect if the weather was wet or cold it might have felt a very different experience - but such is the lot of anybody exhibiting in a marquee at any outside event.

      Those offering tuition seemed to be split between painters offering courses (in the painting tent) and artists offering tuition in booklet or video format (in the art materials tent.  Those offering tuition appeared much more impressive when present in person and actually able to demonstrate what they were did and how they did it.  I noted however a few artists who weren't demonstrating at all on their own stands. There's always a balance to be struck between looking competent, appearing approachable - mostly to do with how people sited themselves relative to the visitor - and running the stand and keeping an eye on the stock.

      It's worth checking out the categories as to which is the best to list in.  My friend Gayle Mason (Fur in the Paint) (see her stand in the photo) works in mixed media (coloured pencils, pastels and acrylic) on paper and listed under mixed media but moved tents so she was in with the painters.

      Gayle Mason Fine Art - exhibiting at Patchings 2010

      It's worth remembering that while many people come to Fesivals like this to see and to learn, many have also come prepared to spend money! However many also have to carry their purchases home with them.

      In my view, for those not in cars, this is a marketplace for high volume sales of items which don't break the bank and are easy to carry.  Small, lightweight and inexpensive iterms (eg fine art prints and cards by artists, calendars and small originals) appeared to me to be much more likely to be popular than heavy weight large items such as orginal artwork in frames.  Gayle also confirmed that her step by step tutorial pack on creating an animal's was proving to be very popular and a number of people were taking her very nice and informative leaflet about commissions.


      Pros
      • Many people are coming fully expecting to spend money as well as watch demonstrations
      • Many of those who attend are very interested in attending demonstrations and hence are more likely candidates for additional formats for learning about art.  The Festival is good for soliciting interest from hobby artists in different forms of art education - videos, booklets, holidays, courses and workshops.  
      • a good range of categories for arts and crafts oriented exhibitors with significant numbers of good quality exhibitors in each.  It provides a good mix for the visitor.
      • The Centre has accommodation and refreshments for visiting exhibitors who don't want to spend their profits on hotel prices
      Cons
      • Most visitors are amateur hobby artists and crafts people who were mainly visiting to buy art supplies and see demonstrations  [Gayle says this changed at the weekend when there was more sale of original art and fine art prints]
      • It seemed to me to be unlikely that there was going to be much custom for sales of original art at serious prices
      • People are coming from all over the country so it's unlikely to generate large numbers of artists for art tutors associated with a specific place (unless they are relatively local) 
      • I wouldn't want to be trying to move stock across the field if there has been a lot of rain and the ground is sodden!  
      For the record I came away with two small wooden apples in Spanish Olive and Tulip Wood (for my wooden fruit collection), some Caran d'Ache Pablo and Luminance pencils from open stock (ignoring the £:Swiss Franc exchange rate), a couple of Jakar battery erasers (see Product Review: Jakar Battery Operated Eraser Pen) and a KUM Automatic Long Point Pencil Sharpener.  I also looked long and hard at purchasing another electric pencil sharpener from Jakar but didn't because of the weight (train/tube etc).  Last time I bought I was in the car and this time I was travelling by train.

      However I was very taken with the offers on paper (but again didn't fancy carrying it home) and the stands by Linda Wain's Procolour, Jakar Caran d'Ache / Gadsby's and Jackson's Art Supplies - which is one you will see at all the art events in the Midlands.  Vivien was very taken with an offer on 24 White Light watercolour pans for £5 by Jacksons which she thought was an amazing bargain.  The Rosemary & Co Brush stand was also extremely impressive!

      I think if I'd brought my car and had been at the fair for longer there's a very good chance I'd have gone home with more 'stock'!

      Overall conclusions:
      • If you're a visitor: there is enough here to provide a full day out for all amateur/hobby artists.  
      • If you're an artist / art teacher: Professional painters might be more interested in the opportunity it presents to sell smaller works and fine art prints and to offer tuition, workshop and painting holidays.
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