Which dark soft pastels are the best?

Soft pastels in very dark colours present a challenge which some manufacturers have tried to address.  This post is about soft pastels in dark colours, shades and tints - and a new opinion poll.

Common problems are:

• Some brands can feel abrasive and scratchy.  Dark shades and tints of soft pastels have a reputation for not being the softest of soft pastels.
• Other brands are 'too hard' and fail to release their pigment load easily
• It can also be very difficult to get hold of good rich colour in dark shades.  Dark should not mean that colour disappears.

Some manufacturers have addressed these problems by creating specific dark sets of soft pastels. These aim to balance the quality of pigment colour (ie colour not black!) with softness and the effective release of the pigment onto the support while also offering a good range of dark colours.

Many a pastel artist has developed a quest for set of pastels which are both soft and dark

I started out with a set of Rembrandt Pastels and found the dark shades to be a tad too hard for my liking.  I addedin Daler Rowney Soft Pastels and liked those - but they disappeared a bit too fast for my liking

I then got a set of Unison Darks and was smitten.  These are very dark and yet have good pigment colour - but are also not abrasive or "too hard".

My set of Unison Darks - photographed when still relatively pristine!

I've also tried out some dark Terry Ludwig pastels in a pastel workshop.  Some pastel artists comment that these work better on abrasive supports rather than paper where to some they feel a little too greasy.  There are two sets of dark Ludwig Pastels:

• Intense Darks #1 set is red/sienna/ochre/brown oriented
• Intense Darks #2 set is blue/grey/purple/mauve oriented

You can also get a set of 60 Intense Darks

Terry Ludwig - 60 Intense Darks

Diane Townsend has a set of 12 dark soft form pastels. she also lists the individual colours whcih means they could be bought singly.  These are Deborah Secor's favourite dark pastels and she says they cover Wallis paper really fast.  She recommends the dark green for those doing landscapes.

Diane Townsend - soft form.  Dark 12 piece set

Sennelier have a set of 24 dark tones.

Sennelier Pastels - Set of 24 dark tones

Pan Pastels have a set of extra dark colours available as 3 sets of 5 colours each - extra dark shades, shadows and earth colours


Daler Rowney now have a dark set - 8 Set Dark Selection Code 153 902 008 - you can see a picture of them here

Girault are said to have a dark set but I've never seen one and can't find one on their website.  Others may have developed specific dark sets and if so I'd love to hear about them.

Which dark pastels do you like best - and how do you buy them?  

Please vote in the NEW OPINION POLL Which is your favourite brand of dark soft pastels? in  Pastels - Resources for Artists

I'd also love to hear about your favourite brands of dark pastels either in connection with the poll or by commenting below.

ALSO How do you like to buy your dark pastels?

• as a specific set of dark pastels (which can be quite expensive) 
• or in singles from open stock

Do please let me know what you think by commenting below

More information

Links to dark sets

• UNISON COLOUR | Pastels - Unison Dark Set
• Terry Ludwig Pastels: 30 Intense darks #1
• Terry Ludwig Pastels: 30 Intense Darks #2
• Diane Townsend - set of 12 dark soft form pastels
• Mount Vision - dark sets of pastels

Links to reviews

• (Review) Making a Mark: Unison Pastels: the Darks and the Lights
• Wetcanvas Pastels - Recommendations for darks - sets or individuals

Links to more information about pastels:

• Pastels - Resources for Artists
• Unison Pastels - Resources for Artists 

New colours from new pigments

Winsow and Newton have published an article about the new pigments which they have introduced in recent years in Why are new pigments so important?.  This succinctly describes the origins, pigments used for and performance of the new colours.

By the 1990s there were so many new organic pigments available that Winsor and Newton embarked on some far reaching reviews to ensure artists would be able to enjoy everything from entirely new colours to greater brilliance and permanence. Almost 200 new colours were introduced over the following 15 years and this process is still continuing today.

1996 Winsor and Newton embarked on the most significant change to the Artists' Water Colour range in 164 years. The availability of so many new pigments meant that 35 new colours were introduced into the range, offering artists the widest and most balanced spectrum with the greatest permanence.

They key issue has always been about how to balance transparency with lightfastness.  Older pigments frequently had one but not the other and the challenge has been to develop new pigments which provide quality performance across the spectrum and over time.

Winsor & Newton Watercolour Chart 2010 - see Catalogue 2010

The new colours covered in the article (click the link at the top to read it) are listed below.  The new pigments which are most prominent in the ones listed below are the quinacridones and the perylenes.  I was pleased to note that there is now a permanent carmine based on Quinacridone pyrrolidone.  Apparently it's still so new that it does not have a colour index number as yet!

The acronyms after their names are for Artists watercolours (AWC) Artists Oil Colours (AOC) and artists Acrylic Colours (AAC)

Yellows: 

• PY184 -  Bismuth Yellow (AWC*, AOC*, AAC*)
• PY150 -  Transparent Yellow (AWC), Indian Yellow Deep (AOC), Nickel Azo Yellow (AAC)  

Orange:

• P073 -  Winsor Orange (Red Shade) (AWC), Winsor Orange (AOC), Pyrrole Orange (AAC)

Reds:

• PR255 -  Scarlet Lake (AOC), Pyrrole Red Light (AAC)
• PR254 -  Winsor Red (AWC), Bright Red (AOC), Pyrrole Red (AAC)
• PR264 -  Winsor Red Deep (AWC)
• PR209 -  Quinacridone Red (AWC, AOC, AAC)
• Quinacridone pyrrolidone - Permanent Carmine (AWC, AOC)
• PR206 -  Brown Madder (AWC), Quinacridone Burnt Orange (AAC)
• PR233 -  Potter’s Pink (AWC, AAC)
• PR149 -  Winsor Red Deep (AOC), Perylene Red (AAC)
• PR179 -  Perylene Maroon (AWC, AAC)

Violets:

• PV29 -  Perylene Violet (AWC, AAC)
• PV15 -  Ultramarine Violet (AWC, AOC, AAC)
• PB74 -  Cobalt Blue Deep (AWC, AOC, AAC)
• PB60 -  Indanthrene Blue (AWC, AOC, AAC)

Greens:

• PG50 -  Cobalt Turquoise Light (AWC, AOC, AAC)
• PY129 -  Green Gold (AWC, AOC, AAC)

Earths:

• Mixture due to replacement -  Quinacridone Gold (AWC, AAC)
• PBr7 -  Brown Ochre (AWC, AOC)
• PR101 -  Caput Mortuum Violet (AWC), Mars Violet (AOC), Violet Iron Oxide(AAC)

Black:

• PBk31 -  Perylene Green (AWC, AAC), Perylene Black (AOC) - the first new permanent black for thousands of years!

Below are links to the various colour charts for artists colours which can be seen online

• Artists Oil Colour   
• Artists Acrylic Colour  
• Artists Water Colour    

Product review: Marc Dalassio's Vermillion Test

Shop selling Sindoor (Vermilion) in Pushkar, Rajasthan

I've only recently discovered Marc Dalessio did a colour test of different paints in relation to vermilion.  You can read about it here Color test: Vermilion and also see the colour charts which he created as a result.

The purpose of the test was to find a red to use in portraits.  I've added in the relevant link to the paint in the quote from the post below

For me the best of the hand-ground paints was Robert Doak’s vermilion, which I believe is either cut with cadmium if not entirely cadmium-based. That said it is extremely similar to the old Zecchi cadmium vermilion they stopped selling 8 years ago (which we all remember fondly). 

Marc Dalassio

You can find our more about Robert Doak specialised art materials and paints on his website - Robert Doak Colors.  He also does concentrated liquid watercolors which, according to the website, are brilliant and lightfast colors.