Tár

 Year:  2022

Director: Todd Field

Screenplay:  Todd Field

Starring: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kaur, Julian Glover, Allan Corduner, Mark Strong

Running Time:  158 minutes

Genre:  Drama

Lydia Tár (Blanchett), an acclaimed American conductor, prepares for a live recording of Mahler's Fifth Symphony with the Berlin Philharmonic Orchestra.  While living in Berlin and rehearsing the orchestra, Tár receives a series of increasingly disturbing communications from a former lover, who blames Tár for blacklisting her from various orchestras.  Meanwhile Tár becomes attracted to young Russian cellist Olga (Kaur).  However, as the pressures on Tár mount up, her personal and professional reputation is threatened by allegations of sexual impropriety.

This intense psychological drama is basically a character piece, portraying composer Lydia Tár, a driven, charismatic, talented, ruthless woman who is capable of both great kindness and extreme cruelty.  Cate Blanchett, who is on screen for pretty much the entire film, gives possibly her best ever performance.  Classical cellist Sophie Kaur plays Olga, the latest object of Tár's affections.  The film opens unconventionally, with most of what would usually be the closing credits, being placed at the beginning of the film, with only the cast and music credits at the end.  The film focuses entirely on Lydia Tár, even when she is not on screen, scenes are filmed as if from her point of view,  and she is a fascinating monster, accused of abusing her position to seduce young hopefuls with promises of plum roles in the orchestra, and cruelly vindictive to anyone who crosses her, as well as ruthlessly discarding friends, lovers and colleagues, when they are no longer of any use to her.  In Berlin she seems to lead two lives, living with her wife Sharon (played by Nina Hoss) and their adopted daughter Petra (played by Mila Bogojevic), while keeping a furnished flat which she uses for composing and rehearsals.  Despite being dominated by Cate Blanchett's performance, the rest of the cast are all excellent.  Staring as an actor, with roles in films by Woody Allen and Stanley Kubrick among others, this is only writer/director Todd Field's third film as a director and his first in 15 years.  Slow-moving, with a stylish, almost documentary style look, contrasted with surreal dream sequences, and an increasingly fragmented editing style, matching Lydia Tár's increasingly disintegrating sense of reality.  This is a great film.

Cate Blanchett in Tár
   

1917

Year of Release:  2019
Director:  Sam Mendes
Screenplay:  Sam Mendes and Krysty Wilson-Cairns 
Starring:  George MacKay, Dean-Charles Chapman, Mark Strong, Andrew Scott, Claire Duburcq, Colin Firth, Benedict Cumberbatch
Running Time:  119 minutes
Genre:  War

France, April 1917:  The Germans have pulled back from a sector in the Western Front.  However, they have not retreated, and have in fact made a strategic withdrawal to a new defensive line form where they plan to overwhelm attacking British forces with artillery.  With the field telephone lines cut, two soldiers, Schofield (MacKay) and Blake (Chapman) are ordered to undertake a perilous mission across No Man's Land to hand deliver a message ordering a battalion to call off their attack which is planned for the next morning, and which could potentially cost the lives of 1,600 men, including Blake's brother.

This film is made to look as if it has all been shot in one continuous take, which sometimes seems frustratingly gimmicky, but sometimes is really effective.  The soldiers trudge along seemingly endless stretches of blasted, desolate country, with sudden bursts of dynamic action.  There are moments of real teeth-grinding suspense, and some breath-taking images, particularly the nighttime trek across a burning ruined city, that looks like a journey across Hell, and the scenes in the trenches are extremely claustrophobic.  There are dull moments, and sometimes the real-time approach means that you never really see much about the character's past and personality, and this does have the problem that a lot of films have when they are sold on the back of one particular technical achievement, in that it becomes more about the technique than the story.  However, more often than not it succeeds as a powerful, harrowing war movie.

George MacKay in 1917

Shazam!

Year of Release:  2019
Director:  David F. Sandberg
Screenplay:  Henry Gayden, from a story by Henry Gayden and Darren Lemke, based on a character created by Bill Parker and C. C. Beck for DC Comics
Starring:  Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou
Running Time:  130 minutes
Genre:  Fantasy, action adventure, comedy, superhero

In present day Philadelphia, 14 year old foster kid Billy Batson (Angel) runs into trouble with the law while searching for his birth mother.  He is placed in a group foster home, run by kindly Victor (Cooper Andrews) and Rosa Vasquez (Marta Milans).  Billy reluctantly befriends nerdy superhero fan Freddy (Grazer), although he is wary about getting close to anyone.  One day, while on the subway, Billy is transported to a strange temple run bay an ancient wizard named Shazam (Hounsou), who has been searching for one truly good person who is "pure of heart" and who can become his champion and defeat the powerful Seven Deadly Sins.  When Billy says the name "Shazam" he is transformed into an adult superhero (Levi). 

This is an enjoyable superhero film, which comes across at times as a superpowered remake of Big (1988), which is referenced in one scene.   It adopts a lighter, more comedic, tone than most of the other recent movies based on DC Comics.  However it is darker and more gritty than it initially appears, and has surprising emotional heft at times.  There is a lot of fun in the scenes where Billy is testing out his new superpowers, and the story is enjoyable and satisfying.  The performances are good, and the child actors really work well together, with Asher Angel and Jack Dylan Grazer being particularly good.  Zachary Levi is fun and charismatic as Billy's superhero form, and Mark Storng makes a suitably menacing villain.  Djimon Hounsou provides the appropriate gravitas as the ancient mystic. 
With a running time of over two hours, the film does feel stretched, and the climax does fall into the almost inevitable trap of superhero films of feeling like an extended special effects showreel.  It also has the problem of being a superhero origin story and having to hit the prerequisite beats to establish the characters, their powers and their world.  Another thing that I liked about the film was that, while it is set in the shared DC Comics Universe, and there are references to the other characters, the film is pretty much self-contained.  You don't need to have seen any other films in order to enjoy this.   
Just a note:  There are two post credit sequences.  One in the middle of the credits and one at the very end.

Jack Dylan Grazer and Zachary Levi in Shazam!

The Imitation Game

Year:  2014
Director:  Morten Tyldum
Screenplay:  Graham Moore, based on the book Alan Turing:  The Enigma by Andrew Hodges
Starring:  Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Mark Strong, Charles Dance
Running Time:  114 minutes
Genre:  Period drama, thriller, war

This film is a historical drama based on the life of mathematician Alan Turing (Cumberbatch), who was the head of the team of code-breakers at Bletchley Park who worked to decrypt the German Enigma codes for the British Government during the Second World War.  The movie moves back and forth between three key periods in Turing's life: His time at boarding school in the 1920s, where the teenage Turing (Alex Lawther) first develops an interest in codes and finds respite from frequent bullying in his close friendship with a fellow pupil (Jack Bannon); his downfall in 1951 where he is arrested for "gross indecency" due to his homosexuality (which was a criminal offence at the time); and, by far the most extensive section of the film, his wartime experience trying to decode the Enigma codes.

I don't know much at all about the life of Alan Turing or how historically accurate the film is, so I'm going to be talking about the film as a drama.  However I have heard that it is not particularly true to the facts of the story.  However it works as a drama.  It is well made, well acted  particularly by Benedict Cumberbatch as Turing, and Keira Knightley as fellow code-breaker Joan Clarke.  It also does well at making Turing's work as accessible and possible for the general audience.  The recreation of the 1940s is fascinating.  The difficulty with a lot of biopics is that they can tend towards shapelessness, but this film structures it as a compelling thriller.  There could have been more about the tragedy of Turing's later life, however, if it encourages people to learn more about a man who has pretty much shaped our lives today with his contributions to computer science, and a shameful period in the history of LGBT rights, than it is a success.

 Keira Knightley and Benedict Cumberbatch  in The Imitation Game

Kick-Ass

Year: 2010
Director: Matthew Vaughn
Screenplay: Jane Goldman and Matthew Vaughn, based on the comic-book by Mark Millar and John Romita, Jr.
Starring: Aaron Johnson, Christopher Mintz-Plasse, Chloe Grace Moretz, Nicolas Cage, Mark Strong
Running Time: 117 minutes
Genre: Superhero, action, comedy

Summary: New York City, the present: Dave Lizewski (Johnson) is a teenage comic-book fan, who dreams of becoming a superhero. Despite having no training and no superpowers, he decides to turn his dreams into reality and, with a costume fashioned from a scuba diving suit, he dubs himself "Kick-Ass" and sets out to become a real-life superhero. However, his first attempts just result in him getting badly beaten up. However, one night his successful intervention in an assault is filmed and put on the YouTube site. Dave discovers that Kick-Ass is an internet celebrity. Then he meets fellow costumed hero Big Daddy (Cage) who, with the help of his violent, foul-mouthed eleven year old daughter, Hit Girl (Moretz), is fighting to bring down the city's most powerful organised crime ring.

Opinions: This movie is a lot of fun. It is packed with action and humour, and there are plenty of references to the world of comic-books and superheroes. The film, which is almost a parody of Batman and Spider-Man is very sympathetic with the costumed vigilantes but also features the dark and dangerous side as Kick-Ass very quickly finds himself way over his head. The film's storyline is not particularly unique with the idea of untrained superhero wannabes having been done several times before, but the film is stylish and entertaining enough that this doesn't matter. The film features some great performances in particular from Chloe Moretz turning in a startling performance as the ruthless Hit Girl who manages to be both likeable and terrifying. In the film's lead Johnson delivers a great comic peformance. The film is full of exagerrated comic-book style violence, which won't be to everyone's taste. The film knows it's target audience and fans of comic-book movies and action films are sure t find something to entertain them. As an unashamed comic book fan myself, I loved it.



Aaron Johnson and Chloe Grace Moretz in Kick-Ass