Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Tuesday, 29 March 2022

Ghost World

Year:  2001

Director:  Terry Zwigoff

Screenplay:  Daniel Clowes and Terry Zwigoff, based on the comic Ghost World by Daniel Clowes

Starring:  Thora Birch, Scarlett Johansson, Steve Buscemi, Brad Renfro, Illeana Douglas

Running Time:  112 minutes

Genre:  Dark comedy, drama


In the bland suburbs of an unnamed American city, cynical teenage outcasts Enid (Birch) and Rebecca (Johansson) have just left high school.  However, a summer of wandering the streets, hanging out at kitschy diners and shops and tormenting people with their sarcastic quips and pranks is threatened by the fact that Enid has to take a remedial art class in order to graduate high school.  As the two slowly drift apart, Enid strikes up a friendship with eccentric, lonely middle-aged record collector, Seymour (Buscemi).


Ghost World started out as a slice-of-life comic series in writer-artist Daniel Clowes' Eightball between 1993 and 1997, before being published as a graphic novel in 1997.  Director Terry Zwigoff had previously made his name with the documentary Crumb, about controversial underground "comix" artist Robert Crumb.  Zwigoff shot the film in a deliberately flat, bland way, with very few extras in the streets, and the characters entered in the frame, to mimic the panels of the comic.  It also shows the alienation of the characters.  The streets are eerily quiet and empty all the time, and helps give the film it's odd, slightly surreal feel.  Thora Birch, who at the time was coming off the success of American Beauty (1999), gives a great performance as Enid, a character who is at the same time sympathetic, awkward, cool, sometimes cruel, disloyal and confused, and who wrecks havoc in the lives of her friends albeit unintentionally.  Steve Buscemi gives a very strong performance as the lonely record collector Seymour, who loves old ragtime music and collects odd old artefacts, and is mostly quiet and shy but still given to occasional fits of anger, and who the girls first encounter when he falls victim to one of their cruel pranks, but who Enid ends up developing. strong connection with.  Seymour could very easily have been very creepy character, but the way that he is written and the way Buscemi plays him, with a kind of naive sweetness, makes him a surprisingly likeable and sympathetic character.  The film marks the breakthrough role for Scarlett Johansson, who had previously gained some attention for her supporting roles in The Horse Whisperer (1998) and the Coen Brothers film The Man Who Wasn't There (2001).  She gives a very good performance as Rebecca, Enid's friend, who is just as cynical and sarcastic as her friend, but is the more popular half of the duo, and unlike Enid has solid plans for the future.  The film is billed as a comedy, and some scenes are very funny, but it is a surprisingly dark film, and it all ends on a strange, ambiguous note. Although some aspects of it have dated in the past twenty years, it is still a strange and bracing look at what it means to be lonely and trapped in the bland modern world.



Scarlett Johansson and Thora Birch in Ghost World


Sunday, 17 January 2021

Event Horizon

 Year of Release:  1997

Director:  Paul W. S. Anderson

Screenplay:  Philip Eisner

Starring:  Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson, Sean Pertwee, Jason Isaacs, Richard T. Jones, Jack Noseworthy

Running Time:  92 minutes

Genre:  Science-fiction, horror


In the year 2047, the rescue vessel Lois and Clark is on a mission to retrieve the experimental spacecraft Event Horizon which vanished on it's maiden voyage seven years previously and has suddenly reappeared above Neptune.  Upon investigation it turns out that the Event Horizon is intact, but the crew have been brutally massacred.  It soon becomes apparent that the Event Horizon's revolutionary new gravity drive which allows the ship to travel vast distances by using a sort of artificial black hole to bridge two points in space.  However, the ship has travelled further than was ever planned and has brought something back with it.

This gruesome blend of science-fiction with supernatural horror is an enjoyable slice of "B"-grade hokum.  very heavily influenced by Alien (1979), The Shining (1980) and Hellraiser (1987), as well as Don't Look Now (1973) and Solaris (1972).  The plentiful special effects haven't aged well, the storyline is very derivative and the dialogue is pretty cheesy, however it does have some impressive production design and strong performances from a solid cast.  The film had a difficult production history, was heavily cut by it's studio, and was a critical and commercial flop when it was first released in August 1997, however it has had something of a reappraisal since and is now a major cult film.  It's a consistently entertaining film, which moves quickly and never gets dull.  For some gory late night escapism, this really does the job.  



     Event Horizon

Wednesday, 14 June 2017

Saturday, 10 June 2017

Comics Round-Up # 7


SHADE, THE CHANGING GIRL  # 9

Written by: Cecil Castelluci
Illustrated by:  Marley Zarcone
Inked by:  Ande Parks
Coloured by:  Kelly Fitzpatrick
Lettered by:  Saida Temofonte
Cover by:  Becky Cloonan
Published by;  Young Animal

In the City, Part Two:  Band on the Run.  16 year old runaway Meghan Boyer, possessed by extraterrestrial entity Loma Shade, is alone in Gotham City, where she decides to take in a show by her favourite band The Sonic Booms, who she came across in a 1960s TV show.  However, when she sees that they are no longer the young, hip band from over fifty years ago, she is forced to confront for the first time human ideas of ageing.

Another fun issue from one of the brightest and most vibrant comics on the stands.  Always inventive, the chaos that Shade, albeit inadvertently, causes is fun to watch, but is shown to have consequence.  This issue in particular deals with ageing and the appeal of nostalgia.


BANE CONQUEST # 2

Written by:  Chuck Dixon
Art by:  Graham Nolan
Coloured by:  Gregory Wright
Lettered by:  Carlos M. Mangual
Cover by:  Graham Nolan and Gregory Wright
Published by: DC

The Sword part two.  Bane has been captured, imprisoned and tortured by a new villain, Damocles.  Bane's only hope lies in fellow prisoner Bruce Wayne.

The character of Bane was created by Chuck Dixon, Doug Moenech and Graham Nolan, and first appeared in 1993 as a Batman villain, and is possibly most recognizable for the iconic image of breaking Batman's back, and was memorably and mumblingly played by Tom Hardy in the movie The Dark Knight Rises (2012).  In Bane Conquest, he is more of an antihero, the leader of a team who maintain order in Gotham City, a place which he seems to regard as his own personal property.  In this issue he forms and uneasy alliance with Bruce Wayne, and curiously seems to be perfectly aware that Bruce Wayne is Batman, and Wayne also seems to know that he knows.  Anyway, this is a fun issue excitingly told with vibrant artwork.

   

PREDATOR: HUNTERS # 2

Written by:  Chris Warner
Art by:  Francisco Ruiz Velasco
Lettered by:  Michael Heisler
Cover by:  Doug Wheatley
Published by:  Dark Horse

For centuries, advanced alien Predators as their personal hunting ground, but now a task force has been formed to fight back, and the Predators are about to become the prey.

There have been many comics spun off from the film Predator (1987), many of which use the plot of a small group being picked off one by one by a mysterious force.  It turns out to be a Predator!  The hero has to stop them before anyone else dies...  This story rings the changes by having a group actively hunting Predators.  The focus in this issue is mainly bringing the band together and detailing their mission, the focus is on exposition and backstory rather than action, but if you are invested after having read the first issue, you won't want to miss it, but it might not be the best to start off with.  The artwork is fantastic:  beautifully detailed and moody.


SAGA # 43

Written by:  Brian K. Vaughan
Art by:  Fiona Staples
Lettered by:  Fonografiks
Cover by:  Fiona Staples
Published by:  Image

In a bizarre galaxy, Alana and Marko, soldiers from opposing sides on an interplanetary war fall in love and have a child named Hazel.  Now all three are targets from both sides and are forced on the run in a hostile universe.

Saga is one of the most acclaimed comics being published, although it has not recently had anything like the amount of attention that it had five years ago.  However, it is as good as it has ever been, and this is the perfect jumping on point for new readers, as it begins a new story arch (also this issue only costs 25 cents, as part of a promotion to mark 25 years of Image Comics).  It manages to be funny, ridiculous, disturbing, endlessly imaginative and genuinely emotional, with some great characters and fantastic artwork.  If you've never read Saga, jump on now.


HAWKEYE # 7

Written by:  Kelly Thompson
Art by:  Leonardo Romero
Colours by:  Jordie Bellaire
Lettered by:  VC's Joe Sabino
Cover by:  Julian Totino Tedesco
Published by:  Marvel

Private Investigator Kate Bishop, a.k.a Hawkeye, is attacked at home, and left with a package, apparently her attackers were sent by her arch-enemy Madame Masque, and inside the package is a pendent that belonged to Kate's mother.  Kate sets off to confront Madame Masque, perfectly aware that she is walking straight into a trap.

A very entertaining issue combining action, jokes and mystery.  It's all very well designed with imaginative page and pane layouts, particularly in the action scenes.  The central mystery, unfolding through extensive use of flashbacks, is tantalisingly constructed, although the conclusion of the issue isn't particularly surprising.


ADVENTURE TIME # 65

Written by:  Mariko Tamaki
Illustrated by:  Ian McGinty
Coloured by:  Maarta Laiho
Lettered by:  Nate Fiorentino
Cover by:  Shelli Paroline and Braden Lamb
Published by:  Kaboom!

It's the last round of the Best Princess Ever Competition in the magical, post-apocalyptic Land of Ooo.  The finalists are: Flame Princess, Breakfast Princess, Hot Dog Princess and Lumpy Space Princess, but one of them is not what she seems...

This is a fun one-off story, that should appeal to fans of the TV show Adventure Time (2010 - onwards) as well as newcomers.  It's funny and light and the artwork perfectly matches the style of the TV series.       


PICK OF THE WEEK


SAGA # 43
   

Saturday, 3 June 2017

Comics Round-Up # 6

This is the return of an old feature from my blog, in which I discuss the comics that I have been buying and reading each week.  It's by no means comprehensive or definitive about what's available, just what I've picked up.


SHADE, THE CHANGING GIRL # 8

Written by: Cecil Castellucci
Illustrated by:  Marley Zarcone
Inked by:  Ande Parks
Coloured by:  Kelly Fitzpatrick
Lettered by:  Saida Temofonte
Cover by:  Becky Cloonan
Published by:  Young Animal

Little Runaway, Part 1: In the City.   16 year old Megan Boyer, possessed by the extraterrestrial Loma Shade, and equipped with the reality distorting Madness Coat has run away to Gotham City.  Learning about life in the big city, while inadvertantly causing havoc everywhere she goes.

Shade, the Changing Girl is one of the best comics to come out of the Young Animal strand from DC Comics.  The lost in the big city storyline is amusingly told, mixed with memorably surreal images.  The character of Shade is sympathetic, if not always likeable.  She causes a lot of damage to the people around her, albeit without choosing to.  The comic also has alien characters which look and act... alien. 



SECRET EMPIRE:  UPRISING # 1

Written by:  Derek Landy
Art by:  Joshua Cassara
Colour Art by:  Rachelle Rosenberg
Lettered by:  VC's Joe Caramagna
Cover by:  Meghan Hetrick
Published by:  Marvel

With America dominated by the fascist Hydra, shockingly assisted by Captain America, Natasha Romanoff, aka Black Widow, decides to recruit some younger heroes to infiltrate the Hydra Youth Choir and stop Captain America by any means necessary.

Secret Empire is the current Marvel "event" storyline, and I haven't really been keeping up with it, in fact this is the first of the books that I've read, although I was still able to follow it without any trouble.  It is an entertaining issue, with debate about the ethics of spying, and potential murder, lightened with humour and some fun superheroics.  The artwork is moody and effective with a good feeling for light and shadow.



ALIENS: DEAD ORBIT  # 2

Writing, Art and Lettering by:  James Stokoe
Published by: Dark Horse

The crew of a space station orbiting a remote planet rescue survivors from a derelict spaceship.  Needless to say, the survivors have not come alone...

This is pretty much what you would expect from an Aliens comic, with a lot of running around corridors and some satisfyingly gory chestburster scenes. What really sets it apart is the stunningly detailed artwork from James Stokoe, who also wrote and lettered the comic.  It's perfect if you want a traditional, straight forward Aliens comic.


PICK OF THE WEEK:         


SHADE, THE CHANGING GIRL # 8

Thursday, 11 August 2016

Our Little Sister

Year of Release:  2015
Director:  Hirokazu Koreeda
Screenplay:  Hirokazu Koreeda, based on the manga Unimachi Diary by Akimi Yoshida
Starring:  Haruka Ayase, Masami Nagasawa, Kaho, Suzu Hirose
Running Time:  126 minutes
Genre:  Drama, slice-of-life

This Japanese film is a gentle, quiet take on family life.  The three adult Koda sisters live in a  large house in Kamakura.  The eldest, Sachi (Ayase) is a nurse, and the de facto matriarch of the clan, Yoshino (Nagasawa) is a bank teller, and has a tendency to get drunk and involved with useless men, Chika (Kaho) is the youngest and works in a sporting goods store.  Their house was left to them by their grandmother.  When the women were children, their father left the family for another woman, and they have not seen him for fifteen years.  Their mother left them shortly afterwards, leaving Sachi to look after her younger sisters, and Sachi still resents her for this.  Having been notified of their father's death, the sisters attend his funeral, where they learn they have a hitherto unknown half-sister, fourteen year old Suzu (Hirose).  Charmed by Suzu's liveliness and responsibility, the three sisters invite her to come and live with them, which Suzu eagerly agrees to.

This is the kind of quiet, wistful film that Japanese cinema does so well.  Very little actually happens in the film.  Sachi strikes up a tentative relationship with a married man, Yoshino gets a promotion at work, and tries to help the kindly owner of a local cafe, Suzu makes friends at school and proves to have a real talent for soccer.  All four deal with complex family ties.  Even the more soap opera elements in the various storylines are very low-key. The characters also eat, a lot, in fact barely five minutes of screentime pass without at least one person eating or drinking, or food being seen or referenced.  Food is depicted as a point of connection.  The sisters eat together most of the time, friendships are forged or solidified with gifts of food, and families are brought together by recipes passed down through generations.                

This is a film full of small delights, which is emotional but largely unsentimental.  There are darker elements that are brought up but, mostly, left in the background.  The film features some fine performances, and is beautifully shot.  The characters are engaging, but often flawed.   However they are likeable, and by and large try to do the right thing.  People are flawed here, but change and forgiveness are always possible.  This is a wistful, gently joyful tale.

Kaho, Haruka Ayase, Suzu Hirose and Masami Nagasawa in Our Little Sister

Sunday, 2 June 2013

Fables: Legends in Exile

Written by: Bill Willingham, art by Lan Medina, Steve Leialoha and Craig Hamilton
Number of Pages: 145 pages
Genre:  Graphic novel, comics, fantasy, murder mystery,

Fables is a comic book series published by Vertigo Comics which started in 2002 and is still ongoing, having reached 129 issue so far.  Basically, all the characters and creatures from fairy tale and folklore, who call themselves "Fables", have been driven out of their various magical worlds by a powerful enemy known only as "The Adversary".  The only world safe from the Adversary is the mundane, or "mundy", world which is our world.  So the Fables escape to contemporary New York City where they form an uneasy community trying to keep their true magical nature hidden from the mundy world and also trying to retake their homelands from the Adversary.
This book collects the first five issues of the series.  It's basically a murder mystery story in which the Fables' sheriff, the reformed Big Bad Wolf who has taken human form and the name Bigby Wolf, tries to solve the mystery of the disappearance and possible brutal murder of Rose Red, who happens to be the estranged sister of Snow White, the Fables' deputy mayor.

It's a completely self-contained story although with sub-plots and references that spin off into a larger Fables     narrative and can be read and enjoyed on it's own merits without picking up any of the other volumes.  The series hits the ground running with an entertaining story and distinctive characters.  Even the minor characters are developed well with their own personalities and relationships.  The idea of fairy tale characters in the modern world is not a new one but Fables has always worked with it better than most.  The art is detailed and colorful.

The book also contains a short prose story by Bill Willingham about how the Big Bad Wolf came to join the Fables, and a short comic story which fist appeared in the 2009 book Peter and Max: A Fables Novel.

It is definitely worth checking out for fantasy fans.

A word of warning though, although it's about fairy tales and magical creatures it is definitely not for kids.  It contains some strong language, violence and sexual scenes.


Tuesday, 10 April 2012

"EmiTown: Volume 2" by Emi Lenox

Year of Publication:  2012
Number of Pages:   408 pages
Genre:  Autobiography, diary, comics, graphic novel

For the past couple of years Portland, Oregon resident Emi Lenox  has been chronicling her life in a daily "sketch diary".  This second volume covers 1 May 2010 to 30 April 2011, and marks a slight change from the first volume as it deals with both Emi's relationship with a new boyfriend and the loss of her job, as well as burgeoning success in her career as a comics artist (including a guest artist spot in an issue of Sweet Tooth, whose creator Jeff Lemire contributes a short comic strip as an afterword).

One of the big problems for diary comics often face is how much to share and how much should remain private.  Lenox deals with this by disguising some of the more personal episodes with fantasy strips involving tin-hat wearing soldier cats and superheroes.  These tend to be obscure but the reader can get enough of the gist of what is happening without feeling too intrusive.

This book is darker than the first book and a little more complex, as Lenox endures some pretty tough times, however there are still plenty of the incidental pleasures of life, which made the first volume such a delight and even the darker elements are shot through with a strong vein of humour.  There is a page for every day of the year, some are done like traditional comic strips, some are illustrations with notes, others are a single full page drawing.  There are also random song lyrics interspersed throughout.  Each month is prefaced by a list of the songs referenced that month.

Emi Lenox is a very talented artist and she started EmiTown initially as a private exercise in developing her art, before putting it out in the world initially as a website (http://www.emitown.com/) and reading through both published volumes you can see how she becomes more skilled and confident in both her writing and art as it progresses.  Lenox is an effortlessly likeable and engaging narrator whose cartooning is some of the most adorable around.  

You won't regret a visit to the world of Emi Lenox and EmiTown is a place you will want to visit again and again.


         

Saturday, 1 October 2011

Demo by Brian Wood and Becky Cloonan

Year of Publication: 2008
Number of Pages: 364 pages
Publisher: Vertigo

A girl stops taking the medication she needs to keep her devestating mental abilities under control. A unhappy girl can make anyone do whatever she wants. A brother and sister discover a shocking family secret. A man with superhuman strength finds himself torn between his family and his friends. A young woman appears to everyone as who they most want her to be until someone sees her for the first time as she truly is. A newly married man returns to the quiet suburban neighbourhood where as a child he dealt out violent revenge. You'll meet all these and more in Demo a graphic novel collection of twelve short stories written by Brian Wood and illustrated by Becky Cloonan.

Originally published as twelve monthly comic-books, the stories deal with young people (ranging from teenagers to people in their twenties or thirties) faced with a life altering decision to make. Many, but not all, of the subjects of the stories have superpowers but none of them are superheroes, and their powers are rarely much of a help to them (in most cases quite the reverse).
The characters are alienated, unhappy people faced with recognisable problems, trying to find some kind of place in the world. The strength of the book is that it is a collection of stories about people who, superpowers or no, are searching for what we all want: happiness, acceptance and, ultimately, love.
The stories are well-told and evocative and accompanied by stunning black-and-white artwork in a range of styles. Coming across like a quiet but striking indie film, or that one song that comes across the radio late at night that breaks your heart, this is a book that will stay with you for a long time.

If you've read any of Demo before then you know what I'm talking about. If not, then cognratulations. You've just found your new favourite comic.

Saturday, 2 July 2011

John Constantine, Hellblazer: The Gift

Written by: Mike Carey, illustrated by Leonardo Manco and Frazer Irving
Year of Publication: 2007, originally published as John Constantine: Hellblazer issues 207 to 215 in 2005 and 2006
Number of Pages: 221 pages
Genre: Grpahic novel, horror, supernatural

Summary: Following a battle with his three demonic offspring, occultist John Constantine is left with most of his friends dead and his sister Cheryl murdered and her soul damned to Hell.
The only solution is for Constantine to make the perilous journey into Hell himself to rescue his sister. However, his only guide is the treacherous demon, Nergal, whose blood Constantine once accepted into his veins. Along the way, Constantine encounters enemies both old and new and quickly discovers that there is far more going on then he could have suspected. As Constantine is pitted against some of the oldest and darkest forces of Hell he is forced to relive painful moments from his past and cofnront the terrible price that must be paid for his powers.

Opinions: This graphic novel contains the final nine issues of Mike Carey's work on the monthly Hellblazer comic book. The book is a powerful piece of urban horror taking the charismatic, chain-smoking "urban mage" and con-man antihero John Constantine into some of his darkest places yet. It collects three linked stories from the series which all follow on from each other, the six part "Down in the Ground, Where the Dead Men Go", the one issue "The Gift", and the two part "R.S.V.P.".
Blending gritty urban reality with startling supernatural horror, this collection is an example of Hellblazer it's best.
This is a must read for fans telling a gripping and disturbing narrative with some powerfully evocative artwork, however it is not recommended for newcomers to the Hellblazer universe, due to it's multiple references to earlier stories and the fact that it is a direct continuation of the previous collection Reasons to be Cheerful.
It also contains probably the bleakest depictions of magic that you are ever likely to find.


"My talents for lying. For sticking the knife in when people least expect it. Then walking away with a smile and a wave before they realise they're bleeding."
- John Constnatine, Hellblazer: The Gift


Saturday, 18 June 2011

Comics Round-Up # 5













JOHN CONSTANTINE: HELLBLAZER # 280


Written by Peter Milligan


Illustrated by Gael Bertrand, Trish Mulvihill and Sal Cipriano

Published by Vertigo

Phantom Pains, Part Four: Gemma's Story. Gemma Masters is traumatised since her beloved uncle, John Constantine, brutally assaulted her at his wedding. In fact, unknown to Gemma, it was not Constantine that attacked her but a vengeful demon that had taken his form. However Gemma is out for revenge and has summoned a demon of her own to destroy him. Luring Constantine to an abandoned warehouse Gemma unleashes the murderous demon, and comes to a revelation of her own.


In this bleak revenge story, John Constantine finally meets his match in his own neice, Gemma, who has previously been a fairly minor character in the Hellblazer universe. It hearkens back to the wedding issue of the comic that came out about five months ago which categorically shows that Gemma was not attacked by Constantine, and when he comes to, as he believes, rescue her, he has no idea why she has suddenly turned on him. Gemma herself is a complex character who, while feeling betrayed in the most horrific fashion and deeply traumatised, discovers her own avenues of power.


"Trying to turn myself into Gemma Constantine. Maybe tonight I've finally become Gemma Masters."



NORTHLANDERS # 41


Written by Brian Wood


Illustrated by Marian Churchland


Thor's Daughter. The Outer Hebrides, A.D. 990: Birna Thorsdotter is the fourteen year old daughter of a powerful man who pretty much owns the island and is paid by travellers for his advice and opinions. Birna's mother died some time earlier. After her father is murdered by some of his own men, Birna is left completely alone with no status and no protection. Despite her fear and grief, Birna realises that she has to step up and survive in a hostile world and reclaim her birthright.


Northlanders is an endlessly fascinating series. Despite being linked by a common backdrop (the Viking age, approximately the late 8th to 11th centuries in Northern Europe) each storyline is completely self contained with completely different characters and even different artists for each story. This issue contains a single issue story concerning the resourceful Birna Thorsdotter who has to avenge the death of her father and earn her birthright from her family's enemies. The story has the feel of an old folk tale and benefits immensely from beautiful and evocative artwork from Marian Churchland. Treasure this series while you can because apparently it has been canceled by Vertigo and is scheduled to finish in March 2012.

"I was born on these islands, not far from the stones. Sometimes it feels like magic. Sometimes like a prison."




CINDERELLA: FABLES ARE FOREVER # 5


Written by Chris Roberson


Illustrated by Shawn McManus


Published by Vertigo


Cinderella, Fabletown's premier spy, is hot on the trail of the murderous criminal mastermind Dorothy Gale, who is working for a sinister Shadow Fabletown. In an attempt to flush out her enemy, Cinderella decides to deliberately step into a trap that Dorothy has set for her. However, Dorothy has an ace up her sleeve.


This is the fifth installment of a six issue spin off from the popular comic Fables, which featured popular characters from fairy tales and folklore existing in a contemporary universe. This story recasts Cinderella as a secret agent, and Dorothy Gale (from The Wizard of Oz) as a villainous criminal mastermind, along with monsters, magical spoons, witches and wizards and a plot straight out of one of the James Bond books by Ian Fleming (the title is a reference to Fleming's book Diamonds Are Forever and subsequent film). The mix of styles works very well and the story is told with plenty of humour and there are plenty of enjoyable twists and turns along the way. Since this is the fifth of a six part story it's too late really for newcomers to the comic, but wait around a couple of months and check it out when it's released as a graphic novel.


"Don't worry, the fall won't hurt you. But stopping certainly will."





BATMAN # 711


Written by Tony S. Daniel


Illustrated by Steve Scott and Ryan Wynn


Published by DC


Pieces, Part Two. Harvey Dent (aka "Two Face") is shocked to discover that his beloved Gilda is alive after all, despite the fact that he thought he killed her. However Gilda is now with his enemy, mobster Mario Falcone, and is trying to kill him. Dent is then captured by Edward Nigma (aka "The Riddler") and his "daughter" Enigma. To his surprise, the Riddler offers to help him and informs him that Gilda is being held by Falcone against her will. With all the confusion, Dent is desperate to retrieve his "Two Face" coin (one side is clear but the other is badly scarred and Dent uses it to decide whether the Harvey Dent or Two Face part of his psyche should be in control). To complicate the situation for Batman, he has to watch out for Kitrina Falcone (aka "Catgirl") who has gotten in way over her head. The Caped Crusader has his work cut out for him.


It's complex enough in stories when you have two sides being played off against each other, whereas here you have three sides being played against each other with Batman stuck in the middle. It is a dark and complex plot, full of twists and turns and double crosses The main problem being that Batman himself is kind of pushed to the background with all the other stuff going on around him. While this is probably not going to become one of the classic Batman stories it is a solid slice of Gotham City adventure, mixing both action and detection, which will please fans.


"From now on, I'm killing anyone who pops up."





X-MEN: PRELUDE TO SCHISM # 3




Written by Paul Jenkins


Illustrated by Will Conrad and Lee Loughridge


Published by Marvel




A terrible threat is approaching which has the potential to wipe out the entire mutant population. Faced with complete extinction, the X-Men gather at their island base Utopia. As tensions grow among the assembled X-Men, their leader Scott Summers (aka "Cyclops") reflects on his past and the development of his powers as he struggles to come to a decision whether they should stay and fight or whether they should flee.




This is the third of a four part story in which the X-Men prepare for a devestating cataclysm. Each issue has dealt with the soul searching of one of the X-Men leaders (the first issue it was Professor X and the second issue was the turn of Magneto). This is a curious, quiet series focussing primarily on the internal lives of the characters. It provides a lot of interesting backstory and character devlopment and gives a striking impression of an approaching devestating event.




"I'm the one who lost his first battle so convincingly and utterly. Who closed his eyes to all possibilities. Who was accused of closing his eyes to the future."






PICK OF THE WEEK:







NORTHLANDERS # 41

Monday, 25 April 2011

Thor

Year: 2011
Director: Kenneth Branagh
Screenplay: Ashley Edward Miller, Zack Stentz and Don Payne, based on the comic-book series Thor created by Stan Lee, Larry Lieber and Jack Kirby
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgard, Colm Feore, Ray Stevenson, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins
Running Time: 114 minutes
Genre: Superhero, action, fantasy

Summary: Thor (Hemsworth), God of Thunder, is banished from Asgard to Earth by his father Odin (Hopkins), King of the Gods, for attacking the Frost Giants of Jotunheim, long standing enemies of the Gods.
Arriving in present-day New Mexico, Thor is discovered by scientist Jane Foster (Portman), her assistant Darcy Lewis (Dennings) and mentor Dr. Erik Selvig (Skarsgard). Stripped of his powers and ability to use his magical hammer Mjolnir, Thor has to come to terms with his new mortal existence, as well as a sinister agency known as S.H.I.E.L.D. who are taking a strong interest in him.
Meanwhile, in Asgard, the plotting of Thor's treacherous brother Loki (Hiddelston) threatens more than one world with complete destruction.

Opinions: This movie is based on the popular Marvel comic-book series and differs from a lot of the more recent superhero movies by throwing in some sword-and-sorcery action into the mix.
Thor was the God of Thunder in Norse mythology, whose name is referenced in, among other things, the day of the week Thursday ("Thor's Day"). Needless to say, the film has very little connection to Norse legend.
Kenneth Branagh is best known as a director for his Shakesperean adaptations, and is certainly not a name that springs to mind in connection with a massive multi million dollar special effects 3-D superhero movie, but he does very well. A fan of the comic, Branagh obviously has a lot of understanding of the material. He balances the drama and humour very well and also handles the special effects and action scenes brilliantly, making the action scenes tight and effective so that they are exciting and comprehensible rather than being an explosion of confusing pyrotechnics that just ends up being dull. The film is released in 3-D, and I personally am not a fan of 3-D in general (although there are exceptions), but it is done well here and it helps to invest both the golden city of Asgard and the frozen wastes of Jotunheim with a genuine sense of wonder. The special effects are really spectacular throughout.
The cast do well with their roles. In the lead Chris Hemsworth is charismatic, if too clean-cut to be a Norse warrior-god. Natalie Portman provides the film with it's emotional heart. Stellan Skarsgard is also very impressive as the skeptical scientist. The comic's co-creator Stan Lee has his customary cameo as a truck driver.
Blending culture-clash comedy, family drama and intrigue and comic-book superheroics this is a pretty packed film. In contrast with many recent superhero movies, such as The Dark Knight (2008), this doesn't try to make the material dark or gritty, it is unashamedly action-packed, fantasy adventure, and none the worse for that.
By the way, keep watching until the end of the closing credits for an additional scene.



Chris Hemsworth and Anthony Hopkins in Thor

Friday, 15 April 2011

Comics Round-Up # 4


THE LI'L DEPRESSED BOY # 3


Written by S. Steven Struble

Art by Sina Grace

Published by Image Comics


You're No Rock N' Roll Fun. The Li'l Depressed Boy faces his greatest challenge: Jazmin's birthday party, where he doesn't know anyone. At least he doesn't have to fight trolls.

This is one of the best new comic series around. The Li'l Depressed Boy, whose name is not revealed (the other characters usually call him "L.D.B.") and is drawn as a living human-sized rag doll who all the other (human) characters treat as entirely normal. The on-going story revolves around L.D.B.'s romance with hip, lively girl Jazmin. The artwork is stylish and impressive and the script is sweet, funny, charming and effortlessly cool. In it's feel, it's reminiscent of the Scott Pilgrim comics. If you're not reading this yet, it is definitely worth checking out. This issue features an appearance by real-life Los Angeles rock band The Like.




NORTHLANDERS # 39


Written by Brian Wood


Illustrated by Simon Gane


Published by Vertigo


The Siege of Paris, Part 3. In a conclusion of a three part story based on the real-life Viking Siege of Paris which lasted between 885 to 886, the Parisian defences have been breached and the Vikings prepare to sack the city while Mads is left to ponder the price of peace.


Northlanders is a series of comics telling fictional stories based around historical events during the Viking Age. It doesn't have a running central cast instead the main characters change with each storyline. The comic is very gruesome but beautifully illustrated with art that effectively captures the look of the paintings of the period (another hallmark with Northlanders is that the principal artists change with each storyline. The script is intelligent and witty. Mixing action wih an intelligent, historically based script, this is well worth checking out




CINDERELLA: FABLES ARE FOREVER # 3


Written by Chris Roberson


Illustrated by Shawn McManus


Published by Vertigo


Super-spy Cinderella has confronted the ruthless Dorothy Gale on three occasions, each time narrowly managing to escape with her life. This time Cinderella has to protect a defector from a rumoured shadow Fabletown. However Dorothy is after him as well and she isn't working alone.


This is a six issue spin-off from the Fables comics series. This story is a spy story set in the Fables universe. The title being a play on the 1956 James Bond novel Diamonds Are Forever by Ian Fleming. It works well actually, having a James Bond style spy narrative set in the world of magic and fairy-tales. There is plenty of humour and action, and Cinderella is an appealing lead. This is worth checking out.




THE UNWRITTEN # 24


Written by Mike Carey and Peter Gross


Illustrated by Mike Carey, Bill Gross and Al Davison


Published by Vertigo


Stairway to Heaven. A selection of talking animals from all levels of story climb an infinite stairwell at the top of which they believe is a Golden Door, behind which may be Heaven. One night they encounter the vicious, foul-mouthed rabbit Mr. Bun who is determined to lead the group to the top for his own reasons, and heaven help anyone who tries to top him - or tries to help him.


This comic is a new one on me, but from this single issue story I'll certainly be checking out the others. Grotesque, surreal, violent and genuinely disturbing, this features some memorable artwork and characters.




HELLBOY: BUSTER OAKLEY GETS HIS WISH


Written by Mike Mignola


Illustrated by Kevin Nowlan


Published by Dark Horse Comics


Kansas, 1985: A farm is troubled by a bizarre series of cattle mutilations which could be attributed to a coven of teenage Satanists. When red-skinned, stone-handed demon Hellboy, of the Bureau of Paranormal Research, investigates, he quickly discovers that there is another reason for the mutilations.


This one off story is really strange, featuring impressive artwork and an entertaining script, which has a fun X-Files feel. Hellboy is an enjoyable character, and this story is pretty strange even by Hellboy standards. It should appeal to both fans and newcomers.



DC COMICS PRESENTS - BATMAN: ARKHAM

Written by Dennis O'Neil, Alan Grant and Paul Grist

Illustrated by Chris Swan, John Dell, Kevin Somers, Dave Taylor, Frank Teran, Carl Critchlow, Chris Chuckry, Coy Turnbull, Dan Davis, Kurt Hathaway and Gloria Vasquez

Published by DC Comics

This contains four stories revolving around the notorious Arkham Asylum in Gothan City. It opens with a very short piece illustrating the dark history of Gotham City. Then a guard becomes the prize in a macabre story contest involving the Joker, Killer Croc, the Riddler, Vox, the Scarecrow and Witch. Next a man is sentenced to Arkham following a brutal murder, but he protests his innocence, however he has to survive not only his fellow inmates but also the brutal treatments. Finally Batman recruits the Joker and friends to the Justice League of Arkham.

This is a great collection featuring some bizarre and genuinely disturbing tales. The two central stories in particular are definitely impressive. The "DC Presents" and "Vertigo Resurrected" lines are a really good way of reprinting older stories that don't fit into conventional grpahic novels or trade paperbacks.



PICK OF THE WEEK :





LI'L DEPRESSED BOY #3

Sunday, 23 January 2011

"EmiTown" by Emi Lenox

Year of Publication: 2010
Number of Pages: 408 pages
Genre: Diary, autobiography, graphic novel

Summary: As it says on the front cover, this is a "sketch diary" in which writer and artist Emi Lenox details a year of her life from May 2009 until April 2010 through notes, comic strips, sketches and song lyrics. She describes the details of her day to day life as well as comics detailing her as superhero "Ocean Girl" and a general leading an army of cats among many others.

Opinions: The book began as a web comic. Read straight through as a collected book it works really well. The switch from daily notes to the fantasy comics are slightly disconcerting at first but it's not long before you get used to it. As a diarist Lenox has a good eye for the details of daily life both funny and sad, and she is a very talented illustrator. It's kind of amazing that she manages to produce work of this quality on seemingly a daily basis. It is an endlessly entertaining and hugely charming book, which for the most part has a refreshingly positive outlook on life and the world, without ignoring the dark side.
If you are looking for a unique and engaging reading experience, this is well worth checking out.


Saturday, 15 January 2011

John Constantine, Hellblazer: Dangerous Habits

Written by Garth Ennis, illustrated by William Simpson, Mark Pennington, Tom Sutton, Malcolm Jones III
Year of Publication: 1996, first published monthly as John Constantine, Hellblazer issues 41-46 in 1991
Number of Pages: 160 pages
Genre: Graphic novel, horror, supernatural

Summary: Working-class sorcerer John Constantine is dying. However it is not due to mystical forces, demons or other supernatural enemies, instead it's because of Constantine's habit of smoking thirty cigarettes a day, which has given him terminal lung cancer. Constantine is determined not to die, especially since he has tricked the Devil himself once too often, and who now can't wait to get hold of Constantine and exact revenge for the rest of eternity. Rapidly running out of time and options, Constantine has to play the most dangerous game there is with the highest stakes there are.

Opinions: This book is a powerful and often moving piece. Outside of the supernatural horror elements, it deals with the cynical and guilt-ridden John Constantine coming to terms with his life and death. The writing is intelligent and often darkly humorous, and complemented by impressive artwork. The book's main skill is that it manages to imbue a storyline which could seem cliched or like a bad TV movie with genuine heart and compassion. One of the things that is so good about the Hellblazer series is it's realism which makes the supernatural elements all the more effective. In all of the darkness and horror, the book celebrates life, and the simple joys of friendship and life itself. However it is still Hellblazer and as such features plenty of gruesome monsters and gore.
The Dangerous Habits storyline was one of the main sources for 2005 film Constantine, the movie adaptation of Hellblazer.

Sunday, 26 December 2010

Local

Written by: Brian Wood, illustrated by Ryan Kelly
Year of Publication: 2008
Number of Pages: 376 pages
Genre: Graphic novel, coming of age, drama,

Summary: Megan McKeenan is a young woman who drifts from place to place across North America, searching for herself and for a place in the world. The book consists of twelve inter-connected stories each set in a different location in North America with Megan as the linking character. The stories are slice of life vignettes concerning themes of home, belonging, family, memory, friendship and loneliness.

Opinion: Local was originally published as a twelve part limited series comic book between 2005 and 2008. Originally it was intended to be a series of one off stories each taking place in a different North American location and each linked by the recurring character of Megan who would appear in each story, sometimes as the lead character and sometimes as a background character. As the series progressed though, it began to focus increasingly on Megan's story. The book is powerful and emotional, sometimes funny, often shocking and frequently heartbreaking. It's intelligently written, with Megan coming across as a genuinely believable and engaging character, even when she is not particularly likeable. As is only fitting, given the concept of the book, it has a very strong sense of place, with each location becoming almost another character in the story. The detailed artwork complements the stories perfectly. Even if you don't like comics, this is strongly recommended.

The locations featured in Local are:
Portland, Oregon
Minneapolis, Minnesota
Richmond, Virginia
Missoula, Montana
Halifax, Nova Scotia
Brooklyn, New York
Tempe, Arizona
Wicker Park, Chicago
Norman, Oklahoma
Austin, Texas
Toronto, Ontario
Vermont


Sunday, 19 December 2010

House of Mystery: Room & Boredom

Written by: Matthew Sturges and Bill Willingham, illustrated by Luca Rossi
Year of Publication: 2008
Number of Pages: 128 pages
Genre: Graphic novel, horror, fantasy

Summary: Welcome to the House of Mystery, which stands at the crossroads between many realities. Anyone who can find it is welcome to stay and the first drink is always on the House. However, to pay for any further food or drink the customer has to tell a story, which is the only currency accepted in this realm. Sometimes when people find the House they cannot leave, unless they are selected by a mysterious coachman. The latest person to find the House is architecture student Bethany "Fig" Keeler, who has been seeing the House in her dreams for years. She escapes there after being chased by a mysterious ghostly pair and finds herself the latest one to be trapped there.

Opinion: House of Mystery is a horror anthology comic book series that was first published in 1951 until 1983 and has been sporadically revived since. In 2008, Vertigo Comics, an imprint of DC Comics which specialises in publishing comics aimed at more adult audiences, revived the House of Mystery as an ongoing series, the first five issues of which are reprinted in this graphic novel. Most of the book concerns itself with the central story of Bethany Keele trying to escape from the House, but it also features some of the stories told by the House's customers (each of which is illustrated by a different artist which gives them a unique look). The book is entertaining with some refreshing dark humour and some striking artwork. The graphic novel also contains a short prose story and some draft character designs.

Monday, 15 November 2010

Kick-Ass

Written by: Mark Millar, illustrated by John Romita, Jr.
Year of Publication: 2010
Number of Pages: 216 pages
Genre: Graphic novel, superhero, action

Summary: Have you ever wanted to be a superhero? David Lizewski did and makes his dream a reality. A bored, nerdy New York teenager, David's main interests in life are comic books and classmate Katie Deauxma, until he buys a scuba wetsuit off e-bay and, naming himself "Kick-Ass", sets out onto New York's mean streets to fight crime, despite having no powers and no special training. Needless to say, his first attempts are an abysmal failure and he is very badly beaten up. Following months of operations, therapy and three steel plates in his head, Kick-Ass is out once more and, after footage of him foiling a mugging is uploaded onto YouTube, finds himself a sudden celebrity. However, after meeting murderous ten year old vigilante Hit Girl and her father Big Daddy, David soon finds himself seriously out of his depth.

Opinions: This book started life as an eight issue comic book series based on Scottish writer Millar's own teenage dreams of being a superhero. The book is hugely entertaining with frequently hilarious foul-mouthed dialogue and complemented with great artwork. It won't be too everyone's taste since it is full of graphic, over the top violence. More than likely the book's main audience will be fans of the movie which was based on it and, while the film follows the storyline of the comic very closely, the comic is several shades darker than the film. David Lizewski is a likeable and sympathetic main character, but the most memorable character is the good natured but extremely violent Hit-Girl.
If you're a fan you'll also want to get down to your friendly neighbourhood comic book store to pick up Kick-Ass 2 the first issue of which is currently on sale.

Sunday, 7 November 2010

Kick-Ass

Year: 2010
Director: Matthew Vaughn
Screenplay: Jane Goldman and Matthew Vaughn, based on the comic-book by Mark Millar and John Romita, Jr.
Starring: Aaron Johnson, Christopher Mintz-Plasse, Chloe Grace Moretz, Nicolas Cage, Mark Strong
Running Time: 117 minutes
Genre: Superhero, action, comedy

Summary: New York City, the present: Dave Lizewski (Johnson) is a teenage comic-book fan, who dreams of becoming a superhero. Despite having no training and no superpowers, he decides to turn his dreams into reality and, with a costume fashioned from a scuba diving suit, he dubs himself "Kick-Ass" and sets out to become a real-life superhero. However, his first attempts just result in him getting badly beaten up. However, one night his successful intervention in an assault is filmed and put on the YouTube site. Dave discovers that Kick-Ass is an internet celebrity. Then he meets fellow costumed hero Big Daddy (Cage) who, with the help of his violent, foul-mouthed eleven year old daughter, Hit Girl (Moretz), is fighting to bring down the city's most powerful organised crime ring.

Opinions: This movie is a lot of fun. It is packed with action and humour, and there are plenty of references to the world of comic-books and superheroes. The film, which is almost a parody of Batman and Spider-Man is very sympathetic with the costumed vigilantes but also features the dark and dangerous side as Kick-Ass very quickly finds himself way over his head. The film's storyline is not particularly unique with the idea of untrained superhero wannabes having been done several times before, but the film is stylish and entertaining enough that this doesn't matter. The film features some great performances in particular from Chloe Moretz turning in a startling performance as the ruthless Hit Girl who manages to be both likeable and terrifying. In the film's lead Johnson delivers a great comic peformance. The film is full of exagerrated comic-book style violence, which won't be to everyone's taste. The film knows it's target audience and fans of comic-book movies and action films are sure t find something to entertain them. As an unashamed comic book fan myself, I loved it.



Aaron Johnson and Chloe Grace Moretz in Kick-Ass

Saturday, 9 October 2010

Batman: Arkham Asylum - A Serious House on Serious Earth

Written by: Grant Morrison, illustrated by Dave McKean
Year of Publication: 1989
Number of Pages: 216 pages
Genre: Graphic novel, superhero, horror, fantasy

Story: On the outskirts of Gotham City, Arkham Asylum for the Criminally Insane, founded in the 1920s by Dr. Amadeus Arkham, has housed some of Gotham City's most dangerous criminals and now the lunatics have take over the asylum as, lead by the Joker, the inmates riot taking over the asylum and taking the staff hostage. Their main demand is for Batman to join them in the asylum. In the dark, twisting corridors of Arkham, Batman has to encounter his deadliest adversaries as well as coming face to face with his own heart of darkness.

Opinions: The book moves between the present day narrative of Batman in Arkham Asylum and the tragic story of the founding of the asylum by Amadeus Arkham in the 1920s, told through journal entries. The narrative weaves together multiple references from the Tarot to religion, from Lewis Carroll to Philip Larkin, and from Alfred Hitchcock's film Psycho (1961) to Lindsay Anderson's film O Lucky Man! (1971). It moves away from the gritty realistic approach to superhero comics that were popular in the late 1980s with the likes of Alan Moore and Dave Gibbons' Watchmen (published in 1987) and Frank Miller's The Dark Knight Returns (published in 1986) to present a surreal, nightmarish vision. Destroying any lingering ideas of Batman as the colourful baddie-bopper from the 1960s TV series, this presents the Dark Knight as more or less borderline psychotic. There are frequent references to the fact that Batman is not really much different from his villains, who are presented here as more pathetic, grotesque and horrific than ever before.
The surreal artwork by Dave McKean incorporates his usual multimedia style which mixes painting, sculpture, text and photography emphasises the fact that the book is a psychological horror story. More of a nightmare than waking reality.
While this won't be to everyone's tastes, this is one of the darkest and most disturbing of all the Batman stories and is strongly recommended.
The popular video game Batman: Arkham Asylum (2009) is loosely based on the graphic novel.