Book Clubs, Summer Reads, and the Motor Vehicle Commission (Oh my!)

Yesterday ran away with me. Or rather, drove away with me. I ended up realizing I missed my car inspection (thanks, surgery!), so I hurried over after a doctor's appointment and got it checked out. Then I realized my registration said it was expired in April 2019, too...

Except I renewed it online in August when I put in my address change... So I had to go over to the actual Motor Vehicle Agency and talk to someone there. Turns out, my payment/renewal doesn't show up in the system for some reason. So I had to renew it again. And now I have to apply for a refund once I pull together the documentation of my August payment. Is your head spinning yet? Mine sure is!

And naturally, I left my book at home because I didn't think I'd be waiting in so many lines... Instead, I browsed GoodReads, looking for potential book selections for RBtL Book Club 2.0, which I'm very excited to be rebooting. I think I came up with some pretty good options, but I sure could've used this awesome list of the best summer reads from the staff over at Publishers Weekly

Looking for the perfect book to throw in the suitcase or take to the beach? Let us help. We've polled our staff for their personal recommendations, and PW's reviews editors have put together some stellar picks in fiction, mysteries and thrillers, romance, sci-fi, graphic novels, nonfiction, and YA and children’s books. Whether you want something breezy, laugh-out-loud funny, terrifying, thought-provoking, or anything else, really, we've got you covered. Enjoy!

Aurora Rising by Amie Kaufman and Jay Kristoff (Knopf Books for Young Readers)

My favorite reads from last year were the bestselling Illuminae series, which Kaufman and Kristoff cowrote. When I learned that they were collaborating on a new trilogy, well, I don’t think I can accurately describe my excitement. An SF YA with an ensemble cast of misfits, blistering sarcasm, and characters who are really good at what they do but terrible when interacting with other people? Sign me up, please! —Drucilla Shultz, assistant editor

The October Man by Ben Aaronovitch (Subterranean) 

It’s lucky that Aaronovitch turns out new additions in his Rivers of London supernatural police procedural series so often, since their deadpan humor and sexy river gods make them perfect diversions in any season. The latest entry is a spin-off, introducing a new protagonist, magic-practicing cop Tobias Winter, in a new setting: Germany. It’s a wine-related mystery I can’t wait to uncork. —Hannah Kushnick, reviews editor 

The Paper Wasp by Lauren Acampora (Grove) 

That feeling when you know things are about to go horribly wrong, but you’re not sure exactly how and you can’t look away? That’s the sensation of reading Acampora’s debut novel, which opens with Abby, an artistic near recluse in a dead-end job, on her way to visit Elise, a promising Hollywood actress, after they’ve reconnected at their high school reunion. Because here’s the thing about rekindling a friendship—it just might end in ashes. —Carolyn Juris, features editor 

The Perfect Fraud by Ellen LaCorte (Harper) 

What is a beach read exactly? For me, it’s a perfect page-turner that adds to the bliss of summer. This one hits all the marks with two women, one a reluctant fourth-generation commitment-phobic faux psychic, the other a brash single mother with a very mysteriously sick child. The tension rises as the women’s lives collide in the red rocks of Sedona. —Louisa Ermelino, editor-at-large 

The Redemption of Time: A Three-Body Problem Novel (Remembrance of Earth’s Past) by Baoshu, trans. from the Chinese by Ken Liu (Tor) 

Nine years ago, science fiction novelist Cixin Liu published Death’s End in China, finishing his 1,500-page Remembrance of Earth’s Past trilogy. “No matter how many posts we wrote, the magnificent, grand arc of the trilogy was at an end,” Baoshu writes, describing the “melancholy” that inspired him to write a fanfiction tribute. This cosmic Romeo and Juliet story takes a welcome journey back to Liu’s fictional universe (with the master’s blessing). —Jason Boog, West Coast correspondent 

And the list goes on... 

Read the original post with the FULL list HERE

What's on YOUR summer reading list?

That Tricky Narrator

One of the most common problems I see in manuscripts I edit is issues with point of view. It can be so tricky being consistent in writing from a specific character's perspective and slips are bound to happen, especially in early drafts. And the omniscient POV, the one that allows you to jump about, it's very rarely done successfully and seamlessly (though it is possible).

So, when I edit, POV is one of the first things I notice. Is it first or third person? Is it from the right character? Are there too many different characters' POVs being shared? Is the character really showing the reader the story through his or her eyes?

Often the answers to these are not all check marks, causing a massive amount of revision on the author's part after an edit. But sometimes, sometimes, an author just nails the narration. Like these 10 classics compiled by author Antoine Wilson for Publishers Weekly:

Antoine Wilson

The first-person narrator descends from the ancient storyteller unspooling his tale around the fire for the delight and edification of his people. But on the page, two things transform him. One, we readers can ask “Who is this speaker? Why is he telling us this story, and what isn't he telling us?” Two, he can go on as long as he wants. The first case invents the so-called Unreliable Narrator, the second gives rise to what I like to call the World Swallower.

Whether insane, overheated, strung-out, or merely young and naïve, Unreliable Narrators always deliver more than their characters intend to. Comic or tragic, serious or absurd, they can tell just about any story while also reflecting our capacity for self-deception, our limited sliver of knowledge about the world, and the limits of language itself. 

The World Swallower is the unhinged cousin of the old-school omniscient author-narrator (the one who used to say “dear reader”). He stretches (or obliterates) the boundaries of what a character might be able to know. Whether deployed to illuminate the scope of human imagination or to bring under one flimsy umbrella the whole of experience, the World Swallower is the ultimate stand-in for an author who has devoted himself or herself to their art. 

There exist other varieties of first-person narrator, of course, and other ways to describe them, but my favorites (aka this Top Ten) are the Unreliables and the World Swallowers.
(For each book, I’ve also included an alternate, a sort of spiritual cousin to the one on the list.) 

10. Huck Finn, The Adventures of Huckleberry Finn by Mark Twain - Huck's narration exemplifies the triumph of the spoken over the written, the colloquial over the official. With this novel, Twain deployed his skills as a master ventriloquist to rejuvenate American literature, delivering adult ideas through the mouth of a child naïve. (Alternate: Scout, To Kill a Mockingbird by Harper Lee) 

9. Holden Caulfield, The Catcher in the Rye by J.D. Salinger -Another child narrator, so inflected with the language and perspective of a kid that the novel is often assigned to kids themselves, most of whom fail to see beyond Holden's puerile litmus of phony/not-phony. The power lies in the book's structure (pitting dying nobly against living humbly, at one point), and in reading it from an adult's perspective. Having already lost some innocence, we grown-ups understand the significance of Holden's position better than he ever could. (Alternate: Elaine, Cat’s Eye by Margaret Atwood) 

8. F**khead, Jesus' Son by Denis Johnson -A narrative of down-and-out druggy recovery told by an unreliable narrator. F**khead can't even keep his own story straight; he revises along the way. But what Johnson achieves here is innovative and moving. This is a true novel-in-stories, taking the overarching narrative of recovery from the novel form, while allowing F**khead's voice to evolve from chapter to chapter, a discontinuity enabled by the term “short story.” The events of the first story/chapter are no more or less strange than the last, but along the way the voice transforms from imagistic confusion to candid clarity. (Alternate: Esther Greenwood, The Bell Jar by Sylvia Plath) 

7. Ditie, I Served the King of England by Bohumil Hrabal - Hrabal is a modern master of the literature of the Fool. But unlike his forebears (cf Jasek's novel The Good Soldier Svejk), Hrabal lets his fools speak for themselves, giving them the microphone to narrate their own stories in all of their venal, occasionally insightful, narrow-minded glory. Ditie, a hotel waiter, likes to brag that he once served the Emperor of Ethiopia. A poor judge of seemingly everything, he marries a stern German athlete just as the Nazis are taking power. James Wood's review of Hrabal's work is a must-read. (Alternate: Stevens, The Remains of the Day by Kazuo Ishiguro) 

6. Charles Kinbote, Pale Fire by Vladimir Nabokov - Yes, yes, I know, why isn't Humbert Humbert on this list? Because far more interesting (to my mind) is Nabokov's second-most famous creation, Charles Kinbote.Pale Fire is a strange hybrid form; the novel consists of Kinbote's cranky Foreword, a 999-line poem by someone called John Shade, and the footnotes to that poem, in which Kinbote attempts to claim the work for himself in a sort of lit crit hijacking attempt. In doing so, Kinbote manages to both swallow the world and emerge as one of the least reliable and most amusing narrators I've ever read. (Alternate: Humbert Humbert,Lolita by Vladimir Nabokov) 

5. Invisible Man, Invisible Man by Ralph Ellison - A song of subjectivity, at times wildly uneven, partly inspired (according to Ellison) by Eliot's “The Waste Land,” the novel comes to us via an unnamed narrator under the guise of autobiography. Invisible Man shimmers as literature for what Ellison turned his back on, the realist protest novel, in favor of a personal and experimental style, one that allows erudition, feverish lyricism, command of the vernacular, fluency in pop culture, jazz, science, preaching, and discourses on communism. A voice to swallow not the world, per se, but the world's many voices. (Alternate: The Underground Man, Notes from Underground by Fyodor Dostoevsky) 

4. Franz-Josef Murau, Extinction by Thomas Bernhard - Bernhard's narrators are distinguished by their musicality, repetition, and relentlessness. The intellectual black sheep of a powerful Austrian family, Franz-Josef Murau must leave his exile in Rome when he finds himself sole heir to his family's estate, Wolfsegg. Brilliant, darkly comic, and enlightening, Murau's pseudo-autobiography is a triple-shot of bile from the Austrian master. (Alternate: Any of Beckett's narrators) 

3. Ruth, Housekeeping by Marilynne Robinson - In relating her and her sister's somewhat feral childhood in fictional Fingerbone, Idaho, Ruth depicts events and scenes she could not have witnessed firsthand but which have taken root in her imagination. The result is an intimate bildungsroman interwoven with a world-swallowing depiction of place, people, and history. All told through a voice that, at times, approaches the “I am nothing. I see all.” of Emerson's Transparent Eyeball. As stealthy as it is ambitious. (Alternate: Del Jordan, Lives of Girls and Women by Alice Munro) 

2. Ishmael, Moby-Dick by Herman Melville - “Call me Ishmael,” he says, but can we still call him Ishmael by the final chapter, when we get (spoiler alert) a third-person description of the destruction of the Pequod? Ishmael is the ultimate world-swallowing narrator, one who bursts at the seams with the volume of all he has swallowed, narrative consistency be damned. (Alternate: The author/narrator of Don Quixote) 

1. M., In Search of Lost Time by Marcel Proust - Cookie, tea, go! (Alternate: Howie, The Mezzanine by Nicholson Baker) 

See the original post HERE 

Some of my personal favorites (first and third person selections): Scout from To Kill a Mockingbird, Jo from Little Women, Guy from Fahrenheit 451, and Esther from The Bell Jar.

Who are some of YOUR favorite narrators in literature?

A Lesson in Collecting Rare Books

I am a big fan of rare books. It's that simple. I could spend hours roaming around rare bookstores, poking my nose in the musty, yellowed pages and running my fingers along the rough leather bindings.


My own collection of rare books is small. Just one little bookshelf of editions of various ages, styles, genres--even languages. My three favorites are a first edition of Robert Frost's A WITNESS TREE, a  first edition of A.A. Milne's WE ARE SIX, and a random 19th century French religious tome that was neither bound nor had its pages cut for reading.

My hope as I start to settle down into my future is to grow my collection, have a little library or rare and used books to make me smile. But how do you really start that kind of collection, I sometimes wonder. Now, I can wonder now more, as this week, Publishers Weekly posted a piece called "Book Collecting 101" by Richard Davies of AbeBooks.com:

It might just be me, but I believe far fewer ‘Physical Books are Dead’ articles are being published these days. Just as well because book collecting is alive and well, and co-existing happily alongside digital media. Avid readers are still becoming book collectors. Beautiful, rare and interesting editions are still being bought and sold.

The first question for any potential book collector to answer is ‘What should I collect?’ The answer is simple – collect the books you love. I always advise collecting for love rather than financial gain. It could be an author or a literary group, every possible edition of a single title, a genre or a sub-genre, an era or a publisher, first editions, signed copies or books illustrated by a particular artist.

Can you make money from collecting rare books? Yes, but like the stock market, the value of books can decrease as well as increase. Can you build a collection of valuable books? Again yes, but, again like the stock market, it takes knowledge and research to strike gold. Are books a good long-term investment? It depends – can you identify books that will gain value over a couple of decades? 

Collecting books for financial gain is not easy. That’s why it’s good to start with the books you love and know well. Many collectors read every book published by an author and then begin collecting first editions of each title. Many collectors return to the books they loved as children. The loss of Maurice Sendak sparked interest in his work from collectors and a signed first edition of Where the Wild Things Are sold for $25,000 on AbeBooks just weeks after his death. Children’s books can be challenging to collect because young readers often treat them roughly. 

Spend time in rare bookshops. Bauman’s Rare Books in New York and Las Vegas, the Brattle Book Shop in Boston, Royal Books in Baltimore, Ken Sanders Rare Books in Salt Lake City and Wessel & Lieberman in Seattle are just a few famous names. Get to know your local rare booksellers. 

Considering many people now consume books via digital files, book collectors are often drawn to books as objects of art. The look (and feel) of particular books can define a collection. Bindings, dust jackets in certain styles and illustrations can be attractive drivers behind a collection. In December, AbeBooks sold a 1944 first edition of Pasiphaé illustrated by Henri Matisse for $30,000. Books by Picasso and Dali regularly fetch high prices. 

First editions and signed copies are two cornerstones of book collecting, but, once you have delved into the world of used books, the golden rule is condition, condition, condition. The difference in financial value between a first edition that’s been gently read once and a heavily worn first edition with a torn, price-clipped dust jacket can be significant. 

For modern first editions, the presence of a dust jacket is vital in itself – DJs were commonly thrown away by owners in the early years of the 20^th century. The most significant example of how a dust jacket can affect value is the first edition of The Great Gatsby – with a dust wrapper, the book is worth more than $100,000 (one sold for $182,000 at auction in 2009). A first edition lacking its jacket is worth less than $10,000.
A book’s value increases when there is demand from buyers but copies are scarce. Simple economics. There can be many influencing factors, such as the literary or social significance of the book, interest in the author, awards or controversy. Das Kapital by Karl Marx shaped world politics, so first editions are worth $50,000. At the lower end of the scale, signed copies of the 2012 Booker-winning Bring up the Bodies start at $90. 

Moby-Dick was a flop when it was first published. Then a warehouse fire in 1853 destroyed the vast majority of the American first editions. Slowly, critics and readers came to understand Herman Melville had delivered a masterpiece and the few remaining first editions soared in value. Today, a first US edition will be priced over $60,000. 

Some authors are generous signers and that makes their signed books affordable. Ray Bradbury signed thousands of books, and today prices start at less than $20 – very low for a writer of such magnitude. Salman Rushdie and Ken Follett are two more prolific signers and prices for their signed books begin at around $15 and $8 respectively. 

If an author has reclusive status (think Harper Lee and J.D. Salinger) then you will pay a premium for a signed book. AbeBooks sold a rare signed first edition of To Kill a Mockingbird for $25,000 in 2011 – an unsigned first edition went for $18,000 last year.
As a reader of Publishers Weekly, you probably already have many books on your shelves. But a good book collection is not defined by quantity but quality. New books from successful authors often have a large first edition print run but you need to find the first edition of that writer’s debut title where only 1,500 copies were printed. A famous example is J.K. Rowling’s first edition of Harry Potter and the Philosopher’s Stone. She was an unknown writer and only 500 first edition copies were printed. One of those books sold for $37,000 on AbeBooks in 2005 at the height of Pottermania. 

If you already have first editions from up-and-coming authors on your shelves, you need patience. The big bucks are generated by books from legends of literature such as Kipling, Hemingway, Kafka and Tolkien – writers who have inspired millions of readers. It can take a long time to become legendary. 

Another key question is how much should be spent on a book collection? Thanks to the Internet, it’s easy to spend $40,000 on a signed first edition of Casino Royale by Ian Fleming. Set a budget and stick to it. If you are collecting books that have prices out of your reach, be smart – spread your net into charity book sales, library sales, and thrift shops. Spot undervalued copies and snap them up. I met one collector who loved first editions from Fleming but could not afford them – instead he bought later editions and added facsimiles of first edition dust jackets. Facsimile jackets can be bought for $20. 

There are hundreds of ways to build an eye-catching collection without breaking the bank. A bookshelf filled with vintage Penguin paperbacks will impress anyone. Penguins published in 1936, the company’s first year, can be bought for under $5. Pulp paperbacks are also plentiful, fun to collect, and just as cheap. 

For more on book collecting, visit AbeBooks's online guide to book collecting. 

Read the original article HERE

Making It Up With a Publishing Round Up

I've been a little out of the loop lately, dear readers--my apologies. With vacation and the Thanksgiving holiday (and an intense work week playing catch up!), I have been a bit preoccupied and lax about posting. I am truly sorry--I know how much you must miss me. ;)

But boy, oh, boy, are there things going on in this crazy publishing biz!

Allow me to share with you some of my personal "favorite" highlights in a quick round-up:


Best of 2012 Lists Posted
That's right. It's that time of year again. The New York Times, Kirkus, and Slate have all posted their big lists of most notable/best books of 2012. As per usual, I only have ever even heard of a few of them, and I  haven't read any of them. Sometimes I wonder where they come up with most of these things...or maybe I am just not as "in the know" as I should be.

Facebook Launching New Social Reading Site
Yup. Another Goodreads-style website is on its way. I received notification from the folks over at Facebook about Riffle, which Forbes magazine describes as "a new kind of Pintrest", and have been invited as an early member (I also can pass along invites to others, if anyone is interested). I've signed up and am awaiting my login information--a review will be forthcoming!



HOBBIT Film Producers Being Sued
The J.R.R. Tolkien estate isn't letting HOBBIT producers off easy for what they claim is a breach of merchandising contracts. The estate wants $80 million to make up for it. As the Hollywood Reporter tells us, "The crux of the suit is the estate's contention that a decades-old rights agreement entitles the studio to create only "tangible" merchandise based on the books, not an "online slot machine" or other digital exploitations that the estate calls highly offensive."



High Fidelity Author Writing Script for Wild Adaptation
Reese Witherspoon's production company, Pacific Standard, is set to adapt Wild, Cheryl Strayed's memoir about her solo 1100-mile trek through California and Oregon to Washington State. Bestselling author Nick Hornby has signed on to write the screenplay. I, myself, hadn't heard of the memoir before, and quite frankly, I'm not seeing the film adaptation potential here. Seems to me like the makings of a slowly paced, somewhat boring flick, but I guess we'll see what the talented Horby comes up with.



E.L. James Given High Publishing Honor
Every year, Publishers Weekly names a "publishing person of the year." Past winners have been the likes of Penguin CEO David Shanks, Barnes and Noble chairman Len Riggio, and Google settlement "architect" Richard Sarnoff. But this year? This year's winner comes as a shocker to myself and other members of the industry: Fifty Shades of Grey author E.L. James. Bad choices, PW, bad choices.