How New is Modern: Circling the Square

How New is Modern is an upcoming exhibition sponsored by the Rocky Mountain Quilt Museum in Golden, CO. The exhibit will showcase 38 modern quilts made by members of the Denver Metro Modern Quilt Guild. The quilts represent modern interpretations of traditional quilts from the museum's collection and I'm thrilled Circling the Square will be one of the quilts included in the show.

Today I thought I'd share how this quilt evolved by sharing parts of an earlier post about my design process.

The project began by playing with the traditional drunkard's path block. My early explorations were primarily based on the positive shapes created when quarter circle units are combined into larger shapes. As I played, I began to focus on the use of negative space. Three quarter circles creates a square negative space. One quarter circle can look like a bite taken out of a larger square. Just look at all the interesting negative spaces in the example below.

I started my explorations by creating a palette of basic shapes in Adobe Illustrator. A single quarter circle. A half circle. A 3/4 circle. Then I duplicated each shape and rotated them to give me a variety of orientations. Once I had my shape palette, I started to play around with placement of the shapes while paying close attention to the negative spaces that were created.

Creating negative squares from positive circles really intrigued me so, with this concept in mind, the name Circling the Square was born. I don't know that I've ever named a quilt while designing it but in this case the name spoke to me. It helped to clarify the concept and began to influence my design decisions.

Early on I tried quarter circles coming in and swirling around until they created a square of negative space in the center. Very interesting but not quite what the name implied to me. Maybe I'll pursue this idea down the road.

Then I began to focus on the circles forming a mass with the square at it's center. This was closer to what the name implied but it wasn't quite there yet.

The consolidation of shapes was going in the right direction but the rectangular format wasn't right. I made the decision to change the overall format to a square which seemed much more appropriate given the quilt name.

As the mass of quarter circles came together it only seemed right that the larger shape created be circular in nature. I tried a lot of different arrangements until I got a somewhat uniform mass of circles. Careful attention was paid, not only to the placement of the circular units, but also to the negative shapes that were created. I wanted to balance the use of full circles, 3/4 circles, and half circles along with the negative shapes. I worked primarily with odd numbers, in many cases repeating the use of three elements as you can see below.

Once I got the basic shapes in place, I started to explore color. The constructive nature of the design reminded me of the early modern art movements of Constructivism and Bauhaus.  Black, white and red were frequently used in the graphic designs of these movements so it just seemed to be the right color scheme to use here. I did look at a few other colors but nothing was as dynamic and strong.

As you can see in the illustration below, I tried using red for the center square. It seemed like the natural place to use color. The effect, however, was that the red square became a positive shape rather than a negative space. There's nothing wrong with this except it wasn't what I was trying to depict. My intent was the creation of a negative square formed by the circles. Removing the red, as in the second example, returned the square to it's negative space but the design needed color. By placing the red in the only full circle in the entire layout a focal point was established. It gave the eye a place to start the journey of the circles swirling around the square.

Once I settled on color placement, I explored the finer details of the arrangement. The addition of little black arcs around the outside activated the circle. Take a look above at the far right illustration and then the illustrations below and you can see how the composition feels more active. I started with three (below left) and decided on six (below right).

Another refinement was in the small negative squares that come off the large central square. I felt the small squares (below left) diminished the effect of the large square. It didn't quite read as a single large square in the way I intended. Next, I tried changing the small squares to quarter circles (below right) but this didn't quite work either. Now the center square looked like it had three little wings. This arrangement also introduced a new shape to the black 3/4 circles that didn't really like.

Do you feel like you're playing one of those games where you need to find the differences? Can you find all the things I'm referencing? If not look harder.  : )

Below is the final layout. Simply rotating the quarter circle units brought the 3/4 quarter shapes back in alignment with the rest of the design while clearly defining the negative center square. So there you have it. The final design . . .

While I work out a lot of my designs in Illustrator, many of the finer details happen on my design wall. The placement of the final black arcs and refinement of the center square all happened on the wall. I also auditioned fabrics on the wall. I used tone-on-tone prints for almost all of the circle shapes and for all the negative areas except the center square which is a solid. I'm quite happy with how this design evolved and developed.

I quilted it with a giant spiral starting from the center of the red circle. Red thread was used in the red circle and then I switched to a very light gray for the rest. Can't say that I'd want to do spiral quilting on anything larger than this. The final size is 52" x 52" which is about the max I can imagine turning around and around and around under my short machine arm space.

I hope you enjoyed this glimpse into my design process. My graphic design background leads me to a more controlled approach to my work but not everything is predetermined. It's a back and forth between computer and design wall. Sometimes even a rough sketch on paper.

Show Information:
I'd like to invite you to the opening reception Friday, October 27th from 6-8pm.
The exhibit, How New is Modern, will run October 23, 2017 through February 3, 2018.

If you live anywhere near Denver or will be visiting the area, you really should check it out. It's going to be a fabulous exhibit of modern quilts. Learn more about the Rocky Mountain Quilt Museum by visiting their site. Come see the quilts and learn about modern quilting.

I'll see you there.  : )

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Ready or Not . . . Here I Come QuiltCon 2015

It's finally here. I leave for Austin in the morning.

Months ago when Cindy of Live A Colorful Life asked me to be her roomie I was thrilled. If it wasn't for her I probably would have procrastinated about committing and wouldn't be packing now. Thank you Cindy. Can't wait to meet you and the other MCM ladies.

QuiltCon seemed so far into the future at that time. I had thoughts of making all kinds of things. Gifts, new bags, maybe some clothes. Haha . . . very little got done. My biggest accomplishment was finishing a quilt entry and having it accepted. I'm looking forward to seeing Matrix Blooming hanging in the show. I'll share more about it after I get back.

I've also got a few buttons to swap. Would love to meet you and trade pins.

If you're going, I hope we get to meet.  If you're not, I'll be reporting once I get back.
Time for me to finish packing.  : )

Four-in-Art: Maps

It's time for the big reveal of our Map quilts as part of the Four-in-Art small art group I was recently invited to join.

I posted a couple of weeks ago about how I've always wanted to explore making art quilts but have just never taken the plunge. This fun little group has given me that chance and I'm looking forward to experimenting and learning about my personal style.

Our overall concept for the year is Urban with this particular topic being Maps. Last weekend I had the good fortune to attend Quilt Market in Houston and got to see several quilts made as part of a special exhibit entitled Maps sponsored by Quilts on the Wall. Here are two of my favorites.

Gone By Laura Bisagna, Winchester, CA
Laura's quilt depicts her home and others that are "gone" after a wildfire.
It's difficult to see but the black spaces are actually cut away to create holes in the quilt
representing houses that were destroyed by the fire.

Layered Marks From the Sky by Carol Nilsen of Laguna Beach, CA
An aerial photograph of a runway and taxiway inspired Carols' quilt.

Notice a common theme? Aerial views. That's essentially what maps are all about isn't it? An overview of a place or thing that helps us get our bearings in relationship to ourselves and our location . . . some maps even help us find the bearings of our lives. You can "put something on the map" thereby bringing it to prominence. Or you can "wipe something off the map" thereby obliterating it entirely.

For my map quilt, I chose something personally meaningful that I hope will never be wiped off the map. Something that will always be a part of the map in my mind and hopefully that of my children as well.

Now I am not an urban person by any means. Never have been and never really want to be. I'm a small town girl through and through. So I decided to express my urban map by depicting what was urban to me growing up. My hometown . . . Kentland, Indiana . . . a map as I still see it in my memory.

I love the loose improvisational style that so many art quilters do so freely but also realize that doesn't come easy to me, so rather than fight it too much on this first quilt, I just went with what does comes naturally to me. Structure and grids. I'm a planner and inherently a pretty structured person and the idea of a grid lends itself perfectly to the rural farmland around my hometown. The fields and rural roads are all pretty well laid out on a grid.

With this underlying structure in mind, I started cutting and piecing little bits of fabric into a grid. I chose not to be too literal with my interpretation, but rather to work from my general memory. I pieced and ripped out and pieced some more.

Finally my base "map" came together. I used an variety of greens to represent the fields surrounding town. Grays created the general town plan with three darker squares representing the significant places in my life . . . the business my Dad ran, where Mom worked and where my first job was, my church/elementary school . . . and of course HOME.

Then I stitched in more detail. The intersection of the two main highways in town, the railroad, the ditch, the downtown area . . . all two blocks worth. The main streets in town. The park across the street from our house. The dark gray color of our house along with the red flowers Mom always planted.

The last step was bringing my own personal story into the picture.  I selectively cut words and phrases from a piece of Madrona Road fabric to tell my story. The front of the quilt was purposely kept simple to reinforce the simple life of living in a small town. These words were hand stitched in place to again reinforce the simple ways of small town life.

The final step was binding. Since Kentland is surrounded by cornfields I chose a corn print from my stash to surround my map. But once it was sewn on I didn't like the look. It was too distracting from the town itself and the main concept. So I painted the corn green along three edges leaving just one side yellow to represent the corn hybrid test plots on the edge of town.

Here is my finished Urban-Maps quilt. I'm calling it "My Urban - A Place to Call Home"

"My Urban - A Place to Call Home" front

"My Urban - A Place to Call Home" back

On the quilt back I pieced together a narrative that tells my story . . .

Once upon a time, a baby girl was born

the family settled in a little house

And as she grew, she explored and roamed

and filled her deep well with knowledge.

But the road beckoned . . . 

All grown up, she traveled across the land

stitch by stitch she pieced her soul together

the winds led to her soulmate

they were deeply in love

eventually settling in the Old West

to raise their littles 

in a steadfast place . . .  to call home.

I grew up in this small midwest town where farming was pretty much the only industry. But even in a rural farming area, I was a town kid, not a country kid. Living in Kentland was my "urban" for the first 18 years of my life. Since those early years I've lived in several smaller cities and states but am happily back in a relatively small town. Different state but similar small town feel. Ten times the size of my hometown but still small.

But in the bigger scheme of life, Kentland will always be "HOME" to me.

Everyone in the group came up with wonderful ideas. It's going to be so much fun making this art journey with all of them. Take a look at their mini maps by following the links below.

Amanda - What the Bobbin
Betty - Flickr page
Carla - Lollyquiltz
Elizabeth - Occasional Piece Quilt
Nancy - Patchwork Breeze
Leanne - She Can Quilt
Rachel - The Life of Riley