The price of paint

Jackson's Art Pricewatch Scheme is the sort of marketing effort by art supplies companies which impresses me. 

Jackson's Art website page for the Pricewatch Scheme

Pricewatch Scheme

Our dedicated team of price watchers will constantly check our online competitor’s prices for the most popular branded art materials so that we can guarantee that the lowest prices can always be found at Jacksonsart.com

I'm a committed buyer of goods from John Lewis and one of the reasons I do is because they promise to match the price of the same goods on sale somewhere else so that they always offer the lowest price on normal (ie not clearance) stock.

A commitment from art supplies companies to introduce a price watch comparison service has been long overdue.

The Jacksons scheme is not perfect.  They've picked popular products and very reasonably have matched it against "competitor websites chosen on the first search results for the term ‘art supplies’ on Google.co.uk"

Which means it doesn't cover every product and it doesn't cover every competitor - but it's a start.

It could also mean that art supplies companies start to look very carefully at the price they're charging and introduce a bit more competition into the marketplace.

However, one might be forgiven for not being aware that the system actually exists.  They don't exactly shout about it on the front page of their website!

In fact, it's new and if I hadn't read their 24th January blog post Price Watch scheme I wouldn't have known anything about it.

To my mind, the quality of this scheme will depend on reliable reporting and updating of prices across the board. I could imagine other art suppliers becoming very annoyed and even litigious if their prices are misrepresented in anyway - that's if the Trading Standards people don't get there first!

My conclusion is that it's good to see somebody trying this approach - let's see how it works in practice before arriving at any conclusions about the scheme as a whole.

Cost of shipping

My normal caution to individual artists when comparing prices for art materials is 'ALWAYS look at the cost of shipping' because of the scope for suppliers to balance losses on cutprice goods with premiums on shipping costs.  I've certainly spotted suppliers in the past who have operated according to this strategy.

In this instance I note Jackson's Shipping Information indicates all shipping - at UK standard postage rates - is free once you've topped £39.  The usual sort of premiums apply to the Islands and Ireland.

Palettes and colour charts with a difference

Colour Chart Coasters

A lot of artists I know are very fond of collecting trivia which is artist related - and this is a post for those who have a tendency to buy art tools on items wholly unrelated to the studio.

Those clever people at the National Portrait Gallery shop have been exploiting this tendency of late with a fantastic range of goods based around a colour chart and a palette.

In this post, you can see the two items I bought this summer  - and am very happy with. However I can't identify them in the shop and am wondering if either they are now only available in the shop - or they've sold out!

Artist's Palette fridge magnet

For the record: the colour chart coasters were £14.50 and the artist's palette fridge magnet was £3.50.  They're suitably practical to justify the price while being a great deal more attractive and appealing to me than alternatives fulfilling the same function.

The palette is actually based on George Johann Scharf's small china palette and is 19 x 15cm. Scharf was a German artist who chronicled 19th century London - which you can read about in this blog post.

There's also a small Small China Palette brooch of the same design available from the website.

Plus links to more of the same in terms of the colour chart design - but different online.  I'm very taken with the Colour Chart tea towel.

I do like the National Portrait Gallery shop - and I highly recommend it for a browse if you're in this area of London with a few minutes to spare.  They have a habit of coming up with items which are slightly quirky and better quality than one might find elsewhere. Some are somewhat highly priced but if you pick and choose you can have a small indulgence for not very much at all!

The Favourite Coloured Pencil Awards! (2012 Brand Poll Results)

This is my Annual Report on the results of the Annual Poll which asks which is your current favourite brand of artist grade coloured pencil.

Artist grade in this connection means:

• used by fine artists (whether professional or amateur) - people who would like their artwork to last and/or to sell it.
• suitable for fine art rather than commercial art where longevity is of no relevance once the artwork has been photographed.

Below is the chart of the results from the Annual Poll on my resource website Coloured Pencils - Resources for Artists (VOTE on this 2013 Poll by clicking this link - 2013 POLL: Which is the best brand of artist grade coloured pencil?)

Chart of the Results of the 2012 Poll:
Which is the best brand of artist grade coloured pencil?

This year 347 people voted during 2011 to determine which is the best brand of artist grade coloured pencil.  This is fewere than in previous years but I didn't remind people about the poll at mid-year as I've done in the past.

The results are as follows

• The Favourite Artist Grade Coloured Pencil in 2012 - Faber Castell Polychromos (33.4%)
• 2nd - Sanford Prismacolor Premier (15%)
• 3rd - Derwent Coloursoft (8.4%)
• 4th - Caran d'Ache Luminance (6.6%)
• 5th - Caran d'Ache Pablo (5.5%)
• The Favourite Lightfast (6901) Artist Grade Coloured Pencil in 2012 - Caran d'Ache Luminance (this is a pencil which is accredited as being compliant with the standard ASTM D-6901 for testing Lightfastness in Coloured Pencils created by the American Society for Testing and Material).
• The Favourite brand of Artist Grade Coloured Pencil Media in 2012 - Faber Castell Polychromos - by a mile!

Which means Faber Castell is now the dominant brand and Polychromos is the dominant artist grade coloured pencil within the coloured pencil marketplace for fine artists.  

For a further explanation of how this comes about see below.

Analysis of changes in coloured pencil brand preference over time

It's worth remembering that the performance of different pencils in Opinion Polls is highly dependent on how easy they are to obtain and the patterns of buying behaviour in different countries.  

What I have found noticeable over time is that as more people buy online they are more likely to try new brands of pencils - and are no longer dependent on the pencil in open stock at their local art store - assuming that this store has survived the recession!

The recession has also inevitably had an impact.  One might expect the cheaper pencils to be doing better.  In fact the reverse seems to be occurring and those with more disposable income seem to be favouring the top quality pencils - even if they are more expensive.

Changes in coloured pencil brand preferences 2008 - 2012

I've been running the Poll since 2008 so it's developed a few trends in that time - and we'll look at these below.

CLICK THE CHART below to see a MUCH LARGER version of this chart which shows the percentage share each manufacturer earned in the annual polls.  The very minor brands have been eliminated from view in the chart for the purposes of this analysis.

• GAINERS: Faber Castell, Caran d'Ache
• LOSS OF SHARE: Prismacolor, Lyra Rembrandt
• NEUTRAL: Derwent, Blick and Talens Van Gogh

The Annual Poll was started partway through 2008.  The pattern over time, based on the poll results for the last five years, can be summarised as follows:

• There have been three dominant brands in the marketplace in the last five years - Sanford Prismacolor, Faber Castell Polychromos and Derwent (various)
• Two more brands Caran 'Ache and Lyra Rembrandt have been competing for attention - and one - Caran d'Ache - is beginning to have a serious impact in 2012.
• There are two minor brands - Talens van Gogh and Blick
• In 2012, there has been a significant shift
• Faber Castell is now dominant over the combined pencils of all other manufacturers. 
• One pencil - the Polychromos - now has a 1/3 share of the market.  It is more than  twice as popular as its nearest competitor.
• Prismacolor has lost 45% of its market share in the last year - and is no longer rated as the premier brand of coloured pencils.  For the last four years it has consistently had just less than a third of the market (28-32%).  This year its share has reduced to 18%.  (I'll comment on this further)
• Derwent and Prismacolour are now neck and neck in the popularity stakes
• The Caran d'Ache Luminance pencil - which is lightfast - has continued to build its share of the market DESPITE being the most expensive coloured pencil in the world!  This very clearly demonstrates that price is obviously NOT a barrier to building market share amongst fine artists if people want a quality pencil which is lightfast.  It comprehensively demonstrates that any failure of previous brands of lightfast pencils (which have been dropped) is very probably down to:
• the quality of the pencil in terms of application and use 
• the marketing of the product
• and/or both the above!

While there may be weaknesses in my poll results, so far as I am aware there is no other consistent polling of preferred brands of coloured pencils on a global basis.  If there is I'd be happy to study the results and any inconsistencies with the results of my poll.  (I used to crunch numbers and analyse them for a living!)

Conclusion

The following summary is a product of both the poll, consumer comments available on the Internet (and offline) and recent research.

To my mind the current situation can be characterised as follows.

• Faber Castell has been very focused around the quality of one pencil.  It delivers a high quality product of consistent reliability.  This has earned the Polychromos many admirers - who in turn recommend the pencil to others!  This focus on one pencil gives it a much bigger impact in the marketplace.
• Sanford has lost its way both in terms of  product range, its target market and the quality of the product produced.  I have observed lots of changes and no discernible direction in strategic terms plus lots of complaints about matters which the company has failed to address over the years. It no longer feels to me like a manufacturer which is serious about producing quality products for fine artists.  Its cheap unreliable pencil appears to be targeted at the younger / student market and children and adults who like colouring pages.
• Derwent has a huge range of pencils - none of which do particularly well - apart from the Coloursoft.  Effort and marketing appears to be spread thin.  They could have had the lead in the Lightfast Pencil market - and abandoned it.  Issues around lightfastness continue to be relevant to the artist grade range.
• Caran d'Ache is playing a blinder.  It took time to produce a well thought out pencil which has become very popular - the Luminance.  Despite its high price, this pencil is attractive, works well and is readily available - it looks likely to continue to be very popular and to grow its market share over time.  Not least because it is certified as ASTMS 6901 compliant - and is the only leading artist grade pencil which can claim this. Its growth has also not seriously dented the market for the Pablo Pencil.  The company persuade me (and others) that they recognise how long it takes a new product to establish itself in the market and have a focus on continuous improvement.

Thus we have my personal 'take' on four manufacturers who all demonstrate a very different approach to how to win share and make money from coloured pencils.  

While fine artists are only a small part of the coloured pencil market as a whole one is led to wonder why more artist grade pencils don't emulate the success of the Polychromos!

I'm going to follow up this Poll Report with in-depth analysis of the main brands.  I have eclectic tastes rather than being a dedicated fan of one brand - so this should prove interesting.

I've started by updating the analysis of brands in the Artist Grade Coloured Pencils: Brand Information section of Coloured Pencils - Resources for Artists.  Each of the sections on the manufacturers of artist grade pencils now has a section which covers:

• SUMMARY
• Favoured by
• No. of artist-quality coloured pencils 
• Meets 6901 Lightfastnes Standard
• Characteristics of coloured pencils
• Pencil equipment/aids available? 
• Characteristics of Manufacturer
• Country

This is my post about The Favourite Watercolour Pencils Awards! (2012 Brand Poll Results)

You can now vote on the 2013 POLL: Which is the best brand of artist grade coloured pencil?

Do SUBSCRIBE

if you'd like to be kept informed about the other Poll results for 2012 

and/or reviews of art products and art books in 2013. 

You can find a subscription link near the top of the side column.

Links:

• How to vote for the best coloured pencils in 2013
• The Favourite Coloured Pencil Awards! (2011 Brand Poll Results)
• The Favourite Coloured Pencil Awards! (2010 Brand Poll Results)

Creating and Mounting Pastel Supports

Two new sections have been added into my 'resources for artists' website dedicated to sharing information about Pastel Paper and Pastel Boards.

In addition to:

• Which is the best pastel ground?
• Comparative Reviews of Pastel Papers and Other Supports
• Brands of Pastel Paper / Supports

it now also includes

• Pastel Grounds - creating your own support - looking at the process and materials required to create your own support. I'd really like to know if there is anybody out there who has produced their own recipe for their own approach which I've not yet found.
• Mounting Boards for Pastel Artworks | How to Mount Pastel Papers and Supports - the different approaches used by different professional artists to mounting pastel paper or a pastel support onto a board prior to commencing the artwork
• VIDEO: Mounting Surfaces with Pastel Painting - plus a video which shows you how one artist creates a mounted support ready for plein air painting

I've included links to all the information that I could find online

However, if you know of any article or online website which provides information which would be useful to share with pastel artists please leave a comment below.

Studio Product: IKEA Råskog Kitchen Trolley

IKEA is proving to be a very useful place for providing equipment suitable for artists' needs.  My latest find is a Trolley called the Råskog Kitchen Trolley

One of the challenges of drawing with coloured pencils is getting my kit organised.  First I got my pencils into white painting tubs.  Then I got an IKEA Lazy Susan so that I can access them easily - however it would be nice to have all my other drawing equipment as easily accessible and in one place.  I've been thinking of getting a trolley - and spotted this one in the new IKEA catalogue.

IKEA Råskog Trolley

Specification

Materials: It's made of steel with an epoxy power coating.  These are the assembly instructions

Dimensions: The dimensions when assembled are

• Width: 35 cm (13.8 inches)
• Depth: 45 cm (17.7 inches)
• Height: 78 cm (30.7 inches) - that's the equivalent of desk height

Price: It's priced in the UK at £50 - in the USA it's $49.99.  I'm guessing VAT accounts for the rather wonky currency conversion.

Looking at it online, here are the pros and cons from my perspective

Pros

• I love the turquoise colour! (who needs grey?)
• the shelves have edges meaning that "stuff" does not fall off and everything is held securely within the space
• ease of access to shelving - no need to pull out a shelf
• tubs of pencils can be swopped around between the shelves depending on what is in use
• the castors mean it can be moved easily
• the website indicates that the middle shelf is adjustable - however I think they mean it's optional
• Steel means it's robust and can be cleaned easily (helpful for those wanting to use it for paint)
• its dimensions means it doesn't swamp the area when you have it out and it can fit in small spaces when you want to put it away

Cons

• the castors also mean it can move inadvertently - there's no obvious locking device to keep it one place
• the base of the shelves is meshed steel which I'm feeling a little ambivalent about.  Good for veggies and ideal for losing small items? (Probably need to use cartons within the shelves for small items/ things which roll)

I'd be interested to hear from anybody who has bought one and/or anything similar which they'd like to recommend.

More about IKEA for the studio

Previous IKEA items - reviewed on this blog - relate to:

• How to create a Lazy Susan Coloured Pencil Holder
• Hemnes Bookcase x 4 for "The Art Library" #1
• Hemnes Bookcase x 4 for "The Art Library" #2 - RESULT!
• Hemnes Bookcases - after the carpentry!
• Review: IKEA Alex Drawer Unit for paper storage
• Studio Product: IKEA ALEX Drawer unit with 9 drawers

The Best New Art Books: May - July 2012

I've updated The Best NEW Art Books for the period May-July 2012.

I've not had time to update this site each month since March although nearly pulled it off twice! Hence I think what I'm going to be doing in future is display the best new books in the last three months and that way I'm updating a few at a time.

I do however regularly maintain the following in which new books are listed by the month they are published - and you get to see which books are coming up for publication!

• 2012: New Books about Drawing 
• 2012: New Books about Painting

The Main Changes

Fewer art books from print book publishers: It seems to me that fewer art books are being published by the major publishers.  I can still see a lot of self-published books around but I'm not persuaded that many of these are high quality

Manipulation of Amazon ratings: I've also observed what I regard as manipulation of Amazon.  One book in the list somehow managed to acquire 134 customer reviews within 3-4 days of publication.  When you see a very high number you have so fast you have to wonder what that was all about.  Is it genuine?  Who knows?

The Kindlisation of art books continues.  I don't tend to list these as new books unless they have also been out of print for some time.  I've also still to see many publishers who have managed the transition from print to ebook successfully.  I've seen a lot which are "so so" and some which are downright poor.

Did you know that Amazon now sells more ebooks that print books in the UK?  eBooks outsold print books in the USA4 years after the introduction of the Kindle.  It only took 2 years in the UK

For every 100 print books sold through the site, Amazon said it sold 114 titles for its Kindle e-reader device.

This of course is "hype" by Amazon as an awful lot of those who are reading ebooks - like me - are not dong this on a Kindle. We're using our iPads!

Valentin Serov (Best Of Collection)

The Best New Art Book

Of all the books in the list I think the one I'm most interested in buying is about the Master Russian Impressionist painter Valentin Serov.  I keep trying to get to grips with the Russian painters and this particular one reminds me very much of John Singer Sargent so I should really try to find out more about him.

Another reason is because the image websites don't have a lot of images of his paintings eg see paintings by Valentin Serov here

I'm also quite intrigued by the "look inside" Blogging for Creatives: How designers, artists, crafters and writers can blog to make contacts, win business and build success by: Robin Houghton.  I don't there's much it contains for me to learn but I'm interested in how it's presented.

You can see what I've actually bought this year in Making A Mark - My Book List

More about Best Art Books

You can find out more about my "best books" series of websites in Making A Mark's Art Book Lists

Art Bookshop Review: Foyles (Charing Cross Road)

This is a review of the Art Bookshop area on the second floor within Foyles Flagship book store at 113-117 Charing Cross Road in central London. Below you will find a review including photographs of the bookshop.

Foyles Art Books
about half of the shelving in the art section on the 2nd floor of this bookshop

First a note for those who know the Foyles of old and have not visited for some time.

I first started going to Foyles when I was a student in the 70s when it was ran by Christina Foyle.  It was a complete and utter maze interspersed by book stacks on the floor as well as the shelves.  It had the most books of any bookshop in London but finding them wasn't easy and the process of paying for them was completely antiquated and very slow.  As a result, it's one of the few bookshops that has made it into Wikipedia.

Foyles was once listed in the Guinness Book of Records as the world's largest bookshop in terms of shelf area (30 miles/50 kilometres) and number of titles on display.[1] In the past, it was famed for its anachronistic, eccentric and sometimes infuriating business practices, so much that they made it a tourist attraction.[2]Wikipedia - Foyles Bookshop

However all that was swept away and the shop has enjoyed a complete and comprehensive makeover.  The shelving is now exemplary and shopping for books is a complete pleasure.


RECOMMENDED:  I'd go so far as to say this is probably my bookshop of choice for art books.  The only improvement I can think of would be the addition of a few comfy chairs and a rethink of the location of books on shelves relative to the demographics of its customers!

Name of Art Bookshop: Foyles Bookshop

(Branch) Address: 113-119 Charing Cross Road, London, WC2H 0EB conveniently located for people visiting Oxford Street / Tottenham Court Road / Covent Garden / Leicester Square area.  Two minutes from Tottenham Road Tube station (involves a walk around the CrossRail development between Centre Point and Tottenham Court Road Tube Station

Website: General http://www.foyles.co.uk/ Specific to Foyles Charing Cross Road http://www.foyles.co.uk/Public/Stores/Detail.aspx?storeid=1011 Twitter: @Foyles

Shop hours: Monday - Saturday 9.30am - 9.00pm Sundays 11.30am* - 6.00pm (*11.30am - 12.00pm browsing only) Public holidays 11.00am - 8.00pm: Closed on Easter Sunday and Christmas Day Easter Good Friday and Easter Saturday, normal hours apply; Easter Sunday, closed; Easter Monday, 11am - 8pm

Telephone: +44 (0) 20 7437 5660

Email: customerservices@foyles.co.uk

Of interest to: art students (beginners through to Higher Education); amateur artists; professional artists; art lovers; graphic designers; illustrators; typographers

Major section on Art Theory and Aesthetics Highlights very well laid out with good labelling;  includes a “new books” section specifically for art plus a section on catalogues for current exhibitions absolutely huge section devoted to art history and artists biggest selection of books on art theory that I’ve seen in a long time (this shop is close to a leading art school) good selection of books relating to art instruction targeted at amateur artists very extensive sections devoted to graphics, design, type, illustration and photography a selection of art DVDs - including fictionalised films about artists very wide range of specialist art journals lots of knowledgeable assistants and speedy processing of purchases a very good bookshop for other books as well (the music and history sections kept my other half absorbed for over two hours!) ART DVDs and Catalogues for Current and Future Art Exhibitions specialist shelving features not often seen in art bookshops

Think Again? not for those who like their art “dumbed down” you have to be able to bend down to see the art instruction books - Foyles might like to think about the fact that a lot of (less bendy) older people take up art in their retirement a visit could get expensive - because you see so many books you want! Art Instruction books a little too low for my liking A bit too low for those whose backs and knees don't bend as well as they used to

Art Instruction: Anatomy for Drawing and Portrait/Figure Drawing section Summary: This is the bookshop to go for art books if you like a good selection and you enjoy a better quality art book. I’ve got a very good awareness of art books in print and on offer and I was generally very impressed with the books they’d chosen to stock.  This is a very good place to start if looking for books on a particular art topic.

A New Bookshop and a Move for Foyles


Foyles is due to move to a purpose-built bookshop in the adjacent former Central St Martins building in late 2013 or early 2014. They are now actively involved in planning the design of the new bookshop.

Their leasehold for site of this original bookshop is and other adjacent properties are being marketed for a very considerable sum. One can only surmise that this relates to taking advantage of the development of the new Crossrail station and retail hub at Tottenham Court Road

Other art bookshops

You can read other reviews of Art Bookshops in London in the following posts:

• Botanical Art Bookshop Review - Kew Gardens
• Art Bookshop Review: Waterstones (Covent Garden)
• Art Bookshop Review: Tate Britain Millbank Shop
• Art Bookshop Review: Thomas Heneage Art Books
• Art Bookshop Review: The National Gallery Bookshop

Plus good art bookshops in the UK are listed in Art Bookshops - Resources for Artists

Art in Transit: Handbook for Packing and Transporting Paintings

Art in Transit: Handbook for Packing and Transporting Paintings by Mervin Richard
Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsoninian Institute.

Art in Transit: Handbook for Packing and Transporting Paintings by Mervin Richard

Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsonian Institute.

Title:  Art in Transit: Handbook for Packing and Transporting Paintings

Synopsis: This technically detailed Handbook focuses on different approaches and procedures that will enable museum specialists (packers, registrars, curators, and conservators) to effectively use the results of the research of specialists in the field.  It includes tips and techniques also of relevance to those transporting high value artwork.

Summary review:  If you’ve ever wanted a comprehensive document telling you what to do when packing and transporting artwork, this is a good place to start. Although written for art galleries and museums, there’s a lot of information which will also assist the professional artist who is transporting valuable paintings.  Other artists will also find useful information in this large and comprehensive handbook.

Highlights Accessible: written in the language of lay people rather than art technologists / historians bullet points unpack the processes into easy stages key terms are highlighted in bold lots of useful sub-headings Comprehensive and evidenced synopsis of scientific evidence for best practices in the transport of paintings and other artworks Advantages and disadvantages of different techniques are identified Fascinating glossary Information derived from a variety of publications of note Use of a pdf format enables easy navigation of the document onscreen searches of the document

Think Again? NOT a “how to send paintings for beginners” document NOT for everybody.  Is it relevant to artists producing low value paintings (relative to art in museums)?  However some tips still relevant - and a useful resource of questions arise (eg case labels in different languages) NOT a quick read.The language may be accessible - but there’s still an awful lot of information. NOT a small document - 6.1MB pdf

Who should buy this?: Those wanting to know about good practices detailed in this book Those transporting valuable paintings to clients and to/from exhibitions Museum conservators Gallery transport technicians

Who should not buy this? Those unconcerned about archival practices and nature of packing required for valuable paintings and other works of art People who don’t work in museums have no need to buy this since its is freely available online

Author / (Publisher) Mervin Richard, Marion F. Mecklenburg and Ross M. Merrill / (National Gallery of Art, Washington)

Available from: no need to buy - it’s available for free from the Smithsonian Institute (click the title).   However if you’d like you'd like your very own personal copy you can try buying from via Amazon where copies are available for between $250-$1,000

Technical data: Copyright © 1991, 1997 National Gallery of Art First edition 1991. Second edition 1997 No. of pages Hardcover - pages Paperback pages; ISBN-10 ISBN-13 pdf document - 6.1MB file size

The contents include the following.  As you can see this is a technical document rather than a “how to send paintings for beginners” document.  It’s also particularly related to the conservation of very old paintings where the painting may be fragile

• Assessing Risks
• Criteria for the Selection of Paintings for Loan
• Selection Criteria for Frames
• Selection Criteria for Paintings on Canvas or Paper Mounted on Canvas
• Additional Issues for Large Paintings on Canvas
• Selection Criteria for Contemporary Paintings on Canvas
• Paintings on Wood, Ivory, or Bone
• Paintings on Metal and Other Nonporous Rigid Supports
• Transit Climate Conditions
• Expected Transit Environments in Summer and Winter
• Temperature Protection
• Insulating Materials
• Temperature Half-Time
• Temperature Half-Times of Packing Cases
• Relative Humidity Protection
• Wrapping Materials for Paintings: Polyethylene
• Wrapping Materials for Paintings: Glassine
• Wrapping Materials for Paintings: Kraft Paper
• Wrapping Materials for Paintings: Kraft Paper or Glassine Covered with Polyethylene
• Wrapping Materials for Paintings: Inner Packing Case
• General Properties of Silica Gel
• Use of Silica Gel in Packing Cases for Painting
• Shock and Vibration Hazards
• Shock and Vibration Hazards
• Vibration Fragility of Painting
• Shock Protection
• Fragility Factors
• Probable Drop Heights
• How to Use a Dynamic Cushioning Curve: Procedure A
• How to Use a Dynamic Cushioning Curve: Procedure B
• Optimum Static Loads - Quick Reference Table
• Load-Bearing Areas
• Vibration Protection
• Vibration Control for Canvas Paintings - Backboards
• Vibration Control for Canvas Paintings - Foam Inserts behind the Painting
• Vibration Control for Canvas Paintings - Stretcher Lining
• Packing Cases
• Case Construction - Structure
• Handles
• Skids
• Chemical Stability of Packing Materials
• Soft Packing
• Sample Packing Case No. 1
• Sample Packing Case No. 2
• Sample Packing Case No. 3
• Sample Packing Case No. 4
• Sample Packing Case No. 5
• Sample Packing Case No. 6
• Sample Packing Case No. 7
• Case Labels - English, French, Spanish, German, Italian
• Role of the Courier
• Glossary

Makingamark's Top 10 Fine Art Books - March 2012

Here's the link to my website - Makingamark's Top 10 Fine Art Books - which has been wholly revised to list the top rated and best selling fine art books in March 2012.

Here are the links to the top rated and best selling books in each of the five sections

• How this list is compiled each month

• *** TOP DRAWING BOOKS ***
• DRAWING - Top Rated Drawing Book in March 2012
• DRAWING - Best Selling Drawing Book in March 2012

• *** TOP PAINTING BOOKS ***
• PAINTING - Top Rated Painting Book in March 2012
• PAINTING - Best Selling Book in March 2012

• ***TOP BOOKS ABOUT ARTISTS***
• ARTISTS: Top Rated Book in MARCH 2012
• ARTISTS - Best Selling Book in March 2012

• *** TOP BOOKS ABOUT ART HISTORY ***
• ART HISTORY: Top Rated Book in MARCH 2012
• ART HISTORY - Best Selling Book in MARCH 2012

• *** TOP BUSINESS BOOKS FOR ARTISTS ***
• THE ART BUSINESS: Top Rated Art Book in March 2012
• THE ART BUSINESS - Best Selling Art Book in MARCH 2012

The Best NEW Art Books in March 2012

After a month off last month (due to the Pinterest debacle) I'm back to highlighting new art books.  In putting my revised listing for March together (see end) I came to a couple of conclusions, namely:

• The good thing about 2012 will be that it will go down as the year when self-publishing really took off.
• The bad thing about 2012 will be that it will go down as the year when self-publishing really took off.

In other words, anyone can now publish a book - and anyone is.

As a result, there's a lot of new art books out there:

• There's some art books which we can now read which previously would never have been published
• however an Amazon listing is no longer any sort of indicator that the book is any good.  The filter which the publishers used to exercise has now effectively been removed.
• Amazon also doesn't appear to think it necessary to exclude books of an "adult" nature from its listings - and I don't mean "artistic nudes" - I mean graphic top shelf content.

CP Treasures - edited by Ann Kullberg
published 9th March 2012

All told, it's beginning to feel more and more as if I'm wading through treacle due to the amount of dross which is being produced.  However in amongst the dross are some gems!

Some of the books being produced independently look set to do well

• The Art of Urban Sketchers which was published on 1st February sold out straight away and went straight to reprint. It looks set to stay at the top of the charts for quite a while.
• Ann Kullberg has written and published a new book CP Treasures: Colored Pencil Masterworks from Around the Globe (Volume 1).  To my mind this reinvents the "Best of Coloured Pencil" books which have been so very popular in the past with coloured pencil artists and yet no publisher would continue the series.
• There are books which look like they might be little gems on niche topics - like one on silverpoint drawing.  Now there's a topic which would never have got a book deal with a major publisher and it's great that the advent of digital books enable us to learn more about niche interests and techniques.

Obviously since I'm highlighting new books, I've not seen them all.  Consequently I do recommend you look very carefully at the reviews rather than taking star ratings at face value.  Do also bear in mind that there's an awful lot of people with not much experience handing out five star ratings to books which are not very good.

I'm also NOT highlighting books which

• I don't rate.  For example, I've never seen a drawing book by Barrington Barber which I would ever consider buying.  
• Or can't rate - there's a lot of new books which don't have an "inside view" and the author has no track record

So here is a link to The Best NEW Art Books in March 2012

Let me know what you think about this month's list.

Book review: A Yorkshire Sketchbook by David Hockney

A Yorkshire Sketchbook - by David Hockney

Back in 2006-7, I nearly became a conduit for David Hockney fans all over the world who wanted a copy of the DVD of David Hockney's sketchbooks.  (See David Hockney: Fifteen Sketchbooks 2002-2003 - Update on DVD availability and David Hockney "15 sketchbooks" DVD - a further update).

This NEW sketchbook is going to interest all those who qualify for one or the other of two niches relevant to this book - which are:

• diehard Hockney fans and 
• dedicated facsimile sketchbook aficionados out there who get very excited every time a new facsimile sketchbook by a famous artist is made available.

This review looks at the new sketchbook - and also considers it within the context of the DVD ($39.95) which I think is now only available via the Hockney Store website based in Los Angeles.

I own a copy of A Yorkshire Sketchbook - but then I'm a die-hard Hockney fan and I always buy his sketchbooks no matter what the price.  I'm very happy with it - but I think others will think it just a tad expensive at full price.

Title: (UK) A Yorkshire Sketchbook by David Hockney (USA: David Hockney: A Yorkshire Sketchbook)

Synopsis: This is a small facsimile sketchbook of one used by David Hockney in April 2004 - as the hawthorne blossom was coming into bloom. It contains 92 pages of sketches within a leather bound handback cover and a slip cover incorporating a watercolour painting. There are no words or associated text. Most of the sketches are in a panoramic format across a double page spread of this landscape format sketchbook. Sketches are mostly in watercolour or pen and ink and are monochromatic with some use of a limited palette - typically based on traditional renaissance colours of blue, green and red.

Summary review: RECOMMENDED - This is the nearest you'll ever get to handling a Hockney sketchbook.  It's different rather than better than the DVD of his earlier sketchbooks. The DVD has 15 sketchbooks and many more images. This is "like" the real thing insofar as it is a facsimile of a small sketchbook measuring 21cm wide by 14.5cm high. It remedies the distance introduced when viewing images from a sketchbook as individual images on a screen.   It's also much more like looking at the sketchbook of a friend - with all the associated fluctuations in media use and quality of sketch. It's much easier to pick up the transitions in thought processes behind what he sketches and how he is sketching.  It's also easier to flick through and easier share with a friend. I've also seen the real sketchbooks and this facsimile offers good quality reproduction of the sketches.

Highlights panoramic sketches demonstrate his painting technique in watercolour  very focused on initial sketches of landscapes in the East Yorkshire Wolds also includes sketches of individuals and the environment of his home in Bridlington easier to review all the sketches quickly good quality binding, paper and cover - just like a good quality sketchbook!

Think Again? only 43 illustrations of sketches (most are a double page spread across the centre fold) the DVD gives many more images from 15 different sketchbooks (ie it's more expensive but more sketches for the price paid) you can view different Hockney sketchbooks in the exhibition David Hockney RA - The Bigger Picture. Maybe view these first? Those not familiar with a day to day sketchbook might have an unrealistic expectation that there would be more and/or better sketches in this sketchbook.  However those who use sketchbooks on a regular basis already know that not every sketch an artist produces is a little gem! Hockney does not hide or exclude his "failures".

Who should buy this?: diehard Hockney fans people who collect "real" sketchbooks by famous artists - for posterity!

Who should not buy this? anybody expecting an explanation in words of how Hockney uses his sketchbooks anybody expecting to see iPad sketches - there are none

Author / (Publisher): Royal Academy of Arts Technical data: Publication Date:  19 December 2011 (UK);  Full Price £14.95 3 January 2012 (USA) Full price $25 There's no need to pay full price as it is available for a discounted price on Amazon (I've included the links) and possibly in other stores as well.

I've no idea whether or not this will come out as a DVD.  It's entirely possible it will only be a limited print run - in which case it could become more valuable.

For the record - this is the publisher's description

In recent years David Hockney has returned to England to paint the East Yorkshire landscape remembered from his youth. Although his passionate interest in new technology has led him to develop a virtuoso drawing technique on an iPad, he has also been accompanied outdoors by the traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolour and ink, these panoramic scenes have the spatial complexity of finished paintings - the broad sweep of sky or road, the patchwork tapestry of land - yet convey the immediacy of Hockney's impressions. And as in the views down village streets and across kitchen tables that appear alongside them, his rooted and fond knowledge of the Yorkshire Wolds is always clear. If you know the landscape there, the character of the sketches is unmistakable: if you don't, it will come to life in these pages.
92 pages, 14.5 x 21cm, 43 illustrations.

For more information about David Hockney - and more books by Hockney - see my website David Hockney - Resources for Art Lovers