Two Brothers! In France and Brazil, so far.

Our new graphic novel, Two Brothers, is going to be published by Dark Horse in October, but it has already been released in Brazil and in France in March.

We've been to France to release it, also to represent Brazil in the Salon du Livre de Paris, since the country was the guest of honor. We toured for a week and visited Bordeaux, Pau, Nantes, Lille and Paris and all the signings were amazing. I will try to write a more detailed report here in the near future.







The release of the book here in Brazil was a blast. We always fear no one will show up, but it always surprises us how much readers and fans we have and how much love they have for our books. We have a big tour ahead of us and we are thrilled to travel with this book all around the country.





There's still a long way to go, but I can't wait for the book release in the U.S. We have comics to work on until then (Casanova? Umbrella Academy?), and we love comics.

By the way, you can already order Two Brothers on Amazon, Barnes and Noble and other online stores. And then wait until October. It's just around the corner.

Killjoys

On July of 2010, during breakfast on the hotel inSan Diego, Gerard was showing me the concept images for My Chemical Romance's new album, "Danger Days: The true lives of the fabulous Killjoys". I got so excited with that, and considering that the same concept would turn into a comic he's gonna do with Becky Cloonan and Shaun Simon, I told him I'd make a drawing when the album came up, that could be used as an alternate cover for the comic or a poster or something.

Well, the album came out last november and my drawing ended up being a promotional poster on their U.S. tour, so I hear.

Here's a step-by-step production process of the drawing.

Come out, come out and let us play.

I love comics.

First I'd like to thank all the attention and love we've been getting about Daytripper. This comics really has gone further than we predicted and we couldn't be happier with it.

And I couldn't be happier with the projects I've been working on. Each one different from the other, the creators are exciting to work with and I learn new things about our craft every day. Casanova is coming out in color and it looks amazing, the new letters look great too. I've begun working on the new material and it's like time travel back to crazy land.

But the most exciting thing about the upcoming days is actually we will stop working for 3 weeks just to do the only thing that give us as much joy as creating a new story: going to comic conventions and meeting the public.

Our entire carreer has been filled with a lot of trips to comic conventions, waiting in lines, watching panels, meeting creators and talking to the fellow authors we admire. And the more we produce, more we have to talk about, so the last conventions have been a full plate. And that's the way we like.

Two weeks from now, we'll go to New York Comic Con for the first time and we're really excited about that. We'll be sharing a huge set of tables with IVAN BRANDON, BECKY CLOONAN, ANDY MACDONALD, ARIEL OLIVETTI (Argentina) , LEANDRO FERNÁNDEZ (Argentina), RAFAEL ALBUQUERQUE (Brasil), and GUSTAVO DUARTE (Brasil). We'll be on Artist Alley on tables F4 through F9. Can't wait to talk to whoever stops by.

Two weeks after that, we cross the globe to go to CRACK BANG BOOM, the first international comics convention of Rosário, Argentina. That will be awesome! And finally, in november we have Rio Comicon in... well, Rio de Janeiro, Brazil.

We have a lot of books on our bags, we'll have original pages and we'd really like to talk about comics and stuff, be it in english, portuguese or spanish. But the language that unite us all, that has been taking us all over the word, that has no frontiers or boundaries is the one of panels and balloons.

Come meet us on one of these conventions and discover what we have to say about that.

May the future we have once planned come to us soon.

It all started in 2007 (actually, if we point towards accuracy, it was way before that) and it is a little more than 3 week s to see it's completion. From the first idea until this day, we have come a long way, a much welcome one that has no return.

As relieved I am to have finished the last Daytripper script yesterday, I know we still have a lot to do before our journey really reaches it's end. There's no stop, no weariness, no fatigue to slow us down. This is the most important project of our lives and we need to see it through.

Soon after we finish everything, we'll set sails to the old continent, to be part of the VI Festival Internacional de BD de Beja, in Portugal. We'll be there from May 28th until June 1st, when we go to Porto, to open an exposition on the comic-store Mundo Fantasma.

It will be strange to be far away on a different country, but speaking the same language.

Well, it's in fact the language of comicbooks that keeps us together, wherever we may be. Daytripper is just another proof of that.

Script/Layout

I had this one-page story to do and I usually draw a thumbnail and think just on the key sentences and dialogues. But I realized this one would have so much text that I needed the full text in order to see how much space I'd have left for the art.

So first I wrote all the text for the story. After that, I divided it in small blocks that would end up being the captions and balloons (that column on the left).

Then I started laying them down on the page. At first I wanted to do big panels, some "narrative panels" only with text (just like in Casanova), but I decided it would be best for the story if I did lots of small panels, even if a little art just to make it a real comicbook, you know?

I drew some panels there for guidance and now I'm gonna print this and draw on the remaining space.
I really don't do it like this very often, but sometimes you gotta go with what you get.

I gotta finish it by tomorrow. I'll miss the All-Star game to do it.

Gemelli di Meraviglia

De:TALES in Italian, published by Comma 22.
But I want it in my hands. This doesn't feel real enough.

Why Comics? - part 1

Why Comics?
answers by:
Matt Fraction (Eisner Award nominated writer of CASANOVA, The Immortal Iron Fist, Punisher War Journal and Uncanny X-Men);
Ivan Brandon (Eisner Award nominated writer of NYC Mech, 24seven e Cross Bronx);
Grampá (Eisner Award winner, brazilian cartoonist, author of the graphic novel Mesmo Delivery)

Daytripper

10 issues mini-series by Fábio Moon and Gabriel Bá.
VERTIGO - Spring 2009.