We have a wide range of original pages we brought to San Diego this year, and they’ll be available at the Beguiling booth (1629).
Hellboy cover and pages, American Vampire pages, Umbrella Academy pages, Chrononauts and Killjoys covers, and more. The image shows some of the pages we left with them.
Bá and I work on many projects at the same time. Part as a result of being a freelancer and thinking we have to accept every offer we get ( dreading not having any after we finish the current book), and part just because there are projects, invitations and people who want to collaborate with us that we can't simply say no – they're too good to pass –, we end up working on many things, some big, some small, some writing for ourselves to draw, and some drawing what others have written.
So, from time to time, when we finish something and have a little time to step back and look at what we're doing... well, to look at our drawing board, then we get so see some of these many facets of the delicate crystal we work on.
Tonight, I finished the first draft of a new script and sent it over to the editor. That's the high point of my week – the awful game on tuesday being the low – so I stepped back and tried to look at my drawing board.
My sketchbook has a figure drawing of a woman from last year's class I gave (I have something I can't show yet on another page, so I flipped it to that page to take this picture).
On the top left, I have some bookplates left for the BPRD: Vampire TPB that we did for Gosh.
I started to sort out original art to take with me to San Diego for Comic Con, and that's why the Killjoys variant cover I did is there, looking right at us.
The bottom left is what's left of color studies and preparation for coloring my story for the Magenta issue of the CMYK Vertigo Quarterly anthology.
On the right, the script and the layouts of Casanova 4.2, which I'm working on and am afraid I'm a little late.
Boom!
Pa-Zow!
Back to work. It doesn't really matter if you work on one project, or on many. If you believe in what you're doing, it's all worth it, and you should give it everything you have.
January 1st will bring the sixth and last issue of "The True Lives of the Fabulous Killjoys", written by Shaun Simon and Gerard Way and draw by Becky Cloonan. Here's my last variant cover.
KILLJOYS 6, a photo by 10paezinhos on Flickr.
Two of the recent covers I've done.
The first one is for the CBLDF's Liberty Annual 2013. The editor for this anthology changes every year and this one's Scott Allie. I did this cover and Fábio also has a little story in there. It will be out in October by Image Comics.
And also my variant cover for THE TRUE LIVES OF THE FABULOUS KILLJOYS #5, crazy mini series by Gerard Way, Shaun Simon and Becky Cloonan. Edited by Sierra Hahn and published by Dark Horse, this will also be out in October.
There's a lesson to be learned here. Make friends with editors. Get to know their names, what books they edit, who they work with. If they like your work and they trust you, they'll get you cool gigs.
Here's is the forth cover Bá did for "The True Lives of the Fabulous Killjoys", the mini-series written by our pals Gerard Way and Shaun Simon, and drawn by our super-pal-partner-in-artistic-crimes-awesome-in-her-own-right Becky Cloonan.
We still didn't have time to write down the incredible experiences we had in our trip to Portland - you can have a glimpse of it in this report from Craig Thompson - but I wanted to put this picture of our white board in here to mark the end of a cycle and the beginning of the next one. It takes a long time to make comics, and a lot of planning is required, and the artist just hopes there's no loss of quality when you have to worry about deadlines and schedules. We feel we reached the end of one cycle as our BPRD-Vampire mini-series is done, and as Bá finished all his six KillJoys covers, and as we just delivered our short story for the American Vampire anthology. We're starting a lot of new projects right now, and it's an exciting time, maybe the most exciting time in every project, when we watch these ideas as they are born and start to take shape. This initial energy will feed us for the next days, months and years as we work on these stories.
Back to the drawing board.
One of my most challenging occupations these days is making up variant covers for "The True Lives of the Fabulous Killjoys", crazy new series written by Gerard Way and Shaun Simon, with amazing art by Becky Cloonan, due to come out in June, after a quick appearance on FCBD in the coming weeks.
There're lots of characters, crazy places and lot's of stuff going on. It's been a pleasure being part of this adventure, being able to see where the story is going and help marking the way.
So here's my cover for the second issue, that should be out in July.
Continuing in our blog's recent trend of posting our covers, here's Bá's variant cover for the first issue of The True Lives of th Fabulous Killjoys, the new book by our pals Gerard Way, Shaun Simon and the lovely and talented Becky Cloonan.
SDCC is around the corner and we're running like crazy here. But that's the way to go.
On July of 2010, during breakfast on the hotel inSan Diego, Gerard was showing me the concept images for My Chemical Romance's new album, "Danger Days: The true lives of the fabulous Killjoys". I got so excited with that, and considering that the same concept would turn into a comic he's gonna do with Becky Cloonan and Shaun Simon, I told him I'd make a drawing when the album came up, that could be used as an alternate cover for the comic or a poster or something.
Well, the album came out last november and my drawing ended up being a promotional poster on their U.S. tour, so I hear.
Here's a step-by-step production process of the drawing.
