Juniper - "I Was Thinking About You"

Juniper has been one of the most exciting new talents to emerge in the indie pop world this decade. This first-year college student already has two delightful albums under her belt — the most recent of which is destined to land in my year-end top ten list. Now she's back with a new single that is perhaps the best representation yet of her musical appeal. While quite reminiscent of '70s AM radio pop on the production end, "I Was Thinking About You" sounds remarkably contemporary. In all honesty, this song could be on commercial radio right now. Its creation was inspired by Juniper playing some Harry Styles songs for her father Michael Shelley — and Michael then trying his hand at writing something in a similar vein but from his musical point of view. What results is one of 2023's most memorable and irresistible singles. 

More than just a breakup song, "I Was Thinking About You" describes what it's like to have an ex living in your head rent-free and the toll that can take on your day-to-day life. Of course the hook is pure gold, but literally everything about this song hits the spot. Juniper's laidback vocal is absolutely perfect for the song, and her tone will just about give you chills. Steve Goulding (Mekons, The Rumour, Nick Lowe) on drums, Guillermina Pagano on saxophone, Dave Amels on harmonium, and Isaac Holmes on lead guitar all elevate the song with fantastic musical performances. The lyrics, which mix humor with heartbreak, will surely connect with individuals who've lived a story similar to the one the song tells. There's no denying it: "I Was Thinking About You" is a stone cold hit! On the virtual flipside, "Ride Between The Cars" is an alternate version of a song from Juniper's latest album She Steals Candy. This version with acoustic guitar and a slower rhythm was initially scrapped after one take, but it has been resurrected for this single with some added keyboards. The original was one of my favorite songs from She Steals Candy, but I must admit I like this version even better. Clearly the Shelleys knew they had something in this alternate take, and they were wise to bring it back to life. There's something in the instrumentation here that really suits the tenderness and melancholy of the lyrics and vocals. While "I Was Thinking About You" is a digital-only release, it's designed like a classic pop 45. If you're a Juniper fan, I don't think there's any question that you will love this single.

-L.R.

https://juniperssongs.bandcamp.com/album/i-was-thinking-about-you
https://open.spotify.com/album/1gMY68o097ZlCFlqTrhafq

Wyatt Funderburk - "November"/"You'll Know"

When it comes to the modern-day power pop scene, there's no songwriter more underrated than Wyatt Funderburk. As a solo artist, songwriting collaborator with Kurt Baker, and front man for the amazing Second Saturday, he has been responsible for some of the most extraordinary pop songs of the past two decades. It has been a long time (a decade to be precise) since he last released solo material, but a new album titled Fleeting and Finite is slated for release next year. In advance of the new album, Funderburk has chosen to release two of its tracks as a digital single. Both songs tease a more accomplished, beautiful pop sound from this veteran tunesmith. 

"November" is exactly what it seems to be — an ode to the very month we're experiencing now and the powerful sensations it elicits. There's a certain feeling that's in the air on a later fall day, and "November" evokes it beautifully. The song is soft and soothing with very pretty melodies and vocals. The vibe is something akin to Big Star meets Brian Wilson, and I'll take that all day long. Speaking of Brian Wilson, Funderburk goes full-on Pet Sounds on the gorgeous ballad "You'll Know." This is a song about what it's like to fall in love. Now clearly that's a topic that has been tackled tens of thousands of times in the world of pop music. Nine times out of ten, a song like this might come off as oversentimental, cliched, or contrived. But Funderburk absolutely nails it, crafting a song that's as beautiful and breathtaking as the experience it celebrates. "You'll Know" reflects on that moment when you realize this person has been on the earth your whole life yet you're just now getting to meet them. As Funderburk says, "It seems unfair and also like winning the lottery." That's so dead-on. I've been known to get teary-eyed over a Wyatt Funderburk song (e.g. "What If" & "If I Wanted Easier"!), but "November" is at a whole other level. This is pure chills — like somehow Funderburk got into my head and extracted magical memories I could never do justice to with words. Of course Funderburk is a master of pop melody and a magician with harmonies. But perhaps his greatest talent is that he manages to write about love in way that is real and relatable and straight from his heart. 

Funderburk's talents as a vocalist, musician, songwriter, and producer all shine on these two tracks. Working with drummer Todd Patton, Funderburk is practically a one-man orchestra, playing everything from guitar to piano to synthesizer to Glockenspiel. He's in total control of his artistic vision, and it's no surprise that both of these songs are so beautifully realized. Having had this little taste of Fleeting and Finite, I expect the album to be nothing short of stunning. I just noticed that you can purchase Funderburk's full digital discography on Bandcamp for less than $13. That is a deal and a steal. If you love great pop, do yourself a favor and take advantage.

-L.R.

https://wyattfunderburk.bandcamp.com/album/november-youll-know
https://open.spotify.com/album/5Et0kVGWTAr34hwhOhbGFr

Heatwaves - Heatwaves #4

Spain's Heatwaves, well-known for their '60s girl group meets new wave pop sound, have been quiet for a few years. But that changes with the release of their new EP, simply titled Heatwaves #4. It arrives four years after Heatwaves #3. And while the time between releases has been long, Heatwaves #4 proves to be well worth the wait. Lead track "Don't Say No," co-written by Luis Sanchez and band pal Kurt Baker, is nothing short of magical. It's a timeless shot of Motown-inspired pop that ought to be the song of the summer (C'mon, the band name is the Heatwaves!). With its infectious beat, majestic hooks, and gorgeous vocal from Ana Beltrán, this song sounds instantly familiar yet genuinely fresh. I choose to imagine it emanating from swimming pools, backyard cookouts, beach parties, water parks, sporting events, and car players all across the globe for several months to come. "Take Back," which channels '60s girl groups by way of Blondie, is darn near as good. "Nothing New Under the Sun" has a groovier '60s vibe to it, while "C'est le bonheur" is sublimely upbeat and laden with harmonies to die for. This, my friends, is a record made to be played over and over! 

Heatwaves #4 is available now from Family Spree Recordings. If you love this record (and you will!), be sure to snag the band's Complete Recordings (2017-2020) as well!

-L.R.

https://heatwavesfsr.bandcamp.com/album/fsr139-heatwaves-heatwaves-4-ep
https://familyspreerecordings.bandcamp.com/
https://www.instagram.com/_heatwaves_/
https://www.facebook.com/heatwavescs
https://www.facebook.com/familyspreerecordings

Bob Burger - The Domino Effect

You may know Bob Burger as a founding member of power pop band The Weeklings -- who have been one of JEM Records' flagship bands since the legendary label made its triumphant return several years ago. You may also know Bob Burger as a longtime fixture of the Jersey Shore rock scene and an accomplished solo artist. Out now on JEM, The Domino Effect is Burger's fifth solo album and largely a departure from the music of The Weeklings. Yet I doubt any fan of The Weeklings will be disappointed. Much like his label mate Nick Piunti, Burger belongs to the master class of pop-rock songwriters. With The Domino Effect, he focuses on a style of music that I'm always happy to encounter: straight-forward classic rock steeped in the tradition of the three-to-four minute pop song. 

As a member of a very prolific band, Burger had to put his solo career aside for a while. But as more free time became available during the pandemic, he was able to complete The Domino Effect. The album, which features support from New York/New Jersey scene veterans Jimmy Leahey (guitar), Jerry Gaskill (drums), Lisa Sherman (background vocals), Arne Wendt (keyboards), John Merjave (guitars), and Plink Giglio (keyboards), is loosely based on the concept of how our lives can be changed forever by one event or decision. The concept is nicely framed by the opening and closing tracks. "The Suicide King," which marries a waltz to jangly pop, is an ode to acting in life without fear of consequence. Whether that's a good thing or a bad thing is left ambiguous, which is half the fun of the song. Closing track "Rock & Roll Band," one of the album's most "power pop" sounding numbers, is far more conclusive. Here Burger celebrates his choice to pursue a musician's life. The lifetime of hard work and struggle is worth it for all the good it brings. So many of you reading this now will relate, no doubt. How different would your life be if you'd never picked up a guitar? In between these two songs is a wonderful and varied selection of splendidly-crafted pop songs. "Impression" sounds like it should be playing on the radio in an eternal 1982. "Even If You Don't" hits that Eagles/Jackson Browne 1970s light rock sweet spot. Burger throws a bone to his power pop loving fan base with the clever and relatable "Pain in the Ass." "The One Eyed Jack" unintentionally recalls an iconic Tom Petty riff but is otherwise 100% original. Call it MOR, adult alternative, soft rock, or whatever you like: "Merely Beautiful" is a melodic gem seeking the substance beyond a surface attraction.

Bob Burger is the very definition of class. He's a masterful songwriter who remains in fine form decades into his career. In The Domino Effect, he has managed to create a pop-rock record that sounds timeless but not retro. Certain influences (Beatles, Tom Petty, Elvis Costello) are fundamental to his craft, yet this album just sounds like Bob Burger. We've come to expect albums of this style and quality from JEM Records, and The Domino Effect definitely fits the bill. By the way, JEM has something very special in the works to commemorate its 50th anniversary. I'll be back in a couple weeks to tell you more!

-L.R.

https://bobburger.com/
https://jemrecordings.com/
https://www.facebook.com/bobburgermusic/
https://www.facebook.com/Jem-Records-607560186079388
https://music.apple.com/us/album/the-domino-effect/1619173229
https://www.instagram.com/bobburgermusic/

MOM - "To The Beat"​/"​Scary Mary"

Look who's back! Donny, Luke, Frank and Spike, collectively known as MOM, return with another digital slab of bubblegum power pop gold! In the same vein as previous singles "Tonight" and "Don't Leave With My Heart," new single "To The Beat" will have all the kids dancing into the night while their moms sing along. These Swedish sensations sure know how to turn out an irresistible hook. If this song were any catchier, all of Europe would be back in lockdown. The virtual B-side, "Scary Mary," is another total earworm. Is this song actually scary, or is it a love song? Like all the best love songs, it seems to be a little bit of both. Good luck shaking that chorus! In some alternate universe where it's eternally 1976, this song will be blasting poolside from transistor radios all summer. All bow to the pop royalty that is MOM!

-L.R.

https://mommusic.bandcamp.com/album/to-the-beat-scary-mary
https://www.facebook.com/musicbymom/
https://www.instagram.com/musicbymom/

Night Court - Nervous Birds! One

Having been a big fan of Jiffy Marx's recent solo single and all of his releases with Autogramm, I was intrigued to hear he had a new band going with his pal Dave Soul (Jiffy Marker) and Emilor (from Pet Blessings and the amazing Synchromantics). Well the debut album from Night Court is here, and it's freaking awesome! Out now on cassette tape on Debt Offensive Records and Snappy Little Numbers, Nervous Birds! One is just the first half of a duology. The Vancouver trio wrote and recorded 30 songs for Nervous Birds! and decided that 26 of them were keepers. And with 26 tracks being a little too many for one album, the songs were split into two separate releases. I'm glad there's more coming, because this album definitely falls into the "left me wanting more" category! I'm kind of at a loss on how to describe Night Court's sound. This is a unique band. I hear bits and pieces of late '70s/early '80s post-punk, '90s melodic punk, modern-day garage punk, and lo-fi indie rock. The songs are energetic and a little noisy, and they're also total earworms! All of these 13 tracks come in at well under two minutes, yet they're splendidly-crafted, fully-realized songs. Snappy Little Numbers is really living up to its name with the release of this album! You can tell that great time and detail was placed on the construction of the songs, whereas the recording itself was more raw and spontaneous. That's the perfect combination, and Nervous Birds! One is a poppy, post-punky, lo-fi delight for all of its 19 minutes. Bring on part two!

-L.R.

https://snappylittlenumbers.bandcamp.com/album/nervous-birds-one
https://debtoffensiverecords.bandcamp.com/album/nervous-birds-one
https://nightcourtpunk.bandcamp.com/
https://www.facebook.com/nightcourtpunk
https://www.youtube.com/channel/UCP-XGzPPL0WixAe_9nEb_Vg
https://www.facebook.com/snappylittlenumbers
https://www.facebook.com/debtoffensiverecs

The Beatersband - "Love I Can B W You"

I previously reviewed Italian trio The Beatersband in September of last year --- offering high praise for the band's covers collection Vol Due. I was immediately won over by The Beatersband's perfect execution of a great concept. Essentially this band aims to modernize the sounds of late '50s and early '60s pop and rock and roll by adding a contemporary punk rock edge. And while The Beatersband could have continued on as an oldies cover band without any complaint from me, I am delighted to hear the group present entirely original material on its brand-new vinyl single "Love I Can B W You". These songs retain the feeling of The Beatersband's previous recordings while also demonstrating that Donatella Guida possesses a songwriting prowess that matches her beautiful voice. Both the title track and B-side "My Mother Plays Rock'n'Roll" combine the timeless melodies of early rock and roll with a punchy, punk-influenced guitar sound. Compared to the songs this band has covered, these two tracks are very similar in both style and spirit. The melodies are strong, the musicianship is top-notch, and the production is stellar. This single is great fun for all generations of music lovers. Copies are available here in the U.S.A. from River Monster Records (only five remaining at the time of this review!) and in Europe directly from the band. Grab one while you still can!

-L.R.

https://rivermonsterrecords.bandcamp.com/album/love-i-can-b-w-you
https://thebeatersbandvintagepunkrocknroll.bandcamp.com/album/love-i-can-b-w-you
https://www.facebook.com/thebeatersvintagepunkrocknroll
https://www.instagram.com/thebeatersband/
https://www.youtube.com/channel/UC6xWKEJVrYZZI3zzlOvDHlg

Las Infrarrojas & Indy Tumbita - self titled

Well here's something completely delightful from Madrid's ever-reliable Hurrah! Música! Co-released with Family Spree Recordings, the third EP from Alicante-based foursome Las Infrarrojas is a collaboration with the superb Spanish guitarist Indy Tumbita. This EP is the epitome of great pop. It combines the influences of power pop, surf, girl groups, and sunny '60s pop into a sublime blend of melody and harmony. All four tracks (two sung in English, two sung in Spanish) hit the mark. This is an A+ pop release from a couple of labels that specialize in that very thing. If you like what you hear, Las Infrarrojas' previous EPs are also well worth inspecting via Bandcamp. Yay pop!

-L.R.

https://hurrahmusica.bandcamp.com/album/las-infrarrojas-indy-tumbita
https://familyspreerecordings.bandcamp.com/album/fsr098-las-infrarrojas-indy-tumbita-ep
https://www.facebook.com/infrarrevolucionarias
https://lasinfrarrojas.bandcamp.com/

The Exbats - Now Where Were We

The Exbats have turned out a classic '60s pop album that somehow manages to sound completely current in 2021. Given that Inez McClain and her dad Kenny have been making music together for over a decade, it wouldn't be quite right to say that Now Where Were We finds The Exbats "coming into their own". But the album does complete the band's transition to a pure pop sound. On this release, the McClains and bandmate Bobby Carlson dig deep into their love for mid-'60s American pop music. When I saw that The Mamas & the Papas and Sonny & Cher were primary reference points for Now Where Were We, I figured this album would be up my alley. I was not wrong! 

Recording with Matt Rendon at his Midtown Island Studios, The Exbats certainly had the perfect engineer to help them realize the sound they aspired to. Now Where Were We is classic not just in style but also in recording approach. There's no high-tech trickery going on here -- just a real band playing and singing music straight to analog tape. The result is an album that sounds like it could have been made in 1966, but with lyrics and a perspective that are fully contemporary. In terms of musical influences, the album touches on so much of what made the '60s remarkable: psychedelic and baroque pop, girl groups, bubblegum, R & B, and even country music. The album's 12 tracks are loaded with instantly memorable choruses, majestic harmonies, and lyrics which skillfully imbue dark subject matter with hope and humor. Written last year over a nine-month period, Now Where Were We is The Exbats' pandemic record. It's full of songs that acknowledge a bleak time but also find cause for optimism. How can you not love a pandemic record that opens with a song about Scooby-Doo? And while this album has its weighty moments (the spectacular "Hey New Zealand" is a haunting ode to climate change), it's all in all a feelgood pop record. In particular, songs like "Best Most Least Worst", the Shangri-Las inspired "I Don't Wanna Feel Dead", and the beautiful "One Foot in the Light" throw lifelines to anyone overcome by the despair of 2020-21. It's probably cheesy to proclaim that this album will make people feel less alone in tough times, but I can't think of a better way to say it. 

Now Where Were We tackles the complexity of the COVID experience with the most fundamental musical approach. As a songwriting team, Inez and Kenny McClain excel at crafting timeless pop songs that are catchy and melodious and impossible to resist. If you experience the "Where have I heard this melody before?" sensation, that's half the fun! Now Where Were We is that rare pandemic record that's actually enjoyable to listen to and that rare old school pop record that appeals to every conceivable generation. Get it now from Goner Records!

-L.R.

https://theexbats.bandcamp.com/album/now-where-were-we
https://www.facebook.com/TheExbats
https://goner-records.com/
https://www.facebook.com/gonerrecords

The Feels - "Twice (No Age At All)"

This is the fourth occasion on which I've had the pleasure to write about The Feels. As a huge fan of Christian's previous band The Tattle Tales, I was naturally enthused to hear he had created a one-man band back in 2016. But as much as I love all of those old Tattle Tales recordings, it's become clear to me that The Feels are way better. Christian is an even better songwriter now than he was 10-15 years ago, and with a solo project he has the freedom to explore any style of music he wishes without having to worry about how it "fits" the band. His recent single "She's Probably Not Thinkin' Of Me" was a perfect power pop track and one of my most highly rated singles of 2020. Now he's come out with a new single "Twice (No Age At All)" that absolutely blew me away. Christian is a pop guy through and through, but on this track he fully embraces the rock! The guitars and vocal phrasing bring to mind the louder side of '90s alternative rock. From the production to the musicianship (oh man, that solo!) to the vocals to the melodies, everything about this song is stellar. Christian's lyrics are exceptional and featured prominently in the song's music video created by Jess Tapia. Yes, this song is dark. But much of our greatest art does come from a place of pain. If you dig this track and have yet to hear the The Feels' brilliant full-length Dead Skin, I highly recommend that album! I had the privilege of interviewing Christian on the latest episode of Born Too Late -- the podcast I recently started with Jay Castro. Check it out if you're interested in a thoughtful conversation on life and pop music!

-L.R.

https://igotthefeels.bandcamp.com/

MOM - Pulls A Fast One

Swedish bubblegum pop sensations MOM have literally pulled a fast one! Donny, Luke, Frank, and Spike got together in July and banged out a surprise new EP in just a couple of weekends. Pulls A Fast One includes six cover songs performed in MOM's signature style. Some of these songs (especially ABBA's 1974 European chart smash "Honey Honey" and Marshall Crenshaw's 1982 hit "There She Goes Again") acknowledge obvious influences. Others are wonderful surprises. The early Whitney Houston hit "How Will I Know" is brilliantly transformed into bubblegum gold. The Prince classic "When You Were Mine" could probably pass for a MOM original if you didn't know any better! What a fun little EP from an always fun band! It's a free download via Bandcamp. If you still haven't picked up MOM's instant classic long player Pleasure Island, it's now available on both vinyl and CD. Who doesn't love MOM?!

-L.R.

https://mommusic.bandcamp.com/album/pulls-a-fast-one
https://www.facebook.com/musicbymom

Hayley and the Crushers - "She Drives"

A new single release from Hayley and the Crushers is always a blessed event! Out now on Josie Cotton's Kitten Robot Records, "She Drives" continues the band's amazing run of recent singles which began last summer. While all devotees of the Crusherverse (me included) are eagerly awaiting a new full-length album, the single format really suits this band well. I love digging into one song at a time and savoring every note. I'm reluctant to invoke that dirty word "maturing", but I'll at least say that Hayley and the Crushers are growing in their craft and getting better with each new release. And it certainly doesn't hurt to work with a legendary producer like Paul Roessler! One aspect of this band that's sometimes underrated is what a tremendous writer Hayley Cain is. Anytime I see any of her music-related articles, I find myself wishing I could write like that! She brings that exceptional way with words to her lyrics as well. Musically, "She Drives" is a sunny shot of new wave pop that could easily be slotted on a playlist between The Go-Go's and Holly and the Italians. It's a super fun tune, and the music video is an absolute hoot! But lyrically, this is a song full of heart and substance. It's a very serious reflection on how we can never outrun (or outdrive) our problems as much as we may try...and inevitably we do try! 

"She Drives" is available now from all of your favorite carriers of digital music. Crank it loud while you enjoy what remains of the summer. Behold the majesty or Dr. Cain rocking the glockenspiel! And yes indeed, a new Crushers album is currently in the works!

-L.R.

https://hayleyandthecrushers.bandcamp.com/track/she-drives

https://www.facebook.com/hayleyandthecrushers

https://www.hayleyandthecrushers.com/

https://kittenrobotrecords.bandcamp.com/

https://kittenrobot.com/records/

https://www.facebook.com/kittenrobot

Johnathan Pushkar - Compositions

Well Johnathan Pushkar has gone out and squashed the sophomore jinx! The Nashville-based pop tunesmith is back today with Compositions -- his second album on the legendary Jem Records. I described his 2019 debut Straighten Up as "the Wonders album that never was". And while Compositions remains largely in that same British Invasion/'60s pop lane, it is by no means a mere repeat of its predecessor. On this release, Pushkar really comes into his own as a storyteller. Each song presents a self-contained story. And while the subject matter largely pertains to love and relationships, these songs do reflect Pushkar's personal growth over the past couple years. Like so many others, he found himself changed by the events of 2020. What results is a more mature and well-rounded sophomore release from one of the pop world's most charming and impressive young talents. 

Written from the perspective of a young man eagerly anticipating a long-awaited reunion with his sweetheart, "Any Second Now" sets an optimistic tone that does bring Straighten Up to mind. And a song like "Can't Get You Out of My Mind" reminds us that the Johnathan Pushkar we first fell in love with is not completely going away. But what makes Compositions so appealing is how it runs through such a wide range of emotions and human experiences. The Beach Boys inspired "Does What She Does" spins a tale of a girl who lives to breaks hearts, while "Just Friends" dives deep into the pain of unrequited love. "Alexandra" is a sinister story about a girl who never wants to leave your side -- literally. "Making Plans" is about spending a summer apart from your true love and pretty much just wanting to be miserable the whole time (sounds like something I would have done!). Elsewhere Pushkar crafts tales of destined love ("Red Eye") and abandoned dreams ("No One Ever Said You Had To Stay") that are practically novels condensed into three-minute pop songs. For me, the high points of the album are "Gonna Be Alright" and "Love Will Save the Day" -- where Pushkar reflects on the trying times of the past year and ultimately offers reassurance that things will get better. It's as if he's giving the listening audience a giant virtual hug. I, for one, welcome that very much! 

Complementing Pushkar's 11 original songs is one very special cover of Paul McCartney's "Junior's Farm". Pushkar's version features drummer Geoff Britton -- who played on the original recording! Dan Ealey appears on the track as well, playing the same Rickenbacker bass he famously lent to Paul McCartney! 

Compositions, like Straighten Up, was produced by Wyatt Funderburk. I would be hard-pressed to name a more perfect union of artist and producer. Both of these guys are all about timeless guitar pop, and together they create magic. The influences driving Compositions range from Buddy Holly to the Beatles to the Beach Boys to modern-day power pop, yet there's never a doubt that you're listening to a Johnathan Pushkar record. His voice and style are unmistakable. His innate likeability, which was already undeniable on Straighten Up, has reached another level on Compositions. Listening to this album is like spending time with a good friend. Compositions is a big step forward for Johnathan Pushkar, yet it still satisfies on a pure pop level. You know how sometimes you'll hear an artist's sophomore release and call it "different" because you can't say it's better than the debut? Well there's no need for the D-word in the case of Johnathan Pushkar's sophomore long player. Compositions is considerably better than its predecessor and an absolute treat for all of you who love guitar-driven pop music.

-L.R.

http://www.jemrecordings.com/
https://www.johnathanpushkar.com/
https://www.facebook.com/Jem-Records-607560186079388
https://www.youtube.com/c/JohnathanPushkar

Dany Laj and The Looks - "Don't Keep Me Guessin'"

Near the top of my list of 2021 album releases I'm most excited for is Ten Easy Pieces, the third LP from Dany Laj and The Looks. The album will be out in June, and its first single "Don't Keep Me Guessin'" was recently released digitally. Clearly 2020 was a tough year for all bands and musicians. But for Dany Laj and The Looks, who absolutely live to tour, it must have been excruciating. Laj spent much of 2020 writing new songs and reworking old ones -- continuing a process that dated back to the previous year. Eventually he had enough material for three albums. But, no, it's not time for the triple LP just yet. Ten Easy Pieces will feature 12 of the best songs Laj and his bandmates have worked on over the past two years. I can tell that "Don't Keep Me Guessin'" was a fine choice for lead single because every time I play it, I end up listening to it four or five times. One play always leaves me wanting more! This is a very significant song for Laj personally. He wrote it ten years ago after he first met his life partner and bass player Jeanette Dowling. Musically, it's classic Dany Laj and the Looks. While broadly classified as power pop, this is a band that never limits itself in terms of musical style. You can't really put this song into a genre. It sounds a little like Irish folk, a little like bluegrass, and a little like pop. I like that there was a real-life happy ending to "Don't Keep Me Guessin'", but there is a cool contrast here between the uncertainties expressed in the lyrics and the lively, happy feel of the music. This is a song you can't help singing along with, and for sure it will make you wanna dance. You know it will be a crowd favorite once it's safe enough for Dany Laj and The Looks to get back out on the road! For now, you can download "Don't Keep Me Guessin'" from a variety of digital platforms. And watch out for Ten Easy Pieces, which releases June 11 on Toronto-based label We Are Busy Bodies!

-L.R.  

https://wearebusybodies.bandcamp.com/album/dany-laj-and-the-looks-ten-easy-pieces
https://danylaj.bandcamp.com/
https://www.facebook.com/danylaj
http://danylaj.com/

The Gold Needles - What’s Tomorrow Ever Done For You?

Another in a string of truly excellent albums to be released in early 2021 is the third LP from Hull, U.K.'s The Gold Needles. Out on JEM Records, What’s Tomorrow Ever Done For You? follows up 2019's acclaimed release Through A Window. The Gold Needles are very typical of the talent on the JEM roster right now in the respect that their sound is grounded in a timeless devotion to melody. You can hear obvious influences from the '60s -- but probably just as many from the '70s and '80s. The band -- made up of Simon Dowson (guitar), Dave Burbage (guitar, keyboards), Mark English (keyboards), and Carl Slaughter (bass) -- recorded What’s Tomorrow Ever Done For You? while under COVID lockdown last year. 

Across 12 tracks, What’s Tomorrow Ever Done For You? explores numerous musical styles falling under the larger umbrella of psychedelic pop. If you just heard the title track and noted that the album features covers of The Hollies' "Have You Ever Loved Somebody?" and The Beatles' "If I Needed Someone", you might assume that The Gold Needles have taken up permanent residence in the mid-to-late '60s. But while the Byrds-like majesty of "What's Tomorrow Ever Done For You?" is a true pleasure to behold, it's just one facet of the musical experience The Gold Needles have in store for us. The band proves just as comfortable occupying the lane of psych-tinged post-punk/new wave on the brilliant "I Get The Pressure" and a fine cover of The Sound's "Counting The Days". Elsewhere, the band rocks out on "Susie Is Sorted (She Doesn't Care)", channels early '80s FM power pop on "The Story of My Life", and travels to the darker realms of prog rock on "Realm of the Black Dog". It's an eclectic mix of songs for sure, yet it's tied together nicely by the band's penchant for beautifully-crafted melodies and  splendidly-executed harmonies. This is simply a class effort from a class band. "What's Tomorrow Ever Done For You?" and "I Get The Pressure" is an opening 1-2 punch to die for. "Billy Liar" might have the catchiest chorus of any song this year. And while three cover tunes might seem like a lot for one album, they are all fantastically suited to this particular set of songs. I had to admit I was slightly skeptical when I read a list of the album's influences including The Moody Blues, Asia, and the Beach Boys. But now that I've heard the album, it actually makes perfect sense! Another big winner from JEM!

-L.R.

https://thegoldneedles.bandcamp.com/album/whats-tomorrow-ever-done-for-you
https://www.facebook.com/thegoldneedles/
https://www.facebook.com/Jem-Records-607560186079388/
http://www.jemrecordings.com/

The Feels - "She's Probably Not Thinkin' Of Me"

What a wonderful surprise that a new track from The Feels has popped up out of nowhere! The Feels is the (mostly) solo project from Christian Migliorese (The Tattle Tales) - one of my favorite songwriters ever. It's been four years since the release of The Feels' absolutely fantastic mini album Dead Skin and (shockingly) over a decade since The Tattle Tales last released music. Yeah, really! New single "She's Probably Not Thinkin' Of Me" is set to appear on an upcoming EP entitled 11 Monthly Listeners Can't Be Wrong! It picks up where Christian left off with Dead Skin. Call it whatever you like: pop rock, alt pop, power pop, indie pop, or just plain pop. This is melodic guitar pop at its finest. In classic Christian Migliorese fashion, it delivers big crunching guitars, gorgeous melodies, heartfelt vocals, lyrics that'll stop you in your tracks, and hooks for days. It clocks in at just a hair over two minutes, leaving you wanting more. So don't be cheap; fork over the 99 cents so you can own this song and play it as many times as you want! 

Hearing "She's Probably Not Thinkin' Of Me" inspired me to revisit the entire Christian Migliorese back catalog. I've discovered two things: 1) all of his stuff is just as good as I remembered and 2) he's definitely taken his artistry to another level with The Feels. My god, can this guy ever write (and sing) a pop song! 

-L.R.

https://igotthefeels.bandcamp.com/

https://thetattletales.bandcamp.com/

The Resonars - Disappear

Disappear, the latest album from The Resonars, finds one of our finest modern-day pop craftsmen operating at the peak of his powers. For over 20 years, Matt Rendon has been making first-rate '60s-inspired psychedelic pop records under the Resonars name. His output has been remarkably consistent and ever faithful to the 1965-67 era of popular music. While Disappear does feature appearances from members of Rendon's live band on a couple of tracks, it was for the most part recorded entirely by Rendon in his home studio. As always, he wears the influence of The Byrds, Zombies, Hollies, and later '60s Who & Kinks on his sleeve. And as always, the quality of his songwriting and vocal arrangements is at a level comparable to the top bands of the psychedelic pop era. 

Listening to Disappear, I find myself marveling that Rendon recorded those majestic harmonies all by himself. He's not just a one-man band; he's a one-man chorus! On this release, he moves seamlessly from the quintessential psych-pop of "My Fog" to the jangly proto power pop of "How Did You Get Here?" to the Beatlesque "No Little Plans" to the Pet Sounds influenced "Don't Ever Disappear" to the marvelous, Who-inspired "Brown, Baby". If it weren't for the vintage glam rock strains of "Let's Bring It On Home", you could probably be convinced that this album was actually made in 1966! The two cover selections (The Mamas and the Papas' "Even If I Could" and the Herman's Hermits hit "Don't Go Out in the Rain") are beautifully-executed and perfectly complementary to Rendon's originals. 

There aren't many bands/artists that can get away with spending an entire career in the same stylistic lane. The Resonars are one of those few. If you could write psychedelic pop songs this good, why would you ever want to stop? And by operating (mostly) alone, Rendon has near complete control of his artistic vision. Disappear finds him excelling as a songwriter, singer, musician, and producer. The mid-to-late '60s is arguably the greatest of all eras of popular music. And as long as The Resonars are around, it never really has to end.

-L.R.

https://theresonars1.bandcamp.com/album/disappear

https://www.facebook.com/The-Resonars-114993301867228/

Jem Records Celebrates John Lennon

On the occasion of what would have been John Lennon's 80th birthday, today Jem Records releases a very special project to honor his memory. Produced and directed by label president Marty Scott, Jem Records Celebrates John Lennon features seven of Jem's top artists covering 15 beloved Lennon songs. The song selections cover every phase of Lennon's career from early Beatles classics all the way through 1980's solo smash "(Just Like) Starting Over". Making a tribute to pop music's (arguably) greatest songwriter presents certain challenges for sure. For starters, how do you choose which songs to include when there are countless classics to pick from? And how do you improve upon perfection? The answer to the former is that you can't go wrong with any of the cover choices. And as far as the latter point is concerned, no one is ever going to try and out-do John Lennon. The real idea is to celebrate his music and continue to fill the world with his songs. 

The lineup for Jem Records Celebrates John Lennon consists of The Weeklings, The Midnight Callers, The Grip Weeds, Johnathan Pushkar, The Gold Needles, Richard Barone, and The Anderson Council. It goes without saying that every single one of these artists is massively influenced by The Beatles and John Lennon. For this project, they all did their best to put their signatures on legendary Lennon-penned songs. It seems weird to say that John Lennon's talents might sometimes be taken for granted. But listening to all of these songs on one collection, I find myself with a renewed appreciation for his greatness as a lyricist and architect of guitar-driven pop music. Honestly, all of the performances on this album are exceptional and highlight the wealth of musical talent on the Jem roster. But a few tracks especially stand out to me. The Midnight Callers had the neat idea of covering both the white album demo "Child of Nature" and the solo track it evolved into, "Jealous Guy". Their take on "Jealous Guy" is absolutely extraordinary - in my opinion the high point of the entire album. It would probably be sacrilegious to say it's better than the original. But if it's not, it comes very close! I may be biased since he's one of my favorite Jem artists, but Johnathan Pushkar's version of  "(Just Like) Starting Over" is another major highlight for me. I have a sentimental attachment to that song because it always reminds me of being nine years old and discovering pop music for the first time. And I must say that Pushkar's interpretation really does it justice. It has the feel and tone of one of his original numbers, which is hardly surprising given that his musical aesthetic is so deeply grounded in a love for The Beatles. In typical Johnathan Pushkar fashion, this track makes me smile. Also noteworthy are The Weeklings' modern, hard-rocking version of Rubber Soul's "The Word", Richard Barone's super lively mash-up of "Revolution" and "Power to the People", a stunning "Strawberry Fields Forever" from the legendary Grip Weeds, and faithful but tremendously inspired versions of Beatles classics "It Won't Be Long" (The Midnight Callers again!) and "No Reply" (The Gold Needles). 

To me, the most important thing about a tribute album is that you should be able to feel the love that went into it. That's most definitely the case with Jem Records Celebrates John Lennon. Of course this album features some of the finest bands and artists in contemporary pop music. But the real star here is John Lennon. His songs are interpreted with great reverence and a passion that's palpable. When a tribute album falls short, I find myself just wishing I could listen to the original songs. This tribute, on the other hand, inspires me to the listen to the original songs. While Marty Scott is super enthusiastic about everything he releases, I can tell he's especially proud of this album. And he should be. Let's hope for a sequel in another 20 years!

-L.R.

http://www.jemrecordings.com/

https://www.facebook.com/Jem-Records-607560186079388/

https://www.amazon.com/Jem-Records-Celebrates-John-Lennon/dp/B08FD1RL1Z

Kris Rodgers and the Dirty Gems - "She Likes To Party"

It's been well-established that I've never been big on party songs. So when I hear a party song that I really like, that's kind of a big deal. "She Likes To Party", the latest single by Kris Rodgers and the Dirty Gems, is a party tune that I actually kind of love! Now of course I'm biased because I'm already a big fan of the artist. But what I appreciate about this song in particular is that it's really different. Rodgers co-wrote "She Likes To Party" with his band mates Ryan Halliburton and Tom Hall, and these guys really took some chances. When I think of Kris Rodgers and the Dirty Gems, my mind usually jumps to 1970s classic rock. On this song, the band fast forwards all the way to the mid-'80s with funky bass, effects-laden guitar, a heavy dose of saxophone and trombone, and a full-blown chorus of back-up singers. Throw in some spoken narration, a Charles Barkley sample, and a bad-ass flute solo, and you've got yourself one unique rock and roll song! And of course Rodgers plays the hell out of the piano! The YouTube commentator who pointed out that this song has "got everything" could not be more correct. There's so much going on in this song, and it's a credit to the band that it all works so fantastically. It has even me ready to party! On the flip, Rodgers and the gang tear into Boz Scaggs' 1977 smash "Lido Shuffle" and absolutely crush it. With so many people having mistaken "Lido Shuffle" for an Elton John song over the years, having the modern-day Elton John covering it will only add to the confusion! So if you see Rodgers out and about, tell him you love his Boz Scaggs cover!

"She Likes To Party" is available now on cream and black splatter vinyl from Wicked Cool Records. It features amazing artwork by Spencer Alexander. Look for a new album from Kris Rodgers and the Dirty Gems in 2021!



-L.R.

https://krisrodgerswcr.bandcamp.com/album/she-likes-to-party
https://www.facebook.com/krisrodgersmusic/
http://www.krisrodgersmusic.com/
https://www.facebook.com/WickedCoolRecords

Juniper - self titled

In the midst of all the bleakness of 2020, the debut album from Juniper brings the world some much-needed sunshine. Juniper is the 15-year-old daughter of singer/songwriter, WFMU radio personality, and pop true believer Michael Shelley. In collaboration with her dad (who produced the album and wrote most of the songs), Juniper has created the rarest of things: an album in the style of '60s and '70s pop that sounds genuinely current in the year 2020.

A list of Juniper's primary musical inspirations (Beatles, Beach Boys, Zombies, Muffs, Fountains of Wayne) tells you a whole lot about the kind of record she has set out to make. Yet at the same time, she cites Taylor Swift and Selena Gomez as big influences on her vocal style. It's that mix of the old and new that makes her such an appealing artist. Regardless of whether the term "pop" makes you think of the timeless hits of the '60s, home-recorded indie tunes, or contemporary radio hits, this is a debut album that ought to delight you to no end. As a singer, Juniper possesses a mixture of charm, sincerity, and immense likeability that ought to make her a star. And while Michael Shelley wrote most of the lyrics, Juniper was given full veto power in the event that any word did not ring true. These are timeless sounding songs from the perspective of melody and production. Yet they feel so "now" because Juniper is singing about what it's like to be a teenage girl in the modern world.

Song topics on Juniper's debut album cover everything from magical days at the shore with boys to secret crushes to real teenage heartbreak to neighborhood garage bands to best friends trying to move in on your boyfriend. In this age when it often feels like romance is dead, many of these songs come off as refreshingly old-fashioned...but not in a way that feels dated. The Brian Wilson inspired ballad "Girls Just Want A Boy To Rest Their Head On" is an absolute thing of beauty - and a reminder that young hearts still dream of love that goes way beyond surface attraction. "Sticking With My Henry" celebrates those nice, reliable guys who are so often overlooked. Michael Shelley and Juniper really excel at combining their talents to tell really great stories. "Kids On My Corner" condenses an entire short story into two minutes of pure joy (The line "The other kids in the cul-de-sac/Wouldn't like The Beatles if they came back" is priceless!). "Everybody's Got A Crush On Chad", about a boy who captivates everyone for no easily identifiable reason, just feels like real life. Haven't we all known our own version of Chad?

Supporting Juniper and her dad in the creation of this debut album was a star-studded cast of indie/power pop musicians. Marshall Crenshaw, Dennis Diken (Smithereens), Chris Geddes (Belle & Sebastian), Jay Gonzalez (Drive By Truckers), Steve Goulding (Mekons, Nick Lowe, etc.), Ira Kaplan (Yo La Tengo), Chris Collingwood (Fountains of Wayne), Mark Spencer (Son Volt), and Greg Townson (Los Straitjackets) all appear on this record. There are also songwriting contributions by Tommy Dunbar (Rubinoos) & Kyle Vincent, Kim Shattuck & Lisa Marr, and Francis Macdonald (Teenage Fanclub). If that sounds like a pop lover's dream, well that's how I would describe this album in the first place. Musically it references everything from '60s girl groups to '70s bubblegum to kitchen sink indie pop to modern-day punky pop. It's pure pop music for fans of all ages and musical interests. God, I love this record! It's not easy to feel upbeat at the present moment. But I don't think it's possible to listen to Juniper's debut album and not smile. If you're dying to go to a happy place right now, let this take you there.



-L.R.

https://juniperssongs.bandcamp.com/album/juniper
http://www.michaelshelley.net/juniper/
https://www.youtube.com/playlist?list=PLcH6AJQhTwB-Dcxgr9etQ0dO6D5tmX-Rt
https://www.facebook.com/juniperalbum