Showing posts with label Post-Punk. Show all posts
Showing posts with label Post-Punk. Show all posts

Saturday, December 14, 2024

Silent Daze - Invader


On its excellent debut album, Bulgarian synth-pop duo Silent Daze conceives a sound that's inspired by the '80s yet also quite modern and progressive. Invader is now available digitally from Girlsville, and a physical release on cassette will be out in early 2025. Ketty Marinova and Andrew Anderson (Freak Genes, Proto Idiot) are the formidable talents behind this band. The Cold War vibes and new wave, post-punk, dance-pop, and classic alternative influences are undeniable. But this is no retro trip. Anderson, a favorite of this blog, has long shown a flair for producing music that's original and wonderfully weird but always catchy and hook-laden. He and Marinova are definitely kindred musical spirts, and they have delivered something bold and exceptional with Invader. Yes, this is synth-pop. But it's not trying to sound like any synth-pop band you could name. Instead, there's this vague feeling you'll get from these songs — like you're peering behind The Iron Curtain circa the mid-'80s, but then four decades passed in the blink of an eye, and whatever gloom was in the air intensified to dystopian levels. Invader may take a few listens to fully sink in, but it's well worth your precious time and hard-earned cash.

Monday, November 11, 2024

Night Court - $hit Machine


The mighty Night Court, already on its fourth full-length album, continues to stand out as one of the most unique and exciting groups in contemporary punk music. Out now on the venerable Recess Records, $hit Machine finds Emilor, Jiffy, and Dave-O growing more creative and ambitious than ever without the slightest diminishment in songwriting quality. Depending on which track you landed on, you might peg Night Court as garage punk, indie rock, post-punk, pop-punk, new wave, or hardcore punk. Of course Night Court manage to be all those things and none of them at the same time. They just sound like themselves, and this is a great example of a band where every member is crucial to the group as a whole. Night Court would not be Night Court if it weren't these exact three individuals working in harmony, and it's their collective talent and worldview that sets this band apart. 

As always, these three prove to be masters of writing with efficiency. $hit Machine squeezes 17 songs into less than 27 minutes (that's a minute and a half per song). Yet all these songs sound complete and fully realized in spite of their brevity. From start to finish, it's nothing but awesome tunes. There are not a whole lot of 27-minute albums that feel this epic and sprawling. So you get the auditory experience of an hour-long sonic adventure in half that time — which is ideal considering how precious time has become in a world where the amount of things we can choose to consume it are virtually limitless. The skeptical person might wonder why this band finds it necessary to release such a large volume of music. But $hit Machine, like its predecessors, is devoid of anything close to filler. If these folks did write a couple sub-par tunes for this album, they left them on the cutting room floor. And speaking from my own experience of struggling with inspiration, I must commend this band for striking while the iron is hot. If the songs keep coming to you, you ought to keep recording them and keep releasing them. It's better for you as an artist to get your creations out there while they still reflect your recent experience, and it's better for the world to not have to wait additional years to hear such great music. Don't bother questioning the roll Night Court is on —just enjoy it! All the band's albums have been great, but $hit Machine is without doubt the best of the lot. The vinyl is limited to 300 copies, so act now if you want this bad boy in your record collection! 

Sunday, September 01, 2024

The Trouble Seekers - "Hypnotic"​/"​Rebel Rouser"


I always love it when a band can stay on brand yet totally surprise you. You probably didn't have The Trouble Seekers releasing two instrumentals for their latest single on your bingo card. It almost seems counterintuitive. Why would a unique and extraordinary vocalist like Kevin McGovern put out a release and not sing on it? Yet after hearing "Hypnotic" and "​Rebel Rouser," I can't imagine these songs not being instrumentals. "Hypnotic" lives up to its title. It's a post-modern take on the surf rock instrumental. It still transports you to a beach, but this is a beach that has been decimated by climate change and placed under the control of AI robots with nefarious intentions. "Rebel Rouser," of course, is the iconic Duane Eddy instrumental given a modern makeover with dark wave keyboards and synthesized effects. Clocking in at a total of two minutes, 37 seconds, this latest entry to The Trouble Seekers catalog is a triumph of musical economy. You don't need a whole lot of time to create a mood and a feel. While not nearly as raging as the band's other releases, "Hypnotic"​/"​Rebel Rouser" lives in the same retro-futuristic universe.

Sunday, April 28, 2024

Silicone Values - How to survive when people don't like you and you don't like them


Out on Paris-based label SDZ Records, How to survive when people don't like you and you don't like them is a proper LP compilation of digital singles from Bristol's Silicone Values, who play original, fiercely intelligent music that brings to mind the more adventurous & experimental side of first wave UK punk. Mick Fletcher maintains that this band has not received the attention it deserves, and I wholeheartedly agree (while admitting I've been one of the guilty parties). These singles go back to 2020, and I have no explanation whatsoever for how I missed the boat on all of them. Can I blame COVID brain fog? This album title is absolute genius, and the songs more than live up to it. Across 15 tracks, the band opines on the sad state of the world with candor, insight, and dark humor. And the tunes are brilliant all the way through. Behold your soundtrack to the apocalypse! If the Wire/Fall/Swell Maps wing of first generation punk gets your heart racing, Silicone Values are your next favorite band. But you knew that already, didn't you? 

Saturday, January 06, 2024

The Trouble Seekers - "Not Like U"


If the impending dissolution of Hall & Oates has left you questioning whether life is still worth living, perhaps you just need another duo to believe in. The Trouble Seekers, Kevin McGovern and Hillary Burton, return with what is already their ninth single. In the duo's patented style, "Not Like U" mixes together elements of dark new wave, experimental synth-punk, and jagged-edged pop to create a retro-futuristic concoction that sounds like nothing else that's out there. As always, both artists succeed in merging their singing voices and creative visions. "Not Like U" sounds like something you might have heard in a 1980s dark waver dance club if you had stepped through a portal into the future. I love the atmosphere this song creates in just a little over three minutes. It builds an air of gloom and anxiety, yet it also delivers plenty of punch and high-quality hooks. And how amazing is that artwork? If you're seeking some dark wave/post-punk that's a cut above, I urge you to track down "Not Like U" and the entire Trouble Seekers discography.

Monday, May 22, 2023

The Trouble Seekers - "Crazy"


Back with their sixth single and third of this year, The Trouble Seekers have unleashed their most "pop" song yet. Of course I'm not talking about power pop or pop-punk or Taylor Swift (not that I don't enjoy all those things). But I could be talking about early '80s California punk/new wave or the soundtracks to Pretty In Pink and Some Kind of Wonderful. You know: that kind of pop. When I first heard this song, the words "John Hughes movie soundtrack" started running through my head. Kevin has confirmed that that was indeed an influence. I can practically smell the hairspray. With this single, Kevin and Hillary continue to hone their vision for a genuinely new sound influenced by old sounds. With its moody feel and controlled pace, "Crazy" manages to rage without going a million miles an hour. This is a definitive slow-burner. Some may be surprised to hear Kevin properly singing on the early verses — although by song's end, he works himself up to his usual state of fury. Hillary's chorus is an absolute earworm. Long after the song stops playing, that lyric "Every time you talk/You turn me off" will be running through your head. As always, the way Kevin and Hillary play off of each other vocally takes the song to another level. This is brilliant stuff from a truly dynamic duo. If you dig moody pop with an edge, you will be well-served to seek out The Trouble Seekers.

Saturday, May 06, 2023

MONONEGATIVES - Crossing Visual Field


Having already proclaimed MONONEGATIVES the very best of the newest wave of post-punk/synth-punk, I did not imagine this London (Ontario)–based outfit had left itself room to make a second album twice as good as its first. Knowing that Crossing Visual Field was coming out, I figured I'd like it a lot, write a quick paragraph of effusive praise, and have the rest of my day to drink beer. But then I put the record on, and within moments found myself genuinely blown away. Not content to rest on their laurels, Rob Brake and company have upped their game on Crossing Visual Field. I heard the first song and was like, "Holy shit, how can they top this?" Then the same thing happened with the second song and every song until the end. I realized I was taking in an extraordinary work of art. 

Like 2021's Apparatus DivisionCrossing Visual Field is a record that puts the punk rock in synth-punk. Brake's chilling, apocalyptic synthesizers work in perfect harmony with sharp guitars, anxious rhythms, and vocals which are simultaneously robotic & anguished to create a soundtrack to our modern-day dystopia. Yet this particular album stands out because the songwriting is far more complex and accomplished this time around. It seems weird to describe music of this nature as "melodic," but I can definitely hear more developed and alluring melodies in this set of songs. And from start to finish, there's not a single sub-par track in sight. The thing about a MONONEGATIVES record is that you can always count on variety — sometimes even within a single track. Wherever your tastes on the synth/post-punk spectrum may lean, there's something on Crossing Visual Field for you. The album flows seamlessly between punk rippers ("Neutral Solution," "Outcome Unknown"), quintessential synth-wave numbers ("North Carolina Atomic Bomb," "Testing Capability"), and moodier tracks ("Disappearing Architecture," "Bel-Pre") that bring to mind the 1980s heyday of dark post-punk. Brake's ascent into synthesizer genius status (already made obvious on the new Telegenic Pleasure album) continues here. His compositions are creative and enthralling, evoking images of space warfare, factories of the apocalypse, and machines growing sentient. Yet in every case, these synthesized creations serve the song first and foremost. Could "Living in the Future" be any more of an anthem for our times? Crossing Visual Field sets the bar even higher for what contemporary synth-punk ought to be.

Friday, April 07, 2023

Telegenic Pleasure - Concentric Grave


Holy fucking hell! I usually try to keep this blog PG-rated, but those were the three words that latched on to me when it was time to start writing this piece. Telegenic Pleasure is a band I reviewed quite favorably back in 2019 (I was shocked to discover it was actually that long ago!). But on its second LP, the London (England and Canada!) based duo has gone mega next level on us. Out now on No Front Teeth and Feral Kid Records, Concentric Grave is the work of two titans of our community: Rob Brake from Mononegatives, Isolation Party, etc. and No Front Teeth head honcho Marco Palumbo-Rodrigues (I'll refrain from mentioning all his bands since you don't have all day to read this review). The album was written and recorded back in the dreadful summer of 2020. Brake created the music in Canada. Across the pond, Palumbo-Rodrigues added the vocals. I almost can't believe this album was produced in such a manner. It sounds like the work of a single (and very brilliant) brain. All I can say is that these two men's artistic visions are remarkably in synch. So either these guys were separated at birth or they had the means to communicate telepathically across an ocean. 

Telegenic Pleasure's first release was that rare synth-punk album that I could honestly describe as enjoyable. But with Concentric Grave, this duo has truly blown me away. I've always thought of Rob Brake as a mad genius composer with a synthesizer. Now imagine what a guy like that could come up with while haunted by the specter of unprecedented social isolation, the world in disarray, and death literally floating in the air. His compositions have never been more dynamic and enthralling, and surely the voices in his head sounded a lot like Terminal Gagger. Concentric Grave is full of songs inspired by anxiety and despair, yet it manages to be tremendous fun and musically alive. These intercontinental Londoners make music reminiscent of some obvious godheads (Devo, Screamers, Gary Numan), but there's plenty of their own unique brilliance flowing through these 12 songs. Far more than just part of the atmosphere, Brake's synthesizers drive these songs. Palumbo-Rodrigues' lyrics and vocals are some of the strongest of his career — and that's really saying something. Ranging from frenzied and frantic ("Shallow Human Characteristics," "Greed for Guilt") to chilling and foreboding ("Imaginary Crimes") to angular and energetic ("Random Sequence"), these songs are as hook-laden as they are haunting. There's a truly impressive pop sensibility lying beneath the surface of these songs. "Sugar Effigy" is what I wish all synth-punk could be  — a total adrenaline rush with synths that sound like laser guns. "Hidden Moon" is the best song Joy Division never wrote. "I Wanna Know" gives the Demics classic a nifty postmodern makeover. "Underlying Problem" is Devo-core that puts all other Devo-core to shame. "Polarized" is the ultimate anthem for our times. 

If I'm often lukewarm on the synth/post-punk thing, it's because music of that sort frequently strikes me as dull or lacking in emotion. Concentric Grave is the very opposite of dull and lacking in emotion. It's the sound of two souls kicking and screaming their way out of the darkness. And we are now far enough removed from peak pandemic times to be able to enjoy an album of this nature without it hitting too close to home. There have been quite a few extraordinary albums released in 2023 already, but this sophomore release from Telegenic Pleasure is on a collision course with my year-end top ten.

Friday, March 24, 2023

The Trouble Seekers - NERVOUS​/​SCREAM


The Trouble Seekers — Kevin McGovern and Hillary Burton  — are back with a new single called NERVOUS​/​SCREAM. This is already their fifth single and seventh release overall. This strikes me as a bit of a conceptual release since the title evokes a particular sensation while also referring to two distinct songs. As always, Kevin and Hillary bring you the punk/new wave sound of the '80s — the 2080s! I usually find myself kicking and screaming in resistance to any attempts to push the punk genre into the future, but I can't help but love what these two are doing. While almost every other post-punk band is playing checkers, The Trouble Seekers are playing chess and controlling the pieces with their minds. Both of these tunes put the punk back into synth-punk. If you love the way these two create their own unique vision using synthesizers, drum machines, deadly sharp guitars, and awesome dual vocals, these two songs will not disappoint. King Ralph has rightfully appointed "SCREAM" the band's best song yet. I love the way this song musically resembles its lyrics. This is the sound of going nowhere fast towards inevitable combustion. "I lost my mind/It feels alright" is truly a mantra for the new age. What a crackling pairing of songs this is! Digital tracks are available for download now. Preorders are also open for a special cassette version (available only in the United States) which tacks on the entirety of the band's 14 track debut LP along with an alternate mix of its single "Mistake." Supplies are limited to 100 copies; smash that "Buy Cassette" button sooner rather than later!

Friday, February 03, 2023

The Prostitutes - Alternates: 2017​-​2021


I'm always grateful to have an excuse to write about The Prostitutes. This is one of my favorite bands of all-time and to me one of the greatest American punk groups of the modern era. I feared that my previous review of The Last Two would be my final statement on this musical entity that has been a fixture of the punk rock scene since 1996. But an odds-and-ends collection titled Alternates: 2017​-​2021 has turned up out of nowhere, and I will jump at the chance to add another chapter to my book on The Prostitutes. Kevin McGovern, who for all intents and purposes is The Prostitutes, put together this collection largely to give these songs a second life. What results is the closest thing we've gotten to a Prostitutes full-length album in 14 years. Recorded between 2017 and 2021, all these tracks are alternate takes of songs released as singles over the last four years. Most of these songs were originally released in the peak pandemic years, and they may have been overlooked (as digital singles sometimes are these days). As an album, they fit together remarkably well. With the release of the track "Shake Rattle Die" in April 2020, The Prostitutes' turn to a more modern, experimental sound became apparent. Six of the remaining eight tracks on Alternates were originally released from 2020 to 2022, making this album the perfect bridge between "classic" Prostitutes and McGovern's current band The Trouble Seekers. If you missed these songs when they were singles, now you can conveniently own them in the form of one last excellent Prostitutes album (probably). 

The phrase a "second life" is very fitting in the case of the songs on Alternates. Hearing these nine tracks together gave me a new appreciation for this material. This is not just a treat for super-fans. This is a really great 21st Century punk album that fully captures the darkness and despair of the COVID era. If this were your first time hearing The Prostitutes (and perhaps it will be), you'd definitely want to hear more. McGovern as an artist concluded that he took The Prostitutes as far they could logically go, and certainly he was right. The Trouble Seekers are a remarkable, visionary band, but they are something new entirely. Yet this last gasp of The Prostitutes was a brilliant precursor, and that's captured fully on this album. It's bookended by "Shake Rattle Die" and "Nineteen." It would be fitting for the last-ever Prostitutes track to be "Nineteen," which reflects on the suburban dread and chemical abuse that inspired so much of McGovern's youthful songwriting. "Nineteen was so lame," he screams, bringing perfect closure to a quarter century of The Prostitutes. Perhaps it's the different studio takes, but the whole feel of this album is more edgy and post-modern  — yet still totally punk rock. The guitars get denser and more complex. The vocals are distorted just enough to sound surreal. Synthesizers are used judiciously. I think the reason I'm usually so lukewarm about "post-punk" music is because it almost never sounds like this. Even in middle age, McGovern has lost nothing in terms of vocal fury or sharp lyrical edge. The aforementioned tracks plus the likes of "Shapeshift," "Needle in the Red" (think angrier Psychedelic Furs), and "Sick To Death of Myself" are among the best songs McGovern has ever written and definitely merit being heard with fresh ears. 

As I listen to Alternates, I find it astounding that one could acquire music this good without paying a cent. Has the overwhelming abundance of new music constantly dropping into the digisphere finally taken the shine off of free music? I would hate to think so. How can you pass up a deal this good? The Prostitutes were the best, most exciting punk band to come out of Pennsylvania in the 1990s, and even this last gasp of output holds its own against the group's most celebrated releases. Most of the band's releases (including its undisputed masterpiece, Can't Teach Kids Responsibility) are name your price downloads from Bandcamp. If you do elect to pay a little something for these downloads, your kind donations will be used to recover the cost of a busted car transmission. And lord knows transmissions aren't cheap.


Saturday, November 26, 2022

Sino Hearts - Lightening the Darkness


One thing that frustrates me about doing this blog is that there's so much great music coming out that I just don't have the time to properly keep up with. For example, I've been sleeping for months on the latest album from Sino Hearts, which is by far the band's best release yet. So in the way of taking care of some unfinished business on this holiday weekend, I must offer a few words on Lightening the Darkness. I suppose you could call this Sino Hearts' "COVID" album. It was recorded during lockdowns in Beijing from 2020-21. And while the songs aren't necessarily about the pandemic, you can sense the darker feel in the lyrics and even some of the music. Like all of us, songwriter/lead singer Zhong lived through this time when isolation, fear, and an overwhelming sense of restriction took hold. Consequently, Lightening the Darkness is reflective of the times in which it was created. It cuts deeper than previous releases without losing the catchy hooks. 

As the title suggests, this is far from a gloomy album. There's light and dark in these songs, and ultimately Zhong and his band mates don't stray that far from their signature power pop punk style. But on this album, you can hear Sino Hearts broadening their sound and pulling in influences ranging from classic post-punk to modern indie rock. This gives the album a mellower feel at times, yet Zhong's flair for tuneful melodies has never been stronger. This is by far Zhong's best batch of songs. And the production (the album was mixed and mastered in Bergamo, Italy by Bruno Barcella and Riccardo Zamboni) is absolutely spectacular. You could view Lightening the Darkness as a departure from its predecessors, but I prefer to think of it as the album where Sino Hearts fully come into their own. From the modern, melodious strains of "Passing Shades" to the warm power pop of "Stranglehold on My Heart" to the straight-up power pop rock and roll of "Falling Out of Love" to the snappy pop of "Commotion of Love" to the vaguely Weezer-ish "2020," this release is packed with top-notch tunes. I know I'm several months late to the party on this one, but I knew I couldn't start drafting my top albums of 2022 list without placing Lightening the Darkness into consideration. It's still available in the U.S. from Otitis Media Records and in Europe from Topsy Turvy/Soundflat Records.

Monday, September 05, 2022

The Trouble Seekers - self titled


Well that sure didn't take very long! Back in March, I mentioned that The Trouble Seekers were hoping to connect with a like-minded record label and do a full-length album release. Ruined Records ended up being that label, and the band's self-titled full-length release is now on the street! This duo made up of Kevin McGovern (The Prostitutes) and Hillary Burton (honeychain, The Pandoras) continues to prove there's plenty of room for originality and innovation in punk rock. Seriously: there's nothing out there in the world of music that sounds quite like this band's blend of synth-punk, dark new wave, dystopian soundtrack, and post-modern rock and roll. 

Shockingly, this is the first 12" vinyl that McGovern has released since The Prostitutes' Can't Teach Kids Responsibility came out 25 years ago. He shared with me that The Trouble Seekers, in some warped way, feels like the proper follow-up to Can't Teach Kids Responsibility. Way back in 1998, he was envisioning a new direction for The Prostitutes that would have involved the addition of synthesizer, female vocals, and moody tempos. Lacking the right collaborators to make this happen, he put this vision on hold and never really got it back until last year when he and his friend Burton decided to make music together. And once these two got together, everything clicked. McGovern and Burton work perfectly together — not just as co-vocalists but also as complementary creative forces. The Trouble Seekers' 15-track debut album retains the snarl, sharp edge, and pure intensity of The Prostitutes' recordings. But it moves that energy in new and exciting directions. The Trouble Seekers are moodier, stranger, and far more experimental than even the later Prostitutes were. Yet this isn't just experimentation for experimentation's sake. This is creativity without restriction in fulfillment of a vision. These are your most troubling nightmares set to music you can dance to on the apocalyptic ruins. 

So here we have the record that Kevin McGovern wanted to make 24 years ago. Would the world have been ready for this in 1998? Would he have been ready for this? I'm usually lukewarm on the whole idea of synth-punk, and perhaps that's because it rarely comes out this good. These tunes, while definitely "out there," are exceptionally well-crafted and sneakily tuneful. And I like that I'm hearing two familiar voices coming together to create something that's even more than the sum of its parts. Sometimes leaning more punk rock ("Beautiful Doom," "Falling in a Dream," "Cruel Summer"), other times leaning more new wave ("Out of Order," "Endless City"), and other times adhering to no conventions whatsoever, this album manages to be informed by new wave era reference points even as it drags them kicking and screaming into the 21st Century. A case in point are the album's two cover songs: hyper-imaginative re-workings of Cheap Trick's "He's a Whore" and Madonna's "Borderline" that will just about blow your mind. Priced right at just 15 bucks plus postage, this face-melting debut from The Trouble Seekers can be yours if you hit up the Ruined Records web site!

Monday, July 11, 2022

MONONEGATIVES - Counterclockwise Interjection


The last time I checked in on MONONEGATIVES, these London, Ontario based synth-punk sensations had just released their incredible album Apparatus Division. Somehow I slept on three additional singles last year and was determined not to miss another one. Well, I kind of did: MONONEGATIVES' new single on Dowd Records,  Counterclockwise Interjection, sold out in the 7" and 3" vinyl formats almost immediately upon its release. However, this single is very much still available in digital form and features two of the best tracks MONONEGATIVES have ever done! One of these songs, "Consumer Trust," was meant to be vinyl-only. But after the incredible response to the vinyl release, the band decided to have Tremendo Garaje premiere the song digitally on its YouTube channel. Lead man/creative genius/architect of the madness Rob has declared "Consumer Trust" his legit favorite MONONEGATIVES track ever. With that in mind, Tremendo Garaje took the liberty of reversing the order of the tracks on YouTube. "Consumer Trust" truly is a remarkable track. I love the way this song uses the synthesizer not just as background but as a true artistic tool to create a tone and mood. If you want to hear a full realization of what the genre of synth-punk ought to be, both of these tracks are highly recommended. The strange future is now the present, and MONONEGATIVES have provided the soundtrack!

Monday, May 30, 2022

James Domestic - Carrion Repeating


With today being a holiday here in the U.S.A., I am seizing the opportunity to write about an album I've been enjoying for several weeks now. Carrion Repeating, the new full-length recording from James Domestic, is described as "post punk pop music for weirdos." Domestic, well-known for his screaming brilliance in a multitude of teeth-smashing hardcore punk bands, has taken a very different route with this solo endeavor. You could say that Carrion Repeating doesn't quite fit with the music I usually review. But that's because it doesn't quite fit with any other music, period. It's in a category of its own. 

As I try and pinpoint what makes this album so appealing to me (beyond the obvious uniqueness and creativity), I keep coming back to one thing. Carrion Repeating is not just a musical creation with the feel of a work of literature -- it's a musical creation that is a work of literature. Lyrically, these 11 tracks read like the  most fascinating and wonderfully disturbing diary entries you could ever hope to come across. Yet the music is never an afterthought. Although Domestic speaks most of the lyrics, this isn't a spoken word album. The music for each track seems meticulously crafted to match the tone of the vocals and lyrics (or is it the other way around?). Musical influences range from post-punk to dub to new wave pop to reggae to krautrock to soul to Brit-pop, yet the greatest influence is the twisted mind of James Domestic. He has created something rare in this day and age: a true album as opposed to a mere collection of songs. 

In the hands of a lesser artist, this mish-mash of musical styles might come off disjointed or ill-conceived. But Domestic pulls it off splendidly, crafting weird songs that are genuinely enjoyable to listen to. The musings, observations, stories, and ravings which comprise this album create a bleak but bang-on picture of human existence: we are pitiful creatures living out disappointing, pointless lives which we are almost entirely powerless to change. "Are you a right fucker or just a fuckee?" is about as good of an opening line as you'll ever hear on a record and certainly the perfect tone-setter for this one. By turns humorous, angry, and matter-of-fact, Domestic's delivery of these songs is what really makes this album. Whether he's passing judgement on joyless tourists, lashing out at soulless bean-counters and cold-hearted exes, or painting a vivid metaphor out of human viscera, he does so with a unique and strangely likeable style. If you only know of James Domestic from the various bands he fronts, you may be surprised by what you hear. One of the year's finest LPs! 

Thursday, April 21, 2022

Priors - NEWNEWNEW


Back with their first new music since the superbly blistering My Punishment on Earth was released in late 2020, Montreal's Priors show no signs of letting up on the force and intensity. NEWNEWNEW, the band's new EP, unleashes three tracks of an appropriate tenor for a self-proclaimed "fuck you to the industry." As always, Priors take the best elements of nightmarish synth-punk, pummeling garage punk, and bleak post-punk to create a ferocious sonic concoction that is uniquely theirs. All three of these tracks are truly formidable. "Expelled Virtue" marries angular guitars to a vocal fury rendered almost surreal by Max and Chance's skillful production. The title track is a straight shot of aggressive punk rock that flat-out rips. "Voice of Reason" is synth-punk with just the right balance between the synths and the punk. These tunes will get you fired up for the next Priors album -- which is already recorded and could possibly see the light of day by year's end. Now available as a strictly digital release, NEWNEWNEW is highly recommended listening if your ears yearn for a good clobbering.

Saturday, March 05, 2022

The Trouble Seekers - EP #1


And now here's something that has straight-up blown me away! From the moment I heard that Kevin McGovern (The Prostitutes) & Hillary Burton (honeychain, The Pandoras) had started a band together, I was building crazy expectations in my head. These are two of my favorite musicians of the present-day. I was going to be disappointed if they didn't make something special together. Well their debut EP released yesterday, and it exceeds my expectations by leaps and bounds. Simply titled EP #1, this six-song digital release manages to combine almost all of the musical influences that shaped these two artists as they were growing up in the '70s and '80s. I might generally categorize this band as experimental punk/new wave, but I can't really put a hard label on what The Trouble Seekers are doing. These songs are informed by everything from glam rock to power pop to new wave to post-punk to modern rock to synth-pop. This is powerful and genuinely original music that doesn't sound like anything else out there. All it once, it's dark, melodic, hard-hitting, hooky, retro, and futuristic. It brings an overall energy and a "window into a twisted mind" lyrical sensibility that are quite similar to The Prostitutes. But unlike The Prostitutes, The Trouble Seekers limit themselves to no specific style or genre. If I could create my own soundtrack to a film adaptation of a Bret Easton Ellis novel, The Trouble Seekers would be on it! Not only do Kevin and Hillary sound amazing singing together, but they're also perfectly in synch in a creative sense. Seriously: what other duo on earth is citing The Waitresses and Suburban Lawns as primary influences? Pals of mine with exquisite taste (such as Ralph Rivera and my podcast partner Jay Castro) are losing their shit over this release -- and with good reason! And these guys have been huge Kevin McGovern fans for just as long as I have. So when they say EP #1 is great, you better best believe it's great! EP #1 is now available from The Trouble Seekers' Bandcamp and the Rock N Roll Manifesto Bandcamp. If you dig what you hear, you'll be happy to discover that EP #2 is already in the works. This band is currently on the lookout for like-minded record labels. If that's you, be sure to get in touch!

Wednesday, January 12, 2022

MILT - The Days of Milt


Come on, Australia: now you're just showing off! As if the current crop of Aussie punk rock bands wasn't already stacked enough, along comes this absolutely insane debut album from Melbourne-based MILT. The Days of Milt is a killer mash-up of ferocious garage punk and wonderfully odd post-punk delivered with an ideal mix of rage and humor. Songs range from savage rippers like "Procrastinator" and "White Collar Crime" to edgy post-punk bangers such as "9 to 5" and "Rising Inflation". Along the way, MILT takes the time to wax poetic about dead cats, educate you about insects, recite Ben Stiller's filmography, and spectacularly cover the Wiggles song "Fruit Salad". And an instrumental titled "Dawn of Shit" nicely sums up the state of the world. Who knew that a punk rock record could be so enlightening? A truly brilliant debut!

Thursday, December 23, 2021

Dials - self titled


I've got a good one for you today! From Portland, Oregon, Dials are Laura, Alex, Mary, Rose, and Shauna. They've just dropped a two-song digital single on Bandcamp that absolutely blows me away. These tracks are off a 7" coming out soon on Black Water Records. The sound is punk rock with post-punk influences. Both songs, "Slow Walk" and "Chance Man", are A-side worthy numbers. I'm notoriously lukewarm about "post-punk" as a genre, but Dials are a band that get it right. These songs offer up an ideal mix of energy and creativity. I'm reminded a little of Midnite Snaxxx, one of my favorite present-day punk bands. If you like punk rock music that manages to sound original and contemporary, this is a band you need to check out! I'm sure we will be hearing much more from Dials in 2022. For now, enjoy this brilliant debut!

Saturday, December 04, 2021

Night Court - Nervous Birds! One


Having been a big fan of Jiffy Marx's recent solo single and all of his releases with Autogramm, I was intrigued to hear he had a new band going with his pal Dave Soul (Jiffy Marker) and Emilor (from Pet Blessings and the amazing Synchromantics). Well the debut album from Night Court is here, and it's freaking awesome! Out now on cassette tape on Debt Offensive Records and Snappy Little Numbers, Nervous Birds! One is just the first half of a duology. The Vancouver trio wrote and recorded 30 songs for Nervous Birds! and decided that 26 of them were keepers. And with 26 tracks being a little too many for one album, the songs were split into two separate releases. I'm glad there's more coming, because this album definitely falls into the "left me wanting more" category! I'm kind of at a loss on how to describe Night Court's sound. This is a unique band. I hear bits and pieces of late '70s/early '80s post-punk, '90s melodic punk, modern-day garage punk, and lo-fi indie rock. The songs are energetic and a little noisy, and they're also total earworms! All of these 13 tracks come in at well under two minutes, yet they're splendidly-crafted, fully-realized songs. Snappy Little Numbers is really living up to its name with the release of this album! You can tell that great time and detail was placed on the construction of the songs, whereas the recording itself was more raw and spontaneous. That's the perfect combination, and Nervous Birds! One is a poppy, post-punky, lo-fi delight for all of its 19 minutes. Bring on part two!

Sunday, May 30, 2021

MONONEGATIVES - Apparatus Division


Call it synth-punk, electro-punk, post-punk, punk/new wave, or whatever you like. Just know that MONONEGATIVES do it better than almost any band out there. On its debut album Apparatus Division, the London, Ontario trio has condensed all the anxieties and terrors of present times into a 12-track synth-punk masterpiece. Out on the legendary labels No Front Teeth and Big Neck Records, Apparatus Division expands and refines the musical vision of last year's extraordinary EP Sure Shock. A laboratory analysis of MONONEGATIVES' musical DNA would confirm the group's ancestral relations to Devo, Wire, The Screamers, Joy Division, and Tubeway Army. But this band manages to take those influences (and others) and craft a sound that comes off as original and contemporary in the modern-day dystopian nightmare of 2021. 

I would still describe MONONEGATIVES as a band that puts the "punk" in synth-punk. 10 of these dozen tracks clock in at under three minutes, and four come in under two. These guys still can rip into a song with speed and fury. But even with the relatively short running times, a lot of these tracks find the band slowing tempos and using synthesizers to create tone and atmosphere. The approach to songwriting is so creative that some tracks are like two songs in one -- transforming from moody post-punk to a raging ball of fire without warning. I like how this band takes full advantage of synthesizers in punk rock. The synths are not just there as background -- they are central to the songs and developed with a composer's mentality. Impressively, the band pulls off a sound like this that successfully mixes the primal guts of garage/punk with the synthetic sensibilities of electronic new wave. It's all part of a larger artistic vision that also encompasses the band name, song titles, and art work. Apparatus Division is the sort of album that ought to be absorbed with headphones. Just press play and let MONONEGATIVES pull you into their wild, strange world. Are you entering a surrealist future or just the frightening present that your conscious mind won't allow you to acknowledge? The answer is open to interpretation.