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Showing posts with label Prometheus Award. Show all posts
Showing posts with label Prometheus Award. Show all posts

Thursday, December 26, 2024

Prometheus Hall of Fame nominations announced



Press release is below. The connections to this blog are (1) The Prometheus Hall of Fame Award was, so far as I know, the only literary award ever given to Illuminatus! and (2) Illuminatus! co-author Robert Shea was an active member of the Libertarian Futurist Society. -- The Management. 

The Libertarian Futurist Society has selected four finalists for the 2025 Prometheus Hall of Fame Award for Best Classic Fiction.

This year's finalists – first published between 1912 and 2003 – include novels by Poul Anderson and Charles Stross, a story by Rudyard Kipling, and a song by the Canadian rock group Rush.

Here are capsule descriptions of each work, listed in alphabetical order by author:

* Orion Shall Rise, a 1983 novel (Timescape) by frequent Prometheus winner Poul Anderson, was a Best Novel finalist. It explores the corruptions and temptations of power and how a free society might survive and thrive after an apocalypse. The story is set on a post-nuclear-war Earth with four renascent but very different civilizations in conflict over the proper role of technology. While sympathetic to all four civilizations and playing fair to all sides, Anderson focuses on forward-thinking visionaries who dream of reaching for the stars while trying to revive the forbidden nuclear technology that destroyed their now-feudal, empire-dominated world. Most intriguing: the depiction of a libertarian society with minimal government operating in formerly western Canada, Alaska and the United States.

* “As Easy as A.B.C.," by Rudyard Kipling (first published 1912 in London Magazine), the second of his "airship utopia" stories and one of the earliest examples of libertarian/liberal SF, envisions a 21st-century world founded on free travel, the rule of law, privacy, individual self-sufficiency, and an inherited abhorrence of crowds. Officials of the Aerial Board of Control, essentially a non-repressive world government reluctant to exceed its limited power, are summoned to remote Chicago. The city has been convulsed by a small group's demands to revive the nearly forgotten institution of democracy, with its historical tendencies toward majoritarian tyranny unlimited by respect for the rights of individuals and minorities. The cautionary tale is most notable for its bitter condemnation of lynching, racism and mob violence.

* “The Trees," a 1978 song by Rush, was released on the Canadian rock group's album “Hemispheres." With lyrics by Neil Peart and music by Geddy Lee and Alex Lifeson, this was a rare Top-40 rock hit conceived in the fantasy genre. The song warns against coerced equality in a beast fable – or in this case, a “tree fable.” Peart poetically presents a nature-based fable of envy, “oppression” and misguided revolution motivated by a radical true-believer ideology of coercive egalitarianism. The survival and individuality of both agitating Maples and lofty Oaks are threatened when a seemingly “noble law” is adopted in the forest to keep the trees "equal by hatchet, axe and saw.”

* Singularity Sky, a 2003 novel (Ace Books) by Charles Stross, dramatizes the ethics and greater efficacy of freedom in an interstellar 25th century as new technologies trigger radical transformation – strikingly beginning with advanced aliens dropping cell phones from the sky to grant any and all wishes. Blending space opera with ingenious SF concepts (such as artificial intelligence, bioengineering, self-replicating information networks and time travel via faster-than-light starships), the kaleidoscopic saga explores the disruptive impact on humanity as various political-economic systems come into contact. Stross weaves in pro-freedom and anti-war insights as a man and woman, representing Earth’s more libertarian culture and anarchocapitalist economy based on private contracts, interact with a repressive and reactionary colony, its secret police and its military fleet.

In addition to the above finalists, the Prometheus Hall of Fame Finalist Judging Committee considered six other nominees: "Death and the Senator," a 1961 short story by Arthur C. Clarke; That Hideous Strength, a 1945 novel by C.S. Lewis; ”Ultima Thule," a 1961 novella by Mack Reynolds; The Demon Breed, a 1968 novel by James H. Schmitz; Between the Rivers, a 1998 novel by Harry Turtledove; and "Conquest by Default," a 1968 novelette by Vernor Vinge.

The final vote will take place in mid-2025. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention and/or online.

Hall of Fame nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related speculative genres.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself.

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.

The Prometheus Award is one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

Nominations for the 2026 Hall of Fame Award can be submitted to committee chair William H. Stoddard (halloffame@lfs.org) at any time up to Sept. 30, 2025. All LFS members are eligible to nominate.

The LFS welcomes new members who are interested in speculative fiction and the future of freedom. More information is available at our website, lfs.org and on the Prometheus blog (lfs.org/blog).


Thursday, July 11, 2024

Prometheus Awards announced

 


(Press release on the latest awards. Illuminatus! won the Prometheus Hall of Fame Award in 1986, the only literary award that I know of given to the work -- The Management.)

The Libertarian Futurist Society, a nonprofit all-volunteer international organization of freedom-loving science fiction fans, has announced Prometheus Award Best Novel and Best Classic Fiction winners.

The 44th annual Prometheus Awards will be presented online, most likely on a Saturday afternoon in mid- to-late August, in a Zoom awards ceremony with three-time Best Novel winner Victor Koman as a speaker and presenter.

The Prometheus Award for Best Novel

Critical Mass, by Daniel Suarez (Dutton) has won the 2024 Prometheus Award for Best Novel for novels published in 2023.

Set in the inner solar system, this fast-paced science fiction thriller follows engineer-entrepreneurs striving against the odds to use space-mined materials to build infrastructure in space for commercial development.

Heroic characters risk their lives in an audacious mission to complete a space station, allowing construction of a nuclear-powered spaceship and rescue of stranded crew members on the distant asteroid Ryugu. The resourceful band must achieve their goals amid shortsighted opposition, censorship, shifting alliances and international tensions of Earth governments.

Unusually realistic in depicting the perils of living and working in space, Suarez achieves a high level of plausible engineering speculation. Government is shown as the problem and cooperation through free enterprise as part of a space-based solution to problems on Earth.

Included is a plausible depiction of the creation of a functional, private, decentralized currency beyond the reach of Earth, relevant in this era of inflationary government fiat money.

Visit the Prometheus Blog for an in-depth review of Critical Mass  that illuminates how this novel fits the distinctive dual focus of the Prometheus Award on quality and liberty. 

The other 2023 Best Novel finalists were Theft of Fire, by Devon Eriksen (Devon Eriksen LLC); Swim Among the People,  by Karl K. Gallagher (Kelt Haven Press); God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon); and Lord of a Shattered Land,  by Howard Andrew Jones (Baen Books).

 The Prometheus Hall of Fame for Best Classic Fiction

The Truth, a 2000 novel by Terry Pratchett (HarperCollins), won the 2024 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

First nominated for the Prometheus Award for Best Novel in 2001, when it became a finalist, The Truth is part of Pratchett’s humorous but historically informed Discworld series.

This story revolves around the incidental founding by a struggling scribe of the Discworld’s first newspaper, using the newly invented printing press in the city of Ankh-Morpork. Amidst cutthroat competition, shadowy opponents, a political crisis and threats to a free and independent press, the newspaper evolves in the free market – just as real newspapers did historically.

All too timely in its focus on misinformation and its affirmation of the value of freedom of speech and the press as a bedrock principle sustaining free societies while serving as a vital check on criminality and corrupt government, the novel portrays how journalists find and report the facts (or not) and strive to communicate "the truth.”

Smart and sly, hilarious but serious, The Truth ultimately offers an inspirational tale of underdogs fighting for the truth against formidable opposition.

Visit the Prometheus Blog for an in-depth review of The Truth  that illuminates how it fits the distinctive dual focus of the Prometheus Award on quality and liberty.

The other Prometheus Hall of Fame finalists were Orion Shall Rise, a 1983 novel (Timescape) by Poul Anderson; "The Trees," a 1978 song by the Canadian rock group Rush; and Between the Rivers, a 1998 novel (TOR) by Harry Turtledove

Prometheus Awards History

The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, and/or critique or satirize authoritarian systems, ideologies and assumptions.

Above all, the Prometheus Awards strive to recognize speculative fiction that champions individual rights, based on the moral/legal principle of non-aggression as the ethical and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, civility and civilization itself.

All LFS members have the right to nominate eligible works for all categories of the Prometheus Awards, while publishers and authors are welcome to submit potentially eligible works for consideration using the form linked from the LFS website’s main page.

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year, Hall of Fame nominees — which must have been published, performed, broadcast or released at least 20 years ago — may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, graphic novels, song lyrics, or verse.

The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.

Tuesday, December 12, 2023

Prometheus Hall of Fame finalists announced


[As I've explained before, the connection with this blog is that Illuminatus! won the Prometheus Hall of Fame Award, and I'm one of the nominating judges for the Libertarian Futurist Society. Official press release follows. -- The Management.]

2024 PROMETHEUS HALL OF FAME AWARD FINALISTS ANNOUNCED

POUL ANDERSON, TERRY PRATCHETT, HARRY TURTLEDOVE AND THE ROCK GROUP RUSH RECOGNIZED

The Libertarian Futurist Society has selected four finalists for the 2023 Hall of Fame Award for Best Classic Fiction.

This year's finalists – first published between 1978 and 2000 - include novels by the late Poul Anderson and Terry Pratchett, Harry Turtledove and a song by the Canadian rock group Rush.

Orion Shall Rise, a 1983 novel (Timescape) by frequent Prometheus winner Poul Anderson became a Best Novel finalist. It explores the corruptions and temptations of power and how a free society might survive and thrive after an apocalypse. The story is set in a post-nuclear-war Earth with four renascent civilizations in conflict over the proper role of technology. Anderson focuses on forward-thinking visionaries who dream of reaching for the stars while trying to revive forbidden nuclear technology that destroyed their now-feudal, empire-dominated world. Most intriguing: the depiction of a clearly libertarian society with minimal government operating in formerly western Canada and northwestern United States.

The Truth, Terry Pratchett's 2000 novel (HarperCollins) was first nominated in 2001 for Best Novel. It is part of his satirical but historically informed Discworld series and shows the founding by a struggling scribe of the Discworld’s first newspaper using the new printing press in (of course!) the city of Ankh-Morpork, and its publisher’s struggles for freedom of the press during a political crisis. All too timely in its focus on misinformation and its theme of freedom of speech and press, the novel portrays how journalists report the facts (or not) and communicate "the truth" amid pressure from competing political factions. 

• "The Trees," a 1978 song by Rush was released on the Canadian rock group's album "Hemispheres". The lyrics are by Neil Peart and the music by Geddy Lee and Alex Lifeson. The song warns against coerced equality in a beast fable – or in this case, a “tree fable.” Peart poetically present a Nature-based fable of envy, “oppression” and misguided revolution motivated by a true-believer ideology of coercive egalitarianism. The survival and individuality of different kinds of trees – both agitating Maples and lofty Oaks – are threatened when a seemingly “noble law” is adopted in the forest to keep the trees "equal by hatchet, axe and saw."

Between the Rivers, a 1998 novel (TOR) by Harry Turtledove, tells an alternate-history story about humanity’s attempt to forge its own destiny at the dawn of civilization. Framed as a Bronze Age mythology in a pattern inspired by Julian Jaynes’ “bicameral-mind” hypothesis, the novel revolves around a city ruled by actual gods where men begin to think for themselves and make progress through commerce and mathematics. Among those men are a young merchant with strange ideas upholding free will and independence and challenging traditional cultural assumptions in a struggle for freedom from divine rule.

In addition to the above finalists, the Prometheus Hall of Fame Finalist Judging Committee considered six other nominees, listed in alphabetical order by author: Zelig, a 1983 film written, directed by and starring Woody Allen; Floating Worlds, a 1976 novel by Cecilia Holland; “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty; That Hideous Strength, a 1945 novel by C.S. Lewis; Kalin, a 1969 novel by E.C. Tubb; and “The Last Word,” a 2000 story by Harry Turtledove.

The final vote will take place in mid-2024. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention and/or online.

Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself. 

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards. 

The Prometheus Award is one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. 

Nominations for the 2024 Hall of Fame Award can be submitted to committee chair William H. Stoddard (halloffame@lfs.org) at any time up to Sept. 30, 2024. All LFS members are eligible to nominate. 

The LFS welcomes new members who are interested in science fiction and the future of freedom. More information is available at our website, lfs.org and on the Prometheus blog (lfs.org/blog).


Sunday, August 27, 2023

This year's Prometheus Award ceremony

 

 

As Robert Anton Wilson was a big Heinlein fan, and as perhaps some of you are, too, I thought I would post this year's online Prometheus Award ceremony. Who knows, maybe a few of  you are interested in the Prometheus Award. Australian writer Dave Freer won this year for his novel Cloud-Castles,  Robert Heinlein won the Hall of Fame Award for his story "Free Men" which I nominated. I posted the full official announcement earlier. 

If  you watch the video (about 52 minutes), Freer gives a charming acceptance speech, and folks also show up from the Heinlein Trust and from the Heinlein Society, with various bits of news (apparently all of Heinlein's works are being translated into Chinese.) So I did think the ceremony was interesting when I watched it live last week.

The Libertarian Futurist Society blog also has been running posts about the ceremony. 

Tuesday, August 1, 2023

2023 Prometheus Awards announced


[I am a bit late in posting this news, but as in past years, I want to post the announcement of the Prometheus Awards. Here are some of the connections between the award and this blog: (1) I am a member of the Libertarian Futurist Society, and in fact I nominated the Heinlein story that won; (2) Robert Shea was a member of the Libertarian Futurist Society; (3) As far as I know, the Prometheus Hall of Fame Award is the only literary award ever given to Illuminatus! and (4) The new Robert Anton Wilson book, Lion of Light, has a photograph of Victor Koman presenting an award to RAW. Koman has won the Prometheus Award three times. -- The Management]. 

Prometheus Award winners announced

2023 Prometheus Awards: 

* Australian Dave Freer wins for Best Novel for Cloud-Castles

* Robert Heinlein novelette “Free Men” inducted into Hall of Fame

The Libertarian Futurist Society, a nonprofit all-volunteer international organization of freedom-loving science fiction fans, has announced Prometheus Award Best Novel and Best Classic Fiction winners for 2023.

The 43rd annual Prometheus Awards will be presented online in mid-August (most likely on a Saturday evening TBA) in a Zoom awards ceremony.

The Prometheus Award for Best Novel

Cloud-Castles, by Dave Freer (Magic Isle Press), has won the 2023 Prometheus Award for Best Novel for novels published in 2022.

Set on diverse habitats floating above a gas-giant planet, this zestful and often funny coming-of-age adventure charts the progress of a mis-educated, socially awkward and well-meaning young man, brilliant but naïve, thrust into a succession of strange human and alien cultures and life- and liberty-threatening situations. 

With help from a street-smart sidekick, he escapes imprisonment and slavery and forges innovative, profitable businesses with decentralized, stateless people scattered through the planet’s clouds. 

Through such entrepreneurship, cooperative individualism and fish-out-of-water encounters with an "outback" frontier culture reflecting the Australian novelist’s own heritage, the story (formally a comedy in structure according to the classic Greek definition) reveals how markets work, why profits are moral and necessary in a free society and how societies flourish through reinvestment and market innovation. 

The other 2023 Best Novel finalists were Widowland, by C.J. Carey (Quercus); Captain Trader Helmsman Spy by Karl K. Gallagher (Kelt Haven Press); A Beast Cannot Feign, by “Dr. Insensitive Jerk” (AKA Gordon Hanka) (Amazon); and Summer’s End, by John Van Stry (Baen Books.)

The Prometheus Hall of Fame for Best Classic Fiction

“Free Men,” a Robert Heinlein novelette, won the 2023 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

Heinlein’s 1966 novelette, first published in his collection The Worlds of Robert A. Heinlein and later collected in Expanded Universe, offers a strong defense of freedom and American ideals. 

The novelette focuses on the aftermath of an invasion and U.S. occupation after a nuclear "20 Minute War" and how a small band of heroic but practical guerrilla fighters survive, adapt and resist tyranny at great cost.

The other Prometheus Hall of Fame finalists were “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty; That Hideous Strength, a 1945 novel by C.S. Lewis; Circus World, a 1981 collection of linked stories by Barry B. Longyear; and The Truth, Terry Pratchett’s 2000 novel and part of his Discworld series.

Prometheus Awards History

The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making them one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

The Prometheus Awards recognize outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power and champion cooperation over coercion as the root of civility and social harmony. 

Such works may critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the State, imagine what forms a fully free society might take or imagine paths to creating such societies, and/or uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress and justice. 

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year, Hall of Fame nominees — which must have been published at least 20 years ago — may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, graphic novels, song lyrics, or verse.

The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.

 

Monday, April 10, 2023

Prometheus Award finalists announced



 [The connection with this blog is that the Prometheus Hall of Fame Award is the only literary award that Illuminatus! ever received, plus Robert Shea was involved with the award for years. Also, I am a nominations judge. I'm posting the official press release here. The Mgt.]

PROMETHEUS AWARD FINALISTS CHOSEN FOR BEST NOVEL

Works by Carey, Freer, Gallagher, Hanka and Van Stry selected as finalists

The Libertarian Futurist Society, a nonprofit all-volunteer international organization of freedom-loving science fiction fans, has announced five finalists for the Best Novel category of the 43rd annual Prometheus Awards.

The Best Novel winner will receive an engraved plaque with a one-ounce gold coin. An online Prometheus awards ceremony is planned for August at a time and event to be announced.

In brief, here are the five Best Novel finalists: Widowland, by C.J. Carey (Quercus); Cloud-Castles, by Dave Freer (Magic Isle Press); Captain Trader Helmsman Spy, by Karl. K. Gallagher (Kelt Haven Press); A Beast Cannot Feign, by “Dr. Insensitive Jerk” (AKA Gordon Hanka) (Amazon); and Summer’s End, by John Van Stry (Baen Books.)

Here are capsule descriptions of the Best Novel finalists (listed in alphabetical order by author), explaining how they fit the distinctive focus of the Prometheus Awards:

* Widowland, by C.J. Carey (Quercus) – This dystopic alternate history focuses on oppressed castes of women in a Nazi-controlled Great Britain protectorate after World War II. The protagonist is an English woman working in a faceless bureaucracy to rewrite the novels of women such as Jane Austen, Emily Bronte and Louisa May Alcott. We see her dawning awareness and quiet resistance to the regime’s efforts to expunge from literature proto-feminist themes of independence that might threaten the new order of conformity, obedience and repression. Suspenseful and plausible in its plot, characterization and world-building, the novel goes an imaginative step beyond the focus of Orwell’s Nineteen Eighty-Four on news propaganda and history suppression to explore the bowdlerization of culture and suggest how classic literature and art inspire people to think for themselves and challenge authoritarian regimes.

* Cloud-Castles, by Dave Freer (Magic Isle Press) – Set on diverse habitats floating above a gas-giant planet, this zestful and often funny coming-of-age adventure charts the progress of a mis-educated, socially awkward and well-meaning young man, brilliant but naïve, thrust into a succession of strange human and alien cultures and life- and liberty-threatening situations. With help from a street-smart sidekick, he escapes imprisonment and slavery and forges innovative, profitable businesses with decentralized, stateless people scattered through the planet’s clouds. Through such entrepreneurship, cooperative individualism and fish-out-of-water encounters with an "outback" frontier culture reflecting the Australian novelist’s own heritage, the story (formally a comedy in structure according to classic Greek definition) reveals how markets work, why profits are moral and necessary in a free society and how societies flourish through reinvestment and market innovation.

* Captain Trader Helmsman Spy, by Karl. K. Gallagher (Kelt Haven Press) –The fourth novel in Gallagher’s Fall of the Censor series (Storm Between the Stars, Between Home and Ruin, and Seize What’s Held Dear, all previous finalists) explores how people cooperate voluntarily even in the underground niches of a statist system. The series portrays an interstellar war between a long-isolated alliance of solar systems with basically free societies and a vast empire that maintains control by continuously purging history and destroying older books. The title character is a starship captain commanding a spying expedition, disguised as a merchant venture, into enemy territory. The captain and crew strive to gain key information and insights about the aggressors while navigating their way under cover amid exotic human cultures with radically different customs and laws – including slaver societies and worlds where women oppress men.

* A Beast Cannot Feign, by “Dr. Insensitive Jerk” (AKA Gordon Hanka) (Amazon)– Provocative, politically incorrect and sometimes intentionally in poor taste, this satire weaves melodramatic villains and a critique of authoritarian progressive politics into a story of first contact. The “aliens” are actually genetically modified humans, mysteriously different in their customs and behavior, who have returned to Earth to establish a radically free colony against strong official resistance. The author explores the human capacity for self-deception, mocks the excesses of government regulation and bureaucracy, and as a cautionary tale, shows the tragedy of mutual misunderstandings that can spark conflict and violence between radically different cultures. This novel radically tests the nature and boundaries of coercion and consent – fundamental issues in libertarianism – as they might apply to the economy, government and sexual politics.

* Summer’s End, by John Van Stry (Baen Books) – Notable for its unusually detailed focus on free-market economics and practical cost-versus-risk calculations affecting affordable spaceship travel and engine/gravity maintenance, this coming-of-age adventure weaves family issues, emerging friendships, class differences, political conflicts, straight and gay romance, humor and clashing cultures into a Heinlein-juvenile-style hero’s journey. The well-paced tale is told through the eyes of a young engineering-school graduate, a former gang member struggling to reform his violent impulses and escape low-class “Prole” origins, who has lots to learn after taking an apprentice-level job on an old tramp steamer plying trade routes among habitats and moons throughout the solar system (including libertarian communities on Ceres). Struggling to apply what he’s learned, the engineer hopes to liberate his genius brother from a corrupt and repressive society on Earth.

Fifteen novels (virtually all published in 2022, with one published in the last two months of 2021, eligible under the rules) were nominated by LFS members for this year's award. 

Also nominated: The School for Good Mothers, by Jessamine Chan (Simon & Schuster); Let Us Tell You Again, by Mackey Chandler (Amazon; Entropy, by Dana Hayward (Amazon); The Master Code, by T.A. Hunter (Amazon); Our Missing Hearts, by Celeste Ng (Penguin Press); Openings: A Hayek Chronicles Novel, by James S. Peet (self-published); Sisters of the Vast Black and Sisters of the Forsaken Stars (a combined nomination), by Lina Rather (Tor Books, Tordotcom); The Warrior Worlds,  by Stephen Renneberg  (Amazon); Ex Supra, by Tony Stark (Amazon); and Termination Shock,  by Neal Stephenson (William Morrow).

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently given in sf. The Prometheus Hall of Fame category for Best Classic Fiction, launched in 1983, is presented annually with the Best Novel category.

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the ethical and practical foundation for peace, prosperity, progress, justice, mutual respect, and civilization itself.

All LFS members have the right to nominate eligible works for the Prometheus Awards. A 12-person judging committee, drawn from the membership, selects the Prometheus Award finalists for Best Novel. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full Members) have the right to vote on the Best Novel finalist slate to choose the annual winner. 

Membership in the Libertarian Futurist Society is open to any science fiction fan interested in how fiction can promote an appreciation of the value of liberty.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog via our website link. 



Saturday, March 18, 2023

Did Heinlein invent TANSTAAFL?

The paperback edition of The Moon Is a Harsh Mistress I read as a teenager. 

The acronym TANSTAAFL — "There ain't no such thing as a free lunch" — features in Robert Heinlein's classic libertarian science fiction novel, The Moon Is a Harsh Mistress, which won both the Hugo Award and the Prometheus Hall of Fame Award.

Robert Anton Wilson referenced the phrase in his Schrödinger's Cat trilogy. Wikipedia explains,

" 'Tanstagi', an acronym standing for 'There Ain't No Such Thing As Government Interference', is the motto of the Invisible Hand Society, an originally fictional organization invented in the Schrödinger's Cat Trilogy. The acronym was deliberately intended as a reference to Robert A. Heinlein's TANSTAAFL principle.

"The Tanstagi principle is meant to imply that the invisible hand of the free market applies to government as well. In other words, contrary to traditional ideas of laissez-faire capitalism, government interference in the free market is impossible, since governments are inextricably a part of the market as a whole. 'Government' is not a separate institution—it is a word used to describe the actions of a large number of individuals subject to the same (at least qualitatively) pressures as everyone else. Both of these ideas are part of what is known as 'economic Taoism.'

"While it was first introduced in a novel, people claiming to be members or know of chapters of the Invisible Hand Society have occasionally appeared in editorial pages and on the Internet." 

As many of you likely known, the phrase "invisible hand" was made famous by Adam Smith

But did Heinlein come up with the phrase behind the acronym TANSTAAFL? Apparently not, according to a blog post, "Who Said TANSTAAFL First?", published by David Boaz at Cato at Liberty, the blog of the Cato Institute.

Boaz credits Heinlein with popularizing the phrase — "I’d say that Heinlein’s book generated the buttons and bumper stickers produced by the early libertarian activists" — but says research shows Heinlein did not originate it. 

Noting that the phrase also has been attributed to Milton Friedman, Boaz notes that the Quote Investigator has traced the phrase "There ain't no such thing as a free lunch" back to a 1938 newspaper article titled “Economics in Eight Words.”   Evidence suggests the unsigned piece was written by Walter Morrow, editor‐​in‐​chief of The Southwestern Group of Scripps‐​Howard Newspapers, Boaz says.

"Heinlein just might have read one of the 1938 newspapers in which the 'Eight Words' article appeared," Boaz suggests. 




Thursday, December 8, 2022

Prometheus Hall of Fame finalists announced

 


[If you read this blog, you can probably guess I have a soft spot for underrated writers. I not only promote Robert Anton Wilson here, I also write about Robert Shea (who can use more help than Wilson, as far as I can tell). I did a website devoted to George Alec Effinger years ago that I need to revive.

Another writer I like is R.A. Lafferty. A story I nominated for the Prometheus Hall of Fame Award, "Primary  Education of the Camiroi," has bee named a finalist. The members of the Libertarian Futurist Society will vote on the award next year, and a winner will be announced in a few months. Here is the official press release -- The Management.]

2023 PROMETHEUS HALL OF FAME AWARD FINALISTS ANNOUNCED

HEINLEIN, LAFFERTY, LEWIS, LONGYEAR AND PRATCHETT RECOGNIZED

The Libertarian Futurist Society has selected five finalists for the 2023 Hall of Fame Award for Best Classic Fiction.

This year's finalists – first published between 1945 and 2000 - include novels by C.S. Lewis and Terry Pratchett, a Robert Heinlein novelette, an R.A. Lafferty story and a collection of linked stories by Barry B. Longyear.

* “Free Men,”  a 1966 novelette by Robert Heinlein first published in his collection “The Worlds of Robert A. Heinlein” and later collected in “Expanded Universe,” offers a strong defense of freedom and American ideals. The novelette focuses on the aftermath of an invasion and U.S. occupation after a nuclear “20 Minute War” and how a small band of heroic but practical guerrilla fighters survive, adapt and resist tyranny at great cost.

* “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty reporting on a fact-finding trip by an Earth delegation to study education practices on the planet Camiroi. The story offers a scathing and satirical critique of the top-down approach and lack of rigor in public/government education, arguably more relevant now than when it was first published. Besides incorporating flashes of Lafferty’s deadpan original voice and distinctive brand of humor, the story shows how to train youth to be competent and capable adults – rather than serfs – who can accept liberty and its concomitant responsibilities.

* That Hideous Strength, a 1945 novel by C.S. Lewis (Book 3 of his Space Trilogy), revolves around a sociologist and his wife who discover a totalitarian conspiracy and diabolical powers scheming to take control of humanity, in the guise of a progressive-left, Nazi-like organization working for a centrally planned pseudo-scientific society literally hell-bent to control all human life. Its cautions about the therapeutic state and the rising ideology of scientism (science not as the value-free pursuit of truth, but as an elitist justification for social control) seem prescient today.

* Circus World, a 1981 collection of linked stories by Barry B. Longyear that imagines how Earth’s circus troupes have evolved on a far-distant planet into a circus- and magic-defined culture without a government but with strongly individualistic, voluntary and cooperative social norms and only One Law, designed to make it nearly impossible to impose government regulations or other legislation, that helps the planet’s citizens peacefully cooperate in resistance against coercive human invasion and statist tyranny.

* The Truth,  Terry Pratchett’s 2000 novel, first nominated in 2001 for a Prometheus in the Best Novel category, is part of his satirical but historically informed Discworld series. With his usual tongue-in-cheek style, this novel focuses on politics and the development of newspapers, when a struggling scribe who’s the son of a privileged family conceives the notion of producing his newsletter with a new printing press. All too timely in its focus on misinformation and its theme of freedom of speech and press, the novel portrays how journalists report the facts (or not) and communicate “the truth” amid pressure from competing political factions. 

In addition to these nominees, the Prometheus Hall of Fame Finalist Judging Committee considered three other works: The End of Eternity,  a 1955 novel by Isaac Asimov;  “The Trees,” a 1978 song by Neal Peart and Rush; and “Or Give Me Death,” a 1955 short story by Donald Westlake.

The final vote will take place in mid-2023. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention and/or online.

Nominations for the 2023 Hall of Fame Award can be submitted to committee chair William H. Stoddard (halloffame@lfs.org) at any time up to Sept. 30, 2023. All LFS members are eligible to nominate. Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself. 

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards. 

The Prometheus Award is one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. 

The LFS welcomes new members who are interested in science fiction and the future of freedom. More information is available at our website, www.lfs.org and Prometheus blog (lfs.org/blog/).

Monday, May 2, 2022

Prometheus Rising exercise and discussion group, episode 79, Chapter 14


By Apuleius Charlton
Special guest blogge
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What the hand, dare seize the fire? - Blake

I’m happy to report that I feel as if I understood this chapter better this time around. On a cold January night over a decade ago I’m in a dark room on a dorm bed, kneeling with a face hot with seemingly endless tears. These tears don’t really come out as droplets, or I am not perceiving them as drops, but rather like some sort of effluvial web. My face has become a delta. I’ve ingested mushrooms for the first time in my life and I’m being told a story. 

Last night my wife and I were talking about LSD in the context of “The Story of Jane: Ice Maiden” from Sex, Drugs and Magick; we were discussing the phenomena of people believing that psychedelics, especially LSD, are some sort of magic switch. We then began discussing the phenomena of how profound/not-seemingly-profound psychedelic experiences can lead to drastic change in people’s lives, usually not immediately (that almost always wears off), but over long amounts of time. I began talking about how my later experiences with LSD seemed to confirm over time and reflection that, contrary to the widely-reported experiences of a larger reality or knowledge of God, this was it. Whatever “this” and “it” might mean is still being deliberated upon. But those experiences confirmed for me that I am everything I’ll ever know. I am a composite of many different moments. There is an undertow of black, gold and stained wood. 

Maybe not the most useful paradigm, but I’m surprisingly comfortable with it. The “I” on the dorm bed isn’t. Not yet. I wanted to storm the gates of Heaven and steal fire, find some sort of secret door into another, less-dull world. Soon, actually over a year from this night, I’ll be reading Prometheus Rising for the first time, much later in my consumption of Wilson than one might imagine, and I’ll grok a lot of it. I’ll be continually surprised by everything I missed over the years.

There’s a me that asks my friend of many years, when the conversation has gone on too long and come to its final, self-referential end (for me) and I’ll ask, how many times I can’t imagine; “Am I good?” I’m very concerned with “goodness,” “happiness,” and other canards. This question is never answered to anyone’s satisfaction. Some nights with my wife, when the conversation has gone on too long and come to its final, self-referential end, we’ll play the perception game, trying to imagine how others see us. It’s the same game, the terms are just a little looser, less metaphysical. But maybe that isn’t the correct perception of the conversation. 

Today, rereading this beautifully written chapter, I am struck by the Magic Room game; it seems to be one of the most promising and enticing exercizes provided in the text. I can remember that the last time I read it I found Cagliostro’s Alien Game from The Trick Top Hat to be more interesting and useful. I can’t remember why I didn’t take it as a serious tip before that. Looking back over myself, I can pinpoint two plausible reasons: (one) I am hostile towards computers in my mind if not in practice and (two) I have read this book as a “mystic” many times and have overestimated the difficulty and performance of astral projection. Astral projection was something that concerned the “I” on the dorm bed with the wet face. It sounds terribly exciting and the best way to meet the gods, demons and grey aliens I wanted to find in the jungle of magic. Alas, it will come as a bitter disappointment when I realized that astral projection and pathworking is a very-willed exercise that isn’t quite what Crowley described in Magick Without Tears and The Temple of Solomon the King. Gods aren’t great at keeping appointments. 

Reading the chapter I’m also reminded of the psychosynthetic self-identification exercise that I’ve practiced for years; that dissociation with the usual impressions of “self.” I question whether the “self,” that self that is a centre of pure consciousness, described and built by the exercise is another false self. I am okay with the idea; I’ve learned I can’t completely quit hypocrisy, but I can try to employ it strategically. I’m reminded of the years of therapy-training in psychosynthesis where my teacher would constantly admonish my pointed focus on the more fantastical elements of magic and instead asks me repeatedly to ask myself what is useful to my life. I’m arrogant and learning is hard before I begin to understand. I accumulate a lot of bruises before I learn to stop staring at the stars while stuck in the woods. 

Now, the Magic Room game and its near future computer seem like an elegant experiment, primed for this moment. I’m looking forward to whatever “I” I might be in the future might make of the damnable computer that cannot process doubt. I feel the thrill of a younger magician, hungry for experience. 

The I on the bed is listening to a story, as told by Richard Burton and collected by Jorge Luis Borges, read to me by my friend I used to ask “am I good?” It is “The Tale and the Poet:” 

Tulsi Das, the Hindu poet, created the tale of Hanuman and his army of monkeys. Years afterwards, a despot imprisoned him in a stone tower. Along in his cell, he fell to meditating, and from his meditation came Hanuman and his monkey army, who laid low the city, broke open the tower, and freed Tulsi Das. 

The story goes on Forever. 

(For the members of the Sex, Drugs & Magick group, I apologize for my hiatus and have a small explanation in the next post. I'll be finishing it tonight and posting either this evening or tomorrow.) 


Tuesday, April 12, 2022

Prometheus Awards finalists announced


[Here is the latest announcement for the Prometheus Award; I serve as one of the judges selecting the nominees. The connection to this blog is that the Prometheus Hall of Fame Award is, so far as I know, the only literary award the Illuminatus! trilogy ever received. -- The Management.]

PROMETHEUS AWARD FINALISTS CHOSEN FOR BEST NOVEL

Works by Gallagher, Ishiguro, McCarthy and Shriver selected as finalists 

The Libertarian Futurist Society, a nonprofit all-volunteer international organization of freedom-loving science fiction fans, has announced five finalists for the Best Novel category of the 42nd annual Prometheus Awards.

The Best Novel winner will receive an engraved plaque with a one-ounce gold coin. An online Prometheus awards ceremony is planned for August at a time and event to be announced.

In brief, here are the five Best Novel finalists: Between Home and Ruin and Seize What’s Held Dear, by Karl K. Gallagher (Kelt Haven Press); Klara and the Sun, by Kazuo Ishiguro (Faber and Faber); Rich Man’s Sky, by Wil McCarthy (Baen Books); and Should We Stay Or Should We Go by Lionel Shriver (Harper Collins).

Here are capsule descriptions of the Best Novel finalists (listed in alphabetical order by author), explaining how they fit the distinctive focus of the Prometheus Awards:

Between Home and Ruin, by Karl K. Gallagher  (Kelt Haven Press) – A direct sequel to his 2021 Best Novel finalist Storm Between the Stars, this second novel in Gallagher’s Fall of the Censor series continues his dramatization of a prolonged interstellar war between a long-isolated group of colonized solar systems and a much larger human polity. The Censorate is an authoritarian human empire that maintains its Orwellian power by memory-holing the past and destroying older books, art and records to subjugate planetary populations. After rediscovering a path to other solar systems, the Fierans are fighting against Censorate invasion to preserve their freedom, independence and culture. This sequel, which drives home its themes with a cross-cultural love story about a man and woman separated by war, also powerfully highlights governmental atrocities of war, including mass murder and destruction of civilian cities – a focus especially timely in 2022 as brutal war rages anew in Eastern Europe. 

Seize What’s Held Dear, by Karl K. Gallagher  (Kelt Haven Press) – In his third Fall of the Censor novel, a direct sequel to Between Home and Ruin, Gallagher explores further the quest to preserve knowledge, commerce, civility and civilization itself despite war, tyranny and the suppression of culture, history and memory. The novel also illuminates the practical effectiveness of private contractual courts and arbitration systems in maintaining law and justice without government, even amidst challenging and ongoing disagreements, occasional crimes and contractual disputes in a messy and recognizably human society. Gallagher compellingly dramatizes a variety of space battles and military strategies while contrasting the belligerents’ strategies, operations and tactics: The Fierans have the military and community of a messy but mostly free society, while the Censorate is an information-crippled totalitarian empire of bureaucratic yes-men wherein facing facts, reporting bad news, questioning authority and telling the truth can be fatal.

Klara and the Sun, by Kazuo Ishiguro (Faber and Faber) – Set in a near future when commercial development of AI robots make them affordable for affluent-family servants and companions, this poignant fable by the Japanese-British Nobel-Prize-winner subtly explores existential questions about self-awareness, intelligence, agency, servitude, foundations of liberty, and personhood. Told through the limited, fallible eyes of its gentle title character, this story explores her childlike thirst to comprehend the world, conceiving a solar-energy-related proto-religion and embarking on a secretive quest to save her ailing girl charge. Just as few people glimpse Klara’s awareness while virtually all remain blind to her potential personhood in a culture increasingly antagonistic to AIs, Ishiguro intentionally leaves readers with few clues about Klara’s true nature. This hauntingly ambiguous meta-libertarian tragedy evokes the ancient tragedy of widespread slavery, once commonly accepted and only recently abolished via the universalizing liberal/libertarian commitment to dignity, self-ownership and freedom for all.

Rich Man’s Sky, by Wil McCarthy (Baen Books) – This imaginative sf adventure explores human expansion throughout the solar system, propelled by four billionaires. McCarthy weaves a suspenseful mosaic of epic conflicts and maneuvers between governments and markets as a team of elite military women infiltrate and aim to violently undercut the billionaires’ visionary space projects before they change the world for good or ill.  Some of the “Four Horseman” are revealed to be admirable, and some decidedly not, but McCarthy makes all four real and human as they spearhead game-changing private-enterprise projects that governments aren’t capable or willing to do. Today, many vilify the super-rich while State aggression, assassination, spying, sabotage and other abuses “throwing muscle around” are often excused, minimized, hidden or ignored. Overall, this Heinlein-esque tale of State-threatened market innovations persuasively counters stereotypes from what free-market economist Ludwig von Mises dubbed “the anti-capitalist mentality.” 

Should We Stay or Should We Go, by Lionel Shriver (HarperCollins) – Explicitly affirming the libertarian self-ownership principle that “Our lives belong to us... and it’s up to us how we choose to end them,” this kaleidoscopic novel explores 12 alternate-universe scenarios. An aging, comfortably affluent British married couple makes end-of-life decisions with unpredictable consequences. Shriver, with her characteristic wit and maverick insights, shows how aging and life/death decisions are difficult enough but become much worse through government paternalism, welfare-state bureaucracies, socialized health care, forced medication, involuntary hospitalization, virtual imprisonment, anti-suicide laws, massive debt/inflation and/or other government dysfunctions. Variously evoking dystopian specters (Orwell, Burgess’ A Clockwork Orange, Kesey’s One Flew Over the Cuckoo’s Nest) or exploring the downsides of seemingly utopian advances (super-long lives, cryogenics), the thought-provoking, fast-paced novel satirically but seriously offers timely cautionary tales as the average life expectancy of the world population rises into the 70s and beyond.

Sixteen 2021 novels were nominated by LFS members for this year’s award, a near-record number over recent decades. Also nominated: Sainthood in Sixty Seconds, by Dr. Insensitive Jerk (Amazon); Redemption, by Regina Joseph (Amazon); Titan: Mammon Book 1, by Robert Kroese (St. Culain Press); Purgatory Mount, by Adam Roberts (Gollancz, Hachette);  Hellraisers & Heartbreakers, Purgatory & Pair’O’Dice and Lone Star Libre! (Books 4-6 in the Watcher of the Damned series), by R.H. Snow (Rosa de Oro);Triple Cross, by Marc Stiegler (LMBPN Publishing); Project Hail Mary, by Andy Weir (Ballantine Books); and Man in the Middle and White Hat (Space Hackers books 1 and 2) by Steve Wire (Plaintext Publishing).

All LFS members have the right to nominate eligible works for the Prometheus Awards. The Prometheus Award finalists for Best Novel are selected by a 12-person judging committee. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full Members) have the right to read and vote on the Best Novel finalist slate to choose the annual winner. 

Membership in the Libertarian Futurist Society is open to any science fiction fan interested in how fiction can promote an appreciation of the value of liberty.

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently given in sf. The Prometheus Hall of Fame category for Best Classic Fiction, launched in 1983, is presented annually with the Best Novel category.

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the ethically proper and only practical foundation for peace, prosperity, progress, justice, mutual respect, and civilization itself.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog via our website link. 


Monday, March 28, 2022

Prometheus Rising exercise and discussion group, episode 75, Chapter 13

Photo by Klemen Vrankar on Unsplash

After I re-read Chapter 13 for this blog posts, I looked at the exercises as the end, and decided to do the fifth exercise, which is "Did you ever really give a good trial to our exercise, 'I can now exceed all my previous hopes and ambitions?' Try it; and at the same time, try, 'I can be healthier than I have ever been before'."  (That refers to an exercise listed for Chapter One: "Believe that you can exceed all your previous ambitions and hopes in all areas of your life.")

So last night and today, I have been trying to do the exercise, thinking of ways I might exceed my ambitions and hopes, and be healthier than ever before.

I recently turned 65, so it seems to be there are some practical limitations as to how far I can go to meet all of my possible ambitions and health goals. On the other hand, I still have some of the same ambitions are hobbies that I always have had, and as I have semiretired, downsizing my work hours, I now have more time for other things. And although I doubt I can be the healthiest I have ever been in my life, I do have control over whether I am making a better effort to be healthy, by exercising regularly and watching what I eat. 

This seems like something that will take more than a day or two, but I will continue to think on this exercise in the next couple of days, and on what I can do to implement it. 

 A couple of footnotes to the chapter:

Pagans and Christians: In a footnote, RAW writes about the "breakdown of Roman paganism and the rise of Christianity." And he remarks that the Rationalists of the time, "the Stoics, Epicureans and other heirs of the Greek philosophical-skeptical tradition" ignored Christianity "until their society was overcome by the paradigm shift to the new reality-tunnel."

Probably they did ignore Christianity up to a certain point, although seems to me that late in the Roman Empire Christianity became impossible to ignore, and the culture war between the two sides became very heated, as in the fight over whether to remove the Altar of Victory from the Senate House.  (The pagans lost the fight over that and felt vindicated by the various disasters that overtook the Roman Empire, such as the sack of Rome by the Goths in 410).

UFOS: There's a lot in this chapter about UFOs, so perhaps this is an opportune time to mention again that our friend Adam Gorightly has a recent UFO book out, Saucers, Spooks and Kooks: UFO Disinformation in the Age of Aquarius. I've had to concentrate on other reading for the last couple of months, but Adam's book is one my Kindle, and I hope to read it soon. 

Monday, October 4, 2021

Prometheus Rising reading and discussion group, Week 52



By Apuleis Charlton
Special guest blogger

I’ll admit, I’ve never quite grasped the fourth-circuit. It seems dreadfully boring to me- and perhaps that is a sign of my imprint. I am an individualistic person who dislikes the constraints of society, intensely in some circumstances, and who strongly prefers to be left to their own devices. At the same time, that could easily describe a large swath of Americans or humans today. Perhaps when dealing with a “societal” circuit, the data will become dated quickly as society changes. I certainly don’t think that repression is the same issue today as it was in the seventies/eighties. Jerry Falwell is regarded by most “sane” people as a demagogue and hyper-moralist and few people outside of the church communities or the Republican Party can even begin to wrap their head around Evangelical Christian’s desires. 

So what happened after the publication of Prometheus Rising? To return to my favorite dead horse, the dissemination of information has warped our previous understanding of how a society should or can function. Writing at the end of the eighties, Thomas Pynchon notes in Is It Okay to Be a Luddite? that whatever the implications of the world wide web, it will mean more of the right information will get to the right people. If you take out the word “right,” I agree with Pynchon. As humans are bombarded by signals from other vantage points, we seem to enter into interior-negotiations with ourselves over whether we will be more affected by these “outside” signals or the “inside” signals of our daily lives. 

For example: the Conservative fear and hatred of Hollywood. Conservatives can recognize that the external stimuli of film, television, music etc. is alluring and disruptive to the insular communities that they desire. By importing different views of life and society into the living rooms of “average” citizens, even when those views are rendered as a weak, virtue-signalling subplot that is easily missed or ignored, the entertainment industry is an agent of chaos that brings the immorality of coastal society to small-town, “real,” America . Therefore, even something as milquetoast as Captain Marvel can be interpreted as a radical-feminist screed looking to upset traditional masculinity. 

I wouldn’t say that their fears are entirely unfounded. The way we consume entertainment and whatever we mean when we say “culture,” has a direct impact on how we view society in the “real world.” Thirty years ago, the most your average, “well-informed,” non-Jewish person would have known about Orthodox Jews would be that the men have little curls of hair and the women cover theirs. Last year, the whole nation was educated in Orthodox beliefs as we examined the community's relationship with COVID-19. Those who bothered to read or watch the news could hear debates about why people in Orthodox communities didn’t want to take the vaccine or stop gathering for religious events, despite medical science. Similarly, outside of occult circles, the Yezidi were unheard of in the West until around 2014 when coverage of the Syrian conflict forced them into news stories. We learn, or at least have the opportunity to learn, more about the world and different peoples than ever before. 

The blunt description of the Princess of Disks is quite humorous to someone who has studied tarot extensively. The Princess of Disks actually represents the sublime degradation of matter, the end point of the process described over the entire tapestry of the tarot, and the all-important function of destruction and rebirth. In a way, I read Wilson’s summary of the circuit in this chapter as the building of a tidal shelf, but it is rather a structure that is being destroyed and rebuilt in perpetuity. The fourth circuit changes to the consternation of those of us who were imprinted earlier than these heathen children.


Wednesday, April 14, 2021

Science fiction news

The finalists for this year's Hugo Awards have been announced; here are the Best Novel finalists:

Black Sun, Rebecca Roanhorse (Gallery / Saga Press)       

The City We Became, N.K. Jemisin (Orbit)

Harrow the Ninth, Tamsyn Muir (Tor.com)

Network Effect, Martha Wells (Tor.com)

Piranesi, Susanna Clarke (Bloomsbury)

The Relentless Moon, Mary Robinette Kowal (Tor Books)

Piranesi and Network Effect are very good, in my opinion; I haven't read the others yet. I read last year's Best Novel ballot and by and large it was quite good; I suspect this year's batch also will turn out to be good.

The Libertarian Futurist Society -- I am a member -- also has announced its slate of finalists, for the Prometheus Award, here they are:

Who Can Own the Stars? by Mackey Chandler

Storm between the Stars, by Karl K. Gallagher 

The War Whisperer, Book 5: The Hook, Barry Longyear

Braintrust: Requiem, by Marc Stiegler

Heaven's River, by Dennis E. Taylor

More information on the finalists and the awards at the two links; my personal favorite among the Prometheus Awards nominees, Situation Normal by Leonard Richardson, did not become a finalist. 



Sunday, October 4, 2020

I try to explain 'Illuminatus!' to ordinary readers

 


The Libertarian Futurist Society has been running a series of "appreciations" on the group's blog on literary works that have won the Prometheus Award, the award for libertarian science fiction that's been given out for about 40 years now.

There's a pretty large list of titles that have won both the Prometheus Award and the Prometheus Hall of Fame Award. As the Illuminatus! trilogy won the Hall of Fame Award in 1986 (in a tie with Cyril Kornbluth's The Syndic) and as I am a member of the LFS, I was given the assignment of writing about Illuminatus!

So I wrote a blog post, and it's been posted, along with background material on the award and on Wilson and Shea added by another LFS member. How did I do? 

If you like science fiction, there's a lot of other stuff at the blog to look at. 

Sunday, July 12, 2020

Cherryh, Fancher win Prometheus Award


C.J. Cherryh in 2006

[The connection with this blog is that the Prometheus Hall of Fame Award is the only literary award, that I am aware of, that Robert Anton Wilson ever received (he and Robert Shea won it in 1986 for Illuminatus!) Robert Shea was a member of the Libertarian Futurist Society, which gives the Prometheus Award and the Prometheus Hall of Fame Award. Disclosure: I am a member of the board of the LFS. By the way, when some friends of mine and I formed a science fiction club at the University of Oklahoma in the 1970s, C. J. Cherryh was our first author guest. She had just published her first novel, Gate of Ivrel.  Below is the official press release on this year's award. -- The Management.]

Prometheus Award for Best Novel

Alliance Rising, by C. J. Cherryh and Jane S. Fancher (DAW), has won the 2020 Prometheus Award for Best Novel for novels published in 2019. Set in C.J. Cherryh's Alliance/Union Universe (before her novel Downbelow Station), Cherryh and Jane S. Fancher's interstellar saga of technological upheaval, intrigue and romance explores the early days of the Merchanter Alliance. Independent spaceship families ally during complex, mult-isided political-economic rivalries to defend established rights and promote the common good through free trade.

In one of the better fictional treatments of a complex economy, characters maneuver to prevent statist regimes from dominating space lanes, resist Earth's centralized governance, and investigate the purpose of a mysterious ship, The Rights of Man, undergoing construction on an isolated space station. Classic libertarian themes emerge about what rights are and where they come from (often to resolve conflicts and avoid the initiation of force) and how commerce and property rights promote peace and prosperity as humanity spreads among the stars.

The other 2020 Best Novel finalists were The Testaments, by Margaret Atwood (Random House; Nan A. Talese); Ruin's Wake, by Patrick Edwards (Titan Books); Luna: Moon Rising, by Ian McDonald (TOR Books): and Ode to Defiance, by Marc Stiegler (LMBPN Publishing).

LFS members also nominated these 2019 works for this year's Best Novel category: They Will Drown in Their Mothers' Tears, by Johannes Anyuru (Two Lines Press); Monster Hunter Guardian, by Larry Correia and Sarah H. Hoyt (Baen Books); The Good Luck Girls, by Charlotte Nicole Davis (TOR Teen); Empire of Lies, by Raymond Khoury (Forge Books/TOR); The Year of Jublio!, by Joseph T. Major (Amazon); Atlas Alone, by Emma Newman (ACE Books/Penguin Group); Stealing Worlds, by Karl Schroeder (TOR Books); Fall, or Dodge in Hell, by Neal Stephenson (William Morrow); and Delta-V, by Daniel Suarez (Dutton).

The Prometheus Hall of Fame for Best Classic Fiction

"Sam Hall," Poul Anderson's short story, won the 2020 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

First published in 1953 in Astounding Science Fiction, Anderson's story is set in a security-obsessed United States, where computerized record-keeping enables the creation of a panopticon society. The insertion of a false record into the system leads to unintended consequences.

Anderson (1926-2001), now a five-time Prometheus Award-winner and the first sf author to be honored with a Special Prometheus Award for Lifetime Achievement (in 2001), explored political implications of computer technology that now, decades later, are widely recognized.

The other Prometheus Hall of Fame finalists were "As Easy as A.B.C.," a 1912 story by Rudyard Kipling; "The Trees," a 1978 song by the rock group Rush; A Time of Changes, a 1971 novel by Robert Silverberg; and "Lipidleggin'," a 1978 story by F. Paul Wilson.

In addition to the finalists, the Hall of Fame Finalist Judging Committee considered four other works: The Winter of the World, by Poul Anderson; The Handmaid's Tale, by Margaret Atwood; "The Pedestrian," by Ray Bradbury; and The Uplift War, by David Brin.

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year (or so), Hall of Fame nominees may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, other video, graphic novels, song lyrics, or epic or narrative verse.

Prometheus Awards History

The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. All LFS members have the right to nominate eligible works for the Prometheus Awards.

The Prometheus Award have, for more than four decades, recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power. Such works critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the State, champion cooperation over coercion as the roots of civility and social harmony, and uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, universal human flourishing and civilization itself.

After separate judging committees select finalists in each annual awards category, LFS members read and rank the finalists to choose the annual Prometheus Award winners.

As always, the annual Best Novel winner will receive a plaque with a one-ounce gold coin; and the Hall of Fame winner, a plaque with a smaller gold coin.

LFS Prometheus Awards panel at New Zealand Worldcon

In honor of the recent 40th anniversary of the Prometheus Awards, the New Zealand Worldcon (ConZealand) has added to its virtual program a panel discussion on “Freedom in SF: Four Decades of the Prometheus Award.” That panel, with novelist F. Paul Wilson joining LFS board members and awards judges Michael Grossberg and Tom Jackson, is scheduled for 10-11 p.m. Saturday Aug. 1 EDT (i.e., 2 p.m. Sunday Aug. 2 NZST in New Zealand.)

The Worldcon will offer a full virtual convention schedule, available July 30 through Aug. 2 to Worldcon registered members.

LFS at North American Science Fiction Convention

The Prometheus Awards ceremony will take place in an online program via Zoom as part of the Columbus 2020 North American Science Fiction Convention (NASFiC). Because of safety concerns during the pandemic, the NASFIC will offer selected virtual events Aug. 21-22, including the LFS's Prometheus Awards ceremony (set for Saturday Aug. 22 from 1pm to 2:30 EDT), to be immediately followed by a NASFiC/LFS panel discussion with Prometheus-winning writers F. Paul Wilson and Sarah Hoyt on "Visions of SF, Liberty, Human Rights: The Prometheus Awards over Four Decades, from F. Paul Wilson and Robert Heinlein to Today."

Prometheus blog: Awards Appreciation Series

On the 40th anniversary of the first Prometheus Award in 1979, the LFS began celebrating and remembering past winners with a weekly Appreciation series on the LFS's Prometheus Blog. With the initial Best Novel series completed, the Appreciation series is now continuing with review/essays in chronological order of each of the winners of the Hall of Fame category, first presented in 1983. Each review/essay is designed to remind readers of outstanding works of fiction that remain worth reading or rereading today while educating the public about the specific pro-liberty and/or antiauthoritarian themes or story elements that inspired LFS members to select each work as a Prometheus winner.
For a full list of past Prometheus Award winners in all categories, visit www.lfs.org. For reviews, news and commentary on these and other works of interest to the LFS, visit the Prometheus blog via the link at the top of our website (lfs.org/blog).

Membership in the Libertarian Futurist Society is open to any science fiction fan interested in how fiction can promote an appreciation of the value of liberty.

Thursday, January 2, 2020

How RAW helped launch the Prometheus Awards


F. Paul Wilson, author of The Keep and other books. 

I have often written about the Prometheus Award, both because I'm involved in it and because the award intersects in several ways with the world of Robert Anton Wilson, not lease the fact that he won the Prometheus Hall of Fame for Illuminatus!

But I did not realize until the other day that RAW had played a role in launching the award. When the first award was given in 1979, it went to Wheels Within Wheels by F. Paul Wilson, and Robert Anton Wilson was the presenter. From the Libertarian Futurist Society blog, quoting a contemporary account:

“The first-ever Prometheus Award was presented for the best libertarian science fiction novel of 1978. The finalists were Poul Anderson’s The Avatar, James P. Hogan’s The Genesis Machine and F. Paul Wilson’s Wheels within Wheels. Robert Anton Wilson did the honors, on behalf of the Prometheus Award Committee (an independent group of libertarian sf fans, who contributed the award), presenting the $2,500 in gold to (no relation) F. Paul Wilson. The prize (which has already increased significantly in value) is the largest award for science fiction given anywhere in the world.”

More here. 

F. Paul Wilson's official site.

Saturday, November 16, 2019

A look back at the Prometheus Award winners



To celebrate the 40th anniversary of the Prometheus Award, Michael Grossberg, the founder of the Libertarian Futurist Society (the group that gives the award) has been doing a series of appreciations of the winners for the Prometheus Awards blog. 

The books he's covered so far are Wheels Within Wheels by F. Paul Wilson; The Probability Broach, L. Neil Smith; Voyage from Yesteryear, James P. Hogan; The Rainbow Cadenza, J. Neil Schulman; The Cybernetic Samurai, Victor Milan; Marooned in Real Time, Vernor Vinge; The Jehovah Contract, Victor Koman, and Moon of Ice, Brad Linaweaver.

Most of these pieces are written by Michael, but there's also a piece by William Stoddard about 1985, when the LFS went with No Award rather than give an award. As Stoddard notes, the  year actually had "some fairly strong choices." I've read one of them, Lee Correy's Manna, and it's not bad.

With 40 years of awards, there's much more to come.


Monday, September 9, 2019

How the Prometheus Award began


Michael Grossberg in the early 1980s, when he was founding the Libertarian Futurist Society. Photo courtesy Mr. Grossberg. 

The Prometheus Award is the annual award given by the Libertarian Futurist Society for works of science fiction that are of interest to libertarian science fiction fans. The first award was given out in 1979 as a one-off; it was then institutionalized with the founding of the LFS, and it's been given every year since 1982. It's the only literary award given to Robert Shea and to Robert Anton Wilson, at least that I know of; they got a Prometheus Hall of Fame Award in 1986 for Illuminatus! (in a tie with Cyril Kornbluth's The Syndic. (You can read Shea's acceptance speech and Wilson's thank you letter.)

I have recently completed two long interviews for the Libertarian Futurist Society blog on the two founders of the awards: science fiction writer L. Neil Smith, who gave out the first award in 1979, and writer, critic and  journalist Michael Grossberg, who founded the Libertarian Futurist Society and has been active ever since in keeping the award going. The Smith interview posted June 22; the interview with Grossberg went up Friday. Together, I think the interviews provide a pretty good oral history of how the award began.

I'm active in the Libertarian Futurist Society and serve on the organization's board.


Saturday, August 31, 2019

Brad LInaweaver has died


Brad Linaweaver. Creative Commons photo.

Science fiction writer Brad Linaweaver has died. Best known for Moon of Ice, Linaweaver was a two-time winner of the Prometheus Award; Mike Glyer has posted a well-done obituary at File 770. 

Sunday, March 31, 2019

Fiction recommendations



The Prometheus Award judging committee (on which I serve) is wrapping up work in choosing a slate of finalists; we'll announce the finalists in a press release (which I'll reprint here) and invite the members of the Libertarian Futurist Society to read the finalists and vote on a winner.

I won't discuss our deliberations, but I can talk about works of fiction I personally recommend. I've already written about Gnomon by Nick Harkaway and The Fractal Man by J. Neil Schulman; here are some other titles I liked.

All Systems Red, Martha Wells, first of the Murderbot Diaries series. About a security bot that calls itself a "murderbot" because of an unfortunate incident in its past.  It won the Hugo and Nebula for best novella, so apparently other folks liked it, too.

Causes of Separation, Travis Corcoran, very libertarian science fiction novel set on the Moon. Exciting and fun. It's a sequel to last year's winner, The Powers of the Earth, which you should read first.

Kingdom of the Wicked: Rules and Kingdom of the Wicked: Order, Helen Dale. Two-part novel alternative history novel, set in a Roman Empire which has undergone an industrial revolution, set in a Roman province where Pontius Pilate must preside over the trial of a Jewish holy man accused of terrorism. A really good work of fiction, with clever reworkings of many familiar New Testament stories.