Collagraphs and Monotypes of Italian Subjects

Corso Italia Collagraph Print 14 x 22 cm

This handpulled collagraph print was developed from a sketch I made in the historic centre of our Tuscan village, Castiglion Fiorentino.

A reversed scan of my original sketch was transferred to a piece of cardboard and the outlines carved out with a sharp blade. Additional texture was made by gluing plastic net, tissue paper and pieces of scrap watercolour paper to the plate. The plate was then coated with Acrylic gloss medium and varnish and inked with black oil based etching ink. Areas of ink were wiped away before printing on C.M. Fabriano 100 percent cotton paper using an etching press.

I'm a big fan of the beautiful monotypes of Martin Stankewitz which he prints with oil paints. Since I have quite a stock of oils and have decided it's not one of my favourite mediums for painting, I got quite excited about the possibility of using up my paint for monotypes. Below is my first effort.

Venice Lagoon with San Giorgio Maggiore 8.5 x 10cm monotype

After this experiment, I'm even more excited about the potential of monotypes in oil paints. This photograph doesn't do justice to the beautiful silky finish of the paint on the paper and the result is much more painterly than I can achieve on canvas because painting onto a plexiglass plate, I don't get caught up in too much detail.

It's a lot of work for one unique print but I think I'm hooked.

Hat Rack - Collagraph with watercolour

Original collagraph print with watercolour - 10.5 x 25 cms

Original collagraph print with watercolour - 10.5 x 25 cmsOriginal collagraph print with watercolour - 10.5 x 25 cms

The plate for this collograph was carved out of a piece of thick cardboard then sealed with Acrylic Gloss Medium and Varnish. Each print was hand-wiped with oil-based ink and then run through an etching press.

Hand painted limited edition of three different hand-coloured prints
Printed in black oil based Charbonnel etching ink on
Fabriano 100% cotton paper 17.5 x 33 cms

This is my first collagraph. I was inspired by the beautiful prints of artist/printmaker Belinda del Pesco who so generously shares her collagraph technique on her blog here.

The coat/hat stand we bought at a street market here in Tuscany. The hat is a white panama from Venice. After sketching the hat on the stand, I scanned my drawing and reduced it in size before tracing onto the cardboard plate. I've used some of my favourite colour combinations - Magenta/Sepia, Quinacridone Gold/Indigo and French Ultramarine Blue/Burnt Sienna to paint the hats.