Museo del Corso Rome
With the warm weather, along with the swallows, friends flock to Tuscany. For the past few weeks I've been enjoying friends - neglecting art.
I met up with Helen and Anni in Rome on Friday and joy oh joy, discovered a fantastic Hiroshige exhibition. Months ago I started a sketchbook devoted to Hiroshige's nature prints, copying them in watercolour from the Internet, trying to learn the secrets of his composition and colour.
I met up with Helen and Anni in Rome on Friday and joy oh joy, discovered a fantastic Hiroshige exhibition. Months ago I started a sketchbook devoted to Hiroshige's nature prints, copying them in watercolour from the Internet, trying to learn the secrets of his composition and colour.
Watercolour after Hiroshige
I came face to face with an original print of these fishes along with two of his prints that inspired paintings by Van Gogh. Van Gogh's oils are in Amsterdam, apparently too fragile to move, but high tech reproductions are displayed alongside Hiroshige's prints Bridge in the Rain and Flowering Plum Tree. Was Van Gogh as dizzy with excitement as I when he saw these prints? I wouldn't be surprised. It really was almost too much to take in.
By the time I had peered at every one of the 200 prints, I was spinning out. So little time, so much to try to absorb and remember. There was also an excellent video of the traditional process of Japanese prints and a display of tools, blocks and pigments.
Most of this collection was donated to the Honolulu Academy of Arts by novelist James A. Michener. The catalogue was expensive and the quality of reproduction disappointing but it is enough to refresh my memory when I continue my studies of Hiroshige.
When the Rome exhibition ends on June 7 it moves to London. Not to be missed!
Rome was as fascinating and beautiful as ever and we stayed in a delightful little apartment in the old Ghetto just steps away from the ancient Portico D'Ottavia.
As usual I didn't find enough time for sketching.
By the time I had peered at every one of the 200 prints, I was spinning out. So little time, so much to try to absorb and remember. There was also an excellent video of the traditional process of Japanese prints and a display of tools, blocks and pigments.
Most of this collection was donated to the Honolulu Academy of Arts by novelist James A. Michener. The catalogue was expensive and the quality of reproduction disappointing but it is enough to refresh my memory when I continue my studies of Hiroshige.
When the Rome exhibition ends on June 7 it moves to London. Not to be missed!
Rome was as fascinating and beautiful as ever and we stayed in a delightful little apartment in the old Ghetto just steps away from the ancient Portico D'Ottavia.
As usual I didn't find enough time for sketching.
May was a wonderful month. I met warm, enthusiastic and TOTALLY DELIGHTFUL blogging friend, Lin Fry - View from the Oak for lunch and a stroll around Orvieto. Sadly no time for painting but Lin was on a painting holiday so I imagine we will be enjoying her Italian watercolours for the rest of the year.
Then I had the joy of driving to the little Tuscan town of Monterchi with a favourite (and brilliant!) Australian artist, Deborah Russell to finally see Piero della Francesca's masterpiece fresco Madonna del Parto (Pregnant Madonna). Thanks Deb, it was Bliss!
Now it's time to get back to work.
Then I had the joy of driving to the little Tuscan town of Monterchi with a favourite (and brilliant!) Australian artist, Deborah Russell to finally see Piero della Francesca's masterpiece fresco Madonna del Parto (Pregnant Madonna). Thanks Deb, it was Bliss!
Now it's time to get back to work.
