Showing posts with label discography. Show all posts
Showing posts with label discography. Show all posts

Tuesday, February 3, 2009

Walter Bishop Jr.- "Cubicle" (1978, Muse)





Several great tracks on this 1978 Muse album by keyboardist Walter Bishop Jr. , who's mostly on rhodes here and still has some of his Black Jazz flavors intact. "Cubicle" comes the year after his Muse album 'Soul Village' and features similar instrumentation and some similar textures. It's also a nice clean piece of vinyl.

There's still some rawness here - the album doesn't have 1978 slick arrangement/production values stamped all over it, even though the vast majority of these musicians seemed to be getting most of their work on CTI albums at the time. While then-ubiquitous pop/jazz session trumpeter Randy Brecker is here, his precision is nicely balanced with the more lyrical, loose work of trombonist Curtis Fuller, and saxophonists Rene McClean and Pepper Adams.

Over the course of his solo career, Bishop tended to re-record different versions of songs by himself and others from one album to the next. "Cubicle" is no exception, with half of the tracks having appeared on previous albums in occasionally radically different forms.

The opener "Valley Land" has rarely left my turntable since I acquired the record. Previously recorded as a piano trio instrumental on Bishop's 1974 "Valley Land" album, here it's beefed up into an energetic vocal track featuring a young Carmen Lundy in one of her first recordings.

It sounds like a Strata-East track from earlier in the decade, perhaps from Billy Parker's Fourth World, or even like a Doug Carn vocal track, with Ray Mantilla's latin percussion working upfront. Check it out on the preview. (Also, check out a few different versions of Carmen Lundy singing the classic track "Time Is Love" over at Private Press).


'Summertime' excerpt 

The album features Bishop's fourth recording of the standard "Summertime". He'd given blues-infused jazz readings of the track on 1963's "Walter Bishop Trio" and the 1964 recording on "Bish-Bash", then funked it up on his 1973 Black Jazz album "Keeper of my Soul", switching from piano to a harsh hammond organ that probably demanded a heavier backline than he had there.

The "Cubicle" version of "Summertime" is his funkiest yet - Bishop switches to rhodes, and this time is ably supported by the ubiquitous Billy Hart on drums, great percussion from Ray Mantilla - who put out an excellent solo album the year before - and a nice dirty baritone solo from Pepper Adams.
"Those Who Chant" receives a similar treatment to the version on 1973's 'Keeper Of My Soul', although the unison doubling of Joe Caro's guitar with Bishop's rhodes gives the melody a slight fusion edge (but thankfully not too much!). There's some nice rhodes solo work in the track as well - Bishop had just played acoustic in the earlier version. Caro's guitar work is generally in a restrained soul-jazz style, perhaps more suited to Bishop's work than Steve Khan's was on "Soul Village".

"Now, Now That You've Left Me" is a bossa-tinged piece that recalls some of the tracks on "Soul Village", or perhaps some of Kenny Barron's work from the same period. It's written by the album's producer Mitch Farber, who later released an album called "Starclimber" (1982) on Muse.
Bishop gives the rhodes treament to "My Little Suede Shoes" a favourite standard from his Charlie Parker days, and finally returns to his bop roots with an acoustic rendition of the title track "Cubicle", pre-cursing his return to a concentration on acoustic piano work that would follow this album.

DOWNLOAD WAV - MP3

TRACKLIST

01. 'Valley Land' - 6:34 -
(W. Bishop Jr.)
02. 'My Little Suede Shoes' - 4:50 - (C.Parker)
03. 'Those Who Chant' - 7:08 - (W. Bishop Jr.)
04. 'Summertime' - 8:06 - (G. Gershwin - D. Heyward)
05. 'Now, Now That You've Left Me' - 6:35 - (M. Farber)
06. 'Cubicle' - 4:12 - (W. Bishop Jr.)


MUSICIANS

Bass [Fender] - Bob Cranshaw , Mark Egan (tracks 1,4)
Drums - Billy Hart
Guitar - Joe Caro
Keyboards - Walter Bishop, Jr.
Percussion - Ray Mantilla
Saxophone (Alto, Soprano, Tenor) - Rene McLean
Saxophone (Baritone) - Pepper Adams
Trombone - Curtis Fuller
Trumpet, Flugelhorn - Randy Brecker
Vocals - Carmen Lundy (track 1)

 
PRODUCTION DETAILS
 

 Producer, Arranged By - Mitch Farber
Engineer - Elvin Campbell
Art Direction, Photography - Hal Wilson

 
WALTER BISHOP Jr. DISCOGRAPHY


1961 'Speak Low'
at jazzdisposition or Pharoah's Dance
1961 'Milestones'
('Speak Low' with three alternate takes added)
1963 'The Walter Bishop Trio' (FLAC)
at Sic Vos Non Vobis
1964-68 'Bish Bash' (MP3)
at Pharoah's Dance
1964-68 'Bish Bash' (FLAC)
at Call It Anything
1971 'Coral Keys' (FLAC)
at Call It Anything
1973 'Keeper Of My Soul'
1974 'Valley Land'
at Ile Oxumare1975 'Soliloquy' at My Jazz World
1976 'Old Folks' at Casqueria Fina Y Menudillos de Ocasion
1977 'Hot House' at Arkadin's Ark
1977 'Soul Village' 1978 'Cubicle' in comments here
1978 'The Trio'
(with Billy Hart, George Mraz)
1988 'Just in Time'
1989 'Ode to Bird'
1990 'What's New'
1991 'Midnight Blue'
1998 'Speak Low Again'


POST CREDITS

Vinyl rip by
Simon666

Apart from the discography, other album links in this post go to : My Jazz World, Ile Oxumare, Orgy In Rhythm, Sic Vos Non Vobis, Pharoah's Dance, Call It Anything, Private Press and Jazz Disposition.

Please thank and support these bloggers if you download their albums.


Oh. and this is Walter reading his poem about Max Roach :
"Max The Invisible Roach" :

Friday, January 30, 2009

"East Coast" (1973) / Encounter Records discography

Please welcome the new cheapass scanner to Never Enough Rhodes ..



This is a funky soul album by the group "East Coast", released on drummer Bernard Purdie's short-lived label Encounter Records in 1973, and completes the label discography - see the base of the post to links for all five releases.

Veering away from the soul-jazz focus of the other four, this is more of an RnB/soul effort with some psych-funk guitar flavours. "East Coast" is notable as the debut of two figures who would both enjoy later n' greater success :

Vocalist Gwen Guthrie later became famous for her self-penned 1986 gold-digger anthem "Ain't Nothing Going On But the Rent". After working on some background sessions for Aretha Franklin soon after the "East Coast" album, she became quite prolific as a songwriter, working with collaborators like Patrick Grant on albums like Sister Sledge's debut, "Circle Of Love" in 1975, of which the two composed the majority. Between 1982 and 1990 she released eight solo albums, with 1986's "Good To Go Lover" spawning the aforementioned big hit.

"Leader"/drummer Larry Blackmon formed the seven-piece East Coast Band, who had a house gig at 'Small's Paradise' in Harlem, which was co-owned by the famous basketball player Wilt Chamberlain. Over time, the band evolved into the thirteen-piece New York City Players, which also featured keyboardist Gregory Johnson from East Coast, and were heavily influenced by goups like Funkadelic. Upon signing a contract, they changed their name to Cameo, and went on to record an astonishing seventeen albums.

Blackmon (second from right, back row in top photo) took center-stage as vocalist with Cameo, refined his flattop haircut, put on a red codpiece, and like Guthrie will probably be most remembered for one hit single - in his case, his nasally-twanged "Word Up!" from the band's 1986 album of the same name. If anyone's looking for a good party trick, here's a tab for playing it on ukelele. Ukelele players who end up here via Google, please leave MP3s of yourself playing the track in the comments.


But meanwhile, back in 1973 with East Coast :

This is clearly a live party band recorded pretty straight-up in the studio. Hammond B3 organ with full tremelo versus a distorted-wah-wah guitar anchor a heavy sound. A tough brass section push through, while Blackmon's drums are all cymbal crashes. 22-year-old Gwen Guthrie has a strong soulful voice, which she obviously needed over this sort of density.

The opener "I Found You" is a seven-minute soul stormer, while "Something Deep Inside of Me" crosses the soul with some Chicago-ish pop touches. "Keep on Trying" starts out with the funk before the (uncredited) guitarist adds a distorted rock layer a la Funkadelic.

The loose instrumental "Miss Gigi" gives a workout and a solo space to everyone except for vocalist Guthrie, who somewhat paradoxically composed the track! The closing seven minutes of "You Can't Let It Get You Down" veer in prog territory, with political lyrics alluding to Vietnam and other troubles of the 1970s. You can tell that this is an ambitious band after some success, but it was all perhaps a little too rough n' ready for the charts, though this roughness gives it some of its charm 36 years later.

I hope you enjoy this one or any of the other four albums!
Scroll down for links.

Quality note : I've ripped this from a clean reissue (now O.O.P) vinyl, but I strongly suspect that the reissue master has been taken from an original vinyl copy rather than from master tapes. There are some edges of distortion and a slightly overcompressed sound, which lacks definition in the high frequencies- it's not in the league of great reissues. OK, I'll remove my sound lecturer hat and get back to the party ....

TRACKLIST

01. 'I Found You' - 7:12 - (Billy Jones - Larry Blackmon)
02. Keep On Trying' - 4:07 - (Larry Blackmon - Gregory Johnson)
03. 'Miss Gigi' - 5:14 - (Gwen Guthrie)
04. 'Any Thing You Have In Mind' - 3:22 - (Larry Clement)
05. 'Something Deep Inside' - 2:30 - ( Gregory Johnson - Larry Blackmon)
06. 'I've Got to Reclaim You' - 4:08 - ( Gregory Johnson - Larry Blackmon)
07. 'You Can't Let It Get You Down' - 7:08 - (Larry Clement)


MUSICIANS

Larry Blackmon - leader, drums
Pat Grant - trombone
Gwen Guthrie - vocalist
Michael Harris - percussion
Gregory Johnson - keyboards
Melvin Whay - bass
James Wheeler - alto sax
Hikey Muldune - Alto Sax solo on track 1
Unknown - guitar


PRODUCTION DETAILS

Encounter Records catalogue # EN3002
Produced by Larry Clement for Crude Productions
Executive Producer - Lloyd Price
Photography - Chuck Stewart
Design - Steve Malinchoc
All selections published by Access Music Corp / Lori-Joy Music / Integral Image Music (BMI)



ENCOUNTER RECORDS DISCOGRAPHY

Label run by Bernard Purdie, all releases 1973.

(Download) donated by Vpex

Commercial soul-jazz session with CTI-touches led by saxophonist Powell, featuring players like Bernard Purdie, Frank Owens, Garnett Brown and David Spinozza. Covers contemporary soul songs like "I wanna be where you are", "Backstabbers" etc. Pick is the flute-driven "Afro Jazz".



(Download) donated by Vpex

Similar format and style to the Seldon Powell album with many of the same players - perhaps a little funkier and better! Great organ work from Don Sands. Tracks include "People Make the Workd Go Round', "Let's Stay Together" and "Shaft". My pick is the hammond number "Had a Dream", which I love.

Links at the base of this post. 

Uptempo soul and pop album with heavy guitar, featuring Gwen Guthrie and Larry Blackmon. See above!




(download) donated by Vpex

Still soul-jazz from keyboardist Owens, but a more produced edge with strings and some nice rhodes on tracks like Mayfield's "Freddie's Dead" and Franklin's "Rock Steady". Featuring Bernard Purdie, Hugh McCracken, Doug Bascomb and others. Good funk on the title track with some clavinet. Nearly killed by a saccharine version of Michael jackson's "Ben" but enough good stuff here to recommend.

also at Never Enough Rhodes, click the link

Soulful jazzy album featuring saxophonist/flautist Harold Vick recording under the pseudonym "Sir Edward", with Joe Bonner, Wilbur Bascomb and others. Recommended! More info at the link.

POST CREDITS

Vinyl rip of "East Coast" by Simon666
Vinyl rip of "The Power Of Feeling" by Simon666
Other Encounter files donated by Vpex

Other album links in this post go to the following blogs/sites :
Raider of the Lost Ark, The Sound Of Feeling, Blak's Lair, and of course ukelelehunt.com

Please thank these guys if you download their albums or ukelele sheet music!


"EAST COAST"  WAV - MP3


Saturday, November 22, 2008

Eddie Palmieri - "Unfinished Masterpiece" (1975)





Bacoso's been posting some great Eddie Palmieri over at OIR which has encouraged me to drag out my latin albums again .... Eddie's a genius and a revolutionary giant. Latin had never seen harmonies like this before - Palmieri pushed at both the latin boundaries and the jazz boundaries at the same time without letting them wash each other out.

Palmieri's great early 70s albums like "Superimposition" and "Justicia" began to mix up genres in a way that reflected the cultural gumbo of New York itself. He began to really stretch his own boundaries in the studio with 'The Sun Of Latin Music" in 1974, particularly with the sprawling 15 minute "Un Dia Bonito", which begins with atmospheric textures and dramatic pacing, then works through an extraordinary, almost classical cross-harmonic brass buildup before morphing into a latin stormer. (I've added this as a bonus track in the comments). The album netted him his first Grammy award, which was in fact the first-ever Latin Grammy.

In 1973 he released "Sentido", which in tracks like "Condiciones que Existen" began to incorporate the funk textures from the album by his "Harlem River Drive" project, once again a distinctly New York cultural stew that can also be heard on the live "Sing Sing" albums from 1971, and influences other live recordings like the "University Of Puerto Rico" album.


Less funk and more cuban textures in this album from 1975, but it's still from the period when Palmieri had most of his considerable irons in the fire at the same time, moments of descarga - listen to everyone go crazy in the 12-minute standout track "Cobarde"; piano atmospherics and experimentation in "Random Thoughts"; percussion to die for in "Oyelo Que Te Conviene".



There's the salsa of "Un Puesto Vacante" with Lalo Rodriguez tearing up on the vocals, some boogaloo strains in "Kinkamache", and finally jazz and even big band textures in "Resemblance". That last track has quite a different lineup of jazzers including Ron Carter, Jeremy Steig, Steve Gadd, and Eddie Martinez on the rhodes.

And all the way through there's Eddie himself, always unexpected and exploratory in his piano progressions, and writing incendiary brass parts like no-one else can. He was apparently never fully satisfied with getting this album finished, but Coco Records put it out anyway - thus the title. He won his second Grammy award with this one.

WAV and 320 MP3 versions of "Unfinished Masterpiece" are at the bottom of the post, also a bonus of the aforementioned track "Un Dia Bonita" from "The Sun Of Latin Music".

Also check out the discography below for 53 more Eddie Palmieri-related albums.

Finally here's more latin from this blog.

TRACKLIST
01 'Un Puesto Vacante' (3:48)
02 'Kinkamache' (5:40)
03 'Oyelo Que Te Conviene' (6:29)
04 'Cobarde' (10:46)
05 'Random Thoughts' (6:22)
06 'Resemblance' (4:49)

All tracks by Eddie Palmieri

MUSICIANS
Eddie Palmieri - piano and leader
Lalo Rodriguez - lead vocal
Victor Paz - trumpets
Barry Rogers - trombones and tenor tuba
Nicky Marrero - timbales & percussion
Tommy "Chuckie" Lopez Jr - bongo
Eladio Perez - conga
Jerry Gonzalez - conga on "Cobarde"
Polito Huerta, Eddie "Gua-Gua" Rivera, Andy Gonzalez - bass
Ronnie Cuber - baritone sax, soprano sax & flute
Mario Rivera - tenor & baritone Sax
Lou Orenstein - tenor sax
Bobby Porceli & Lou Marini - alto sax
Peter Gordon - french horn
Tony Price - tuba Alfredo de la Fe - violin
Harry Viggiano - electric guitar
Jimmy Sabates, Willie Torres, Ismael Quintana - coro

Guest musicians on "Resemblance" :

Eddie Martinez - electric piano
Jeremy Steig - flute solo
Ron Carter - acoustic bass
Steve Gadd - drums
Mike Lawrence - flugelhorn
Ronnie Cuber - baritone solo
Ed Byrne - trombone
Lynn Welshman - trombone

PRODUCTION and ARRANGEMENTS
Eddie Palmieri - arrangement, theories and structure
Rene Hernandez - arrangements
Barry Rogers - arrangement on "Cobarde"
Eddie Martinez - arrangement on "Resemblance"
Harvey Averne - producer



EDDIE PALMIERI DISCOGRAPHY
1962 "La Perfecta" at Orgy in Rhythm
1963
'El Molestoso' at Zona Musical / info1964 'Lo que traigo es sabroso' at Si Se Rompe Se Compone or alternate1964 'Echando Pa'Lante' (Straight Ahead) at Zona Musical
1965 'Azucar pa' Ti' at Si Se Rompe Se Compone
1965 'Mambo Con Conga Is Mozambique' at La Musica Latina or alternate or FLACS 1967 'Molasses' at Orgy in Rhythm
1968 'Champagne' at Rock Savage
1970
'Justicia' at NakitaMusica
1971
'Live at Sing Sing Vol 1-2' at Rumbarte
1971
'Live at Sing Sing Vol 1' at Orgy in Rhythm
1971 'Vamonos P'al Monte' at
Zona Musical / info
1971 'Superimposition' at
Orgy in Rhythm
1971 'At the University of Puerto Rico' at Zona musical
/ info

1973 'Sentido' at Orgy in Rhythm
1974 'The Sun Of Latin Music' at revolucion, no / alternate
1974 
'The Sun Of Latin Music' (expanded 2 CD set) at El Principante Salsero

1975 'Unfinished Masterpiece' in comments here
1976 'Eddie's Concerto'
1978 'Lucumi Macumba Voodoo' at
Zona Musical
1981 'Eddie Palmieri' at
Zona Musical
1981 'Timeless' (live) at
Zona Musical / info
1982
'Sueno' at Salsa All Stars
or alternate 1984 'Palo Pa Rumba' at DDC or alternate / alternate
1985 'Solito' at Las Cintas Recuperadas
1987 'La Verdad' (The Truth) at Salsa Emsamble or alternate1991 'El Rey de Las Blancas Y Las Negras'
1994 'Palmas' at Zona Musical / info
1995
'Arete' at Zona Musical / info
1995
'Chocolate Ice Cream' at Zona Musical
1996 'Vortex' at Mis Albumes Salseros or alternate
1998
'El Rumbero del Piano' at Zona Musical or alternate
1999 'Live'
/ info
2002
'La Perfecta II' at Zona Musical / info
2003
'Ritmo Caliente' at Zona Musical / info 2005 "Listen Here" at CB Latin Jazz Corner or alternate
2006
'La Experienca' at Zona Musical / info
MAIN COLLABORATIONS
1965-6 'Descargas at The Village Gate Vols. 1-2' - (Tico All-Stars) at Orgy In Rhythm
1966 'Descargas at the Village Gate Vol 3' (Tico All-Stars) at Easy Jams
1966
'El Sonido Nuevo' (with Cal Tjader) at Into The Rhythm or alternate
1967 'Bamboleate'
(with Cal Tjader) at Orgy in Rhythm / alternate
1968 'Live at the Red Garter Vol. 1' - Fania All-Stars at
Si Se Rompe Se Compone
1968 'Live at the Red Garter Vol. 2' - Fania All-Stars at Si Se Rompe Se Compone
1976 "Harlem River Drive" at My Favourite Sound or alternate
1992 'LlegĆ³ la India' (with India) at CB Latin Jazz Corner or alternate
1994 "Fania All-Stars Live in Puerto Rico" at La musica de Nakita
1996
'TropiJazz All-Stars Vol 1' at La Coleccion
1997 'TropiJazz All-Stars Vol 2' at La Coleccion
1997 "Nuyorican Soul" at Latin Jazzoteca
2000 'Masterpiece' (Obra Maestra) (with Tito Puente) at Salsa Emsamble or alternate / alternate 2005 'The Very Best of Tropijazz' at La Coleccion
2006 'Simpatico' (with Brian Lynch) at Zona Musical

COMPILATIONS

1975
"The History Of Eddie Palmieri" at bermudezyezid musica y mas1975 'Lo Mejor de Eddie" (The Best of) (Tico) at
Zona Musical
1976 'Gold' ('73-'76 material) at Zona musical
1977 'The Music Man' (El Hombre Musica) at Zona Musical
1993 'Salsa Meets Jazz' at Latin Jazzoteca / alternate
1999 'The Best of Eddie Palmieri' (2 CD set) at Notas Agudas
2007 'El Prodigioso - Los 50 AƱos Del Maestro' at Latin Jazzoteca / alternate
VIDEO
2003
'The Latin Giants Of Jazz in San Sebastian' at Latin Jazzoteca

EDDIE'S WEBSITE
here


"Unfinished Masterpiece"  WAV - MP3

Bonus track : "Un Dia Bonita" WAV

Wednesday, November 19, 2008

Leon Ware - "Inside Is Love" (1979)




Great lush soul album from Leon Ware featuring his usual top-notch vocals and songwriting. I wrote an extended history of Leon's work in the "Rockin' You Eternally" post, so have a read there, where I've just had fun updating about ten links! I could only find this album on one of those 'give-me-a-rare-album-in-return' blogs, so I thought i'd rip my own copy and add a discography.

Anyway, here's an edited excerpt from the big Leon Ware post relating to this album :

Best known for his classic album "Musical Massage" and his composition of Marvin Gaye's entire album "I Want You", Leon Ware released the self-produced "Inside Is Love", in 1979. It's a generally uptempo collection of soul numbers like "What's Your Name", and a faster version of "Inside Your Love" than the version he'd worked on with Minnie Ripperton on her album "Adventures In Paradise".

Notably, with "Love Is Such a Simple Thing", he began a collaboration with Brazilian legend Marcos Valle, who was exploring soul textures at the same time as Leon was reaching into brazilian harmonic changes. Valle began to feature Portugese versions of their collaborations on albums like 1981's "Vontade de Rever Voce" and 1983's "Marcos Valle".

Hope you enjoy this one.


TRACKLIST

01 'What's Your Name' (4:10)
(Leon Ware)

02 'Inside Your Love' (4:35)
(Minnie Ripperton - Leon Ware - Dick Rudolph)

03 'Love Is A Simple Thing' (3:31)
(Marcos Valle - Robert Lamm)

04 'Small CafƩ' (3:43)
(Leon Ware - Ron Roker)

05 'Club Sashay' (4:17)
(Leon Ware - Melissa Manchester)

06 'Try It Out' (3:56)
(Leon Ware - Allee Willis)

07 'Love Will Run Away' (4:36)
(Leon Ware - Elkie Brooks)

08 'On The Island' (5:24)
(Leon Ware - Adrienne Anderson)

09 'Hungry' (3:56)
(Leon Ware - Adrienne Anderson - Dave Blumberg)


MUSICIANS

Guitars
- David T Walker, Wah Wah Watson, Kevin Moore, Bruce Fisher
Bass - Eddie Watkins, Scott Lipsker
Piano, Electric Piano - Sonny Burke
Rhodes and vocals - Leon Ware
Synthesiser - Pete Robinson
Drums - Ed Green, Jeff Holman
Singers - Maxine Waters, Julia Waters, Owen Waters, Deborah Thomas, Melissa Manchester
Percussion - Paulinho Da Costa, Holden Raphael
Solos - Plas Johnson (tr. 3,5,7); Deborah Thomas (tr 1)

On "Small Cafe" :
Chris Rae - guitar
Graham Jarvis - Drums
Frank McDonah - bass
Criss Hall - piano
Leon Ware - rhodes

PRODUCTION DETAILS
Producer - Leon Ware for LW Productions
Track 4 produced by Leon Ware and Ron RokerProducer - Leon WareArranged By - David Blumberg , Gene Page (tracks 2-3) , Sonny Burke (tracks 4-5)
Recording Engineer - George Sloan
Second engineers - Ross Pallone, Ron Garrett, Jane Clarke, Tony Autore
Mixing Engineer - Cal Harris
Tracking Studio - Hollywood Sound Recorders
Vocal studio - Black Orpheus Recording
Orchestration Studio - A&M Recording Studios
Mixing - Motown Recording Studios
Matrix# FAB 8500-A / FAB 8500-B
(P) 1979, T.K. Productions, Inc.
Art Direction / cover concept - Mike Doud
Photography - Jeffrey Scales

Special thanks to : Ross Regan, Ron Strasner, Cholly Bassoline, Ed Mills (for creative assistance), Carol Cassano, Eduardo Sayad, and all the other people along the way ..

LEON WARE DISCOGRAPHY

1972 'Leon Ware' at ce la plume / FLAC at Avax
1974 features on
"The Education Of Sonny Carson" at Blaxploitation Pride
1976 'Musical Massage' at Here only Good Music For All
1979 'Inside Is Love' at Never Enough Rhodes
1981 'Rockin' You Eternally' at Never Enough Rhodes
1982 "Leon Ware" at Soulfunkjazz
1987 'Undercover'
1995 'Taste the Love'

2001 'Candelight'
2003 'Love's Drippin' at zonamusical / alternate
2004 'Deeper'
2005
'A Kiss In the Sand'
2008
'Moon Ride'
2009
'Leon Ware & Friends' (collaborations comp.) at Blak's Lair


POST CREDITS

Rip by Simon666
Pics from Discogs

Albums in post text from : Blak's Lair, Point3Recurring, The Bossa Blog, and Regalame Esta Noche.
Please thank these guys if you grab their albums.


DOWNLOAD WAV - MP3 


Friday, November 14, 2008

James Moody - "Feelin' It Together" (1973, Muse)


Back : Kenny Barron, Larry Ridley, Freddie Waits. Front : James Moody



Although James Moody is predominantly famous as a long time saxophonist for Dizzy Gillespie and as the composer of "Moody's Mood For Love" - check Moody himself singing it at that link - he's enjoyed a career as a leader in his own right for over sixty years and is still going strong.



The clip above is an interview with 82 year old Moody, shot in August this year by the people from Blackademics ("the premiere online roundtable for young black thinkers"). While he eats his soup, Moody talks about his first musical collaborations while stationed in the Air Force in 1943; his disenchantment with racism in the USA which caused him to move to Europe for several years; contemporary racism; and bebop, swing and musical evolution. He finishes by opining “When you stop growing, you’re through”.


JAMES MOODY & the early 1970s

While Moody's albums had played around the edges of bebop, in the 1970s he both embraced and influenced the emerging paths being taken by his collaborators in structure, source and instrumentation - not travelling deep into the avante-garde, but always looking beyond jazz's perceived boundaries.

1970's wistful and laid-back "Heritage Hum" saw Moody turning more to his flute alongside his better-known tenor and alto saxaphone, at the same time as his harmonic structures in some tracks began to journey below the U.S. border.

After recording the relatively straight-ahead "Too Heavy For Words" with Al Cohn in 1971, he released "The Teachers" (1971), on which he began to embrace soul jazz, funk and some New Orleans-tinged blues elements, a smorgasbord that seemed to either reflect or grow from Dizzy Gillespie's fusions on Perception Records at the time, albums such as "The Real Thing" in which many of the same players took part.

Fellow Gillespie comrade Mike Longo, who'd been on "Heritage Hum", also brought Moody on board for his '72 album "Awakening", which furthered some of the textures established on "The Teachers" , particularly pushing up the funk quotient by incorporating Alex Gafa's wah-wah guitar.

The soul jazz factor came to the fore on Moody's first Muse record in 1972, "Never Again", with his tenor sax working hard against Mickey Tucker's great hammond organ work on tracks like "Freedom Jazz Dance".

"Feelin' It Together" was recorded on January 15th, 1973; and represents another stage in the type of growth he speaks of above.

The album opens by looking back to the players' bebop roots with a complex, frenetic nine-minute rendition of "Anthropology", composed by Dizzy Gillespie, Charlie Parker and Walter Bishop, originally derived from a bebop variation of "I Got Rhythm". Moody soars on alto sax here, trading solos with Kenny Barron's acoustic piano and Larry Ridley's bass, while drummer Freddie Waits scats around Ridley's insistent walking improvs.

While the title of his previous album "Never Again" had apparently referred to his desire to stick to tenor playing from now on, "Feelin' It Together" features Moody on tenor, alto and flute for two tracks each.

Keyboardist Kenny Barron was ten weeks away from recording his debut album "Sunset to Dawn", and that album's references to latin rhythm and brazilian harmonic structures can be felt here in nascent form in his two compositions, "Morning Glory" and "Dreams", both of which feature his spacious rhodes work.

Moody's flute work is superb on "Dreams", with finely controlled and varying tremelo that initially engages directly with the inbuilt tremelo on Barron's rhodes, working around the rhodes' metered pulse with subtle variations - dancing with the machine, if you like. Likewise, his alto sax work on Barron's "Morning Glory" sits above the warm bed of rhodes chords in a whisper-to-a-scream display of dynamic virtuosity.

Barron's work with Moody went as far back as "Another Bag" (1962), and since then he'd appeared on the Moody albums “Moody and the Brass Figures” (1966) and “The Blues And Other Colors” (1969), as well as working with him on a multitude of Dizzy Gillespie albums in the 60s. He'd continue to work on at least another four Moody albums, including "Sun Journey" in 1976.

There's a nice extended version of the standard "Autumn Leaves", with an atmospheric opening built over Freddie Wait's percussion rumbling. When the theme comes in, Moody's aching tenor is counterpointed by Barron's complex chord-based improvisations. There's no clear separation to sax "solo" as Moody subtly builds his improvisations out of the song's melody, then hands over to Barron's piano for a floating series of arpeggio clouds.

Moody and Barron also trade solos throughout an interesting interpretation of Jobim's "Wave". Here's a pdf score for Moody's flute part. The track has a sparse, atmospheric opening with Freddie Waits on shakers and tin flute sliding over Barron's rhodes, before it develops into a chugging bossa with Moody on flute. (For a very different, but also great version of "Wave", see Moody performing the track with the RIAS Big Band.)

The album finishes with an unusual version of "Kriss Kross". After the theme is sparsely introduced by Moody's sax over drums, it cuts almost incongruously to a fugue-like sequence with Barron on harpsichord, then Ridley walks us into a more traditional bebop / blues take on the track, with Moody blowing a hard tenor solo. A subsequent rhodes solo from Barron makes way for a bowed sequence from Ridley, before we return to the harpsichord fugue. It's a strange finish.

Busy drummer Freddie Waits had played on Hubert Law's "Carnegie Hall" album three days before recording this one. He'd also worked on Moody's "The Blues and Other Colours" (1969), and went on with Barron to record "Sunset to Dawn" ten weeks later in April.

As a founding member of Max Roach's percussion collective M'Boom, Waits worked on Brother Ah's "Sound Awareness" around this time, and would go on to record both Mboom's "Re: Percussion" and Neal Creque's "Hands Of Time" in August.

Still two years away from recording his debut album "Sum of the Parts" for Strata-East Records, bassist Larry Ridley came to this album with a twenty year history as a sideman, playing on albums by people like Freddie Hubbard, Lee Morgan, Horace Silver and many others.

Ridley's most recent date had been as a member of the "Jazz Contemporaries" for the 1972 Strata-East album "Reasons In Tonality". He'd also played with Moody on the "Newport In New York : The Jam Sessions (Vol 3&4)" album in 1972, and had worked with Kenny Barron as far back as 1962 on brother Bill Barron's album "The Hot Line".

Later in 1973 James Moody would join up with producer Richard Evans for "Sax & Flute Man" (later re-released as "The World Is a Ghetto"), a more commercial production in the vein of Evans' production of Ahmad Jamal's "Ahmad Jamal 73", even covering two of the same tracks. Some of it's a little too easy-listening for my ears, but there's three or so good tracks, nice rhodes work and some funky moments - worth checking out.

You'll find links for "Feelin' it Together" in the comments, but also check through the sections below for many additional albums and extra treats. Hope you enjoy this one, let me know what you think.

JAMES MOODY - "FEELIN' IT TOGETHER" (1973, Muse)

TRACKLIST

01 'Anthropology' - 9:07
(D. Gillespie / C.Parker / W. Bishop)
pub : Music Sales Corp, ASCAP

02 'Dreams' - 4:59
(K.Barron)
pub : Wazuri pubishing Co. BMI

03 'Autumn Leaves' - 9:31
(J.Mercer / J.Kosma / J.Prevert)
pub : Morley Music Corp. BMI

04 'Wave' - 7:46
(A.Jobim)
pub : Corcovado Music Corp. BMI

05 'Morning Glory' - 7:21
(K.Barron)
pub : Wazuri pubishing Co. BMI

06 'Kriss Kross' - 7:21
(R.Holloway / A.Hillery)
pub : Red Holloway Publishing BMI


MUSICIANS

James Moody - alto sax, tenor sax and flute
Kenny Barron - acoustic piano, electric piano and harpsichord
Larry Ridley - bass
Freddie Waits - drums, misc. percussion, tin flute


PRODUCTION

Muse Records 5020
Produced by Don Schlitten
Recorded January 15, 1973
Recorded at Media Sound, New York City



JAMES MOODY BLOG DISCOGRAPHY 1947 "Jazz in Paris : Bebop" (w/Don Byas & Howard McGhee) at i For india or Music-a-k-o

1948 "James Moody and his Modernists" / alternate FLAC
album track : "Tin Tin Deo" DOWNLOAD


1951 "James Moody With Strings" at Call It Anything

1955
"Wail Moody Wail" at Call It Anything or jazzdisposition

1956/58 "Flute n' the Blues"/"Last Train from Overbrook" at CIA

1961
"Cookin' The Blues" donated by The Jazzmanmediafire covers here
rapidshare audio 1 2 3 4 5
or
megaupload audio 1 2 3 4 5

1962/63 "Another Bag"/"Comin' On Strong" 1 2 3
1963 "Great Day" at Guitar and the Wind

1964
"Running the Gamut"
album track : "If You Grin You're In" at Office Naps (check this post on Ed Bland)

1966 "Night Flight" (w/Gil Fuller & Monterey Jazz Festival Orchestra) at CIA

1966 "Moody and the Brass Figures" at Blog O Blog

1969
"Don't Look Away Now"
album track : "Easy Living" at youtube

1970
"The Teachers" from anonymous
album track : "Unchained" at youtube

1971 "Heritage Hum" from anonymous1971 "Too Heavy For Words" (w/Al Cohn) at Magic Purple Sunshine(released 1974)

1972
"Never Again"

1973 "Feelin' It Together" in comments here.

1973
"Sax and Flute Man" aka "World Is A Ghetto" at My Jazz World / alternate 1976 'Timeless Aura' at Jazzy Melody

1977 "Sun Journey"

1989 "Sweet and Lovely" 1 2 3 4 5

1996 "Young at Heart" at Israbox


1997 "Young at Heart" at Avax

2004 "Moody Plays Mancini" at Avax
* Further uploads or blog links for the other 34 albums appreciated!
* See full discography here
* I'd love to hear Beyond this World (1977)

COMPILATION

14 VERSIONS OF "MOODY's MOOD FOR LOVE"
Donated by The Jazzman (big thanks!)
Rapidshare ONE TWO THREE

1. James Moody
2. King Pleasure with Blossom Dearie
3. Eddie Jefferson
4. Annie Ross
5. King Pleasure
6. Eddie Jefferson & James Moody
7. Queen Latifah
8. King Pleasure
9. Robert Moore
10. King Pleasure
11. George Benson
12. Bob Welch
13. Eddie Jefferson & James Moody-live
14. King Pleasure


SOME MORE MOODY YOUTUBE

With the RIAS Big Band :
"Giant Steps"
"I Can't Get Started"

"Wave"

Moody rapping at the North Sea Jazz festival


Video tribute for Moody's birthday this year with words from Moody.

James Moody general search at youtube.

JAMES MOODY's WEBSITE
is here

POST CREDITS

CD rip of "Feelin' it Together" in WAV/MP3 by Simon666CD rips of "The Teacher" and "Heritage Hum" by Anonymous"Moody's Mood for Love" compilation by The Jazzman
"Cookin' The Blues" rip by The Jazzman
Special thanks to Ish for advice.

Apart from blogs noted in the discography, album links in this post go to :


ile oxumarĆ©, El goog ja, Orgy in Rhythm, original funk music, Jazzdisposition, magic purple sunshine, Blog-o-Blog, my favourite sound, call it anything, the cti never sleeps, fm shades, jazz’n’rakugo, romanticwarrior-jazz, RepĆŗblica de Fiume, gutar and the wind, My Jazz World, Lysergic Funk


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