Showing posts with label latin. Show all posts
Showing posts with label latin. Show all posts

Sunday, January 27, 2013

Various - 'Latin Rhodes 4' (comp. 18)




Los Indios - Mongo Santamaria (preview)

Leyte - Cal Tjader (preview)

A Night In Nazca - Azteca (preview)

Graciela - Stone Alliance (preview)

Hi everyone, welcome to the fourth in a series of latin compilations with featured electric piano.  Lots of funk, jazz and latin rhythms here, hope you enjoy it, and please say hi in the comments.

If you enjoy this, you might want to check Latin Rhodes compilations 1, 2 and 3 - or just check out all 18 of the rhodes compilations.

Tracklist

01 los indios - mongo santamaria
02 tropical jazz - alfonso lovo
03 leyte (live) - cal tjader
04 more - jose manual
05 el mirlo - blue note
06 a night in nazca - azteca
07 encuentro - irakere
08 graciela - stone alliance
09 samba de sausalito - santana
10 la semilia - frank quintero
11 the bull’s problem - gerry weil
12 la contrapartida - hilarion duran
13 african bird - opa
14 puerto padre - emiliano salvador


Sunday, September 19, 2010

Nil's Jazz Ensemble (S/T) (1976)





"Reflexiones" excerpt

"Summer Love" excerpt

"Black Angel" excerpt


Fantastic latin-jazz-funk album recorded in Lima, Peru in 1976, starring leader/saxaphonist/flautist Nilo Espinosa, formerly of Bossa 70, and also featuring keyboardist Miguel "Chino" Figueroa, a member of renowned latin-funk band Black Sugar.

A killer set from start to finish, starting off with the classic jazz-funker 'Reflexiones', and featuring giant covers of "Black Angel" (a Freddie Hubbard tune penned by Kenny Barron); John Handy's funk tune "Hard Work", and the Blackbyrd's track "Summer Love" (written by Allan Barnes).

The vinyl of this goes for way-too-big bucks, and the CD reissue has been deleted, so I've put the album together by combining relevant parts of an Espinosa CD compilation with a tracked-down missing track "Siempre" - so you can all hear the whole wonderful thing in either WAV or 320 mp3 (apart from 'Siempre', which is at 212kbps) - so check the comments for links and say hi .

TRACKLIST

01. Reflexiones (Figueroa)
02. Looking for a Blues
03. Summer Love (Allan Curtis Barnes)
04. Black Angel (Kenny Barron)
05. Siempre
06. Somos Nada
07. Hard Work (John Handy)

MUSICIANS


Nilo Espinosa: Saxophone [Tenor, Alto, Soprano], Flute
Pancho Saenz: Trumpet, Flugelhorn
Miguel "Chino" Figueroa: Electric piano, Clavinet, Mellotron
Richie Zellon: Electric Guitar
Oscar Stagnaro: Electric Bass
Ramon Stagnaro: Electric Guitar
Andres Silva: Drums
Jorge Montero: Guitar

Mauro Silva : Congas
Ary Quispe : trombone

PRODUCTION DETAILS

Recorded in Lima, Peru 1976.
MAG Records N. 2535

Sunday, June 20, 2010

Various - "Latin Rhodes 3" (comp #12)




"Contradanza" (excerpt)


"Chekere Son" (excerpt)


"Pajaro Africano" (excerpt)


"Angelica" (excerpt)


"Saoco" (excerpt)


"Canto de los flores" (excerpt)

Back to some electric piano love. It's been a long time since the last Rhodes compilation, so here's a banging collection of funky, jazzy, 70s latin tracks for your listening pleasure! This is also in celebration of the completion of the Mongo Santamaria discography. Anyway ... the tracklist is on the back cover above, check the previews, and hope you enjoy it.


Also available :

... or check out all 18 rhodes compilations
for more electric jazz, afro, latin, MPS and brazil ...


Sunday, May 16, 2010

Mongo Santamaria - "Mongo Magic" (1983)






"Freedom" (excerpt)



"Time Will Tell" (excerpt)



"Pirana" (excerpt)

In the two years since I made a discography for Afro-Cuban percussionist extraordinare Mongo Santamaria, some readers have come forward with a series of donations of Mongo's albums.

This 1983 Roulette Records album (not to be confused with the Charly Records compilation "Mongo's Magic") has never made it to CD, and reader Remy has stepped forward with a nice vinyl rip for this blogosphere debut. Big thanks to you Remy!

In the timeline of his studio albums, "Mongo Magic" sits between 1980's "Images" and 1984's "Free Spirit". Longtime producer Marty Sheller is the only person remaining with with Mongo from the 1980 album. Earlier in 1983 Santamaria gave a blistering live performance, captured on Montreux Heat with an entirely different lineup, then got a new band together for this album, most of whom stayed on for "Free Spirit" in '84 and 1987's "Soy Yo".

This starts out as a low-key affair - was worried by the first two tracks with the dreaded DX-rhodes, but later "Rachael's Dance" is the best of the mellow ones, and "Time Will Tell" is a great jazz track, before Mongo's congas only really kick in on tracks like "Pirana". He's joined by Bobby Sanabria on timbales and other percussion. Sheller doesn't play on this album, but as usual wrote most of the tracks .

There's a strong brass and winds presence with Tony Hinson on tenor sax and flute; Chris Rogers on trumpet; and flautist/saxophonist Sam Furnace kicks in with two compositions, "Freedom" and "Should the Blues Be Suspended", which have some of the album's best melodies. Excellent piano work from both Hilton Ruiz and Bobby Quaranta.

Enjoy it!

TRACKLIST

01 'Rude Boy' (6:18)
02 'The Answer Is Love' (5:00)
03 'Freedom' (6:11)
04 'Time Will Tell' (6:27)
05 'Should the Blues Be Suspended' (6:16)
06 'Rachael's Dance' (6:20)
07 'Pirana' (4:38)
08 'Bonita' (4:57)

All tracks written by Marty Sheller except :
08 - Mongo Santamaria
03,05 - Sam Furnace

MUSICIANS

Mongo Santamaria - conga drums and bongos
Bobby Sanabria - timbales, drums and percussion
Sam Furnace - flute; soprano, alto and baritone sax
Tony Hinson - Tenor Sax and flute
Lew Soloff - trumpet on 3, 8
Chris Rogers - trumpet
Sal Cuevas - bass
Bobby Quaranta - piano
Hilton Ruiz - piano on 2,6,7

PRODUCTION

Produced by Marty Sheller
All arrangements by Marty Sheller except :
3, 5 arranged by Sam Furnace
Engineer - David Stone
Photography - Hal Wilson
Art Direction - Michael Mendel

MONGO SANTAMARIA discography

... is HERE

POST CREDITS

Vinyl rip by Remy

Other album links in this post go to Orgy in Rhythm, Blog-O-Blog, AfroCubanLatinJazz and Si Se Rompe Se Compone. Please thank these people if you visit and download their albums, comments keep your favourite blogs alive.


Saturday, June 20, 2009

Mongo Santamaria - "Drums and Chants" (1978)




A new vinyl rip by reader Rowan, donated to the ongoing Mongo Santamaria discography.

This album, containing some of Mongo's earliest recordings a leader/percussionist, was first released as "ChangĆ³" in 1955 on Tico Records. Vaya Records re-released the recordings in 1978 as "Drums and Chants", from which this rip comes. Later it was also compiled on an album named "Mongo Santamaria and his Afro-Cuban Beaters".

Here's Thom Jurek from AMG :

"Whatever possessed Cuban percussionist Mongo Santamaria to release this recording of traditional chants and drumming modes from the various traditions of the Afro-Cuban experience reinvented him not only for his own people, but for the legions of Americanskis who only knew him as the cat who did the Latinized soul-jazz version of Herbie Hancock's "Watermelon Man," which became a pop hit.

Here, Santamaria enlisted the help of Carlos "Potato" Valdes, Antar Daly, Silvestre Mendez, and Julio Collazo in a burning collection of rhythms and call-and-response chants from the various traditions that make up the island's roots music -- Yoruba, Lucumi, Dahomeyanos, Carabalies, and the Congos -- all of whom originated in the river region of Niger before they crossed the Atlantic.

In each case, the listener is treated to a fantastically complex recorded example of rhythms and then chanted information that accompanies them: harvest songs, traveling songs, songs of sorrow, songs of mating, and more. Occasionally, as on "Margarito", a wooden flute accompanies the song, and in the case of "Congo Mania", a trumpet does the same thing. There are numerous drums employed to both solo and "choir" effect like the batas, bembe, congos, quinto, and more.

This is deep Afro-Cuban music from the heart of the Niger region, crossing the ocean with blood, sweat, and tears and finally taking root in the land of sugar cane. There are stories and legends in these tracks -- they are as authentic and raw as it gets."


Please thank Rowan for ripping this for us.

DOWNLOAD


Thursday, June 11, 2009

Gil Scott-Heron "Live at the Village Gate" (1976)




"17th Street" excerpt


"Must be something we can do" excerpt

Well, why not two Gil Scott-Heron posts in a row?

Following the 1977 Bottom Line show and the 1978 Berkeley show, here are Gil and the Midnight Band at the Village Gate in NYC, 1976.

Tracks not appearing on the others are the latin-funk banger "17th Street" and "Must be Something We Can Do" but it's all good, starting off with the usual kickass latin percussion jam.

This is a soundboard rip that has then been broadcast on WRVR-FM, and finally recorded on reel-to-reel quarter-inch tape. Hope you enjoy it!

TRACKLIST

01. Intro Jam (3:16)
02. 17th Street (6:12)
03. Must Be Something We Can Do (5:24)
04. It's Your World (4:45)
05. Home Is Where The Hatred Is (12:40)
06. Johannesburg (6:36)



DOWNLOADS 


WAV - MP3


SOURCE

A DoinkerTape
SBD - FM - 1/4 inch tape
Upped at Dime by tgb25nld

Also at this blog : 

Gil Scott-Heron - "Live at Berkeley" (1978)




"The Bottle" excerpt

I joined the DIME network to see what I could bring across to the blogosphere, and the first score is this wonderful show (in FLAC and MP3) from Mr Gil Scott-Heron in Berkeley, California in 1978. Thanks to Scott for pointing me at it.

This comes from an FM broadcast. An MP3 recording of it was posted at Sounds From the Edge of the Universe earlier this year by Miles from Birds With Broken Wings.

Essentially we've got the same band - minus one percussionist - that I wrote about in the 1977 Bottom Line show post. Six months after that, it's a pretty similar tracklist, but they're playing with formats and structures a little more. Allan Barnes' synthesiser lines are coming more to the fore, but without sacrificing Brian Jackson's jazzy rhodes tones.


"Home is Where The Hatred Is" excerpt

Gil characteristically opens with local issues, attacking recent cuts to the Afro-American Studies program at Berkeley, seamlessly swinging between polemic and poetry in a spoken piece called "Them Other Niggers". This leads straight into "The Spirit of the Drum", with Gil leading call-and-response vocals with the band, most of whom are on percussion.

From there on it's all-out latin, funk and jazz with not a moment of filler. 73 minutes of joy, hope you like this one!

Tracklist

01. Intro
02. Gil's Opening Speech
03. The Spirit of the Drum
04. Hello Sunday, Hello Road
05. 95-South (All of the Places We've Been)
06. Racetrack in France
07. We Almost Lost Detroit
08. Home is Where the Hatred Is
09. Band Introductions
10. Song of the Wind (aka Blow Wind Blow)
11. Band Introductions / The Bottle
12. Johannesburg

The Midnight Band

Gil Scott-Heron (Vocals, Guitar, and possibly Piano)
Brian Jackson (Keyboards, Flute)
Allan Barnes (Saxophone, Synthesizer)
Delbert Taylor (Piano, Trumpet, Congas, Flugelhorn, Vocals)
Barnett Williams (Congas, Percussion)
Siggie Dillard (Bass)
Reggie Brisbane (Drums)


Also at 'Never Enough Rhodes'

Gil Scott-Heron - "Live at the Bottom Line" (1977)

Gil Scott-Heron - "Live at the Village Gate" (1976)


Source

SBD or FM Broadcast (my guess is SBD to FM)
CD-R > EAC > WAV > foobar2000 > FLAC(level 5)

Upped at DIME by bootfreak82

Download WAV - MP3 

Saturday, May 9, 2009

Mongo Santamaria - "A La Carte" (1978)






ANNIVERSARY
A year ago today
I started this blog with a rhodes compilation, and it's been a satisfying journey communicating with all of you folks ever since then. I want to thank all of my buddies - you know who you are - for the contributions, support, help and frequent comments that make it all worthwhile; as well as your own fantastic blogs that have allowed me to hear so much great music.

MORE MONGO
Still catching up to the some of the contributions down in the archives here, many of which don't appear elsewhere in blogland. Xerxes donated this great Mongo Santamaria album to the Mongo discography a while back, and I thought I'd bring it up to the top for your weekend dancing pleasure!


Sometimes thought of as a disco album more in the vein of albums like "Sofrito" and "Red Hot", this one's actually quite a smorgasboard of styles and is thus receiving labels here for latin, african, funk-soul, and disco - just check the range in the three previews here. After the funk efforts of "Afro-Indio" pushed him into some musical fusions, Santamaria was clearly in a period of broadening each of his bases here - in fact, a close look at his 70s work shows an almost constant vacillation between commercial latin-fusion and roots styles.



"A La Carte" is produced by Marty Sheller and William Allen, who are mostly responsible for the funk-latin fusions of his albums in this Vaya Records period. The adaptable Sheller started out as Santamaria's trumpet player, but after 1968 switched to arrangements, going on later to work with many other latin greats. Allen joined Mongo as bass player at the end of the 60s, taking on co-arrangement duties a few years before this album. He was also working a lot with Roy Ayers around this time on albums like "A Tear To A Smile" and "Vibrations", often contributing bass and arrangments, and did some great string arrangements on Sylvia Striplin's "Give Me Your Love" a few years after this.

Allen's compositions and arrangements of "Smiling Brown Eyes" and "Hey You Sexy Thing" fit the disco slots here, the latter being the best, replete with some unison vocals from Peggy Harris and Carol Woods and slap bass from Allen himself.


Flautist/arranger/composer Doug Harris contributes three numbers : "It Feels So Good" has a Mizells-meet-Bobbi-Humphrey feel; "Nada Mas" starts out as latin-jazz before the piano leads it back to latin, with Mongo letting loose on the congas; and the closer "Umbayalo" dives back to acoustic Afro-Cuban roots with an added vocal chorus.

William Allen's "Asika" (see preview at the top of the post) is a latin-jazz stormer that feels like some of the 70s New York-based funk-jazz-latin fusions that I particularly like. Arranger Marty Sheller puts together a great vocal version of Marcelino Guerra's Cuban number "Guajiro"; and finally "Bombora" is a cover of a 1970 Celia Cruz song.

Anyway, hope you enjoy this one. Give thanks to Xerxes and don't forget to check out the other Mongo albums.

TRACKLIST

1. 'Smiling Brown Eyes' - 5:08 - (William Allen)
2. 'Asika' - 3:20 - (William Allen)
3. 'Guajiro' - 5:09 - (Marcelino Guerra)
4. 'Hey, You Sexy Thing' - 4:15 - (William Alllen)
5. 'Bomboro' - 3:22 - (Zamora)
6. 'It Feels So Good' - 4:23 - (Doug Harris)
7. 'Teresa' - 2.32 - (Allen, Santamaria) 

8. 'Nada Masa' - 4:11 - (Doug Harris)
9. 'Umbalayeo' - 2:34 - (Doug Harris)

MUSICIANS (known)

Percussion - Mongo Santamaria

Smiling Brown Eyes
Vocals - Carol Woods, Peggy Harris
Asika
Keyboards - Bill O'Connell
Guajiro
Trumpet - Mike DiMartino
Piano - Eddie Martinez
Lead Vocals - HĆ©ctor Aponte
Chorus Vocals - Papaito (Mario MuƱoz Salazar)
Hey, You Sexy Thing
Vocals - Peggy Harris
Bass - William Allen
Bomboro
Lead and chorus Vocals - HĆ©ctor Aponte
Chorus Vocals - Papaito
Piano - Eddie Martinez
It Feels So Good
Flute - Doug Harris
Nada Masa
Flute - Doug Harris
Umbalayeo
Vocals - HĆ©ctor Aponte, Papaito, Olimpia Alfaro, Wilfredo "Moreno" Tejeda

CREDITS

Vaya Records JMVS-74
Released in 1978


POST CREDITS

Album donated by
Xerxes.
Other albums linked in this blog are at
I Think I See the Mothership Coming, Hasta Luego Baby!, Blak's Lair, Blaxploitation Jive and Funk My Soul. Please thank them if you click through and download.

DOWNLOADS 



Thursday, April 30, 2009

Mongo Santamaria - "El Bravo!" (1964)




There's quite a lot going on under the hood at this blog, with frequent donations to some of the growing discographies. The Mongo Santamaria discography has just reached 52 albums!

Latest donation by reader Xerxes is this great 1964 latin album that you should check out. Grab it in the comments here, and be sure to click the link above to see the rest. Thanks again Xerxes!

Jason Ankeny, AMG :
" Although Mongo Santamaria's move to Columbia later signified his transition to crossover fare, his label debut, El Bravo!, makes no concessions or overtures to the pop charts. Armed with a batch of original compositions spanning from boleros to mortunos and backed by a crack session band including trumpeter Marty Sheller and flutist Hubert Laws, Santamaria delivers one of the finest traditional Latin jazz records of the mid-'60s. The virtues of the set are many: Santamaria's conga rhythms are fiery yet tasteful, Sheller's luminous arrangements boast an authentic Cuban flavor, and all of the musicians receive ample opportunity to shine, in particular Laws (whose charanga-inspired flute galvanizes the superb 'Monica'. "




Saturday, November 22, 2008

Eddie Palmieri - "Unfinished Masterpiece" (1975)





Bacoso's been posting some great Eddie Palmieri over at OIR which has encouraged me to drag out my latin albums again .... Eddie's a genius and a revolutionary giant. Latin had never seen harmonies like this before - Palmieri pushed at both the latin boundaries and the jazz boundaries at the same time without letting them wash each other out.

Palmieri's great early 70s albums like "Superimposition" and "Justicia" began to mix up genres in a way that reflected the cultural gumbo of New York itself. He began to really stretch his own boundaries in the studio with 'The Sun Of Latin Music" in 1974, particularly with the sprawling 15 minute "Un Dia Bonito", which begins with atmospheric textures and dramatic pacing, then works through an extraordinary, almost classical cross-harmonic brass buildup before morphing into a latin stormer. (I've added this as a bonus track in the comments). The album netted him his first Grammy award, which was in fact the first-ever Latin Grammy.

In 1973 he released "Sentido", which in tracks like "Condiciones que Existen" began to incorporate the funk textures from the album by his "Harlem River Drive" project, once again a distinctly New York cultural stew that can also be heard on the live "Sing Sing" albums from 1971, and influences other live recordings like the "University Of Puerto Rico" album.


Less funk and more cuban textures in this album from 1975, but it's still from the period when Palmieri had most of his considerable irons in the fire at the same time, moments of descarga - listen to everyone go crazy in the 12-minute standout track "Cobarde"; piano atmospherics and experimentation in "Random Thoughts"; percussion to die for in "Oyelo Que Te Conviene".



There's the salsa of "Un Puesto Vacante" with Lalo Rodriguez tearing up on the vocals, some boogaloo strains in "Kinkamache", and finally jazz and even big band textures in "Resemblance". That last track has quite a different lineup of jazzers including Ron Carter, Jeremy Steig, Steve Gadd, and Eddie Martinez on the rhodes.

And all the way through there's Eddie himself, always unexpected and exploratory in his piano progressions, and writing incendiary brass parts like no-one else can. He was apparently never fully satisfied with getting this album finished, but Coco Records put it out anyway - thus the title. He won his second Grammy award with this one.

WAV and 320 MP3 versions of "Unfinished Masterpiece" are at the bottom of the post, also a bonus of the aforementioned track "Un Dia Bonita" from "The Sun Of Latin Music".

Also check out the discography below for 53 more Eddie Palmieri-related albums.

Finally here's more latin from this blog.

TRACKLIST
01 'Un Puesto Vacante' (3:48)
02 'Kinkamache' (5:40)
03 'Oyelo Que Te Conviene' (6:29)
04 'Cobarde' (10:46)
05 'Random Thoughts' (6:22)
06 'Resemblance' (4:49)

All tracks by Eddie Palmieri

MUSICIANS
Eddie Palmieri - piano and leader
Lalo Rodriguez - lead vocal
Victor Paz - trumpets
Barry Rogers - trombones and tenor tuba
Nicky Marrero - timbales & percussion
Tommy "Chuckie" Lopez Jr - bongo
Eladio Perez - conga
Jerry Gonzalez - conga on "Cobarde"
Polito Huerta, Eddie "Gua-Gua" Rivera, Andy Gonzalez - bass
Ronnie Cuber - baritone sax, soprano sax & flute
Mario Rivera - tenor & baritone Sax
Lou Orenstein - tenor sax
Bobby Porceli & Lou Marini - alto sax
Peter Gordon - french horn
Tony Price - tuba Alfredo de la Fe - violin
Harry Viggiano - electric guitar
Jimmy Sabates, Willie Torres, Ismael Quintana - coro

Guest musicians on "Resemblance" :

Eddie Martinez - electric piano
Jeremy Steig - flute solo
Ron Carter - acoustic bass
Steve Gadd - drums
Mike Lawrence - flugelhorn
Ronnie Cuber - baritone solo
Ed Byrne - trombone
Lynn Welshman - trombone

PRODUCTION and ARRANGEMENTS
Eddie Palmieri - arrangement, theories and structure
Rene Hernandez - arrangements
Barry Rogers - arrangement on "Cobarde"
Eddie Martinez - arrangement on "Resemblance"
Harvey Averne - producer



EDDIE PALMIERI DISCOGRAPHY
1962 "La Perfecta" at Orgy in Rhythm
1963
'El Molestoso' at Zona Musical / info1964 'Lo que traigo es sabroso' at Si Se Rompe Se Compone or alternate1964 'Echando Pa'Lante' (Straight Ahead) at Zona Musical
1965 'Azucar pa' Ti' at Si Se Rompe Se Compone
1965 'Mambo Con Conga Is Mozambique' at La Musica Latina or alternate or FLACS 1967 'Molasses' at Orgy in Rhythm
1968 'Champagne' at Rock Savage
1970
'Justicia' at NakitaMusica
1971
'Live at Sing Sing Vol 1-2' at Rumbarte
1971
'Live at Sing Sing Vol 1' at Orgy in Rhythm
1971 'Vamonos P'al Monte' at
Zona Musical / info
1971 'Superimposition' at
Orgy in Rhythm
1971 'At the University of Puerto Rico' at Zona musical
/ info

1973 'Sentido' at Orgy in Rhythm
1974 'The Sun Of Latin Music' at revolucion, no / alternate
1974 
'The Sun Of Latin Music' (expanded 2 CD set) at El Principante Salsero

1975 'Unfinished Masterpiece' in comments here
1976 'Eddie's Concerto'
1978 'Lucumi Macumba Voodoo' at
Zona Musical
1981 'Eddie Palmieri' at
Zona Musical
1981 'Timeless' (live) at
Zona Musical / info
1982
'Sueno' at Salsa All Stars
or alternate 1984 'Palo Pa Rumba' at DDC or alternate / alternate
1985 'Solito' at Las Cintas Recuperadas
1987 'La Verdad' (The Truth) at Salsa Emsamble or alternate1991 'El Rey de Las Blancas Y Las Negras'
1994 'Palmas' at Zona Musical / info
1995
'Arete' at Zona Musical / info
1995
'Chocolate Ice Cream' at Zona Musical
1996 'Vortex' at Mis Albumes Salseros or alternate
1998
'El Rumbero del Piano' at Zona Musical or alternate
1999 'Live'
/ info
2002
'La Perfecta II' at Zona Musical / info
2003
'Ritmo Caliente' at Zona Musical / info 2005 "Listen Here" at CB Latin Jazz Corner or alternate
2006
'La Experienca' at Zona Musical / info
MAIN COLLABORATIONS
1965-6 'Descargas at The Village Gate Vols. 1-2' - (Tico All-Stars) at Orgy In Rhythm
1966 'Descargas at the Village Gate Vol 3' (Tico All-Stars) at Easy Jams
1966
'El Sonido Nuevo' (with Cal Tjader) at Into The Rhythm or alternate
1967 'Bamboleate'
(with Cal Tjader) at Orgy in Rhythm / alternate
1968 'Live at the Red Garter Vol. 1' - Fania All-Stars at
Si Se Rompe Se Compone
1968 'Live at the Red Garter Vol. 2' - Fania All-Stars at Si Se Rompe Se Compone
1976 "Harlem River Drive" at My Favourite Sound or alternate
1992 'LlegĆ³ la India' (with India) at CB Latin Jazz Corner or alternate
1994 "Fania All-Stars Live in Puerto Rico" at La musica de Nakita
1996
'TropiJazz All-Stars Vol 1' at La Coleccion
1997 'TropiJazz All-Stars Vol 2' at La Coleccion
1997 "Nuyorican Soul" at Latin Jazzoteca
2000 'Masterpiece' (Obra Maestra) (with Tito Puente) at Salsa Emsamble or alternate / alternate 2005 'The Very Best of Tropijazz' at La Coleccion
2006 'Simpatico' (with Brian Lynch) at Zona Musical

COMPILATIONS

1975
"The History Of Eddie Palmieri" at bermudezyezid musica y mas1975 'Lo Mejor de Eddie" (The Best of) (Tico) at
Zona Musical
1976 'Gold' ('73-'76 material) at Zona musical
1977 'The Music Man' (El Hombre Musica) at Zona Musical
1993 'Salsa Meets Jazz' at Latin Jazzoteca / alternate
1999 'The Best of Eddie Palmieri' (2 CD set) at Notas Agudas
2007 'El Prodigioso - Los 50 AƱos Del Maestro' at Latin Jazzoteca / alternate
VIDEO
2003
'The Latin Giants Of Jazz in San Sebastian' at Latin Jazzoteca

EDDIE'S WEBSITE
here


"Unfinished Masterpiece"  WAV - MP3

Bonus track : "Un Dia Bonita" WAV