Harold Vick - "Commitment" (1967/74)

I've been on the trail of this album ever since I did a history of saxaphonist Harold Vick and came across the killer track "H.N.I.C", which apparently stands for 'Head N#@@er In Charge'. So a few weeks ago, I went into ebay with all guns blazing, fought the good fight, and here we are ....

In 1966, three years after his organ n' sax debut "Steppin' Out", Vick released two quite different albums on RCA Victor : the latin-flavoured "Caribbean Suite" and the relatively straight-ahead "Straight Up".

Discography minutiae :

"Commitment" was generally thought to also have been recorded in 1966, languishing in the vaults until Muse put it out in 1974. However, due to some help from the folks over at the Organissimo forums, it seems that this album was most probably recorded for RCA Victor on May 1-2, 1967. Sessions on those dates are listed as having exactly the same lineup, with three same-named tracks. The other four tracks here are the Vick compositions, so I think we can safely assume that he re-named them seven years later. This would mean there are still three unreleased tracks somewhere, including a version of "Sunny".

It remains a mystery why this album was shelved for seven years. Vick released one more album with RCA, 1968's orchestrated "Watch What Happens". He went on to Encounter Records for the funky "Power Of Feeling" in 1973 under a pseudonym, then had a heart attack in April 1974. However, by August he was back in the studio recording "Don't Look Back" for Strata-East.

Sometime in the last four months of 1974, Muse released these 1967 recordings as "Commitment", and then Strata-East released "Don't Look Back". Independent label war ?

Annnnnnyway ... these sessions were and are worth excavating :

While the instrumentation is the same as that of "Straight Up" from the year before - saxaphone, guitar, vibes, piano, bass and drums - this is a more live, less orchestrated band who break out more often, harking back to some of the rawness of the "Steppin' Out"album.

Even in straight-ahead jazz tracks like "Commitment" and "Out Of It" there's a sense of communication between the soloists that is sometimes missing from Vick's more heavily 'arranged' albums from the 60s. Vick flourishes in this looser atmosphere, and his playing is beautiful and lyrical throughout.

There's a fantastic up-tempo take on Jimmy Heath's "A Time and A Place" , which you may know from Heath's 1974 album, or versions by Art Farmer, Milt Jackson and others. The jazz dancers should cream themselves over this one, with solid solos from Vick's tenor, pianist Walter Bishop Jr (last seen here with "Cubicle"), vibesman Victor Feldman, and guitarist Malcolm Riddick showing some Grant Green-like moves.

Victor Feldman, who's a significant presence on this album, takes over Bishop's piano chair for "H.N.I.C" to contribute a fiery, percussive piano solo that winds around Vick's flute throughout the track.

While mostly heard on tenor sax on this album, Vick switches to soprano for a beautiful reading of "Wild is the Wind" , supported just by Feldman's vibes, and Bishop's piano, backed by sparse work from Herb Bushler's bass and Mickey Roker on drums.

Anyway, I hope you enjoy this album, leave a comment and let me know what you think. Download links and more Harold Vick albums are below.

TRACKLIST / MUSICIANS
Corrected as much as possible from an original Discogs entry - unsure who's on bass for some tracks.

01		Commitment (5:10)
		Drums - Mickey RokerBass - Ben TuckerGuitar - Malcolm Riddick Piano - Walter Bishop Vibraphone - Victor Feldman Tenor Saxaphone - Harold Vick Written By - Harold Vick
02		H.N.I.C. (5:00)
		Drums - Mickey RokerBass - Ben Tucker Piano - Victor Feldman Flute - Harold Vick Written By - Harold Vick
03		A Time And A Place (6:10)
		Bass - Ben Tucker Drums - Mickey Roker Guitar - Malcolm Riddick Piano - Walter Bishop Vibraphone - Victor FeldmanTenor Saxaphone - Harold Vick Written By - Jimmy Heath
04		Out Of It (5:30)
		Bass - Herb Bushler Drums - Mickey Roker Guitar - Malcolm Riddick Piano - Walter Bishop Vibraphone - Victor FeldmanTenor Saxaphone - Harold Vick Written By - Harold Vick
05		Wild Is The Wind (4:18)
		Bass - Herb Bushler Drums - Mickey RokerPiano - Walter Bishop Vibraphone - Victor Feldman Soprano Saxaphone - Harold Vick Written By - Dimitri Tiomkin , Ned Washington
06		Blue Gardenia (4:24)
		Drums - Mickey Roker Bass - Herb Bushler Piano - Victor FeldmanTenor Saxaphone - Harold Vick Written By - Bob Russell , Lester Lee
07		From Within (4:48)
		Bass - Herb Bushler Drums - Mickey Roker Guitar - Malcolm Riddick Piano - Walter Bishop Vibraphone - Victor FeldmanTenor Saxaphone - Harold Vick Written By - Harold Vick

PRODUCTION CREDITS Recorded May 1-2, 1967 at Bell Sound Studios, New York.Muse Records MR-5054
Released in 1974
Producer, Liner Notes - Fred Norsworthy
Artwork By - Ron Warwell
Photography - Jim Dunn

SESSION INFORMATION
(Presuming that four Vick compositions here were later re-named)

New York, May 1st 1967Harold Vick (fl,ts) Vic Feldman (p,vib) Walter Bishop Jr. (p) Malcolm Riddick (g) Ben Tucker (b) Mickey Roker (d)

UPA1-4086 Sunny (unissued) RCA
UPA1-4087 Reflections
UPA1-4088 Home is where love is
UPA1-4089 A time and a place
UPA1-4090 Like Alice
UPA1-4091 Where butterflies play
UPA1-4092 Pitco blues

New York, May 2nd, 1967

Bob Bushner (b) replaces Tucker, rest same

UPA1-4093 Blue gardenia (unissued) RCA
UPA1-4094 Wild is the wind
UPA1-4095 Leave it the way it is
UPA1-4096 Where butterflies play

HAROLD VICK DISCOGRAPHY
1963 "Steppin' Out" at Ile Oxumaré
1964 rejected Blue Note sessions May 27th
1966 "Straight Up" at Call It Anything
1966 "The Caribbean Suite" at Orgy in Rhythm
1967/74 "Commitment" (released 1974) in comments here.
1967 "Watch What Happens" also at Never Enough Rhodes
1973 "Power of Feeling" (Vicks as "Sir Edward") also at Never Enough Rhodes1974 "Don't Look Back" also at Never Enough Rhodes
1977 "After The Dance" at My Jazz World

HAROLD VICK SIDEMAN DISCOGRAPHY with links
is HERE.

POST CREDITS
Vinyl rip by Simon666This vinyl is a little worn. I used a new needle, but there's some mild distortion here and there, not too bad.
Album links in this post go to : Ile Oxumare, Orgy In Rhythm, Call It Anything.
Please thank and support these bloggers if you click through ..

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James Moody - "Feelin' It Together" (1973, Muse)

Back : Kenny Barron, Larry Ridley, Freddie Waits. Front : James Moody

Although James Moody is predominantly famous as a long time saxophonist for Dizzy Gillespie and as the composer of "Moody's Mood For Love" - check Moody himself singing it at that link - he's enjoyed a career as a leader in his own right for over sixty years and is still going strong.

The clip above is an interview with 82 year old Moody, shot in August this year by the people from Blackademics ("the premiere online roundtable for young black thinkers"). While he eats his soup, Moody talks about his first musical collaborations while stationed in the Air Force in 1943; his disenchantment with racism in the USA which caused him to move to Europe for several years; contemporary racism; and bebop, swing and musical evolution. He finishes by opining “When you stop growing, you’re through”.

JAMES MOODY & the early 1970s

While Moody's albums had played around the edges of bebop, in the 1970s he both embraced and influenced the emerging paths being taken by his collaborators in structure, source and instrumentation - not travelling deep into the avante-garde, but always looking beyond jazz's perceived boundaries.

1970's wistful and laid-back "Heritage Hum" saw Moody turning more to his flute alongside his better-known tenor and alto saxaphone, at the same time as his harmonic structures in some tracks began to journey below the U.S. border.

After recording the relatively straight-ahead "Too Heavy For Words" with Al Cohn in 1971, he released "The Teachers" (1971), on which he began to embrace soul jazz, funk and some New Orleans-tinged blues elements, a smorgasbord that seemed to either reflect or grow from Dizzy Gillespie's fusions on Perception Records at the time, albums such as "The Real Thing" in which many of the same players took part.

Fellow Gillespie comrade Mike Longo, who'd been on "Heritage Hum", also brought Moody on board for his '72 album "Awakening", which furthered some of the textures established on "The Teachers" , particularly pushing up the funk quotient by incorporating Alex Gafa's wah-wah guitar.

The soul jazz factor came to the fore on Moody's first Muse record in 1972, "Never Again", with his tenor sax working hard against Mickey Tucker's great hammond organ work on tracks like "Freedom Jazz Dance".

"Feelin' It Together" was recorded on January 15th, 1973; and represents another stage in the type of growth he speaks of above.

The album opens by looking back to the players' bebop roots with a complex, frenetic nine-minute rendition of "Anthropology", composed by Dizzy Gillespie, Charlie Parker and Walter Bishop, originally derived from a bebop variation of "I Got Rhythm". Moody soars on alto sax here, trading solos with Kenny Barron's acoustic piano and Larry Ridley's bass, while drummer Freddie Waits scats around Ridley's insistent walking improvs.

While the title of his previous album "Never Again" had apparently referred to his desire to stick to tenor playing from now on, "Feelin' It Together" features Moody on tenor, alto and flute for two tracks each.

Keyboardist Kenny Barron was ten weeks away from recording his debut album "Sunset to Dawn", and that album's references to latin rhythm and brazilian harmonic structures can be felt here in nascent form in his two compositions, "Morning Glory" and "Dreams", both of which feature his spacious rhodes work.

Moody's flute work is superb on "Dreams", with finely controlled and varying tremelo that initially engages directly with the inbuilt tremelo on Barron's rhodes, working around the rhodes' metered pulse with subtle variations - dancing with the machine, if you like. Likewise, his alto sax work on Barron's "Morning Glory" sits above the warm bed of rhodes chords in a whisper-to-a-scream display of dynamic virtuosity.

Barron's work with Moody went as far back as "Another Bag" (1962), and since then he'd appeared on the Moody albums “Moody and the Brass Figures” (1966) and “The Blues And Other Colors” (1969), as well as working with him on a multitude of Dizzy Gillespie albums in the 60s. He'd continue to work on at least another four Moody albums, including "Sun Journey" in 1976.

There's a nice extended version of the standard "Autumn Leaves", with an atmospheric opening built over Freddie Wait's percussion rumbling. When the theme comes in, Moody's aching tenor is counterpointed by Barron's complex chord-based improvisations. There's no clear separation to sax "solo" as Moody subtly builds his improvisations out of the song's melody, then hands over to Barron's piano for a floating series of arpeggio clouds.

Moody and Barron also trade solos throughout an interesting interpretation of Jobim's "Wave". Here's a pdf score for Moody's flute part. The track has a sparse, atmospheric opening with Freddie Waits on shakers and tin flute sliding over Barron's rhodes, before it develops into a chugging bossa with Moody on flute. (For a very different, but also great version of "Wave", see Moody performing the track with the RIAS Big Band.)

The album finishes with an unusual version of "Kriss Kross". After the theme is sparsely introduced by Moody's sax over drums, it cuts almost incongruously to a fugue-like sequence with Barron on harpsichord, then Ridley walks us into a more traditional bebop / blues take on the track, with Moody blowing a hard tenor solo. A subsequent rhodes solo from Barron makes way for a bowed sequence from Ridley, before we return to the harpsichord fugue. It's a strange finish.

Busy drummer Freddie Waits had played on Hubert Law's "Carnegie Hall" album three days before recording this one. He'd also worked on Moody's "The Blues and Other Colours" (1969), and went on with Barron to record "Sunset to Dawn" ten weeks later in April.

As a founding member of Max Roach's percussion collective M'Boom, Waits worked on Brother Ah's "Sound Awareness" around this time, and would go on to record both Mboom's "Re: Percussion" and Neal Creque's "Hands Of Time" in August.

Still two years away from recording his debut album "Sum of the Parts" for Strata-East Records, bassist Larry Ridley came to this album with a twenty year history as a sideman, playing on albums by people like Freddie Hubbard, Lee Morgan, Horace Silver and many others.

Ridley's most recent date had been as a member of the "Jazz Contemporaries" for the 1972 Strata-East album "Reasons In Tonality". He'd also played with Moody on the "Newport In New York : The Jam Sessions (Vol 3&4)" album in 1972, and had worked with Kenny Barron as far back as 1962 on brother Bill Barron's album "The Hot Line".

Later in 1973 James Moody would join up with producer Richard Evans for "Sax & Flute Man" (later re-released as "The World Is a Ghetto"), a more commercial production in the vein of Evans' production of Ahmad Jamal's "Ahmad Jamal 73", even covering two of the same tracks. Some of it's a little too easy-listening for my ears, but there's three or so good tracks, nice rhodes work and some funky moments - worth checking out.

You'll find links for "Feelin' it Together" in the comments, but also check through the sections below for many additional albums and extra treats. Hope you enjoy this one, let me know what you think.

JAMES MOODY - "FEELIN' IT TOGETHER" (1973, Muse)

TRACKLIST

01 'Anthropology' - 9:07
(D. Gillespie / C.Parker / W. Bishop)
pub : Music Sales Corp, ASCAP

02 'Dreams' - 4:59
(K.Barron)
pub : Wazuri pubishing Co. BMI

03 'Autumn Leaves' - 9:31
(J.Mercer / J.Kosma / J.Prevert)
pub : Morley Music Corp. BMI

04 'Wave' - 7:46
(A.Jobim)
pub : Corcovado Music Corp. BMI

05 'Morning Glory' - 7:21
(K.Barron)
pub : Wazuri pubishing Co. BMI

06 'Kriss Kross' - 7:21
(R.Holloway / A.Hillery)
pub : Red Holloway Publishing BMI

MUSICIANS

James Moody - alto sax, tenor sax and flute
Kenny Barron - acoustic piano, electric piano and harpsichord
Larry Ridley - bass
Freddie Waits - drums, misc. percussion, tin flute

PRODUCTION

Muse Records 5020
Produced by Don Schlitten
Recorded January 15, 1973
Recorded at Media Sound, New York City


JAMES MOODY BLOG DISCOGRAPHY 1947 "Jazz in Paris : Bebop" (w/Don Byas & Howard McGhee) at i For india or Music-a-k-o

1948 "James Moody and his Modernists" / alternate FLAC
album track : "Tin Tin Deo" DOWNLOAD

1951 "James Moody With Strings" at Call It Anything

1955 "Wail Moody Wail" at Call It Anything or jazzdisposition

1956/58 "Flute n' the Blues"/"Last Train from Overbrook" at CIA

1961 "Cookin' The Blues" donated by The Jazzmanmediafire covers here
rapidshare audio 1 2 3 4 5
or
megaupload audio 1 2 3 4 5

1962/63 "Another Bag"/"Comin' On Strong" 1 2 3
1963 "Great Day" at Guitar and the Wind

1964 "Running the Gamut" album track : "If You Grin You're In" at Office Naps (check this post on Ed Bland)

1966 "Night Flight" (w/Gil Fuller & Monterey Jazz Festival Orchestra) at CIA

1966 "Moody and the Brass Figures" at Blog O Blog

1969 "Don't Look Away Now"
album track : "Easy Living" at youtube

1970 "The Teachers" from anonymousalbum track : "Unchained" at youtube

1971 "Heritage Hum" from anonymous1971 "Too Heavy For Words" (w/Al Cohn) at Magic Purple Sunshine(released 1974)

1972 "Never Again"

1973 "Feelin' It Together" in comments here.

1973 "Sax and Flute Man" aka "World Is A Ghetto" at My Jazz World / alternate 1976 'Timeless Aura' at Jazzy Melody

1977 "Sun Journey"

1989 "Sweet and Lovely" 1 2 3 4 5

1996 "Young at Heart" at Israbox

1997 "Young at Heart" at Avax

2004 "Moody Plays Mancini" at Avax
* Further uploads or blog links for the other 34 albums appreciated!
* See full discography here
* I'd love to hear Beyond this World (1977)
COMPILATION

14 VERSIONS OF "MOODY's MOOD FOR LOVE"Donated by The Jazzman (big thanks!)
Rapidshare ONE TWO THREE

1. James Moody
2. King Pleasure with Blossom Dearie
3. Eddie Jefferson
4. Annie Ross
5. King Pleasure
6. Eddie Jefferson & James Moody
7. Queen Latifah
8. King Pleasure
9. Robert Moore
10. King Pleasure
11. George Benson
12. Bob Welch
13. Eddie Jefferson & James Moody-live
14. King Pleasure

SOME MORE MOODY YOUTUBE

With the RIAS Big Band :
"Giant Steps"
"I Can't Get Started"
"Wave"
Moody rapping at the North Sea Jazz festival

Video tribute for Moody's birthday this year with words from Moody.

James Moody general search at youtube.

JAMES MOODY's WEBSITE
is here

POST CREDITS

CD rip of "Feelin' it Together" in WAV/MP3 by Simon666CD rips of "The Teacher" and "Heritage Hum" by Anonymous"Moody's Mood for Love" compilation by The Jazzman"Cookin' The Blues" rip by The Jazzman
Special thanks to Ish for advice.

Apart from blogs noted in the discography, album links in this post go to :

ile oxumaré, El goog ja, Orgy in Rhythm, original funk music, Jazzdisposition, magic purple sunshine, Blog-o-Blog, my favourite sound, call it anything, the cti never sleeps, fm shades, jazz’n’rakugo, romanticwarrior-jazz, República de Fiume, gutar and the wind, My Jazz World, Lysergic Funk

Please thank and support these bloggers if you click through and download.

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Mark Murphy - "Mark II" (1974)

When I saw this vinyl in the shop the other day, I thought : "That's the one between El Goog Ja's 'Bridging a Gap' (1973) and 'Mark Murphy Sings' (1975), originally ripped by Ish. .... never mind that the front cover clearly comes from the Csaba Deseö "School of Potato Print Painting", I had to have it. So here we have my first blog-related purchase ...

What can we say about Mark Murphy, apart from re-printing the same old AMG bio? One of the only "out" gay people in jazz besides Andy Bey, Fred Hersch, myself and Ish, it seems. A man who is regarded as the epitome of both "hip" and "mullet" at the same time, check this hair :

Side view : Mark discovers a blog criticising his mullet

On this release, Murphy offers his unique interpretations of lesser-known tracks by well-known "contemporary" artists - Stevie Wonder, Bread, Joni Mitchell, The Band, David Crosby and others. He also contributes two tracks himself - "They", which ponders whether or not alien visitors think about love, and "Lemme Blues", where he gradually works himself up to a relative vocal fever pitch.

It's a both a year and a musical mile away from the brilliant vocalese of 1975's "Mark Murphy Sings", but is still well worth your time - Murphy is in top vocal form here. I'm more partial to his version of Wonder's "Looking for Another Pure Love"; "Chicken Road", and the low key tracks such as Crosby's "Triad".

Apart from the aliens in "They", I note a lyric reference to "water brothers" in the Crosby "Triad" song, which references Robert Heinlein's sci-fi book "Stranger in a Strange Land", and there are also many intergalactic references in some of Murphy's collaborations at the base of this post. In 1970 he released an album called "This Must be Earth" - so it seems that Mark has definitely signed up for the Space Patrol. The rather scary Liza Minnelli confirmed this when she once said : 'There's a party goin' on in Mark's head, and I want to go to it!'



Much more detail in the back cover notes (readable from the scan above, but better in the download) - and I'm now curious about his late 60s acting career in London, particularly his role as Jesus in a TV pilot. Some would argue that the mullet alone could be grounds for crucifixion, but we'll let him off because he sings so well.

DOWNLOAD WAV - MP3 

bonus download: 

Mark Murphy collaborations, rarities and remixes

See base of discography below for tracklisting

TRACKLIST

o1. 'Chicken Road' - (Greene)
02. 'Too Much Love' - (Griffin / Royer)
03. 'The Unfaithful Servant' - (J.R. Robertson)
04. 'Lookin' for Another Pure Love' - (Stevie Wonder)
05. 'Barangrill' - (Joni Mitchell)
06. 'Triad' - (David Crosby)
07. 'They' - (Mark Murphy)
08. 'Sleeping' - (R.Manuel / R.Roberston)
09. 'Lemme Blues' - (Mark Murphy)
10. 'Truckin' - (Griffin / Royer)

MUSICIANS

Mark Murphy - vocals
Ken Ascher - keyboards
Sam Brown - guitar
John Tropea - guitar
Mike Moore - bass
Jimmy Madison - drums
Susan Evans - percussion

PRODUCTION DETAILSMuse Records 5041
Arrangements - David Matthews
Production - Helen Keane and David Matthews
Recording - Ray Hall
Liner Notes - Peter Keepnews
Recorded December 19-21, 1973
Released 1974

MARK MURPHY on le Planet Blog

SOLO ALBUMS

1958 "Let Yourself Go" - blog gone, can anyone re-up?
1959 "Mark Murphy's Hip Parade" at El Goog Ja
1961 "Rah!" at El Goog Ja
1962 "That's How I Love The Blues" at Entsharing / alternative

1965 "Who Can I Turn To" donated by "Shivers Inside" (thanks!)
1970 "Midnight Mood" MP3 at El Goog Ja
1970 "Midnight Mood" FLAC at Call It Anything
1973 "Bridging a Gap" at El Goog Ja
1974 "Mark II" in comments here.
1975 "Mark Murphy Sings" at Ile Oxumaré
1978 "Stolen Moments" at Oufar Khan

1980 "Satisfaction Guaranteed" at El Goog Ja
1981 "Bop for Kerouac" FLAC at Call It Anything
1981 "Bop for Kerouac" MP3 at Funky Disposition

1982 "The Artistry of Mark Murphy" at Nine Sisters

1983 "Brazil Song" FLACS 1 - 2 - 3 , and covers-76kb
1983 "Brazil Song" MP3 at Rapidshare (thanks Ish)
1983 "Sings the Nat King Cole Songbook" (Vol 1) at Nine Sisters
1983 "Sings the Nat King Cole Songbook" (Vol 2) at Nine Sisters

1984 "Living Room" at Funky Disposition
1986 "Kerouac, Then and Now" at Call It Anything
1987 "Beauty and the Beast" at Ile Oxumaré

1990 "What a Way to Go" at Musica & Tecnologia

1996 “North Sea Jazz Sessions Volume 5” with Louis Van Dyke Trio
- Recorded 1970-74, good early version of "Stolen Moments"DOWNLOAD from Rapidshare (thanks Soul Gentleman)
1997 "Song for the Geese" at Musica & Tecnologia

2000 "Live At Birdland" Set 1 - Set 2, cover/details-36k
2005 "Once to Every Heart" at 02 Forum or Boogie no More

2007 "Love Is What Stays" at Entsharing or musica que cuelga


COMPILATIONS

2003 "Timeless" (1971-2003 comp) - blog gone, can anyone re-up?

2008 Gilles Peterson's Mark Murphy Mixup via Play Jazz Loud
- Great mix, recommended.

COLLABORATIONS

1969
"MPS Jazz Concert '69" at Ile Oxumaré
- two Murphy tracks, "C.C. Rider" and "Broadway"
1975
"Rhyme and Reason" - Herb Geller Octet at Happy As a Fat Rat in a Cheese Factory- Murphy vocals on most tracks - great album !
1975
"An American in Hamburg" by Herb Geller at The Growing Bin- Same as "Rhyme and Reason", with additional instrumental versions of tracks
1982
"Indiana" - Jeff Hamilton Quintet at Arkadin's Ark.- Murphy on "Split Season Blues" only - single track download available in the comments there.
1990
"Dingwalls" from "Journeys by DJ" comp by Gilles Peterson
- Murphy's beatnik-rap ode to Peterson's Sunday club

1991
"One for Junior" - Sheila Jordan and Mark Murphy, MUSE 5489

1995
"Future Light" from "No Sound is Too Taboo" by United Future Organisation.

2000
"Kool Down" (King Britt's Scuba remix) by Tenth & Parker
2001
"Twelve Tribes" from "Creating Patterns" - by 4hero at Hefiorels Eclectic Music (Thanks to Ish)
2001
"Millenium Riddle Song" by Tenth & Parker
- please upload if you've got it , but not the "Late night mix". Thanks.
2002
"No Problem" - from "V" by United Future Organisation.
- beautiful track, recommended.

2003
"Little Things" with Lindberg Hemmer Foundation.

2005
"Chasing the Jazz Gone By" by Five Corners Quintet at The Music Jockey
- Vocals on "Jamming"; "Before we Say Goodbye"; "This Could Be the Start Of Something".

SOME REMIXES
1995
"Stolen Moments" - (UFO Harddisk Mix) - from "United Future Airlines" EP
1995
"Stolen Moments" - (Our Enchanted Demo Mix) by United Future Organisation
- similar to the UFO Harddisk mix

2006
"This Could Be the Start Of Something" (Povo Remix)- from Five Corners Quintet "Jamming" EP
2007
"Stolen Moments" - Nicola Conte Midnight Mood Rework
2007
"Stolen Moments" - Phil H edit - original from Murphy album "Love Is What Stays"
2007
"Love is What Stays" - Henrik Schwarz remix

A combined Collaborations and Remixes file, which includes the individual tracks profiled here, is above.

Please thank and support the above bloggers if you click through and download.
If links go dead, please let me know so I can re-direct and keep the page current.

Thanks to ISH for advice and help on this post.

- Commenting when you've downloaded keeps blogs alive, thereby increasing the amount of music available to you. Thanks to all regular commenters.