Showing posts with label Joseph Fasano. Show all posts
Showing posts with label Joseph Fasano. Show all posts

Sunday, 20 February 2022

Joseph Fasano : part five

How does a poem begin?

For me, a poem most often begins with an image that has expressed itself to me in language with a rhythmic shape.  The image is inseparable from the form of its expression.  I set this piece of language down on the page and follow it where it wants to go.  The work is always wiser than we are.  

Sunday, 13 February 2022

Joseph Fasano : part four

How important is music to your poetry?

Music is tremendously important to me, but although I’m also a songwriter, I think of poetry and songwriting as very distinct forms of expression.  While the lyrics of a song have the music against which to counterpoint, the words of a lyric poem have only themselves to create the rhythmic paradigms against which to counterpoint.  Of course there were moments in history (and pre-history) when these forms were closer to one another, but they have emerged as two different disciplines, and I think that adds to the richness of our human creation. 

Sunday, 6 February 2022

Joseph Fasano : part three

What do you feel poetry can accomplish that other forms can’t?

Poetry is the pure word, the most distilled language that uses its rhythms and images to be the mystery rather than to convey it.  As long as there is language, poetry cannot be replaced by any other medium, as it is the human voice stripped down to its essential, abiding song.

Sunday, 30 January 2022

Joseph Fasano : part two

How do you know when a poem is finished?

When a poem is finished, it banishes its creator.  For better or worse, there is no more the maker can do.  I imagine in this way a poem is not unlike the world. 

Sunday, 23 January 2022

Joseph Fasano : part one

Joseph Fasano is the author of the novels The Swallows of Lunetto (forthcoming, Maudlin House, 2022) and The Dark Heart of Every Wild Thing (Platypus Press, 2020), which was named one of the “20 Best Small Press Books of 2020.”  His books of poetry include The Crossing (2018), Vincent (2015), Inheritance (2014), and Fugue for Other Hands (2013).  His honors include the Cider Press Review Book Award, the Rattle Poetry Prize, seven Pushcart Prize nominations, and a nomination for the Poets’ Prize, “awarded annually for the best book of verse published by a living American poet two years prior to the award year.”  He is currently working on a “living poem” for his son and live-tweeting it at @stars_poem.  

Photo credit: Laura Rinaldi

What are you working on?

I’m writing a “living poem” to my son and posting it on Twitter, a line at a time, as it happens.  Parenthood can teach us about the beautiful messiness, the good cracks in the daily bread, the whole organic process of living.  My hope is that this poem speaks to my son and to all who still keep a seed of childhood’s mysteries in them.  It can be found on Twitter at @stars_poem.