How to Create a Product from Nuthin to Sumthin

Once in a while, you create an image your reeeaaallly like. 

"Jaguar Sunset"

A few years ago I painted a 3 foot tall cat statue for a charity auction. It was titled Little Cat's Four Season Fantasy. Each side featured the different seasons of the year.

It was the second one I painted, the previous statue having sold at auction for $1100. So of COURSE they nicely asked me to paint another! I was happy to help, since it was for C.A.T.S., Committed Alliance to Strays.

But since I donated it to charity - and seeing as how I loved some of the images on it - I decided to photograph them for my own collection. This fantasy setting of the jaguar swimming in a cool pool at sunset was one of my favorites. 

To put it into context, here is the completed

 3 ft tall statue from different angles:
(can click on any images to enlarge)

But how do I translate that into a product to offer collectors??

Here's what I did.

It all started with a nekkid statue:

Underpainting  getting started:

Giving him some spots:

Continuing around the jaguar:

All done:

So how does he look when you put his image onto products? I found a site that does "POD"  (print on demand) and I'm very happy with their quality. Here are some of the things they can do with my jaguar. I was so tickled when I saw these for the first time!

This is the main page for my "Jaguar Sunset"

And here is how he looks on a throw pillow.

The newest to join the product line is this cute Tote bag

I think the metal prints are cool!

They even have smart phone case covers.

Naturally there are also greeting cards, framed prints, canvas prints,  and posters.

And there you have it. From blank white statue to all kinds of fun stuff to put your image on. 

I hope you found this interesting. I sure had fun seeing my little jaguar on all these items. If you have any questions about Fine Art America (FAA), the folks who do my printing, just give a holler in the comments and I'd be glad to share my experiences. 

Now, imagine something YOU created.  If you have paintings, images of your creative endeavors, or photographs that you'd like to have printed, I can wholeheartedly recommend FAA. You have your original, yes. But by creating "multiples" of your efforts, you can offer your art to more people in many more forms, including gift giving.

If you try FineArtAmerica, I'd love to hear how it went for you. :-)

Thanks for reading,

Retta

How To "RePurpose" Your Art!

These days we are all learning to reuse, recycle, repurpose stuff. Well, hows about our art?? I don't mean just the usual, like cards, prints, posters, etc; all the fun stuff that online print-on-demand places can create with your image.

I'm talking about ways that I can simply enjoy the image again, in a different format. And since I LOVE quotes, I enjoy making my own little motivational posters.

I think of good quotes as distilled wisdom. Um... notice I said good quotes. ;-)

It's easy to do. If you don't have Photoshop, which is where I play with mine, you can go to free places that do it automatically for you, in a set format, such as This Place.

Here is my latest... please to enjoy.

Happy poster making,

Retta

Fun How-To Project #2: Doodle Universe!

Previously, I shared a fun "how to loosen up" project using Sharpies to doodle on an apron (HERE).

Well, this time we take The Sharpie to new heights!! We. draw. right. on. the. wall!!!

Yep, onto the walls. In Sharpie. Really. :-O

I have a dinky bathroom that has been plain white for almost 4 years. MyGuy has been too busy to apply the promised paint, so one day I was hit with a "great" idea: doodle on the walls with a Sharpie! 

Thus was born the Doodle Universe. 

Eventually, I will add color. But for several reasons it's taken me 6 months to get this far, so I'm learning patience and perseverance. :-) 

Drawing directly onto the walls has several advantages:

• You let go of perfectionist tendencies
• It's fun and daring at the same time
• It's a way to let your imagination loose, and just allow the design to surprise you as you go
• It actually increases your confidence as you just "do it"

My method was to relax and just gaze at it, and "see" it first in my imagination. If I liked it, on to the wall it went.

My only rule: no pencil and eraser.

That was just my choice, since I wanted loosen up. There are no mistakes with this method, only accidental adventures! If I slip (which I occasionally did), then the design takes a turn in a different direction. It's all good!

Here is the Doodle Universe thus far. First, here is the view as you walk into the tiny half/bath; this is the right wall, and then it goes on around to the left (can click on any pics to enlarge):

Before I started:

Took a big breath, and started on Wall 1:

Wall 1 day later:

Here are Walls 1 and 2 finished:

On to Wall 3, to the left of the sink:

This shows the design progressing around to Wall 4:

Wall 4:

Now Wall 5, over the Throne:

Close up of Wall 5:

Continuing over to the last Wall 6:

And a shot of just the last Wall 6, all done:

My next plan is to add subtle shading, and eventually color. The acrylic color will be in two parts: a pale sponged on background with hints of color; and some brighter color notes right on the main design elements.

And the symbolism?

-Within my Doodle Universe are separate Doodle Galaxies.

-Each main Galaxy has similiar components attached to it, such as the giant wings,  showing movement and change, albeit slow). 

-There are similarities, yet no two Galaxies are identical, they are unique, like people.

-There are cloud-like connectors between the Galaxies; they are separate, yet connected; autonomous, yet needing each other.

-Each Galaxy has tails hanging down, kind of like tails on a kite; they symbolize anchors, a source of stability.

-They also each have a Vine design, representing growth, change, new life.

-There are stylized stars and moons, symbols of reaching for hopes and dreams.

I may eventually add angels, little space ships, quotes... who knows how it will turn out in the end! 

I hope you've enjoyed this glimpse into my Doodle Universe!

Happy doodling,

Retta

How to Loosen Up... Fun How-To Project #1

Do you find yourself getting a little "tight" in your drawing or painting at times?? (I do)

Would you enjoy a short project aimed at having fun and loosening up? (I did)

I thought it would be fun to share a great way I found to loosen up in my drawing and painting. There are tons of free resources on the interwebs of course, and much more "scholarly" than mine. Mine is simply meant to be casual and fun, yet useful!

I enjoy colored pencils, pens, drawing, doodling, painting, etc etc. But over time I can tend to tighten up, trying to control the outcome too much. Then I get that tense feeling that says "Uh oh, what if I make a mistake?"

Here's a project to shake off the Tighties

 and get more of the Loosies:

The "Doodle" apron!

(can click any pics to enlarge)

Wanna try it? Here we go:

1. Get you a light colored apron, or pillowcase or hat or cotton shirt or white tennies, or whatever you like, to use as your "canvas".

Here was mine:

2. Get you a black permanent marker. Since this is for fun and "Loosen Up Therapy", I just used a good ol' Sharpie. I used the Gesso to cover up the advertising that was on the apron, so I could paint the motto on instead.

3. Now doodle!! No, don't plan it with pencil on paper first. And no fair drawing it with pencil first onto the item then tracing that with the Sharpie. The idea is to loosen up, and just draw. Use whatever style of drawing you enjoy. Or, be adventurous and try a new direction!

Remember, there are no mistakes here, only accidental adventures!!

4. Now have fun and color it! You can use plain old acrylics, or fabric paints, or permanent paint markers. Whatever floats your boat. I used DecoArt SoSoft Fabric Paint, since I wanted to set the paint in order to be able to wash my apron. I bought a set of little bottles from Dharma Trading Co. online, but they also have little "sampler" type sets for small projects, HERE.  I like this paint because it's washable without the hassle of heat setting it first. 

Tip: If you'd like to try this project without buying new paints, but already have regular acrylics, do like I've done in the past: just get one bottle of Fabric Medium, like this, and add it to your acrylics. It keeps them from getting stiff on your fabric, and works great.

Another tip: I used older brushes, so I could scrub it in to the fabric when needed, and not worry about ruining my nice brushes.

 Color scheme tip: If you aren't sure what colors to choose, a simple plan is to choose 3 (or more) favorites, then include a lighter and darker version of each. Above, you see I chose pink, blue, orange and green. Then included lighter and darker versions of each. Instead of adding white to lighten, or black or a dark color to darken, you can get fabulous clean and bright colors by choosing from around the color wheel. Example: for the Orange, I chose a red for the darker version, and a yellowish orange for the lighter side. Ditto for the rest of my colors. 

5. Here's pics of the painting in progress:

 I usually applied one color first with the little brush, 
then blended it out with the old small flat brush. 
I always started with the middle color, applying it 
everywhere on the apron where I wanted that color. 
Then added the darker version, again everywhere, 
blending it for soft edges; then lastly the highlight 
color, again blending the edges. Doing it in stages 
that way was faster than going back and forth 
constantly into the different colors:

I was having so much fun, I forgot

to take pics of the orange and 

green layers. :-D

6. And Ta Daaa! My finished Loosey Goosey Doodle Apron! :-)

Detail of finished apron:

There were lots of places that were "accidental adventures" on this design. But see? You'd never know it by the time the paint was on. 

I hope you enjoy this little relaxing "therapy" project. If you like it, I'd appreciate you mentioning it on Facebook to share the idea with others. Just click on the Facebook button at the bottom of the post. Thanks bunches!

Happy loose painting,

Retta

PS: Even kids would love this; it's the sort of project you can do together. Here is a LINK to a tutorial at Dharma Trading Co for painting a darling pair of kids sneakers!

Cover Art Part 7: We Made It!

(Part 1 of the Tutorial started HERE) 

We're on the homestretch. The painting has been scanned in to photoshop, and ready for the finish work. (As always, can click any pics to enlarge)




For a re-cap, here was the pencil sketch:

Here is how raw it looked at first scan into photoshop:

Step 9) The text. 

Absolutely make sure you use separate Layers for the text. Pick your font with care. Number one priority: readability, both large and small versions of the cover. I know, I already mentioned that... but it's that important. :-)

The whole point is Communication. If it can't be read, it's worthless.

The legal stuff: If you download free fonts, make sure it says you are free to use it for personal AND COMMERCIAL use. Many are only for personal use only. You can NOT use this for a book cover that will be sold. I found so many cool fonts that I dearly wanted to use, but... nope, they were for personal use only.

I hunted high and low trying to match the font from an old movie trailer for the Wizard of Oz. I couldn't find it, so just came as close as I could to the feel of that font. Here's that neat old movie title page:

Here we are, waiting for touch-ups and text:

Cleaned up the edges; removed the texture where it shouldn't be; added a glow around the silhouette; added reflected light to the flying monkey; added color and highlights to the title 3; added final sparkles here and there.

I experimented with a curved Title, to mimic the shape of a rainbow. But when the cover was reduced any smaller, it was extremely hard to read.

In the end, I chose readability over nostalgia:

And here is what I chose for the Sub-title. It needed to be readable, yet subordinate to the main title. And since the concept that Jules was presenting was the idea of going BEYOND the flying monkeys, I used the Warp Text tool to make that word stand apart.

This part of the design, the three 3's,  was made using a stencil font. I then went to Layer Styles, to Visiblity, and chose Ghosted.

Step 10) Final copies. 

All done! Be sure to save your creation in PSD form if using photoshop, or whatever original format your program uses. Reason: every time you make changes to a jpeg, it degrades the image. Better to make another copy from the original PSD, make any changes, then save it to a new jpeg.

Send your author the needed sizes they prefer, or what's required by the publisher. 

I sent my author:

-a full sized file PSD, 1650 x 2550 pixels, 11.5 MB

-a black and white jpeg, 647 x 100 pixels, 115 KB

-a blog size file, 453 x 700, 45 KB

-a thumbnail size file, 250 x 386, 61 KB

Your requirements may vary, so be sure to check.

So there you have it... 

my journey from this:

To this:

Close up:

I hope this will be helpful to other cover art beginners. And if not, at least entertaining! LOL!

If you are intrigued by her book, I invite you to visit Jules Joyce (HERE) and find out more. Her book will be out this summer... exciting!

And, I'd love to hear what you think of this tutorial! If you like it, I'd be happy as a clam at high tide if you told someone else about it. They might find something in it useful, too. Thanks! :-D

Part 1 of the Tutorial  starts HERE. The Steps are more fully explained in each post. 

The Process Summary:

Step 1) What is the main concept; think simplicity

Step 2) Find out the needed technical stuff: aspect ratio, pixels, file size etc.

Step 3) Do a lot of quick thumbnails, in black and white (pencil or digital)

Step 4) Play with color schemes, which supports your concept best

Step 5) Gather any needed reference material

Step 6) Finalize your sketch; think both large & small image readability, & bold text

Step 7) Transfer sketch to your support if paper sketching; or scan in to computer

Step 8) Continue in your chosen medium, or in photoshop (working in Layers) 

Step 9) Font: readability is priority one; must be allowed for commercial use

Step 10) Final copies. Save in PSD. Send needed sizes to author, or what's required by publisher. 

The ideas here are most applicable to the traditional artist who is using a digital art program to do the finish work. Those making 100% digitally created cover art are a horse of a different color. 
;-)

Thanks for reading,

Retta

"I know you've heard it a thousand times before. 

But it's true - hard work pays off. If you want to be good, 

you have to practice, practice, practice. 

If you don't love something, then don't do it." 

--Ray Bradbury, 1920 - 2012