TAFA: The Textile and Fiber Art List

Showing posts with label 212 Broadway. Show all posts
Showing posts with label 212 Broadway. Show all posts

Monday, April 18, 2011

TAFA Market Focus: Jefferson Street Studios

"Quilt Reflection I" by Robert Davis

TAFA is having its first public event during the AQS Quilt Show in Paducah.  We are excited to introduce TAFA to the public at large and are hoping to raise funds for our new website.   We have a silent auction and raffle, both available to online participants and a member exhibit and vendors.   These are ways in which you can donate to support our efforts.  This blog will feature the works and vendors during the time leading up to our show.  You can see all of the TAFA Market posts in one place by clicking on this link

Today's TAFA Market focus zooms in on:


Jefferson Street Studios


"Limbo", Art Quilt by Helene Davis


Bob and Helene Davis are two of my favorite people in Paducah.  I don't see them very often, but when I do, there is always a feeling of "home".  Both are members of our Paducah Fiber Artists group and often host our meetings at their home and studio on Jefferson Street.  We are all disappointed when Bob fails to make his expected chicken dish...  And, I am constantly reminded of them in my home as they have been extremely generous to me over the years.  When I first moved here, they gave me a couch which I use daily.  I also have fabric, thread, books and other odds and ends they have given me.  

Helene and Bob will each have two pieces in our TAFA Market show, all four shown here.  Helene is way up there, if not at the top, of my list of favorite art quilters.  She has mastered surface design, always coming up with unexpected results that ooh and aah us at our meetings.  And, I love the way she quilts!  Tight, close rows of machine stitching that make her quilts stiff, almost rug-like.  Helene also works with clay, creating gorgeous pieces that compliment her textiles beautifully.  I have found that many of us have had this marriage of interests, fabric and clay, which I find very interesting.  I worked with clay before moving into fabric and like to think that clay actually taught me how to sew.  I knew the basics and had done quite a bit of embroidery before my years with clay, but I learned how to see in a different way once I had done dimensional work.  


"Missing" by Helene Davis using her dyed fabrics.

Bob and Helene purchased a late 1800's industrial building which they renovated into a drop-dead gorgeous home, studio and gallery.  They have been our drop off site for packages arriving from our other TAFA members who are participating in the TAFA Market.  The back of the space is Helene's dyeing and sewing studio, the middle area houses living quarters and the front is the gallery.  Bob gets the monster garage.  Both are avid gardener's and have landscaped the outside beautifully.  They turned an eyesore into a must visit stop if you come to Paducah.

Inside the gallery at Jefferson Street Studios, Paducah, Kentucky.

If you are coming to Paducah for the AQS Show or for our TAFA Market, you must also stop by at Jefferson Street Studios.  Helene's quilts will be available for sale, along with her hand-dyed fabric and consignment items from some of our Paducah Fiber Artist members.

Bob is the people person and eclectic in his endeavors.  Coming from an engineering background, his quilts are precise and exercises in color and structure, where Helene's are organic and experimental.  Bob also does a lot of photography around town and has worked on an ongoing project where he reduces images of people to line drawings.  He has captured many of the local artists in this way and I hope that he someday publishes a book on them.  He did the drawing at the left of me four years ago and I almost kissed him because he made me look so young!

Bob is another of those people who has worked with clay.  He has made thousands of porcelain beads and has a display case of them at 212 Broadway, just around the corner from our TAFA Market.  You will have to stop in there, too as HeART of Healing Gallery, another TAFA member, and myself also have permanent booths there.   HeART of Healing specializes in vintage kimono and molas from Panama.

Jefferson Street Studios has started to show other artists in their gallery with excellent results.  They are just outside of the LowerTown boundaries, the artist neighborhood in Paducah, and I believe that their presence will encourage other art related studios to move into that area.  Take note:  If you are coming to Paducah, you MUST visit Jefferson Street Studios.  If you are not coming to Paducah but would like to purchase one of Bob or Helene's pieces pictured here, email me.  We can ship it to you after the show.


"Quilt Reflection II" by Robert Davis


Jefferson Street Studios:  1149 Jefferson Street in Paducah, Kentucky.

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Friday, April 23, 2010

Rayela Art and HeArt of Healing Gallery Welcome Quilters to Paducah!

Rachel Biel and Christi Bonds Garrett, AKA Rayela Art 
and HeArt of Healing Gallery, join hands and share 
in their love of cultural textiles.


The quilters are here!  The quilters are here!  The AQS event stirs Paducah into action, waking up the town after a wintry sleep.  Awaited with anticipation, the quilt show is our big yearly event, the core for those or us who love fabric and textiles in Quilt City USA.  I have had a booth at 212 Broadway in an antique store for three years now.  Ownership of the space changed and is now operated by Tanya and Randy, who have truly developed the space into a wonderful eclectic mix of antiques and local crafts.  Christi moved her inventory from her clinic/gallery in LowerTown to a large booth space across from mine making our combined space into a large ethnic delight of textiles from around the world. 

Rachel Biel in front of Afghan Tribal Arts' booth of beads.

Our friend, Abdul is also here,. renting a temporary space.  Stocked with beads, mostly semi-precious hand-carved stones from Afghanistan, his booth is a must visit for anyone who uses them in their work.  I like to incorporate beads and findings into my textiles and encourage other art quilters to think outside of the box in how stones can be incorporated into surface design.

Christi and I have many overlapping interests and then specialties that complement our product mix.  HeArt of Healings focus:  vintage kimono and molas.  Christi rattles off all the different names for the working, wedding, women's, men's and other kimono, how they should be worn and the techniques that were used in decorating the fabric.  There are hundreds of them!  Gorgeousness on racks!  Initially, her idea was to cut them up and sell them as fabric for quilters, but they are just too beautiful to randomly suffer attack under the scissors.  As her collection has grown, so has the quality, making them valuable pieces of wearable art.  She has often adapted her kimono to make them more functional for her lifestyle: if the sleeves and length are shortened, the remnants can be used in other projects.  And, the molas....  my, my!  What a stunning collection!

Christi Bonds Garrett modeling a kimono and 
straightening a rack from her booth.


Rayela Art focus:  My textiles are mostly from Central Asia, although I have started branching out and investing in small objects for the booth.  I was able to purchase some fair trade items that add a fun touch to my space: Bolivian instruments and dolls, palm visors and fans, and lots of Indonesian sarongs, always a big seller.

I get a big kick out of seeing all the action downtown during the quilt show.  Paducah becomes alive and we all benefit from both the financial contribution the quilters bring to our local economy as well as the relationships that are formed during this time.  I've met a couple of my cyber friends in person for the first time, transforming names and photos into real people, which was great fun.  And, there is just a wonderful exchange of stories and sharing that happens which is truly wonderful.

If you are in Paducah, please do stop by the Antique Galleria and visit us.  We are just a couple of blocks from the Quilt Museum, down by the flood wall.  If you are not here, then visit us online:

Rayela Art
HeArt of Healing Gallery
Afghan Tribal Arts


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Sunday, April 18, 2010

Paducah Fiber Artists: See us at the Quilt Show!

Ulla Shierhorn and Irene Reising at a Paducah Fiber Artists 
meeting held at Bryerpatch Studio.

We meet monthly, rotating around to studios and homes that can accommodate our group.  We bring great food, mingle around and catch up on what's been going on in our lives, then sit down for a "show and tell" of our latest projects.  Peppered with great story-telling, laughter, and sometimes sad events, these meetings and these people are a definite highlight for me and my life in Paducah, Kentucky.  Outwardly, we may not have all that much in common with each other.  We come from so many different backgrounds and focus on projects that vary greatly in technique and expertise.  But, inwardly, the Paducah Fiber Artists share a deep bond: we love all things fiber and have a deep curiosity about what our peers will come up with next on their list of endless fiber explorations.

Next week, Paducah rolls out its red carpets for the Quilt Show.  Most of the PFA members have work or special activities going on in different locations.  I asked our members to submit their news for those of you who are coming and have a list of where you can find us.  The first, must-see stop, is a brand new gallery that is a bit off the beaten track: Jefferson Street Studios, the gorgeous new home and work space of Bob and Helene Davis.  We had our April meeting in their new space and it exudes a wonderful sense of peace and harmony.


 Paducah Fiber Artists meeting at Jefferson Street Studios.


Both Bob and Helene are art quilters and Helene is especially known and recognized for her work as a dyer and surface designer.  Work representing the Paducah Fiber Artists is showcased in this first exhibit at their new gallery and Helene's hand dyed fabrics are also available for sale.  Do not be intimidated by the location!  It's only a short six or so blocks off the beaten track and truly worth the visit.  For more info: http://www.hand-dye.com/

LowerTown is Paducah's artist neighborhood, peppered with wonderful galleries, all of which will have special events during the Quilt Show.  We are especially grateful to Carol Gabany of "The Egg and I" for organizing an Art Walk which displays works by the Paducah Fiber Artists at various LowerTown galleries.  Go find us!

"Exuberance" by Susan Mogan at The Egg and I Gallery


  • Karen Hampton, "Orchid Splendor" and "Rhubarb" - Stornoway House Gallery 513 N. 6th  and "Relief" at Studio 7 on 6th -  314 N. 6TH
  • Linda Baxter Lasco, "Tree Skin Canyon" -  Bryerpatch Studio - 502 N. 5th
  • Deb Lyons, "Blue Quilt" -  Etcetera Coffeehouse -  320  N. 6th and "Shiva Dance"  - Reilly Ursury Studio - 527 N. 5th and "Invitation" -  Pinecone Studio -  421 N. 7th
  • Susan Mogan, "Exuberance" and "Jubilee", - The Egg & I - 335 N. 6th
  • Rachel Biel (yep!  That's me! A new dogfood purse...), "Doggy Soul" - Mentor House Gallery - 332 N. 6th
  • Lili Lui, 4 Monofilament, knitted necklaces -  The Egg & I - 335 N. 6th
  • Christi Bonds-Garrett, "Green Spirit II" - Studio 7 on 6th - 314 N. 6th and "Harmony Bone Hole" - Judeen's Art Studio - 720 Harrison St.  and "Spirit Ruins" - The Egg & I - 335 N. 6th
  • Pam Heavrin, "Shelly by the Sea" -  Pinecone Studio - 421 N. 7th
  • Robert Davis, "Reflections"  - Co Op Gallery corner of 5th and MLK
  • Helene Davis, "Flags II" and "Nexus"  - Reilly Ursury Studio, 527 N. 5th - and "Parameters", Bryerpatch Studio, 502 N. 5th
  • Karen Linduska, "Fantasy Garden #12" and "Fantasy Garden #20",  The Egg & I - 335 N. 6th St
  • Rosemary Claus-Gray, "Balance II" at Etcetera Coffeehouse - 320 N. 6th and "Folk Art Critter, Kevin" at Mentor House Gallery - 332 N. 6th


Here is an article on the walk: LowerTown Art Walk

Both Lily Liu and Helene Davis have work at the Yeiser Art Gallery's must-see exhibit "Fantastic Fibers".  Lily's piece at the left, "Make Every Minute Count" is a theme she brings up often at our meetings.  You can be sure that some of these rolled pieces were assembled during our show and tell times as she literally does keep her fingers busy at all times, either caring for her young ones or making a crazy new fiber invention. 


PFA member Sally Terry has a lot going on:

She will have “Nature’s Fireworks” hanging at Bob and Helene’s (Jefferson Street Studios). It is the cover quilt for “Pathways To Better Quilting”, Published by AQS. It is a wholecloth with Langa Lapu Fabric from South Africa. Machine quilted with over 40 different threads, including specialty threads. It has traveled in a National Wholecloth Exhibit.

Sally will be teaching a Running Threads Class and Quilt This-Machine Quilting How To Work  and Choose Patterns at AQS Show. 
She is also the author of the No. 1 Quilt Book “Hooked On Feathers” Published by AQS for 2009. The Quilt Channel will also feature Sally quilting the new Hooked On Feathers technique. She has a new book with a working title of “From Quilt Top To Quilted” to be published later this year.
 
Last, but surely not least, my hope is that every one of you will come and find me at my booth housed at Antique Galleria, 212 Broadway in downtown Paducah.  

 Charlotte Erwin leading 
a marbling workshop at Working Artist Studio.


Interested in learning how to marble fabric?  You can learn from our local guru, Charlotte Erwin:


Quilt Fabric Marbling Workshop
April 19, 2010 - April 24, 2010 Times: 10 AM-5 PM
Location:  Working Artist Studio, 303 N. 8th St.
Phone:  270.441.7844
Admission:  $65 person. $120 two people. Price includes 10 pieces of prepared fabric & supplies.
Hands-on one-hour fabric or paper marbling workshop with LowerTown artist Charlotte Erwin. Reservations suggested for two or more participants.


I sell cultural textiles from around the world and my booth will be loaded with great examples of these long time traditions.  My special focus is Central and South Asia, but I have some things from South America and Africa as well.  I will be depleting my Etsy store of its best pieces for the show, too, so if you like ethnic textiles, you will not be disappointed.  Dr. Christi Bonds Garrett of HeArt of Healing Gallery also moved her inventory to Antique Galleria and our booths face each other.  She also focuses on cultural textiles and has an incredible collection of molas, vintage Japanese kimono and other Asian textiles.  Between the two of us, you will be walking into paradise.
Clearly, there will be a lot to see and explore when you come to Paducah!   Bring good walking shoes and be prepared for sensory overload as you experience one great exhibit after another.  The dogwood trees are in full bloom, Spring is here in all its glory, and we welcome you with open arms!

For posts on this blog on past quilt shows, click here and click here for more stories on the Paducah Fiber Artists.


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Monday, December 21, 2009

Rayela Art and HeART of Healing Gallery Bring the World of Textiles to Paducah!


Handmade ornaments from Thailand, India and Indonesia

Dr. Christi Bonds and I, Rachel Biel, have a passion in common: textiles!  Both of us are members of Paducah Fiber Artists, a group that meets monthly for show and tell, potluck and support.  Both of us quilt.  And, both of us love textiles from around the world.  Christi, a medical doctor who practices Integrative medicine, has an alternative health clinic in the heart of LowerTown's art neighborhood.  A large gallery room was dedicated to this love of textiles, housing HeART of Healing Gallery.  I had a booth downtown at 212 Broadway and was working two afternoons a week at Christi's gallery.  We decided that it would make sense to move the gallery downtown and free up the space for more health related programs.  We now have both of our booths across from each other, separated by an aisle.  It looks like one big ethnic textile shop! 



HeART of Healing Gallery's new space 
at Antique Galleria, 212 Broadway in Paducah




Rayela Art's booth faces HeART of Healing's

The booths work really well together as we have different specialties.  HeART of Healing Gallery has grown an impressive collection of molas made by the Kuna Indians in Panama.  Most are unfinished panels that can be framed or made into pillows, bags, or incorporated into quilts.  But, there also many mola blouses, an unusual find in most mola circles.  The blouses have panels on front and back and are set into the traditional gauzy floral fabrics so loved by the Kuna women.  These people are tiny, tiny, so most of us will have to enjoy these blouses as textiles, although I suppose they could be altered to fit some of us more Nordic types.


Kuna mola blouses from Panama

Another major focus found at HeART of Healing's booth are scores of vintage Japanese kimono, both long and short.  Christi originally bought these for the fabric as many quilters enjoy working with it, but we have found that our customers also love wearing the kimono.  So, cut it up or put it on, it's up to you!


HeART of Healing's closet of Kuna blouses and kimono.


Kimono + windchimes = good feng shui at HeART of Healing!

Rayela Art's focus moves to Central and South Asia: textile stamps from Afghanistan, ralli quilts from Pakistan, and Suzani embroidery from Uzbekistan. 


Rayela Art's textile stamps are always a big favorite!


Ralli quilts: use them on your bed or hang them on a wall.




Rayela Art also carries tribal and vintage clothing, 
kilim rugs, Indian spreads and other textiles.

 
Uzbeki coat and sarong from Bali, both Rayela Art.


Both of our booths also have plenty of small gift items, jewelry and interesting crafts that are bound to find their way to someone's home.  HeART of Healing also has a nice display case filled with African beads and some nice sculptures, not pictured here. 



HeART of Healing: Chinese cosmetic pouches, 
Oaxacan carvings, and more!


Rayela Art: Chinese statues and Moroccan lamps.



HeART of Healing: bamboo woven porcelain, 
bone carvings, Quan Yin, and jewelry.



Rayela Art: natural seed jewelry, tribal necklaces

Between the two of us, anyone who loves cultural textiles and crafts are bound to find something they like!  Nikki May of IList Paducah was kind enough to mention us in her tour of historic Paducah's hot shopping spots.  We invite you to travel the world with us, sharing in this wonderful gift of creativity and talent that connects all craft and textile people to each other!

Both Rayela Art and HeART of Healing Gallery have shops on Etsy.

Learn more about us on our websites:


HeART of Healing




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Thursday, May 21, 2009

Pricing Your Product: Are You Charging Enough?

Olive Cloche by Delightworthyn, $120

Those of us who sell online often have problems figuring out how much to charge for the things we make. If we look around at what others are charging, we might find a huge disparity in price for similar items. There are several factors that come into play in deciding price point:

  • Motivation. Is this just a hobby? Do you sit in front of the TV at night and knit like a maniac, decompressing from the day's acivities? Do you end up with too many scarves, mittens, hats and sweaters? Too many to give away at Christmas? Why not sell them and at least pay for the yarn? Or, is this a business? You are your own cottage industry and you want to make a living by working at home, keeping your own hours, owner of your time and your life.
  • Cost of Supplies. Fabric, for example, can come cheaply by repurposing, thrift stores or sales. Or, you might pay $10 a yard for designer fabric. Silk and other specialty fabrics can cost $60 a yard or more. If you are producing an item as a business, you include the cost in your price point so that you can buy more supplies.
  • Time. How long does it take you to make something? Has some arthiritis slowed you down? Are you learning as you go? Or, are you whipping out several pieces a day? Can you keep up with having new and fresh inventory in stock?
  • Uniqueness of Product. You love beads and are stringing them into nice necklaces. Have you taken a look lately at what the competition is for jewelry? Yes, these necklaces may be nice, but how many millions of other people are doing the same thing, buying from similar suppliers, and making your window of opportunity more competitive?
  • Branding. You've been around for awhile now. You've worked hard for many years and finally people are buying from you because they want a piece of YOU. Your name has worth and adds value because there is market demand for the reputation you have created.

Felted Wool Hat with Roll Brim by Wool Mountain Studio, $30


I was recently accepted as a seller in 1,000 Markets, a new online juried marketplace for artists and crafters who sell quality products. I make hats and am a part of "just hats", a group of fellow vendors on 1,000 Markets who also make hats. The photos in this post are hats made by the members of this group. I thought it would help illustrate the discussion of price by showing different price points, materials and styles chosen by our members. All of these hats are available for sale at the writing of this post. You can visit the listing by clicking on the link in the photo description.


Mixed Rasta Tam by Truly Unique by Elise, $35

So, we all sell hats and we may have different reasons for why we price as we do. Some people try to figure out an hourly wage for themselves. I try to estimate time and hope to make around $15 an hour plus supplies. Can you knit or crochet a hat in under two hours? If so, maybe you can keep your prices at around $30 or $40 a hat. But, some people may not need the money and if they are just selling for fun, as a hobby, they might make something similar to your hat and charge only $15, creating a problem in the market, unintentionally, for those who really depend on their sales to pay their bills.

Painting with Yarn Hat by Wool Mountain Studio, $37

The sari hat below is one of my hats. This one was part of a production run where I made 10 similar hats in about three or four days. The materials were all free except for thread and the vintage sari borders. You can save time by sewing in a production mode where you do all the cutting at once, make stacks of the pieces and sew them in order, work on the finishing steps at the end. Almost everything I make, sells. Eventually. I made this hat two years ago. So, this is another thing to consider: Stock.

Vintage Sari Border Hat by Rayela Art, $40

If you are selling the things you make as a business, you have to have enough stock in hand to give customers choices in what they may want to purchase. Hats also have seasonal looks. A faux-fur hat probably will not sell in the summer to an American audience. Well, someone taking a trip to the North Pole might want it, but a business savvy entrepreneur will want to market their wares to the largest available public within their niche.

Purple Beauty Casual Hat by Marge Rohrer, $75


Figuring Price Out by the Hour

So, we've determined that $15 an hour might be an OK wage for making cool hats. How many hats do you have to make a living? Figure out what income you need to make in a month. Budget it all out. Include your living expenses, food, gas, car repairs, health insurance payments, rent, mortgage, etc. How about your business expenses? Marketing, fees, shipping supplies, and so on. Let's say you do that and figure that you need about $3,000 a month to pay for everything and have a little left over for fun stuff. $3K a month is the goal that I have set for myself, but I have cheap rent, so this might be really low for someone living in a more expensive area. I also don't have kids to support. I need to double my sales to reach my goal, but it is achievable. Remember, this is the worst economy since the Great Depression, so we all have to hang in there and hope that things will get better in time.


Gale's Force by Delightworthyn, $80

If 3K is the goal, how many $30 hats do you have to sell in a month? Well, that would be about 100 hats, or 3 hats a day. This means you also have to make at least 21 hats a week to keep your stock up. And, if you want to give your customers a selection, you need to have that surplus stock, so maybe you should think about making 30 hats a week. Can you do that? Is this a realistic production goal for you?


Prairie Point Crown by Rayela Art, $90

Figuring Price Out by Monthly Goals

Perhaps a better way to look at it is to think about that goal of 3K and work backwards. If you need to make $100 a day, what can you do to increase the value of your product? How can you tweak it so that it is coveted and can be sold for more. If you price your hats at around $50, you would only need to sell two a day. Or, if you are in the $100 range, you would only need to sell 1 a day.


The Carbuncle Hat by Rayela Art, $90

I could make the 21 hats a week if I set my mind to it. I worked this out a couple of years ago for myself and looked at what kind of production I would need to commit to if I wanted my primary income to come from the things I made. My problem is that I get bored with production. I can make a run of ten similar things, but then I want to do something else. There are so many ideas in my head that I don't have time to explore. So, in my business, I have chosen to focus on building the stock for my imported textiles and supplies and have that be my main source of income. My goal is to reach the point where I am replenishing rather than building stock, which will hopefully leave me time to have fun with my sewing. I will still want to sell it, but if I am not under production pressure, I can keep my work fresh for both myself and the customer.


Pillbox Hat by Banner Mountain Textiles, $125

But, for those who are living solely off the the things they make, my suggestion, especially if new to the business, is to have several price points. If you can stomach being in production mode, have a large inventory of products under $50. These are easier to sell, especially to impulse buyers. Then, start building a collection of more interesting work. Explore how you can make a name for yourself, find a niche that feels comfortable for you. Perhaps those hats that are priced over $100 will take longer to sell, but when they do, they will make up for the days with no sales. In the end, you need to find the right balance of products that can bring in the $100 a day that you need to meet your monthly goal.


Fey Series "Sand" by DreamWoven $168


Eggs in a Basket

You know the saying, "Don't keep all of your eggs in one basket." If you trip, fall, the basket crashes and you end up with broken eggs. I sell on Etsy, eBay and 1,000 Markets. I have a booth at Just English's Antiques in downtown Paducah. I also have some things on consignment at HeART of Healing Gallery. I've tried many different online venues over the years and if I had more product, I would be in more places. But, each location also involves a time commitment and record keeping.


Lillith Cloche by Tissage, $170


Figure out how much you can handle and try to find at least three different venues for your places. Markets cycle and when things are slow in one place, they might be better in another. You will also find that different venues support higher or lower price points. 1,000 Markets is still a new venue, but I have a feeling that it will be serious competition for Etsy down the road. Part of the reason is that they jury their stores and keep a high level of quality and originality in their mix. They are positioning themselves to interest people who are mature and have disposable incomes. Etsy has many wonderful qualities, but they have really targetted their audience to the younger indie crowd, creative people who are living on the edge and may not be able to spend as much. I believe that the $30 hats will end up on Etsy and the $100 ones will go over to 1,000 Markets. And, that is fine. If you can sell in both places and can make that $100 a day in combined sales, your goal has been reached!


Hidden Costs

That $15 an hour you are charging to make a product is also covering all the time it takes to photograph the finished product, list it, ship it, and keep track of records. Each venue you sell in most likely has a community that wants some of your time. Then you blog, twitter, network on facebook and so on. These are your hidden costs for marketing those hats you are making. Is $15 an hour really covering your materials, ideas, marketing and running the business? Think about it....

Amelia by DreamWoven, $325

The Final Price

The reality for most of us is that we cannot reach those financial goals we set for ourselves. Most of us need to take on part-time jobs in the "real" world to subsidize our dreams of becoming self-employed. The lucky ones have spouses or other income that support their work so that they are not sales driven. But, whatever the scenario, take a look at what you are making and give yourself an evaluation. Are you charging enough for what you make? Those who underprice their products do a disservice to the rest of us in the art business community. Yes, we all want to sell, but not charging a fair price makes it harder for any of us to succeed. Why? Because those who underprice create the same market for cheap products, side-by-side with sweatshop factories and subsidized imports from China. How we each price our products makes a statement on who we are collectively, as a people. By respecting our own work and the materials that went into them, we extend that respect to the community at large.


Tulip Couture Hat by Tissage, $900


I would love to hear some comments on this. Do you have a formula you use to price your products? As a consumer, how do you look at pricing when you buy something handmade? This is a tough issue on both sides, so I am sure that there are plenty of insights out there to help us all along.



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Saturday, April 25, 2009

Fabric: The Search for the Perfect Piece Transforms Paducah During the AQS Show

Beautiful Batiks from Indonesia, A Favorite Among Quilters

If you are a quilter, you most probably have a stash of fabric that's taking over part of your house and your life. Quilters need a selection to pick from and that elusive perfect color or design ever calls us to adding to our stash, "just in case"... For some, it can actually become a disease, an urge to have and collect more than could ever possibly be used in a lifetime. Most artists struggle with this need to have supplies on hand, "Oh, I will use it someday..." which competes with the reality of storage demands and the ever-present war against clutter.

Rolls of complimenting colors allow a quilter
to have a nice selection without purchasing too much fabric.


At almost $10 a yard in most specialty stores, purchasing fabric can be a serious financial investment. So, a quilter will go glassy eyed when they see fabric on sale. And, when you have a large gathering of quilters such as the AQS Show in Paducah, a whole city will transform itself to try to meet this need and reinvent itself in fabric opportunities. Paducah is known as "Quilt City, USA" and local businesses join in the fun, hoping to attract visiting quilters in for their non-fabric wares.

"How about a coffee and cookie, dear Quilter?"

The show itself is hosted in the Convention Center which is located right on the river, downtown, within walking distance from the Quilt Museum and the downtown businesses. Half of the space at the Convention Center is dedicated to vendors who come with their wares from all over the world. Then, AQS sponsors other sites around town for satellite vendors.

The Finkel's Building downtown on Kentucky Avenue,
normally empty, becomes a satellite space for AQS during the Quilt Show.


Non-AQS businesses and groups also set up vending opportunities. The Rotary Club of Paducah/McCracken County hosts an annual show of antique quilts and also rents vendor spaces.

The guys at the door collect $5 per visitor, money that is used to fund educational and scholarship programs.

Inside, quilters become inspired by the quilts they see.

Inspiration leads to temptation.... "Hmmm.... I think I need some more fabric for my stash..." Vendors are there to supply the need. "What to get? What to get? ..."


Fabric makes the quilting world go around.



And, for those who don't want to go to the trouble of making it, there are plenty of lovely finished quilts available...



Oh, and quilters also need their tools: scissors, thimbles, thread, templates, batting, rulers, glues, special paint sticks, and on and on. Every year there are new inventions that help expand the quilter's universe of possibilities.

Quilting templates, a coveted accessory for some.

Many of these things are not easily accessible in most towns or cities. You can find almost everything online, but that's never the same as seeing something right in front of your face where you can size it and touch it. And, of course, there are all those one of a kind pieces that you will not see on the internet, things that can be incorporated into a quilt, or that you just have to have.

Vintage lace and doilies.

Informal vendors also have wares to sell. The streets are filled with tents and people trying to get in on the action.

When else will Paducah fill up with 30,000 women or more, all with big bags they just might fill?

Charter buses take the quilters to the different points in the city that have vendors or exhibited quilts. Parking, of course, becomes difficult downtown. A couple of fun modes of transport include the trolley or you can go by horse and buggy!


Paducah's trolley.

Horse and buggy, a fun way to see Paducah's downtown.

Others just enjoy being outside and seeing the city come alive. I ran into my friend, Stefanie Graves of Cowango, working on a watercolor down by the gazebo.

Stefanie Graves talking to a visiting quilter.

One of the best things about this invasion of quilters and vendors in Paducah is that most of the people that come are really, really nice. (Note emphasis on Most...) This kind visitor took a photo of Stefanie and me. She modelled Stefanie's hat...



Me with Stefanie Graves.

Well, I had done my rounds and it was time to get back to work. Yep. I'm a vendor, too, hoping like everyone else that some green dollars will make there way into my grubby hands... My niche is a small but special one in the quilting world. I sell ethnic textiles online and in my permanent booth at English's Antiques at 212 Broadway, downtown Paducah.

Rachel Biel Taibi of Rayela Art

You can find the links to my stores on the third column of this blog. Rayela Art has stores on Etsy, eBay and 1,000 Markets. They are a bit depleted right now as I pulled a lot out for the show, but will be restocking soon.

I find it fascinating to see what people do with their hoards of fabric. I have my own stash that keeps growing and am committed to also using it up, making new pieces as time goes on. I always push myself to learn something new, to push the boundaries of what I have seen and translate it into something that becomes mine. Sometimes it works and sometimes it's an "Now what have I done?" experience. I am definitely inspired by cultural textiles, but also by contemporary fiber artists. The possibilites seem limitless...

Today is the last day of the show here in Paducah. Life will resume its normal pace and we will all play with our new fabric and supplies. We are all grateful for those of you who have been here and hope to see you again next year. And, for those of you who have not been to Paducah, do visit us sometime! It's a great community with wonderful galleries and year round, we are

"Quilt City, USA"!!!



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