TAFA: The Textile and Fiber Art List

Showing posts with label Sewing. Show all posts
Showing posts with label Sewing. Show all posts

Thursday, September 30, 2010

A Different Memory Quilt: Mom and Dad's 50th Anniversary

Donna Rae Gislason and Cliffored Eugene Biel

This year Memorial Day weekend was a special time indeed.  My parents celebrated their 50th anniversary in Wisconsin.  There was a big party organized by my brother and sister-and-law at a hotel, my sister had worked on invitations, sang at the reception, put party favors together, and I offered to make a memory quilt for my parents.  Ha!  I knew that it couldn't be big as their wall space is already loaded with the memories 50 years can accumulate.  And, as my mother told me many Christmases ago, "Please!  No more art!"  She just didn't know where to put it all and it ended up in drawers.

So, the challenge was to come up with something that they would want to display, that would not be too intrusive and that could reflect my genius.  Heh, heh.  I chewed and chewed and chewed on ideas.  The celebration was getting closer and closer.  (I had had TWO years to get this together, but of course....  procrastination is queen.)  I toyed with an idea of creating something that could be hung on the wall or folded into a box.  As my parents have had Christ and the church as the anchor of their lives, I was trying to figure out how to make a cross shape work in that way.  If you flatten out a box, it will look like a cross...  Well, I gave up.  I ended up making a "book" with memory pockets.

"50 Years", Memory Quilt by Rachel Biel, front

I transferred four of their wedding photos on to fabric and stuffed the inside with cardboard to stiffen the panels.  The panels are held together with vintage sari fabric and decorated with vintage lace and fresh water pearls.  The whole thing can be folded up and stored as a book.  One structural headache was figuring out how to make the piece stable enough to stand upright an yet have enough room to fold it up.  This was resolved by crimping the sari fabric at the top with decorative clamps, not pictured here.


"50 Years", Memory Quilt by Rachel Biel, back


The back of each panel has a pocket for memories.  I used vintage crocheted doilies to make the pockets.  Then, I sewed little sachets out of old photos, also transferred on to fabric, and stuffed them with lavender.  A friend from Brazil made a booklet for them which fits in the pockets and an aunt also came up with a little collage.  The pockets also hold all the cards they got at the reception.

Each panel was machine quilted, front and back, before I assembled them together.  The tricky part was flipping the panels once the sari borders were added.  I closed the tops with  a fiery red trim that also has some symbolism, at least for me.  Flames often adorn the tops of Mexican religious popular art.  In this piece, these are the flames of love.


"50 Years", Memory Quilt by Rachel Biel, detail, cake





Cliff and Donna Biel, September 2010

Fifty years is a long time to be married, especially nowadays when 25% of couples in the United States choose to live together in partnership rather than being married.  My own marriage only lasted for four years.  Are my parents soul mates?  Their personalities are very different from each other, as are their interests and hobbies.  I'm sure that this has been a source of frustration from time to time, but I cannot imagine one without the other.  All of us are rather eccentric, difficult people in our own way, but at the core of their marriage is the belief that their union is holy, set apart to do God's work.  Within that framework, they bend and accept and work towards becoming a better partner for the other.  It is not a perfect marriage, but one that I tried to emulate.

"50 Years", Memory Quilt, detail, Hope Lutheran Church


A year after they were married, I was born.  Six months later, they took off to Brazil for 18 years of service as Lutheran missionaries.  They were 24 and 26 years old.  Babies, it seems now.  They went through language school, immersed themselves in a culture that experienced profound transformations while they were there, and gave each of us a childhood we will never forget.  I have started to document some of this in my blog, Biels in Brazil.


Relatives whom I had not seen for years and years came to the reception, a wonderful reunion!  One of my aunts brought a gift which was very exciting for me and this blog that I am working on.  She had saved the letters my mother had written during their early years in Brazil.  Loads of them, packed with interesting information of life in Brazil during that time.  I will slowly transcribe these letters to that blog.

Another highlight at the reception was a viewing of the dress my mother wore for her wedding.  The dress had originally been made for my aunt LaVonne, who married my Dad's oldest brother the year before.  Stan and LaVonne are my godparents.  Many years later, Laurie, their daughter, also wore the dress in her wedding.  My sweet niece, only 11 yeas old, modeled the dress and all former brides posed with her.

 
Wedding dress with former brides.

Fifty years points to one undeniable and inescapable truth:  we are all aging.  My parents are now in their 70's, I am approaching 50 and my brother and sister agree, "Yes, my hips hurt, too."  We have almost lost my father twice now, once to a diabetic coma and once to heart disease.  We came together to celebrate a life well lived, while lurking behind that joy is the certainty that we will also come together to bury one another.  Who will be around ten years from now?  We don't know.  What we do know is that their love for each other and for each of us empowered us to come into our own selves fully and with courage.  Within our flaws, weaknesses and failures, there is also the certainty that we have been loved, accepted, forgiven and blessed.



Was my gift a success?  My father wrote me in a thank you note:

"Dear Rachel,

The celebration of our golden was golden indeed.  Thanks for being a part of it.  We appreciate all of the hours of work and creative effort it cost to make the quilted family panel you made.  We will always cherish it.  Donna is already making plans of where she wants to take it and who to show it to.

You children are all so special to us!  Each is so different from the other.  Each is gifted in a different way, yet the bonds of love and faith hold us powerfully together.  

Again, thank you!

Love, Dad



Yes, it seems that they liked it.  However, I am the one who is filled with gratitude.  Mom and Dad, I thank you for those fifty years of love and example that the two of you have given us.


"50 Years", Memory Quilt by Rachel Biel, detail, Kiss



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Wednesday, May 12, 2010

Sari borders! A great way to make your sewing projects look rich and royal!

Vintage sari (saree) border, available on Rayela's Etsy shop.

I just listed several vintage sari borders on Etsy.  Hmmmmm....  Do I really, really want to sell them?  No, no, no!!!!  I want them!  Oh, the difficulty of parting with such gorgeousness!  But, I have my own stash, so I just have to do the right thing and pass them on to others who will also know how to use these wonderful remnants.


These sari borders are all from India, rayon, and commercially manufactured.  At least, I assume that none of them have been hand woven.  They are probably around 20 years old, salvaged from saris that became worn, torn, or stained.  Handwoven saris from the good old days actually included real metal threads in the brocade (silver, copper, brass, and even gold).  Until around the 1970's, those old saris that were damaged were burnt to recover the metal content.  Then, the fiber lovers from the West started buying up vintage textiles in Asia and a new market opened up for salvaged textiles.  Now, there are many cottage industries in India and Pakistan that work solely with these salvaged textiles, making quilts, pillows, bags and other things out of the handmade embroideries and weavings so abundant in their ancestral traditions.


The great thing about these sari borders is the length.  Most of the rolls I listed have around 7 yards of length to them, plenty to work with in any project!  Because of their age, they do have weak spots and small tears.  I usually use a light fusible backing to support those areas.


The rich colors and metallic threads transform plain fabrics and projects into royal beauty!  Those of you who enjoy a Victorian look will especially love what the borders can do for your projects.  Imagine them accenting curtain bottoms in a room that blends old and new....  Ah, yes!



Rayela Art hats, using ultrasuede and vintage sari borders.



I've used the sari borders in hats, bags, pillows and in one quilt.  Projects need to take into consideration the fragile nature of the borders.  So, using them on a jean jacket or a purse that will take a beating might not be the best use of the trim.


 Rayela Art evening bag: ultrasuede, sari border, beads and trim.

I had great fun using the borders in a quilt that I made for a friend.  I really need to get a better photo of the quilt, but here is one that will at least give you an idea of how the border was used:




The border frames the top and bottom of the quilt.  You can see the top here.  This is a huge quilt, part of the reason why I haven't gotten a good photo of it yet.  Terribly difficult to display with proper lighting.  It took me nine months and over 1,000 hours to make.  

There.  Now you have an idea of what you can do with these vintage sari rolls.  Click here to see what is available on my Etsy shop.  If I am out of stock, know that I will get more in soon.  Have you used these in your work?  I would love to hear about your ideas on how to use them, too!





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Thursday, September 3, 2009

Where Quilters Quilt by Donna Hussain

Donna Hussain quilts in her bedroom.

Most professional quilters have a studio dedicated to their quiltmaking, either commercial space or a studio addition to their homes. Other quilters sew on the dining room table which must be cleared of their sewing activity at mealtime. In between these two extremes are quilters who share hobby space in crowded households with other family members. Their challenge is to find a nook where they can sew undisturbed and crannies for the storage of their fabric and supplies. Most of these quilters do not have a sewing room of their own until their children grow up, move out, and leave an empty bedroom behind.

My sewing area is at one end of our master bedroom. The work surface for my sewing machine and cutting mat is a flat door that I bought from Home Depot which I’ve set on table legs belonging to an old desk. The size of the door is particularly useful when machine quilting because it can support a large quilt under construction. Unfortunately, the placement of my cutting mat is too low for back comfort. Another disadvantage of the mat location is that I have repeatedly cut the cord used to raise and lower my window blind. The cord somehow gets buried in material waiting to be cut into patchwork strips, then gets sliced by my rotary cutter.

Wire baskets used for fabric storage,
the quilter's stash.


I store fabric scraps in small wire baskets that sit on the rungs of a closet ladder leading to the attic. A wide wire rack nearby holds the rest of my stash. I no longer buy yards of fabric on a whim. The only fabric I purchase is material needed for a quilt under construction.

Threads and quilting tools kept in storage bins.

My design wall is a piece of foam wallboard on which I pin blocks and quilt top sections as they are sewn. I like the ease with which I can move the wallboard from room to room to catch the best viewing light. Finished quilts are stored on the two mattress of a trundle bed in the guest bedroom. The drawback is that I must fold and stack the quilts in the master bedroom when we have house guests. Beads, trim, and doodads fill plastic boxes on the floor of my husband’s closet. Thread and quilting tools are kept in a colorful drawer set bought at Costco (warning: the drawers tend to slip out of their support tracks). Projects in progress fill red plastic stacking containers.

While working on this article I visited the homes of several of my quilting friends to document where they sew and how they organize their fabric and quilting supplies. It was obvious from the moment I stepped through their front doors that I was entering the homes of quilters. The walls of every room were decorated with hanging quilts. Closets and cabinets were filled to overflow with fabric and supplies, while sewing machines, irons, and cutting boards were set up ready for action.

Quilting in the family room.

Ruth quilts in her family room, a room that also has a couch and TV for family relaxation and entertainment. The cabinet which supports her sewing machine has a folded leaf to one side that can be lifted to give Ruth a wide surface for her cutting mat.




Shelves along the wall contain her quilt books, fabrics and a small ironing station for patchwork projects.



Blanche has created quilting workstations in two small rooms of her trailer.

PVC leg extensions help reduce back pain
at a quilter's cutting table.


One of her cutting tables is raised in height with PVC leg extensions, a good idea for back comfort.

Movable wire baskets allow for mobility of quilt projects.

She also has several stacks of wire baskets on wheels for fabric and quilting tools that can be stored in a closet or moved from room to room. Blanche is so organized and neat that she leaves no trace of her sewing when she quilts in the living room, at the dining table, or on her porch. This amazes me because I make a mess when quilting: dropped pins, fabric scraps everywhere, scissors and other tools lost, thread stuck to my clothing, and stacks of fabric spread across the floor.

Quilters fill their closets with fabric and supplies.

Janet’s children are grown so she can use their childhood bedrooms for her quilting hobby. Since Janet is very productive it was not surprising to find her sewing rooms and closets filled with fabric and sewing supplies.

Flat labeled boxes used for quilt UFOs.

She even has shelves for boxed UFOs (unfinished projects).


But she still sews on the dining room table when machine quilting large quilts.

For years Juanice stowed her quilting supplies in a corner of the kitchen, and sewed on the kitchen table between meals. When her daughter grew up and moved away Juanice acquired a sewing room. A few years later, Juanice’s husband initiated another room switch to give Juanice more room to sew. He moved their bedroom furniture into the sewing room where the couple now sleeps giving Juanice their master bedroom for quilting.

Using a computer table as a sewing space.

Quilter's fabric stored in cardboard boxes.

Juanice has many good ideas for organizing a sewing room. For example, her sewing machine sits on a computer table bought at Staples. Note the large roll of batting stored in the corner behind her machine. Juanice packs her fabric sorted by color in large cardboard boxes on shelves designed for garage storage, and she keeps her thread in transparent plastic boxes bought at a toy store for collections of “Hot Wheels.”

Hot Wheels case used to organize quilting thread.

Joyce quilts in a former carport converted into a quilting studio by her husband many years ago. What impressed me most is how well the room has been designed to meet Joyce’s quilting needs. The room is spacious, yet colorful and cozy.

A lucky quilter might get a whole carport or garage
to meet her needs.


The walls are lined with open-shelf storage, and enough floor space to set up more than one sewing machine. It has a built-in design wall, a white board, and wall space for pinning memos and photos. Joyce is constantly at work in the studio and invites her quilting friends, her art quilt circle, and our guild’s Community Service Committee to her house to sew on a regular basis.

All of the women in this article and thousands more throughout the country make beautiful quilts that they gift with love to their family and friends. They also generously donate their quilts to sick children, the elderly, disaster victims, and others in need. I feel honored to be part of this quilting community.



California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles.


The photo shows Donna with her husband, Pascha.




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Wednesday, August 5, 2009

Quilters Join Crafters in Making Decorative Postcards by Donna Hussain

Transform your fabric scraps into beautiful postcards!


My stash of fabric scraps left over from quilting is taking over the closet of my guest bedroom. Although I try to diminish the scrap piles by using the fabric for accent colors in new quilting projects, my stash continues to grow. Could it be true that scraps stored in a dark warm place multiply?


My friend, Lyn Strauch, who shares my love of quilting, recently introduced me to new creative activity: making decorative postcards from colorful fabrics, buttons, sequins, fancy threads, paint, stamps, trim and assorted doodads to send to friends and loved ones. If addressed and stamped, the US Post Office will deliver the postcards by mail. While a quilt takes months to sew, a decorative card takes only an hour or two to make. We quilters already have most of the needed supplies on hand. Our pleasure is threefold: we enjoy the creative process of making the postcards, we bask in the delight and smiles of those who receive our cards, and we rejoice in finding a use for fabric in our stash.


Several weeks ago my art quilt circle spent a very pleasant Sunday afternoon making decorative postcards under Lyn’s guidance. I learned many useful tips from Lyn that I now share with you.

Getting instruction from Lyn Strauch.


Lyn Strauch teaching a class on fabric postcards.


Supplies and Directions

Cut Timtex or Peltex available at fabric stores into 4x6 inch rectangles, postcard size. These stiff products are used for the postcard base. One side of the card is for the mailing address and message. The other side is decorated with fabric and embellishments that are fused, machine sewn, glued, painted, stamped, or hand-stitched to the surface.

All kinds of remnants can be used in a fabric postcard.

The decoration is made by a selection of:
Fabric scraps
Beads
Decorative threads
Rickrack
Buttons
Crystals
Sequins
Yarns
Ribbons
Fabric trim
Found objects
Tulle
Netting
Stamps
Paint
Rosettes
Doodads


Fusible web products like Wonder Under or Steam a Seam are used to fuse fabric designs to the card. Iron these fusible products to the back side of your chosen fabric before you cut the fabric into desired decorative shapes. Some Peltex products are manufactured with a fusible web surface, but you will still need a fusible web product for layered fabric designs.


CAUTION: Cover the ironing board surface with parchment paper or an appliqué press cloth before you begin to fuse. Without this protection your ironing board cover may be damaged with sticky fusible web scraps. In addition, always place an appliqué press sheet between your iron and the items you are fusing. Without this interface you risk permanent damage to your iron.


Fuse muslin or a light-colored solid fabric to the message-address side of the card. Write the word POSTCARD with a pen along to top edge of the card (a Post Office requirement), then draw a vertical line down the center of the card to separate the left-hand message area from the address area to the right.


Sew borders for your postcards with your sewing machine using the satin stitch, blanket stitch or zigzags. Decorative machine stitching can also be used in the embellishment of your cards.


The post office should have a standard rate for mailing decorative postcards. Unfortunately, the rate seems to vary from one city to another. So take your decorated cards to the post office to check the mailing rate. Flat postcards should need only a postcard stamp. If the card has heavy decorations it may require the stamp rate of a letter. If you have decorated the card with three-dimensional protruding objects, like shells, you will be required to send the card in a padded envelope.


Lyn has a collection of over one hundred fifty decorative postcards that she has made or received from others in postcard swaps. The postcard photos in this article are from her collection. To learn about swap options, type the words Yahoo Groups Postcards in the search window of your computer. You can join a group that interests you by asking to enroll as a member. When a new swap is posted you learn the theme of the swap, for example Purple, Autumn, Triangles, or Warm, and the date your postcards are due. You later have the pleasure of receiving postcards in return from your swapmates. Sounds like fun.

Lyn Strauch with her postcard collection.

For further information on making decorative postcards, I recommend (click on the links to go to Amazon):

Fast, Fun, and Easy Fabric Postcards
by Franki Kohler



Quilt Designs for Postcards
by American School of Needlework



Positively Postcards
by Bonnie Sabel and Louis-Philippe O’Donnell






California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles.


The photo shows Donna with her husband, Pascha.




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