Showing posts with label Bill Carman. Show all posts
Showing posts with label Bill Carman. Show all posts

Monday, May 17, 2010

MicroVisions 5 auction now live!

MicroVisions 5 auction is now live on eBay.
Opening bids start at $50.00.
Auction ends Wednesday, May 26th.

Each year, Dan Dos Santos and I ask about a dozen artists to create a 5x7 painting of their choosing. These miniatures are exhibited at the Society of Illustrators and placed on auction with all proceeds going to the Society’ student scholarship fund.

This year’s contributors pulled out all the the stops and created an amazing exhibit. A huge thank you to the artists that have given so generously of the time and talent: Scott Altmann, Scott Bakal, Rick Berry, Bill Carman, Jon Foster, Donato Giancola, Michael Kaluta, Tim O’Brien, Omar Rayyan, Allen Williams, and Boris Vallejo.

The Society Scholarships are among the illustrations industry’s toughest awards. Less than two hundred students are chosen to be in the exhibit from nearly 6,000 entries—about half of them earn cash awards. Not only do these awards help subsidize students financially, they also go a long way to boost the confidence of young artists (and their nervous parents) by proving their voices stand out amongst thousands of others. It’s never long before you start seeing the winners on their way to becoming the field’s biggest names—John Jude Palencar, James Jean, Tomer Hanuka, Dan Dos Santos and hundreds of others since the Scholarship’s inception in 1981.

For those of you in New York, the exhibit is on display at the Society of Illustrators through May 22nd.

Saturday, April 03, 2010

Bill Carman’s MicroVisions

Bill Carman gets the gold star for being the first artists done with their MicroVision. Hurray. And he has set the bar high.

Thank you, Bill!

I love that his paintings suggest some kind of strange narrative but are never spelled out. Instead, the we are left playfully wondering, what on earth is going on there.

I haven’t sen the original yet but he’s tells me it is painted on copper — I can’t wait to get a hold of it, if only for a short while.

This painting, and a dozen others, will be up for auction in early May. More about this year’s MicroVisions auction here.

RELATED:
Interview with Bill Carman here.

Saturday, March 13, 2010

MicroVisions 5. Or, The Return of 5x7!


Think small.

Each year, Dan Dos Santos and I organize “MicroVisions”, an exhibit and auction to raise money for the Society of Illustrators’ student scholarship fund. Over the past four years it raised $20,000.00 which was given directly to students displaying exceptional promise in illustration.

I am proud to announce this year’s line-up of participating artists. I cannot thank these guys enough for dedicating their time and talent to this endeavour. To carve out time for anything beyond work and family is not a trivial thing to ask, so, applause to:

Scott Altmann
Scott Bakal
Rick Berry
Bill Carman
Jon Foster
Donato Giancola
Michael Kaluta
Tim O’Brien
Omar Rayyan
Jordu Schell
Allen Williams
Boris Vallejo

Bravo guys! Rest assured, the students really appreciate the support these scholarships represent.

The works will be on display at the Society beginning April 26th. Painting and auction updates as I get them.

RELATED: Past MicroVisions here.

Thursday, October 23, 2008

Bill Carman and Altoid Tins, together at last.

Sorry, I had to do two Bill Carman posts in a row because, well, Altoid tins. Provoking minty freshness.

Wednesday, October 22, 2008

Bill Carman on Tor.com

There's an interview with Bill Carman on Tor.com.

I have always enjoyed seeing Bill Carman's work in Spectrum throughout the years. His images suggest some kind of odd narrative but they are never spelled out. Instead, the viewer is left wonder what on earth is going on in there. About a year ago I had the true pleasure of seeing a few of his paintings and drawings in the flesh He had a number of them included in the Society of Illustrator's Annual exhibit, including a medal. I was surprised how tiny they were, often not much than 5x7. It forced the viewer to come up close and focus carefully, increasing the desire to fall right into the wonderfully weird worlds depicted.

"I rarely start with a specific story in mind unless one is given to me as an assignment. Rather a story develops as I work or is revealed when a piece is finished. The figures and images can come from stories, usually autobiographical, but take on a life of their own. Certain images repeat themselves because of my history."

Go check out the rest of what he has to say.