I Speak Fluent Giraffe, the reluanch

I am super excited to be continuing Jason Henninger’s I Speak Fluent Giraffe, beyond his previous Cthulhu inspirations. He will be writing a series of crazy-but-in-the-good-way poems, stories, autobiographical oddities, and various undefinables.

Much thanks to Greg Manchess for the logo above, with an assist from Jamie Stafford-Hill. (Hmm, maybe another process post is in order?)

Brain Elig will continue to illustrate each story. Jason and Brian have never met but they make a great pair. If anyone could, Brian seems to “get” Jason.

Brian Elig and Neil Gaiman’s I, Cthulhu

Just showing off the sketches for Brian Elig’s illustration for Neil Gaiman’s very funny “I, Cthulhu, or, What’s A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This”.

There was a third drawing which became a Christmas greeting for Brian.

Brian Elig speaks Girrafe. And other stuff.

We started a new series on Tor.com, I Speak Fluent Giraffe, featuring the insane grumblings of one Jason Henninger. Throughout December that means grumblings of a Cthulhuian nature, afterwards it will branch out (as if anything could be beyond Cthulhu's reach.) Only one episode old right now, but this series will grow fast as a Dunwich child.

Check out: I Speak Fluent Giraffe.





The Cthlhu poems will be illustrated by Brian Elig. I was very excited to work with Brian. I met him a few years ago when Jon Foster asked me to speak to his RISD class. (There must have been something in the Providence water that year -- Wesley Allsbrook was in that class and she went on to create some great comics for us.)

I loved Brian's work and would visit his website a few times a year since that lecture. Honetsly, I doubted I'd have an assignment with the right mix of creepy sweetness that is in so much of Brian's work. Thankfully, Jason Henninger's whimsical poems about horrible evils were a perfect match.

Two nights ago I was giving a lecture to Soojin Buzelli's SVA class. The Brian example reminded me to tell the students the unfortunate truth about marketing -- you never know what is going to work or when it will work. A postcard sent today might get you work right off, or, it may stay tacked to an AD's wall for years before they call. I'm constantly going through years old Spectrums. A promising portfolio review my stick in my mind for ages before I have the right assignment. There's no way around it: Emerging artists need to take advantage very means of showing their work, update those efforts, and try to stay confident that steady progress in their work (artistically and marketingly) will pay off in the end. It's hard work to keep that faith up. Hats off to you guys. I couldn't do it.