Showing posts with label David Levinson. Show all posts
Showing posts with label David Levinson. Show all posts

Sunday, August 8, 2010

David Levinson on editors who edit the book they wish they'd bought.

Thursday, July 22, 2010

Up in Prenzlauerberg visiting David Levinson. I called David this morning and asked if I could come up and stay with him for a week and he said yes, so here I am. David is reading out, incensed, from a book by Annie Dillard.

David: I don't know. I don't know what to say any more.

David reads an interview he gave on the Prairie Schooner blog.

D says he talked to a writer who said You know Helen DeWitt! and said everyone in New York loved The Last Samurai. I subject David and Gerrit to the Broken Record.

Realise that I have been posting on blog in ratty frame of mind and should probably not have made unkind comparisons between John Sullivan and Leonard Woolf.

Emily Horne of A Softer World has agreed in principle to collaborate with me on a project on Photography and Prose for SF Cameraworks.

Thursday, June 17, 2010

I got a text message last night from Jeff Treviño, a musician living in Berlin, suggesting I meet him and a friend at Nollendorfplatz. Tired, depressed, in no mood to go out and talk to people but what good is sitting alone in your room. Went over to Nplatz. Found JT and David Levinson standing outside the U-Bahn. We went down to Winterfeldplatz in search of a place with no zuzuvelas.

Talked at breakneck speed to DL while JT explained that this was the first time he had been out with me that people at a nearby table had not moved away. DL enlightening on terrifying biz and just generally very very funny. We went off to Bilderbücher for coffee. DL said I talked like David Mamet (or possibly a Mamet character) - either way, this had to be the nicest thing anyone has said to me ever.

JT told a story about playing Webern's Variations for Piano Op. 27 for an audience which turned out to include Charles Rosen. At the end there was a Q&A at which Rosen raised his hand and said, first, that he liked JT's performance better than any he had heard, including that of Peter Stadlen.
Rosen then said JT was playing a dotted 16th note (I think) too long.

Went home happy, excited, full of energy.